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  • 1
    Book
    Book
    London ; Oxford ; New York ; New Delhi ; Sydney :Bloomsbury Academic,
    UID:
    almafu_BV044183385
    Format: xiii, 265 Seiten : , Illustrationen.
    ISBN: 978-1-4725-8575-2
    Series Statement: A cultural history of theatre Volume 4
    Note: Literaturverzeichnis Seite 243-258
    Language: English
    Subjects: Comparative Studies. Non-European Languages/Literatures , General works
    RVK:
    RVK:
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  • 2
    Online Resource
    Online Resource
    Iowa City :University of Iowa Press,
    UID:
    almahu_9948316329902882
    Format: viii, 184 p.
    Edition: Electronic reproduction. Ann Arbor, MI : ProQuest, 2015. Available via World Wide Web. Access may be limited to ProQuest affiliated libraries.
    Series Statement: Studies in theatre history and culture
    Language: English
    Keywords: Electronic books.
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  • 3
    Online Resource
    Online Resource
    Iowa City :University of Iowa Press,
    UID:
    edocfu_9959236650302883
    Format: 1 online resource (198 p.)
    Edition: 1st ed.
    ISBN: 1-58729-891-0
    Series Statement: Studies in theatre history and culture
    Content: From 1680 until the French Revolution, when legislation abolished restrictions on theatrical enterprise, a single theatre held sole proprietorship of Molière's works. After 1791, his plays were performed in new theatres all over Paris by new actors, before audiences new to his works. Both his plays and his image took on new dimensions. In Molière, the French Revolution, and the Theatrical Afterlife, Mechele Leon convincingly demonstrates how revolutionaries challenged the ties that bound this preeminent seventeenth-century comic playwright to the Old Regime and provided him with a place of hon
    Note: Description based upon print version of record. , Repertory: the popularity of Moliere's plays -- Performance: the "high/low" Moliere -- History: rewriting the story of Moliere & Louis XIV -- Function: retooling Molierean laughter -- Life: depicting Moliere in biographical drama -- Death: remembering Moliere -- Epilogue: the future of an afterlife. , English
    Additional Edition: ISBN 1-58729-821-X
    Language: English
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  • 4
    Online Resource
    Online Resource
    London : Bloomsbury Academic
    UID:
    gbv_1759452289
    Format: 1 Online-Ressource (xvi, 258 p) , ill
    Edition: First ed
    Edition: London Bloomsbury Publishing 2014 Electronic reproduction; Available via World Wide Web
    Edition: Also issued in print
    ISBN: 9781474208147
    Content: "A Cultural History of Theatre in Age of Enlightenment provides a comprehensive and interdisciplinary overview of the cultural history of theatre in the eighteenth century. Drawing together contributions from leading scholars, this volume examines the intersection of theatre and revolution during this period. Each chapter takes a different theme as its focus, including institutional frameworks; social functions; sexuality and gender; the environment of theatre; circulation; interpretations; communities of production; repertoire and genres; technologies of performance, and knowledge transmission."--Bloomsbury Publishing
    Note: Includes bibliographical references , Also issued in print. , Electronic reproduction; Available via World Wide Web
    Additional Edition: ISBN 9781472585752
    Language: English
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  • 5
    Online Resource
    Online Resource
    [Place of publication not identified] :University of Kansas Libraries,
    UID:
    edoccha_9961102959802883
    Format: 1 online resource (138 pages)
    Content: Public Speaking as Performance: Practicing Public Speaking in the Theatre & Performance Classroom is an innovative public speaking textbook written by theatre educators. It combines the essential elements of speechwriting with the tried and true skills that actors learn to communicate a story to an audience. In chapters such as "Actor Tools for Public Speakers" and "From Page to Stage," the textbook provides students with a creative and accessible approach to delivering speeches. Drawing on the tradition of teaching public speaking in theatre and drama departments--a practice that is still maintained in some institutions--this textbook emphasizes the performative nature of communication. Educators teaching public speaking in theatre and performance departments will find this a textbook particularly suited to the interests of their students.
    Note: Public Speaking as Performance -- I. Prologue -- 1. Thinking about Public Speaking -- 2. Actor Tools for Public Speakers -- III. Context -- 3. Speaking Occassion -- 4. Audience Analysis -- 5. Ways of Delivering Speeches -- 6. From Page to Stage -- III. Speechwriting -- 7. Writing for Listeners -- 8. Purpose and Thesis -- 9. Structure and Organization -- 10. Introductions and Conclusions -- 11. Ethics in Public Speaking -- 12. Language in Speechwriting -- 13. Presentation Aids -- IV. Purposes -- 14. Informative Speeches -- 15. Persuasive Speeches -- 16. Special Ocassion Speeches -- Bibliography.
    Language: English
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  • 6
    UID:
    edocfu_BV046246153
    Format: 1 Online-Ressource (224 Seiten).
    ISBN: 978-1-3501-3545-1
    In: A cultural history of theatre.
    Additional Edition: Erscheint auch als Druck-Ausgabe, Hardcover ISBN 978-1-4725-8575-2
    Language: English
    Keywords: Aufsatzsammlung
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 7
    Online Resource
    Online Resource
    [Place of publication not identified] :University of Kansas Libraries,
    UID:
    edocfu_9961102959802883
    Format: 1 online resource (138 pages)
    Content: Public Speaking as Performance: Practicing Public Speaking in the Theatre & Performance Classroom is an innovative public speaking textbook written by theatre educators. It combines the essential elements of speechwriting with the tried and true skills that actors learn to communicate a story to an audience. In chapters such as "Actor Tools for Public Speakers" and "From Page to Stage," the textbook provides students with a creative and accessible approach to delivering speeches. Drawing on the tradition of teaching public speaking in theatre and drama departments--a practice that is still maintained in some institutions--this textbook emphasizes the performative nature of communication. Educators teaching public speaking in theatre and performance departments will find this a textbook particularly suited to the interests of their students.
    Note: Public Speaking as Performance -- I. Prologue -- 1. Thinking about Public Speaking -- 2. Actor Tools for Public Speakers -- III. Context -- 3. Speaking Occassion -- 4. Audience Analysis -- 5. Ways of Delivering Speeches -- 6. From Page to Stage -- III. Speechwriting -- 7. Writing for Listeners -- 8. Purpose and Thesis -- 9. Structure and Organization -- 10. Introductions and Conclusions -- 11. Ethics in Public Speaking -- 12. Language in Speechwriting -- 13. Presentation Aids -- IV. Purposes -- 14. Informative Speeches -- 15. Persuasive Speeches -- 16. Special Ocassion Speeches -- Bibliography.
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 8
    Online Resource
    Online Resource
    [Place of publication not identified] :University of Kansas Libraries,
    UID:
    almahu_9949712376002882
    Format: 1 online resource (138 pages)
    Content: Public Speaking as Performance: Practicing Public Speaking in the Theatre & Performance Classroom is an innovative public speaking textbook written by theatre educators. It combines the essential elements of speechwriting with the tried and true skills that actors learn to communicate a story to an audience. In chapters such as "Actor Tools for Public Speakers" and "From Page to Stage," the textbook provides students with a creative and accessible approach to delivering speeches. Drawing on the tradition of teaching public speaking in theatre and drama departments--a practice that is still maintained in some institutions--this textbook emphasizes the performative nature of communication. Educators teaching public speaking in theatre and performance departments will find this a textbook particularly suited to the interests of their students.
    Note: Public Speaking as Performance -- I. Prologue -- 1. Thinking about Public Speaking -- 2. Actor Tools for Public Speakers -- III. Context -- 3. Speaking Occassion -- 4. Audience Analysis -- 5. Ways of Delivering Speeches -- 6. From Page to Stage -- III. Speechwriting -- 7. Writing for Listeners -- 8. Purpose and Thesis -- 9. Structure and Organization -- 10. Introductions and Conclusions -- 11. Ethics in Public Speaking -- 12. Language in Speechwriting -- 13. Presentation Aids -- IV. Purposes -- 14. Informative Speeches -- 15. Persuasive Speeches -- 16. Special Ocassion Speeches -- Bibliography.
    Language: English
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  • 9
    Online Resource
    Online Resource
    London, England : Zed Books | [London, England] : Bloomsbury Publishing
    UID:
    gbv_1895299152
    Format: 1 Online-Ressource (289 pages)
    Edition: First edition
    Edition: Also published in print
    ISBN: 9781474208147
    Series Statement: The Cultural Histories Series volume 4
    Content: "French philosopher Jean-Jacques Rousseau wrote, 'the general effect of the theatre is to strengthen the national character to augment the national inclinations, and to give a new energy to all the passions'. During the Enlightenment, the advancement of radical ideas along with the emergence of the bourgeois class contributed to a renewed interest in theatre's efficacy, informed by philosophy yet on behalf of politics. While the 18th century saw a growing desire to define the unique and specific features of a nation's drama, and audiences demanded more realistic portrayals of humanity, theatre is also implicated in this age of revolutions. A Cultural History of Theatre in the Age of Enlightenment examines these intersections, informed by the writings of key 18th-century philosophers. Richly illustrated with 45 images, the ten chapters each take a different theme as their focus: institutional frameworks; social functions; sexuality and gender; the environment of theatre; circulation; interpretations; communities of production; repertoire and genres; technologies of performance; and knowledge transmission."--
    Note: Includes bibliographical references and index , Cover page; Halftitle page; Series page; Title page; Copyright page; CONTENTS; LIST OF ILLUSTRATIONS; NOTES ON CONTRIBUTORS; SERIES PREFACE; EDITOR'S ACKNOWLEDGEMENTS; Introduction Theatre and the Enlightenment Matrix; THE ENLIGHTENMENT AS MATRIX; ROUSSEAU AND THE SOCIAL BASIS OF THEATRE; DIDEROT AND ENLIGHTENMENT SUBJECTHOOD; THEATRE IN THE MATERIAL WORLD: VOLTAIRE; CHAPTER ONE Institutional Frameworks The State, the Market and the People in the Age of Enlightenment; THE STATE AS LICENSOR; THE MARKET AND THE ART OF MANAGEMENT; PEOPLE, POLICE, NATION , CHAPTER TWO Social Functions Audiences and AuthorityTHEATRICAL INFRASTRUCTURE; LEGISLATIVE AND LEGAL CONTROLS ON THEATRES; THEATRE AS AN EXTENSION OF DIPLOMACY; AUDIENCES: SOCIAL CONTROLS AND AUDIENCE RESPONSES; THEATRE AS AN AGENT OF SOCIAL CHANGE; THE AUDIENCE EXPERIENCE; INDIVIDUAL AUDIENCE RESPONSES; PRIVATE THEATRICALS; CHAPTER THREE Sexuality and Gender Changing Identities; ROLES AND REPRESENTATIONS; MOTHERHOOD AND MARRIAGE; PAY AND PARTICIPATION; CHAPTER FOUR The Environment of Theatre Power, Resistance and Commerce; CIVIC SPACE: THE MONUMENTAL PUBLIC PLAYHOUSE; EXCLUSIVE SPACE , SPACES OF ALTERITY: FAIRGROUNDS, BOULEVARDS, FESTIVALSCHAPTER FIVE Circulation Emergent Modalities of Intercultural Performance; GARRICK IN FRANCE AND ITALY: THE INFUSION OF CONTINENTAL CULTURES AT HOME; GARRICK AS RECRUITMENT AGENT: THE PAN-EUROPEAN CIRCULATION OF ACTORS AND ACTRESSES; GARRICK'S DIASPORA: THE PLAY AS BOTH IMPERIAL PRODUCT AND BRITISH PROTOTYPE; IN SHORT: CIRCULATION AS CONTINGENCY AND COROLLARY TO PROGRESS; CHAPTER SIX Interpretations From Theatrephobia to a Theatrical 'Science of Man'; DIDEROT'S RELATIONAL DRAMA; PIERRE NICOLE AND THE CONTAGION OF THE STAGE , RESPONDING TO ATTACK: TOWARDS A MINDFUL AND EMOTIONAL THEATRICAL EVENTCHAPTER SEVEN Communities of Production Eighteenth-Century Acting Companies; SELF-GOVERNANCE AND RIGHTS; THE THEATRE AND SOCIABILITY; STATUS AND CELEBRITY; FROM CRAFT TO PROFESSION; CHAPTER EIGHT Repertoire and Genres Cultural Logics and the Trick of Theatrical Longevity; REPERTORY AND THE BUSINESS OF THE STAGE; GENERIC PREOCCUPATIONS: CONTINUITY AND INNOVATION; TRAGIC POSTERITY AND COMIC FUTURITY; CHAPTER NINE Technologies of Performance Architecture, Scenery, Light; ARCHITECTURE; SCENERY; LIGHT , CHAPTER TEN Knowledge Transmission Theatrical Intelligence and the Intelligence of TheatreTHE INTELLIGENCE OF THEATRE; THEATRICAL INTELLIGENCE; KNOW THY SELF, AGAIN AND AGAIN AND AGAIN; NOTES; BIBLIOGRAPHY; INDEX , Also published in print , Barrierefreier Inhalt: Compliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily
    Additional Edition: ISBN 9781472585752
    Additional Edition: ISBN 1350135453
    Additional Edition: ISBN 9781350135451
    Additional Edition: ISBN 9781350135444
    Additional Edition: ISBN 1350135445
    Additional Edition: ISBN 9781472585844
    Additional Edition: Erscheint auch als Druck-Ausgabe Leon, Mechele A Cultural History of Theatre in the Age of Enlightenment London : Bloomsbury Publishing Plc, ©2019 ISBN 9781472585752
    Language: English
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  • 10
    UID:
    almafu_BV046246153
    Format: 1 Online-Ressource (224 Seiten).
    ISBN: 978-1-3501-3545-1
    In: A cultural history of theatre.
    Additional Edition: Erscheint auch als Druck-Ausgabe, Hardcover ISBN 978-1-4725-8575-2
    Language: English
    Keywords: Aufsatzsammlung
    URL: Volltext  (URL des Erstveröffentlichers)
    Library Location Call Number Volume/Issue/Year Availability
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