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  • 1
    Online Resource
    Online Resource
    Cambridge, United Kingdom ; New York, NY :Cambridge University Press,
    UID:
    almahu_9949080431302882
    Format: 1 online resource (xix, 327 pages) : , digital, PDF file(s).
    ISBN: 9781108914048 (ebook)
    Series Statement: Asian American literature in transition ; volume 1
    Content: The years between 1850 and 1930 witnessed the first large-scale migration of peoples from East Asia and South Asia to North America and the emergence of the US as an imperial power in the Pacific. This period also produced the first instances of Asian North American writing, theater, and film. This exciting collection examines how the many literary and cultural works from this period approached questions of migration, exclusion, and identity. Covering an extensive ranges of topics including anticolonialist writing, the erotics of queer modernist poetry, interracial desire, and the racial gaze in silent film, the book shows the diverse and multi-ethnic nature of literary and cultural production at a crucial period in modern formations of race as well as literary and cultural aesthetics.
    Note: Title from publisher's bibliographic system (viewed on 28 May 2021).
    Additional Edition: Print version: ISBN 9781108830836
    Language: English
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  • 2
    Online Resource
    Online Resource
    New York, NY :New York University Press,
    UID:
    almahu_9949481232302882
    Format: 1 online resource : , 11 b/w illustrations
    ISBN: 9781479812783 , 9783110993899
    Content: Reveals the legacy of the train as a critical site of race in the United StatesDespite the seeming supremacy of car culture in the United States, the train has long been and continues to be a potent symbol of American exceptionalism, ingenuity, and vastness. For almost two centuries, the train has served as the literal and symbolic vehicle for American national identity, manifest destiny, and imperial ambitions. It's no surprise, then, that the train continues to endure in depictions across literature, film, ad music. The Racial Railroad highlights the surprisingly central role that the railroad has played-and continues to play-in the formation and perception of racial identity and difference in the United States. Julia H. Lee argues that the train is frequently used as the setting for stories of race because it operates across multiple registers and scales of experience and meaning, both as an invocation of and a depository for all manner of social, historical, and political narratives.Lee demonstrates how, through legacies of racialized labor and disenfranchisement-from the Chinese American construction of the Transcontinental Railroad and the depictions of Native Americans in landscape and advertising, to ??the underground railroad and Jim Crow segregation-the train becomes one of the exemplary spaces through which American cultural works explore questions of racial subjectivity, community, and conflict. By considering the train through various lenses, The Racial Railroad tracks how racial formations and conflicts are constituted in significant and contradictory ways by the spaces in which they occur.
    Note: Frontmatter -- , Contents -- , Introduction -- , 1 Tracks across the Land -- , 2 The Chinaman's Crime -- , 3 Telling Stories -- , 4 Remembrance and Reenactment at Promontory Summit -- , 5 The Jim Crow Train in African American Literature -- , 6 Riding the Blind -- , 7 Speculative Trains -- , 8 Fugitive Trains -- , Coda -- , Acknowledgments -- , Notes -- , Bibliography -- , Index -- , About the Author , Mode of access: Internet via World Wide Web. , In English.
    In: EBOOK PACKAGE COMPLETE 2022 English, De Gruyter, 9783110993899
    In: EBOOK PACKAGE COMPLETE 2022, De Gruyter, 9783110994810
    In: EBOOK PACKAGE Sociology 2022 English, De Gruyter, 9783110994551
    In: EBOOK PACKAGE Sociology 2022, De Gruyter, 9783110994520
    In: New York University Press Complete eBook-Package 2022, De Gruyter, 9783110751628
    Language: English
    Subjects: History
    RVK:
    RVK:
    URL: Cover
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  • 3
    UID:
    almafu_BV039687742
    Format: IX, 219 S.
    ISBN: 978-0-8147-5255-5 , 978-0-8147-5256-2
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-0-8147-5257-9
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-0-8147-5328-6
    Language: English
    Subjects: American Studies
    RVK:
    RVK:
    Keywords: Literatur ; Schwarze ; Asiaten ; Literatur ; Asiaten ; Schwarze
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  • 4
    Book
    Book
    New York :New York University Press,
    UID:
    almahu_BV048204239
    Format: 291 Seiten : , Illustrationen.
    ISBN: 978-1-4798-1275-2 , 978-1-4798-1277-6
    Note: Cover -- Title Page -- Copyright -- Dedication -- Contents -- Introduction -- 1. Tracks across the Land: Visualizing the Railroad in Settler Colonialism -- 2. The Chinaman's Crime -- 3. Telling Stories: The Transcontinental Railroad as Chinese American Narrative -- 4. Remembrance and Reenactment at Promontory Summit -- 5. The Jim Crow Train in African American Literature -- 6. Riding the Blind -- 7. Speculative Trains: Colson Whitehead's The Underground Railroad -- 8. Fugitive Trains -- Coda: The Train Will Not Save Us -- Acknowledgments -- Notes -- Bibliography -- Index -- About the Author
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-1-4798-1278-3
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-1-4798-1278-3
    Language: English
    Subjects: History
    RVK:
    RVK:
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  • 5
    Book
    Book
    Columbia, South CarolinaC : University of South Carolina Press
    UID:
    gbv_103976049X
    Format: 136 Seiten
    ISBN: 9781611178531
    Series Statement: Understanding contemporary american literature
    Additional Edition: ISBN 9781611178548
    Language: English
    Subjects: American Studies
    RVK:
    Keywords: Kingston, Maxine Hong 1940-
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  • 6
    Online Resource
    Online Resource
    New York :New York University Press,
    UID:
    almahu_9949597029702882
    Format: 1 online resource
    ISBN: 9780814752579 (ebook) :
    Content: Why do black characters appear so frequently in Asian American literary works & Asian characters appear in African American literary works in the early 20th century? This text argues that scenes depicting Black-Asian interactions, relationships & conflicts capture the constitution of African American & Asian American identities.
    Additional Edition: Print version : ISBN 9780814752555
    Language: English
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  • 7
    Online Resource
    Online Resource
    Cambridge :Cambridge University Press,
    UID:
    almahu_BV047372860
    Format: 1 Online-Ressource (xix, 327 Seiten) : , Illustrationen.
    ISBN: 978-1-108-91404-8
    Content: The years between 1850 and 1930 witnessed the first large-scale migration of peoples from East Asia and South Asia to North America and the emergence of the US as an imperial power in the Pacific. This period also produced the first instances of Asian North American writing, theater, and film. This exciting collection examines how the many literary and cultural works from this period approached questions of migration, exclusion, and identity. Covering an extensive ranges of topics including anticolonialist writing, the erotics of queer modernist poetry, interracial desire, and the racial gaze in silent film, the book shows the diverse and multi-ethnic nature of literary and cultural production at a crucial period in modern formations of race as well as literary and cultural aesthetics
    Additional Edition: Erscheint auch als Druck-Ausgabe, Hardcover ISBN 978-1-108-83083-6
    Language: English
    Subjects: American Studies
    RVK:
    RVK:
    RVK:
    RVK:
    Keywords: Asiaten ; Literatur ; Aufsatzsammlung
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 8
    UID:
    almahu_9949087344302882
    Format: ix, 219 p.
    Edition: Electronic reproduction. Ann Arbor, MI : ProQuest, 2015. Available via World Wide Web. Access may be limited to ProQuest affiliated libraries.
    Note: The 'negro problem' and the 'yellow peril': early twentieth-century America's views on Blacks and Asians -- Estrangement on a train: race and narratives of American identity in the marrow of tradition and America through the spectacles of an oriental diplomat -- The eaton sisters go to Jamaica -- Quicksand and the racial aesthetics of chinoiserie -- Nation, narration, and the Afro-Asian encounter in W. E. B. Du Bois' Dark princess -- And Younghill Kang's East goes west.
    Language: English
    Keywords: Electronic books.
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  • 9
    UID:
    edocfu_9959241756502883
    Format: 1 online resource (232 p.)
    Edition: 1st ed.
    ISBN: 0-8147-5257-8
    Series Statement: American Literatures Initiative ; 2
    Content: 2013 Honorable Mention, Asian American Studies Association's prize in Literary Studies Part of the American Literatures Initiative Series Why do black characters appear so frequently in Asian American literary works and Asian characters appear in African American literary works in the early twentieth century? Interracial Encounters attempts to answer this rather straightforward literary question, arguing that scenes depicting Black-Asian interactions, relationships, and conflicts capture the constitution of African American and Asian American identities as each group struggled to negotiate the racially exclusionary nature of American identity. In this nuanced study, Julia H. Lee argues that the diversity and ambiguity that characterize these textual moments radically undermine the popular notion that the history of Afro-Asian relations can be reduced to a monolithic, media-friendly narrative, whether of cooperation or antagonism. Drawing on works by Charles Chesnutt, Wu Tingfang, Edith and Winnifred Eaton, Nella Larsen, W.E.B. Du Bois, and Younghill Kang, Interracial Encounters foregrounds how these reciprocal representations emerged from the nation’s pervasive pairing of the figure of the “Negro” and the “Asiatic” in oppositional, overlapping, or analogous relationships within a wide variety of popular, scientific, legal, and cultural discourses. Historicizing these interracial encounters within a national and global context highlights how multiple racial groups shaped the narrative of race and national identity in the early twentieth century, as well as how early twentieth century American literature emerged from that multiracial political context.2013 Honorable Mention, Asian American Studies Association's prize in Literary Studies Part of the American Literatures Initiative Series Why do black characters appear so frequently in Asian American literary works and Asian characters appear in African American literary works in the early twentieth century? Interracial Encounters attempts to answer this rather straightforward literary question, arguing that scenes depicting Black-Asian interactions, relationships, and conflicts capture the constitution of African American and Asian American identities as each group struggled to negotiate the racially exclusionary nature of American identity. In this nuanced study, Julia H. Lee argues that the diversity and ambiguity that characterize these textual moments radically undermine the popular notion that the history of Afro-Asian relations can be reduced to a monolithic, media-friendly narrative, whether of cooperation or antagonism. Drawing on works by Charles Chesnutt, Wu Tingfang, Edith and Winnifred Eaton, Nella Larsen, W.E.B. Du Bois, and Younghill Kang, Interracial Encounters foregrounds how these reciprocal representations emerged from the nation’s pervasive pairing of the figure of the “Negro” and the “Asiatic” in oppositional, overlapping, or analogous relationships within a wide variety of popular, scientific, legal, and cultural discourses. Historicizing these interracial encounters within a national and global context highlights how multiple racial groups shaped the narrative of race and national identity in the early twentieth century, as well as how early twentieth century American literature emerged from that multiracial political context.
    Note: Description based upon print version of record. , The 'negro problem' and the 'yellow peril': early twentieth-century America's views on Blacks and Asians -- Estrangement on a train: race and narratives of American identity in the marrow of tradition and America through the spectacles of an oriental diplomat -- The eaton sisters go to Jamaica -- Quicksand and the racial aesthetics of chinoiserie -- Nation, narration, and the Afro-Asian encounter in W. E. B. Du Bois' Dark princess -- And Younghill Kang's East goes west. , English
    Additional Edition: ISBN 0-8147-5256-X
    Additional Edition: ISBN 0-8147-5255-1
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 10
    Online Resource
    Online Resource
    New York, NY :New York University Press,
    UID:
    edocfu_9959369301502883
    Format: 1 online resource
    ISBN: 9780814752579
    Series Statement: American Literatures Initiative ; 2
    Content: 2013 Honorable Mention, Asian American Studies Association's prize in Literary Studies Part of the American Literatures Initiative SeriesWhy do black characters appear so frequently in Asian American literary works and Asian characters appear in African American literary works in the early twentieth century? Interracial Encounters attempts to answer this rather straightforward literary question, arguing that scenes depicting Black-Asian interactions, relationships, and conflicts capture the constitution of African American and Asian American identities as each group struggled to negotiate the racially exclusionary nature of American identity. In this nuanced study, Julia H. Lee argues that the diversity and ambiguity that characterize these textual moments radically undermine the popular notion that the history of Afro-Asian relations can be reduced to a monolithic, media-friendly narrative, whether of cooperation or antagonism. Drawing on works by Charles Chesnutt, Wu Tingfang, Edith and Winnifred Eaton, Nella Larsen, W.E.B. Du Bois, and Younghill Kang, Interracial Encounters foregrounds how these reciprocal representations emerged from the nation’s pervasive pairing of the figure of the “Negro” and the “Asiatic” in oppositional, overlapping, or analogous relationships within a wide variety of popular, scientific, legal, and cultural discourses. Historicizing these interracial encounters within a national and global context highlights how multiple racial groups shaped the narrative of race and national identity in the early twentieth century, as well as how early twentieth century American literature emerged from that multiracial political context.2013 Honorable Mention, Asian American Studies Association's prize in Literary Studies Part of the American Literatures Initiative SeriesWhy do black characters appear so frequently in Asian American literary works and Asian characters appear in African American literary works in the early twentieth century? Interracial Encounters attempts to answer this rather straightforward literary question, arguing that scenes depicting Black-Asian interactions, relationships, and conflicts capture the constitution of African American and Asian American identities as each group struggled to negotiate the racially exclusionary nature of American identity. In this nuanced study, Julia H. Lee argues that the diversity and ambiguity that characterize these textual moments radically undermine the popular notion that the history of Afro-Asian relations can be reduced to a monolithic, media-friendly narrative, whether of cooperation or antagonism. Drawing on works by Charles Chesnutt, Wu Tingfang, Edith and Winnifred Eaton, Nella Larsen, W.E.B. Du Bois, and Younghill Kang, Interracial Encounters foregrounds how these reciprocal representations emerged from the nation’s pervasive pairing of the figure of the “Negro” and the “Asiatic” in oppositional, overlapping, or analogous relationships within a wide variety of popular, scientific, legal, and cultural discourses. Historicizing these interracial encounters within a national and global context highlights how multiple racial groups shaped the narrative of race and national identity in the early twentieth century, as well as how early twentieth century American literature emerged from that multiracial political context.
    Note: Frontmatter -- , Contents -- , Acknowledgments -- , 1 / Introduction -- , 2 / The “Negro Problem” and the “Yellow Peril”: Early Twentieth-Century America’s Views on Blacks and Asians -- , 3 / Estrangement on a Train: Race and Narratives of American Identity in The Marrow of Tradition and America through the Spectacles of an Oriental Diplomat -- , 4 / The Eaton Sisters Go to Jamaica -- , 5 / Quicksand and the Racial Aesthetics of Chinoiserie -- , 6 / Nation, Narration, and the Afro-Asian Encounter in W. E. B. Du Bois’s Dark Princess and Younghill Kang’s East Goes West -- , 7 / Coda -- , Notes -- , Bibliography -- , Index -- , About the Author , In English.
    Language: English
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