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  • 1
    Online Resource
    Online Resource
    London [England] : Ava Academia | London [England] : Bloomsbury Publishing
    UID:
    gbv_1786455633
    Format: 1 Online-Ressource (240 pages)
    Edition: First edition
    Edition: Also published in print
    ISBN: 9781501346903
    Content: Chapter 1: The culture of health and illness -- Chapter 2: The 'Picturesque unfitness' of Robert Louis Stevenson -- Chapter 3: Therapeutic living in Dublin -- Chapter 4: Chasing a cure in Cornish -- Chapter 5: Compensatory collecting.
    Content: "In 1901, the sculptor Augustus Saint-Gaudens proclaimed in a letter to Will Low, "Health -is the thing!" Though recently diagnosed with intestinal cancer, Saint-Gaudens was revitalized by recreational sports, having realized mid-career "there is something else in life besides the four walls of an ill-ventilated studio." Health and Illness in American Gilded-Age Art puts such moments center stage to consider the role of health and illness in the way art was produced and consumed. It is the first study to address the place of organic disease-cancer, tuberculosis, syphilis-in the life and work of Gilded-Age artists. It demonstrates how well-known works of art were marked by disease, arguing that art itself functioned in medicinal terms for artists and viewers in the late nineteenth century. Not merely beautiful or entertaining objects, works of art could function as balm for the ill, providing relief from physical suffering and pain. Art did so by blunting the edges of contagious disease through a process of visual translation. In painting, for instance, hacking coughs, bloody sputum and bodily enervation were recast as signs of spiritual elevation and refinement for the tuberculous, who were shown with a pale, chalky pallor that signalled rarefied beauty rather than an alarming indication of death. Works of art thus redirected the experience of illness in an era prior to the life-saving discoveries that would soon become hallmarks of modern medical science to offer an alternate therapy."--
    Note: Includes bibliographical references and index , Also published in print. , Mode of access: World Wide Web. , Barrierefreier Inhalt: Compliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily
    Additional Edition: ISBN 9781501346873
    Additional Edition: ISBN 9781501346897
    Additional Edition: ISBN 9781501346873
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 9781501346873
    Language: English
    Keywords: Electronic books
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Online Resource
    Online Resource
    London :Bloomsbury Visual Arts,
    UID:
    almafu_BV047700573
    Format: 1 Online-Ressource (xiv, 226 Seiten, 7 ungezählte Seiten Bildtafeln) : , Illustrationen.
    ISBN: 978-1-5013-4690-3 , 978-1-5013-4689-7
    Content: In 1901, the sculptor Augustus Saint-Gaudens proclaimed in a letter to Will Low, “Health—is the thing!” Though recently diagnosed with intestinal cancer, Saint-Gaudens was revitalized by recreational sports, having realized mid-career “there is something else in life besides the four walls of an ill-ventilated studio.” Health and Illness in American Gilded-Age Art puts such moments center stage to consider the role of health and illness in the way art was produced and consumed. It is the first study to address the place of organic disease—cancer, tuberculosis, syphilis—in the life and work of Gilded-Age artists. It demonstrates how well-known works of art were marked by disease, arguing that art itself functioned in medicinal terms for artists and viewers in the late nineteenth century. Not merely beautiful or entertaining objects, works of art could function as balm for the ill, providing relief from physical suffering and pain. Art did so by blunting the edges of contagious disease through a process of visual translation. In painting, for instance, hacking coughs, bloody sputum and bodily enervation were recast as signs of spiritual elevation and refinement for the tuberculous, who were shown with a pale, chalky pallor that signalled rarefied beauty rather than an alarming indication of death. Works of art thus redirected the experience of illness in an era prior to the life-saving discoveries that would soon become hallmarks of modern medical science to offer an alternate therapy.
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-1-5013-4687-3
    Language: English
    Keywords: Kunst ; Medizin ; Krankheit ; 1850-1894 Stevenson, Robert Louis ; Bildnis ; History ; History
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    Book
    Book
    London :Bloomsbury Visual Arts,
    UID:
    almafu_BV048990349
    Format: xiv, 222 Seiten, 8 ungezählte Seiten Tafeln : , Illustrationen.
    ISBN: 978-1-5013-4687-3
    Content: In 1901, the sculptor Augustus Saint-Gaudens proclaimed in a letter to Will Low, “Health—is the thing!” Though recently diagnosed with intestinal cancer, Saint-Gaudens was revitalized by recreational sports, having realized mid-career “there is something else in life besides the four walls of an ill-ventilated studio.” Health and Illness in American Gilded-Age Art puts such moments center stage to consider the role of health and illness in the way art was produced and consumed. It is the first study to address the place of organic disease—cancer, tuberculosis, syphilis—in the life and work of Gilded-Age artists. It demonstrates how well-known works of art were marked by disease, arguing that art itself functioned in medicinal terms for artists and viewers in the late nineteenth century. Not merely beautiful or entertaining objects, works of art could function as balm for the ill, providing relief from physical suffering and pain. Art did so by blunting the edges of contagious disease through a process of visual translation. In painting, for instance, hacking coughs, bloody sputum and bodily enervation were recast as signs of spiritual elevation and refinement for the tuberculous, who were shown with a pale, chalky pallor that signalled rarefied beauty rather than an alarming indication of death. Works of art thus redirected the experience of illness in an era prior to the life-saving discoveries that would soon become hallmarks of modern medical science to offer an alternate therapy.
    Additional Edition: Erscheint auch als Online-Ausgabe, PDF ISBN 978-1-5013-4689-7
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-1-5013-4688-0
    Language: English
    Keywords: Kunst ; Medizin ; Krankheit ; 1850-1894 Stevenson, Robert Louis ; Bildnis ; History
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
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