Kooperativer Bibliotheksverbund

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Format: 1 Online-Ressource (xvi, 291 Seiten) , Illustrationen

ISBN: 9781501752322 , 9781501752339

Series Statement: The United States in the world

Content: Cinema and the Cultural Cold War explores the ways in which postwar Asian cinema was shaped by transnational collaborations and competitions between newly independent and colonial states at the height of Cold War politics. Sangjoon Lee adopts a simultaneously global and regional approach when analyzing the region's film cultures and industries. New economic conditions in the Asian region and shared postwar experiences among the early cinema entrepreneurs were influenced by Cold War politics, US cultural diplomacy, and intensified cultural flows during the 1950s and 1960s. By taking a closer look at the cultural realities of this tumultuous period, Lee comprehensively reconstructs Asian film history in light of the international relationships forged, broken, and re-established as the influence of the non-aligned movement grew across the Cold War.Lee elucidates how motion picture executives, creative personnel, policy makers, and intellectuals in East and Southeast Asia aspired to industrialize their Hollywood-inspired system in order to expand the market and raise the competitiveness of their cultural products. They did this by forming the Federation of Motion Picture Producers in Asia, co-hosting the Asian Film Festival, and co-producing films. Cinema and the Cultural Cold War demonstrates that the emergence of the first intensive postwar film producers' network in Asia was, in large part, the offspring of Cold War cultural politics and the product of American hegemony.Film festivals that took place in cities as diverse as Tokyo, Singapore, Hong Kong, and Kuala Lumpur were annual showcases of cinematic talent as well as opportunities for the Central Intelligence Agency to establish and maintain cultural, political, and institutional linkages between the United States and Asia during the Cold War. Cinema and the Cultural Cold War reanimates this almost-forgotten history of cinema and the film industry in Asia

Additional Edition: Erscheint auch als Druck-Ausgabe, Hardcover ISBN 978-1-5017-5231-5

Additional Edition: Erscheint auch als Druck-Ausgabe, Paperback ISBN 978-1-5017-5391-6

Language: English

Subjects: General works

Keywords: Asien ; Filmproduktion ; Internationale Kooperation ; Kolonialismus ; Kulturpolitik ; Geschichte 1948-1980

URL: Volltext  (URL des Erstveröffentlichers)

URL: Volltext  (URL des Erstveröffentlichers)

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URL: Cover

URL: Cover

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Format: 1 Online-Ressource

ISBN: 9789048555888

Series Statement: Critical Asian cinemas [6]

Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-94-6372-727-3

Language: English

DOI: 10.1515/9789048555888

DOI: 10.2307/jj.16394403

DOI: 10.5117/9789463727273

URL: Volltext  (kostenfrei)

URL: Volltext  (kostenfrei)

URL: Volltext  (kostenfrei)

URL: Volltext  (kostenfrei)

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Format: 1 online resource (336 pages)

Edition: 1st ed.

ISBN: 90-485-5588-4

Series Statement: Critical Asian Cinemas Series ; v.6

Content: This book is about cinema and the cultural Cold War in Asia, set against the larger history of the cultural, political, and institutional linkages between the US, Europe, and Asia at the height of the Cold War. From the popularity of CIA-sponsored espionage films in Hong Kong and South Korea to the enduring Cold War rhetoric of brotherly relations in contemporary Sino-Indian co-production, cinema has always been a focal point of the cultural Cold War in Asia. Historically, both the United States and the Soviet Union viewed cinema as a powerful weapon in the battle to win hearts and minds-not just in Europe, but also in Asia. The Cold War in Asia was, properly speaking, a hot war, with proxy military confrontations between the United States, on one side, and the Soviet Union and China on the other. Amid this political and military turbulence, cataclysmic shifts occurred in the culture and history of Asian cinemas as well as in the latitude of US cultural diplomacy in Asia. The collection of essays in this volume sheds light on the often-forgotten history of the cultural Cold War in Asia. Taken together, the volume's fifteen chapters examine film cultures and industries in Asia to showcase the magnitude and depth of the Cold War's impact on Asian cinemas, societies, and politics. By shifting the lens to Asia, the contributors to this volume re-examine the dominant narratives about the global Cold War and highlight the complex and unique ways in which Asian societies negotiated, contested, and adapted to the politics and cultural manifestations of the Cold War.

Note: Frontmatter -- , Acknowledgment -- , Table of Contents -- , List of Illustrations -- , 1. Introduction: Locating "Asia" in the Cinematic Cold War -- , Part One Cinematic Constructions of the Cold War in Asia -- , 2. Taiwanese-Language Cinema as Cold War Industry and Culture : Compliance without Commitment -- , 3. Landscape, Identity, and War : The Poetic Revolutionary Cinema of North Vietnam -- , 4. Screening the Cold War in Cambodia : The Films of Norodom Sihanouk and Rithy Panh -- , 5. Islam and the Cultural Cold War : Tauhid and the Quest for the Modern Muslim -- , Part Two Cold War Geopolitics in Asian Cinemas -- , 6. Third World, First World: Ishihara Yūjirō as a Cold War Star -- , 7. Right Screen in Hong Kong : Chang Kuo-sin's Asia Pictures and The Heroine -- , 8. Cold War Myth from Elite Democracy to Martial Law in the Genre Cinema of Fernando Poe Jr. in the 1960s and 1970s -- , 9. Silver Screen Reversals of the Domino Theory : American Cold War Movies and the Re-imagining of Britain's Experience in Southeast Asia -- , 10. Ugly Americans and Indeterminate Asians : Strategies/Symptoms of Southeast Asian Representation in Cold War US Film -- , Part Three Cold War Film Genres -- , 11. Counter-Occupying Americanism in South Korea and Taiwan : Taking Back the Spaces of US Base Culture in the Cold War Musical Number -- , 12. SOS Hong Kong: Coproducing Espionage Films in Cold War Asia -- , 13. Cosmopolitan Kŏjedo : Swing Kids (2018) and Historical Memories of the Korean War -- , 14. Spectacle of Violence and the Beiqing Masculine : Post-War Structure of Feeling in Taiwan Pulp -- , Part Four The Long Shadow of the Cold War in Contemporary Asian Cinemas -- , 15. Memories of the Future : Speculative Cold War Histories in Yosep Anggi Noen's The Science of Fictions and Daniel Hui's Snakeskin -- , 16. A Frozen Fraternity : Kung Fu Yoga and Cold War Archaeologies -- , Index

Additional Edition: ISBN 94-6372-727-2

Language: English

Keywords: Electronic books.

DOI: 10.1515/9789048555888

URL: Click to View

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Format: VI, 268 Seiten : , Illustrationen.

ISBN: 978-0-472-07252-1 , 978-0-472-05252-3

Series Statement: Perspectives on contemporary Korea

Content: "Collectively known as Hallyu, Korean music, television programs, films, online games, and comics enjoy global popularity, thanks to new communication technologies. In recent years, Korean popular culture has also become the subject of academic inquiry. Whereas the Hallyu's impact on Korea's national image and domestic economy, as well as on transnational cultural flows, have received much scholarly attention, there has been little discussion of the role of social media in Hallyu's propagation. Contributors to Hallyu 2.0: The Korean Wave in the Age of Social Media explore the ways in which Korean popular cultural products are shared by audiences around the globe; how they generate new fans, markets, and consumers through social media networks; and how scholars can analyze, interpret, and envision the future of this unprecedented cultural phenomenon"--

Note: Includes bibliographical references and index

Additional Edition: Erscheint auch als Online-Ausgabe Hallyu 2.0 ISBN 978-0-472-12089-5

Language: English

Subjects: Ethnology

Keywords: Massenkultur ; Globalisierung ; Social Media ; Aufsatzsammlung ; Aufsatzsammlung

URL: Inhaltsverzeichnis

URL: Inhaltsverzeichnis

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Format: 1 Online-Ressource (viii, 603 Seiten) , Illustrationen

ISBN: 9780472126095

Series Statement: Perspectives on contemporary Korea

Content: "South Korean cinema is a striking example of non-Western contemporary cinematic success. Thanks to the increasing numbers of moviegoers and domestic films produced, South Korea has become one of the world's major film markets. In 2001, the South Korean film industry became the first in recent history to reclaim its domestic market from Hollywood and continues to maintain around a 50 percent market share today. High-quality South Korean films are increasingly entering global film markets and connecting with international audiences in commercial cinemas and art theatres, and at major international film festivals. Despite this growing recognition of the films themselves, Korean cinema's rich heritage has not heretofore received significant scholarly attention in English-language publications. This groundbreaking collection of thirty-five essays by a wide range of academic specialists situates current scholarship on Korean cinema within the ongoing theoretical debates in contemporary global film studies. Chapters explore key films of Korean cinema, from Sweet Dream, Madame Freedom, The Housemaid, and The March of Fools to Oldboy, The Host, and Train to Busan, as well as major directors such as Shin Sang-ok, Kim Ki-young, Im Kwon-taek, Bong Joon-ho, Hong Sang-soo, Park Chan-wook, and Lee Chang-dong. While the chapters provide in-depth analyses of particular films, together they cohere into a detailed and multidimensional presentation of Korean cinema's cumulative history and broader significance. With its historical and critical scope, abundance of new research, and detailed discussion of important individual films, Rediscovering Korean Cinema is at once an accessible classroom text and a deeply informative compendium for scholars of Korean and East Asian studies, cinema and media studies, and communications. It will also be an essential resource for film industry

Additional Edition: Erscheint auch als Druck-Ausgabe, Hardcover ISBN 978-0-472-07429-7

Additional Edition: Erscheint auch als Druck-Ausgabe, Paperback ISBN 978-0-472-05429-9

Language: English

Subjects: General works

Keywords: Korea ; Film ; Geschichte 1900-2019 ; Aufsatzsammlung

URL: lizenzpflichtig

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Format: 1 online resource (xxii, 564 pages) : , illustrations.

ISBN: 9781003266952 , 1003266959 , 1040038042 , 9781040038079 , 1040038077 , 9781040038048

Series Statement: Routledge companions

Content: "Balancing leading scholars with emerging trendsetters, this Companion offers fresh perspectives on Asian cinemas and charts new constellations in the field with significance far beyond Asian cinema studies. Asian cinema studies - at the intersection of film/media studies and area studies - has rapidly transformed under the impact of globalization, compounded by the resurgence of a variety of nationalist discourses as well as counter-discourses, new socio-political movements, and the possibilities afforded by digital media. Differentiated experiences of climate change and the Covid-19 pandemic have further heightened interest in the digital every day and the renewed geopolitical divide between "East" and "West," "North" and "South." Thematized into six sections, the 46 chapters in this anthology address established paradigms of scholarship and viewership in Asian cinemas like extreme genres, cinephilia, festivals, and national cinema, while also highlighting political and archival concerns that firmly situate Asian cinemas within local and translocal milieus. Underrepresented cinemas of North Korea, Bangladesh, Laos, Indonesia, Malaysia, Taiwan, Thailand, and Cambodia, appear here amidst a broader cross-regional, comparative approach. An ideal resource for film, media, cultural and Asian studies researchers, students, and scholars, as well as informed readers with an interest in Asian cinemas"--

Note: Film Societies and the Screen within the Crowd in Bangladesh / Lotte Hoek -- Genres of Ecofeminism: Women Filmmakers in India and the Environment / Sangita Gopal -- Rewriting History, Changing the Story: An Interview with Anocha Suwichakornpong / Graiwoot Chulphongsathorn -- Riding the Waves: An Interview with Yim Soon-Rye / Shin Chi-yun -- Through the Lens of South Korean Cine-feminism: House of Hummingbird (2018) and Moving On (2020) / Hyun Seon Park -- Transnational Women's Cinema in Southeast Asia: The Case of Marlina The Murderer in Four Acts / Intan Paramaditha -- Taiwan Queer Cinema, Marriage Equality, and Homo(trans)nationalism / Shi-yan Chao -- Love In Pacific Time: Asian Screen Culture in Vancouver / Helen Leung -- What Is "Asian Cinema" in Japan? Film and Political Economy in the 1940s / Daisuke Miyao -- Filming Taiwan Between a Quest for Artistic Purity and Propaganda in the People's Republic of China: The Case of Taiwan Wangshi (My Bittersweet Taiwan, 2004) / Zhuoyi Wang -- In the Name of Love: Screen Representations of Taiwanese Indigenous People (1920s-1940s) / Ting-wu Cho -- Desiring Nanyang, Nation, and Home: Fictions of Belonging in Two Rediscovered Post-war Films from Singapore / Elizabeth Wijaya -- Where is Shangri-La? Imagining Kathmandu in Film / Dikshya Karki -- Affective-Scap/ing in Zhang Lu's Inter-Asian Quartet / Ma Ran -- Postcards from Russia: Left Discourse and Telugu Cinema / C. Yamini Krishna -- Media Topographies of East Asia: Cinema, Cables, Wirelessness and the (Somewhat) Material Imaginaries of Territory / Alexander Zahlten -- Looking Out and On the Move: Aesthetics of Infrastructure in Recent Singapore Cinema / Gerald Sim -- North Korea's International Co-production Ventures: Nation and the Post-national / Hyanjin Lee -- Trans-Asian Circuits of Cinema and Media Exchange Between Australia and Asia / Olivia Khoo -- Global Stories, Local Audiences: Dubbing Netflix in India / Tejaswini Ganti -- Webtoon-based Korean Films on Netflix: Shifting Media Ecology in the Digital Platform Era / Dal Yong Jin -- Exile at the Edges: Donald Richie at the Pinch Point between Japan and the World / Markus Nornes -- Trans-Pacific Connection and Cine Nikkei in Peru: A Conversation / Jimena Mora and Talia Vidal with Zhen Zhang -- The Melodramatic Mode in Asian Cinema: Usmar Ismail's Lewat Djam Malam (After the Curfew) / Stephen Teo -- Bong Joon-ho's Parasite as a Remake of Kim Ki-young's The Housemaid: Creating an Aesthetic Genealogy within South Korean Cinema / Christina Klein -- Melting the Iron Curtain: Metal-morphosis and the Caricatured Western Leaders in Agitprop Animation in Socialist China, 1949-1965 / Daisy Yan Du -- The "Mirrored" Cultural Revolution -- The Geo-political Making of Apolitical Hero in Chang Cheh's The Assassin / Raymond Tsang -- Listening to Small-Gauge Stories: Sonic Memories and Sensory Histories in Mysterious Object at Noon (Apichatpong Weerasethakul, 2000) and Big Boy (Shireen Seno, 2011) / Philippa Lovatt -- Global Aspirations/ Local Affilations: Exploring the tensions of "Post-Crisis" Thai Cinema, 1997-2004 / Rachel Harrison -- Revisiting the Face Veil in Post-Pandemic Times: The Fhyun Humane Visual Ethics of Indonesian Islamic Filmmaking / Alicia Izharuddin -- Karma-Image; Insight-Image: On Buddhism and the Cinema / Victor Fan -- Personality and Morality in Screen Performance: Hong Kong Film Criticism and Social Reform of the 1920s / Enoch Yee-lok Tam -- 'Still Doing It Themselves, With a Little Help from Friends': Independent Filmmaking in Malaysia Two Decades Hence / Gaik Cheng Khoo -- Slippers Outside the Door: An Annotated Interview with Tan Pin Pin / Sophia Siddique -- Let's Love Hong Kong: Hyper-density, Virtual Possibility, and Queer Women in Hong Kong Independent Film / Arnika Fuhrmann -- Care in Filming, Change by Love / Shuting Li -- Domestic temporalities and film practice: Los Otros, Quezon City and Forum Lenteng, Jakarta -- Jasmine Trice -- Unstable Pixels, Modular Selves: Digital Subjectivity in Chinese Independent Animations / Jinying Li -- Experimentation and Transnational Influences: Documentary Film in Post- Authoritarian Indonesia / Eric Sasono -- Filming Resistance: A Conversation with Deepa Dhanraj -- Fatima Nizaruddin -- Festivalizations and Cultural Constructions of "Asian Cinema" / Anne Ciecko -- Curating the City: 10 Years of the Urban Lens Documentary Festival in Bangalore / Subasri Krishnan -- To Be Continued: Women Make Waves / Beth Tsai -- Film Festival Journeys -- Past, Present, Future: A Conversation with Roger Garcia / Thong Kay Wee -- Reflection on Film Restoration, Acculturatie and Democracy -- The Case Studies of Lewat Djam Malam and Aladin / Lisabona Rahman -- Thai Film Archive and Early Thai Queer Cinema / Sanchai Chotirosseranee and Atit Pongpanit.

Additional Edition: Print version: Routledge companion to Asian cinemas New York, NY : Routledge, 2024 ISBN 9781032199405

Language: English

DOI: 10.4324/9781003266952

URL: https://www.taylorfrancis.com/books/9781003266952

URL: lizenzpflichtig

UID:

Format: viii, 603 Seiten , Illustrationen

ISBN: 9780472054299 , 9780472074297

Series Statement: Perspectives on contemporary Korea

Content: "South Korean cinema is a striking example of non-Western contemporary cinematic success. Thanks to the increasing numbers of moviegoers and domestic films produced, South Korea has become one of the world's major film markets. In 2001, the South Korean film industry became the first in recent history to reclaim its domestic market from Hollywood and continues to maintain around a 50 percent market share today. High-quality South Korean films are increasingly entering global film markets and connecting with international audiences in commercial cinemas and art theatres, and at major international film festivals. Despite this growing recognition of the films themselves, Korean cinema's rich heritage has not heretofore received significant scholarly attention in English-language publications. This groundbreaking collection of thirty-five essays by a wide range of academic specialists situates current scholarship on Korean cinema within the ongoing theoretical debates in contemporary global film studies. Chapters explore key films of Korean cinema, from Sweet Dream, Madame Freedom, The Housemaid, and The March of Fools to Oldboy, The Host, and Train to Busan, as well as major directors such as Shin Sang-ok, Kim Ki-young, Im Kwon-taek, Bong Joon-ho, Hong Sang-soo, Park Chan-wook, and Lee Chang-dong. While the chapters provide in-depth analyses of particular films, together they cohere into a detailed and multidimensional presentation of Korean cinema's cumulative history and broader significance. With its historical and critical scope, abundance of new research, and detailed discussion of important individual films, Rediscovering Korean Cinema is at once an accessible classroom text and a deeply informative compendium for scholars of Korean and East Asian studies, cinema and media studies, and communications. It will also be an essential resource for film industry professionals and anyone interested in international cinema"--

Note: Literaturangaben

Additional Edition: ISBN 9780472126095

Additional Edition: Erscheint auch als Online-Ausgabe Rediscovering Korean cinema Ann Arbor : University of Michigan Press, 2019

Language: English

Keywords: Südkorea ; Filmkritik ; Aufsatzsammlung

URL: Inhaltsverzeichnis

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Format: 33, [4] S. , graph. Darst. , 22 cm

Series Statement: Working paper series / National Bureau of Economic Research 12692

Note: Literaturverz. S. 25 - 26

Additional Edition: Erscheint auch als Online-Ausgabe

Language: English

URL: Volltext  (kostenfrei)

UID:

Format: 37, [6] S. , graph. Darst.

Series Statement: National Bureau of Economic Research 〈Cambridge, Mass.〉: NBER working paper series 11447

Content: "We use U.S. patent records to examine the role of research personnel as a pathway for the diffusion of ideas from university to industry. Appearing on a patent assigned to a university is evidence that an inventor has been exposed to university research, either directly as a university researcher or through some form of collaboration with university researchers. Having an advanced degree is another indicator of an inventor's exposure to university research. We find a steady increase in industry's use of inventors with university research experience over the period 1985-97, economy wide and in the pharmaceutical and semiconductor industries in particular. We interpret this as evidence of growth in the influence of university research on industrial innovation. Moreover, during this period we find that firms with large research operations in both industries, and young and highly capitalized firms in the pharmaceutical industry, are disproportionately active in the diffusion of ideas from the university sector. Finally, we find that the patents of firms that employ inventors with university research experience are more likely to cite university patents as prior art, suggesting that this experience better enables firms to tap academic research"--National Bureau of Economic Research web site.

Additional Edition: Erscheint auch als Online-Ausgabe

Language: English

URL: Volltext  (kostenfrei)

UID:

Format: xvi, 291 Seiten , Illustrationen

ISBN: 9781501752315 , 9781501753916

Series Statement: The United States in the world

Content: The Asia Foundation's Motion Picture Project -- The FPA, US Propaganda, and Postwar Japanese Cinema -- It's "Oscar" Time in Asia! -- Constructing the Anti-Communist Producers' Alliance -- Projecting Asian Cinema to the World -- The Rise and Demise of a Developmental State Studio -- Hong Kong, Hollywood, and The End of the Network -- Epilogue : From Asia to Asia-Pacific.

Content: "This book explores the ways in which postwar Asian cinema was shaped by transnational collaborations and competitions between newly independent and colonial states at the height of Cold War cultural politics"--

Note: Includes bibliographical references and index

Additional Edition: ISBN 9781501752322

Additional Edition: Erscheint auch als Online-Ausgabe Lee, Sangjoon Cinema and the cultural Cold War Ithaca [New York] : Cornell University Press, 2020

Additional Edition: Erscheint auch als Online-Ausgabe Lee, Sangjoon Cinema and the cultural Cold War Ithaca, NY : Cornell University Press, 2020 ISBN 9781501752322

Additional Edition: ISBN 9781501752339

Language: English