UID:
almafu_9960118527702883
Format:
1 online resource (xvi, 173 pages) :
,
digital, PDF file(s).
ISBN:
1-4744-8456-5
,
1-4744-2463-5
Series Statement:
Global film studios
Content:
Hong Kong cinema has been a pre-eminent form of local entertainment and a site of ideological contentions propelled by colonial, national and international politics at different historical junctures. The Other Side of Glamour is a study of the historical development of the left-wing film establishment in Hong Kong.
Note:
Title from publisher's bibliographic system (viewed on 21 Sep 2020).
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Frontmatter --
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Contents --
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List of figures --
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Acknowledgments --
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A note on the timeline --
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Timeline --
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Introduction --
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1 The left-wing film apparatus in postwar Hong Kong --
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2 Left in the right way: corporate strategy and the making of a popular left-wing --
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3 Remaking Cantonese film culture: Union and Sun Luen --
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4 Class, gender, and modern womanhood: Feng Huang and Great Wall --
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5 Corporate repositioning, transnational cultural brokerage, and soft power: Sil-Metropole --
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6 Critical transitions on the non-left: Patrick Lung and Cecile Tang --
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7 From political alibis to creative incubators: the left -wing film network since the 1980s --
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Epilogue --
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Bibliography --
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Filmography --
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Index
Additional Edition:
ISBN 1-4744-2462-7
Language:
English
DOI:
10.1515/9781474424639
URL:
https://doi.org/10.1515/9781474424639
URL:
https://www.degruyter.com/isbn/9781474424639
URL:
https://doi.org/10.1515/9781474424639
URL:
https://www.degruyter.com/isbn/9781474424639
URL:
https://www.cambridge.org/core/product/identifier/9781474424639/type/BOOK
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