Kooperativer Bibliotheksverbund

UID:

Format: 1 online resource (200 p.) : , 16 B/W illustrations

ISBN: 9781474480550

Content: Examines how trauma haunts the spaces and places of Mexican film and visual cultureCase studies include Flor en Otomi, El Atentado, Los Poquianchis and AusenciasCovers a neglected area in Mexican film and visual studiesA decade-long period of commemoration in Mexico (2010-2020) makes it a timely moment for reflection on memory and traumas of the pastEngages in an interdisciplinary investigation of space and the spectralRiven with unresolved traumas and appropriated by successive governments, the past haunts spaces in Mexican film and visual culture. These events, without consensus or a singular/unifying narrative, act like spectres haunting the present. To comprehend how they manifest, Legacies of the Past considers how filmmakers and visual artists have found ways of understanding these haunted spaces.With case studies of films like El atentado (2010), Flor en Otomí (2012) and the photography of Dulce Pinzón, this collection analyses the audio-visual representations of several heightened events in Mexican history. The conbtributors’ explorations, imaginings and counter-imaginings bring the past to the foreground, creating new narratives and proposing new histories in order to show the significance of storytelling and narrative for a shared understanding of ourselves.

Note: Frontmatter -- , Contents -- , List of Figures -- , Notes on Contributors -- , Acknowledgements -- , Introduction: Legacies of the Past: Memory and Trauma in Mexican Visual and Screen Culture -- , 1 On the Commemoration of Mexico ’68: Los agachados de Rius, número especial de los cocolazos de julio-agostoseptiembre y octubre quién sabe si tambor . . . -- , 2 Felipe Cazals and Servando González Grapple with the Aftermath and the Archive: 1976 and 1968 -- , 3 Spectres of Mexico’s ‘Dirty Wars’: Gendered Haunting and the Legacy of Women’s Armed Resistance in Mexican Documentary Film -- , 4 Stages for an Assassination: Roles of Cinematic Landscape in Jorge Fons’ El atentado (2010) and Carlos Bolado’s Colosio: el asesinato (2012) -- , 5 Aliens as Superheroes: Science Fiction, Immigration and Dulce Pinzón’s ‘The Real Story of the Superheroes’ -- , 6 #YoSoy132 as a Continuation of the 1968 Legacy -- , 7 Loss and Mourning in Documentary: Tatiana Huezo’s Ausencias (2015) -- , 8 Teresa Margolles’ Work with Space: Ruins, Resonances and the Echo of the Absent -- , Index , In English.

Language: English

DOI: 10.1515/9781474480550

URL: https://www.degruyter.com/isbn/9781474480550

URL: Volltext  (URL des Erstveröffentlichers)

URL: https://www.degruyter.com/isbn/9781474480550

UID:

Format: 1 online resource (viii, 208 pages)

ISBN: 9781135053345 , 9781135053321 , 9781135053338

Series Statement: Routledge research in cultural and media studies 56

Content: pt. 1. Critical paradigms : continuities and transitions -- pt. 2. From the regional to the global -- pt. 3. Visual culture : producing resistance.

Note: Includes bibliographical references (pages 195-199) and index

Additional Edition: ISBN 9780415833356

Additional Edition: ISBN 9781138097841

Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 9780415833356

Language: English

DOI: 10.4324/9780203486832

URL: lizenzpflichtig

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Format: VIII, 208 S. , Ill. , 24 cm

ISBN: 9780415833356

Series Statement: Routledge research in cultural and media studies 56

Content: "This volume examines how the field of Chicana/o studies has developed to become an area of interest to scholars far beyond the United States and Spain. For this reason, the volume includes contributions by a range of international scholars and takes the concept of place as a unifying paradigm. As a way of overcoming borders that are both physical and metaphorical, it seeks to reflect the diversity and range of current scholarship in Chicana/o studies while simultaneously highlighting the diverse and constantly evolving nature of Chicana/o identities and cultures. Various critical and theoretical approaches are evident, from eco-criticism and autoethnography in the first section, to the role of fiction and visual art in exposing injustice in section two, to the discussion of transnational and transcultural exchange with reference to issues as diverse as the teaching of Chicana/o studies in Russia and the relevance of Anzaldúa's writings to post 9/11 U.S. society"--

Note: Includes bibliographical references (pages 195-199) -- Includes bibliographical references and index

Additional Edition: ISBN 9780203486832

Language: English

Subjects: American Studies

URL: Cover

URL: Inhaltsverzeichnis

UID:

Format: VI, 141 S. : graph. Darst.

ISBN: 0-946559-86-4

Series Statement: IFR books

Keywords: Junk bond ; Anleihe