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  • 1
    UID:
    almahu_9948319532402882
    Format: 1 online resource (285 pages).
    ISBN: 9789004259119 (e-book)
    Series Statement: China Studies, Volume 28
    Additional Edition: Print version: Print, profit, and perception : ideas, information and knowledge in Chinese societies, 1895-1949. Leiden, [The Netherlands] : Brill, c2014 ISSN 1570-1344 ISBN 9789004259119
    Language: English
    Subjects: General works
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    Keywords: Electronic books. ; Electronic books
    URL: DOI
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  • 2
    Online Resource
    Online Resource
    Leiden ; Boston :Brill,
    UID:
    almahu_BV047473113
    Format: 1 Online-Ressource (XII, 345 Seiten).
    ISBN: 978-90-04-34450-1
    Series Statement: East Asian comparative literature and culture volume 8
    Content: This book offers a thorough and thought-provoking study on the impact of Japanese colonialism on Taiwan?s literary production from the 1920s to 1945. It redresses the previous nationalist and Japan-centric interpretations of works from Taiwan?s Japanese period, and eschews a colonizer/colonized dichotomy. Through a highly sensitive textual analysis and contextual reading, this chronologically structured book paints a multi-layered picture of colonial Taiwan?s literature, particularly its multi-styled articulations of identities and diverse visions of modernity. By engaging critically with current scholarship, Lin has written with great sentiment the most complete history of the colonial Taiwanese literary development in English.
    Note: Introduction: relocating the multilingual new Taiwanese literature -- The nationalist paradigm of Taiwan literature : Lai He -- From nationalism to socialism : Yang Kui -- Popular romances and their alternative modernity : Xu Kunquan and Wu Mansha -- Stylistic reorientation and innovation : Lu Heruo, Long Yingzong and Weng Nao -- How to become "Japanese"? : Chen Huoquan, Wang Changxiong and Zhou Jinbo -- The lure of China : Wu Zhuoliu and Zhong Lihe -- Epilogue: toward a multifaceted literary commonwealth
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-90-04-34449-5
    Language: English
    Subjects: History , Comparative Studies. Non-European Languages/Literatures
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    Keywords: Chinesisch ; Literatur ; Kolonialmacht
    URL: DOI
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  • 3
    Online Resource
    Online Resource
    Abingdon, Oxon ; : Routledge,
    UID:
    almahu_9949384423602882
    Format: 1 online resource
    ISBN: 9780429666582 , 0429666586 , 9780429663864 , 0429663862 , 9780429661143 , 0429661142 , 9780429022227 , 0429022220
    Series Statement: Routledge research on Taiwan series
    Content: Positioning Taiwan in a Global Context examines modern Taiwanese culture through the prism of global cultural interactions. Challenging the view of Taiwan as a product of transience and displacement, it highlights Taiwan's subjectivity, viewing the island as a site of a global development that epitomizes both resistance and negotiation in the process of cultural flows. The fourteen contributions by an international team of scholars investigate the multi-layered and multidirectional interplays between the island and the outside world, exploring the impact of complex cultural encounters on the construction, writing and rewriting of Taiwan in a global context. Taking an interdisciplinary approach, the topics covered range from Taiwanese literature, cinema, food culture and tourism to cultural geography, colonial history, and folk religion, with comparisons made with Japan, China, Hong Kong, the Philippines, and the West. Focusing on continuous cross-cultural interplays, this book affords readers a deeper understanding of identity politics and a better insight into the fluidity, changeability, and constructionist nature of culture. As such, it will be will be of great interest to students and scholars of Taiwan Studies and Cultural Studies, as well as Asian film, literature and popular culture.
    Note: Cover; Half Title; Series; Title; Copyright; Contents; List of Illustrations; Contributors; Acknowledgments; Note on Romanization, translation, and citation; Introduction; Part I Repositioning Taiwan; 1 Positioning 'Taiwanese literature' to the world: Taiwan as represented and perceived in English translation; 2 Translating Taiwan southward; 3 It all starts in Hualien: Pangcah Woman; Rose, Rose, I Love You; and The Man with the Compound Eyes; 4 The making of Taiwanese martial arts fiction: The case of Gu Long , 5 Indigenizing queer fiction and queer theories: A study on Chi Ta-wei's sci-fi novelsPart II Cultural flows and becoming; 6 From 'Free China' to sunny paradise: The worlding process in the magazine Tourism in Taiwan (1966-1974); 7 The gourmet paradise: The gustatory gaze toward Taiwan in Japanese tourist media (1964-present); 8 Savage world, immortal island: The colonial gaze and colonial taste of Penglai rice; 9 Let's talk about love: Hong Kong's geopolitical narratives of emotion and stories of lifestyle migration in Taiwan , 10 Getting to know Taiwan: Borrowed gaze, direct involvement and everyday lifePart III The production and contestation of indigeneity; 11 Localizing the Japanese manga system and making folk religion manga-esque: Wei Tsung-cheng's Ming Zhan-lu: Final Destiny of the Formosan Gods; 12 Charting the transnational within the national: The case of contemporary Taiwan popular cinema; 13 Countervisions: Exotic voyages in the work of Hou Hsiaohsienand Edward Yang; 14 Taiwan's indigenous peoples and cinema: From colonial mascot to Fourth Cinema?; Index
    Additional Edition: Print version: Positioning Taiwan in a global context being and becoming. Abingdon, Oxon ; New York, NY : Routledge, 2019 ISBN 9780367077129
    Language: English
    Keywords: Electronic books. ; Electronic books.
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  • 4
    Online Resource
    Online Resource
    Singapore :Springer Singapore, | Singapore :Palgrave Macmillan.
    UID:
    edoccha_BV045500520
    Format: 1 Online-Ressource (xiv, 304 Seiten) : , Illustrationen.
    ISBN: 978-981-133-200-5
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-981-133-199-2
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-981-133-201-2
    Language: English
    Subjects: Comparative Studies. Non-European Languages/Literatures , General works
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    Keywords: Literatur ; Film ; Konferenzschrift
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 5
    Book
    Book
    London ; New York :Routledge,
    UID:
    almahu_BV046036488
    Format: xii, 247 Seiten : , 2 Illustrationen, 3 Diagramme ; , 25 cm.
    ISBN: 978-0-367-07712-9 , 978-1-032-09293-5 , 9780429022227 , 0429022220
    Series Statement: Routledge research on Taiwan series 28
    Additional Edition: Online version Positioning Taiwan in a global context being and becoming Abingdon, Oxon ; New York, NY : Routledge, 2019 ISBN 978-0-429-02222-7
    Language: English
    Subjects: Political Science , General works
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    Keywords: Kultur ; Kulturkontakt ; Konferenzschrift ; Konferenzschrift
    Author information: Chang, Bi-yu.
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  • 6
    Online Resource
    Online Resource
    London [England] : Bloomsbury Academic | [London, England] : Bloomsbury Publishing
    UID:
    gbv_1831794500
    Format: 1 Online-Ressource (272 pages)
    Edition: First edition
    ISBN: 9781501381379 , 9781501381355
    Series Statement: Literatures as World Literature
    Content: "Owning to Taiwan's multi-ethnic nature and palimpsestic colonial past, Taiwanese literature is naturally multilingual. Although it can be analyzed in the frameworks of Japanophone literature and Chinese literature, and the more provocative Sinophone literature, it is only through viewing Taiwanese literature as world literature that we can redress the limits of national identity and fully examine writers' transculturation practice, globally minded vision, and the politics of its circulation. Throughout the colonial era, Taiwanese writers gained inspiration from global literary trends mainly but not exclusively through the medium of Japanese and Chinese. Modernism was the mainstream literary style in 1960s Taiwan, and since the 1980s Taiwanese literature has demonstrated a unique trajectory shaped jointly by postmodernism and postcolonialism. These movements exhibit Taiwanese writers' creative adaptations of world literary thought as a response to their local and trans-national reality. It is also during the postwar years that Taiwanese literature began to be more systematically introduced to world readers through translation. Over the past few decades, Taiwanese authors and their translated works have participated in global conversations, such as those on climate change, the "post-truth" era, and ethnic and gender equality. Bringing together scholars and translators from Europe, North America, and East Asia, the volume focuses on three interrelated themes - the framing and worlding ploys of Taiwanese literature, Taiwanese writers' experience of transculturation, and politics behind translating Taiwanese literature. It aims to stimulate new ways of conceptualizing Taiwanese literature, demonstrate remarkable cases of Taiwanese authors' co-option of world trends in their Taiwan-concerned writing, and explore its readership and dissemination."--
    Note: Introduction: Framing Taiwanese Literature as World Literature / Pei-yin Lin (University of Hong Kong, Hong Kong ) and Wen-chi Li (University of Zurich, Switzerland) -- Part I Bridging Taiwan and the World: Framework and Tactics -- 1. Reading Taiwanese Literature as Sinophone Literature or Reading Taiwanese Literature as World Literature / Kuei-fen Chiu (National Chung Hsing University, Taiwan) -- 2. Worlding Taiwan: Strategies of World-Making in Taiwanese Literature / Carlos Rojas (Duke University, USA) -- 3. Worlding Modalities of Taiwanese Literature: Family Saga, Autobiographic Narrative, and Bildungsroman / Pei-yin Lin (University of Hong Kong, Hong Kong) -- Part II Bringing the World Home: Transcultural Practice in Taiwanese Literature -- 4. Embracing the World through Japanese: Le Moulin Poetry Society's Aesthetic Inspirations and Indigenization Yi-chen Liu (Meiji University, Japan) -- 5. The Influence of Western Poetry on Taiwanese Modernism / Marie Laureillard (Lumière University-Lyon 2, France) -- 6. Infectious Postmodernism in/as Notes of a Desolated Man / Nicholas A. Kaldis (Binghamton University, SUNY, USA) -- 7. Worldly Aborigines and Eco-cosmopolitanism in Wu Ming-yi's Fiction / Darryl Sterk (Lingnan University, Hong Kong) -- Part III Bringing Taiwan to the World: Taiwanese Literature in Translations -- 8. Toward the Anglophone World: English Translation of Taiwanese Literature in USA / John Balcom (Middlebury Institute of International Studies, USA) -- 9. Elements and Strategies of Translating Taiwanese Literature into French: Using Three French Taiwanese Literature Collection Series as Case Studies / Gwennaël Gaffric (Jean Moulin University-Lyon 3, France) -- 10. Translating Taiwanese Literature into Italian: The Current State, Perspectives, and Challenges / Federica Passi (Ca' Foscari University of Venice, Italy) -- 11. Japanese Translation: From Taiwan's Literature to Taiwanese Literature / Yingzhe Huang (Aichi University, Japan ) -- 12. Translating Sex(uality): Li Ang in English Translation / Sheng-chi Hsu (University of Warwick, UK) -- 13. Beyond Chiu Miao-chin and Queer Studies: Field Research / Wen-chi Li (University of Zurich, Switzerland) , Barrierefreier Inhalt: Compliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily
    Additional Edition: ISBN 9781501381386
    Additional Edition: ISBN 9781501381348
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 9781501381386
    Language: English
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  • 7
    UID:
    gbv_180626496X
    Format: 1 Online-Ressource (398 Seiten) , Illustrationen
    ISBN: 9783839459737
    Series Statement: Global Sentimentality volume 1
    Content: This new go-to reference book for global melodrama assembles contributions by experts from a wide range of disciplines, including cultural studies, film and media studies, gender and queer studies, political science, and postcolonial studies. The melodramas covered in this volume range from early 20th-century silent movies to contemporary films, from independent `arthouse' productions to Hollywood blockbusters. The comprehensive overview of global melodramatic film in the Lexicon constitutes a valuable resource for scholars and practitioners of film, teachers, film critics and anyone who is interested in the past and present of melodramatic film on a global scale. The Lexicon of Global Melodrama includes essays on All That Heaven Allows, Bombay, Casablanca, Die Büchse der Pandora, In the Mood for Love, Nosotros los Pobres, Terra Sonambula, and Tokyo Story
    Note: Frontmatter , Content , Introduction , A Drunkard’s Reformation (1909) , Tom Gunning , Blind Husbands (1919) , Applause (1929) , Pandora’s Box (Die Büchse der Pandora, 1929) , The Blue Angel (Der blaue Engel, 1930) , Ganga Bruta (1933) , Masquerade in Vienna (Maskerade, 1934) , Modern Times (1936) , Bewitching Kisses (Besos brujos, 1937) , Heimat (1938) , Gone with the Wind (1939) , Casablanca (1942) , Mashenka (Машенька, 1942) , Children of Paradise (Les Enfants du paradis, 1945) , Nosotros los pobres (1948) , Chains (Catene, 1949) , Tokyo Story (東京物語, Tōkyō Monogatari, 1953) , House of Ricordi (Casa Ricordi, 1954) , The Night of the Hunter (1955) , All that Heaven Allows (1955) , The Word (Ordet, 1955) , Violent Playground (1958) , Hiroshima mon amour (1959) , Imitation of Life (1959) , Oyster Girl (蚵女,Ke nü, 1963) , A Patch of Blue (1965) , Guess Who’s Coming to Dinner (1967) , Dark of the Sun (1968) , Love Story (1970) , The Legend of the Red Lantern (红灯记, Hongdeng ji, 1970) , Ariana (אריאנה, 1971) , Insiang (1976) , Amar Akbar Anthony (1977) , The Smoking Fish (El pez que fuma, 1977) , An Unmarried Woman (1978) , The Marriage of Maria Braun (Die Ehe der Maria Braun, 1979) , Ticket of No Return (Bildnis einer Trinkerin, 1979) , Babylon (1980) , Dorian Gray in the Mirror of the Yellow Press (Dorian Gray im Spiegel der Boulevardpresse, 1984) , The Official Story (La historia oficial, 1985) , Where Is the Friend’s House? (Khane-ye doust kodjast, 1987) , Little Vera (Маленькая Вера, Malen‘kaia Vera, 1988) , The Unbearable Lightness of Being (1988) , Women on the Verge of a Nervous Breakdown (Mujeres al borde de un ataque de nervios, 1988) , Coming Out (1989) , Living in Bondage, Part I (1992) and II (1993) , Farewell My Concubine (霸王別姬, Bawang bie ji, 1993) , The Piano (1993) , In the Heat of the Sun (陽光燦爛的日子, Yángguāng Cànlàn De Rìzi, 1994) , Bombay (1995) , The Bridges of Madison County (1995) , Kikujiro (菊次郎の夏, Kikujirō no natsu, 1999) , Water Drops on Burning Rocks (Gouttes d’eau sur pierres brûlantes, 2000) , Erin Brockovich (2000) , In the Mood for Love (花樣年華, Fa yeung nin wa, 2000) , Moulin Rouge! (2001) , Sometimes Happy, Sometimes Sad (Kabhi Khushi Kabhie Gham, 2001) , Devdas ( 2002) , Destiny Has No Favorites (El destino no tiene favoritos, 2003) , Monsieur Ibrahim (Monsieur Ibrahim et les fleurs du Coran, 2003) , Osuofia in London, Part I (2003) and II (2004) , Brokeback Mountain (2005) , Rang De Basanti ( 2006) , The Yacoubian Building (’Imārat Ya’qūbīān, 2006) , Lust, Caution (色, 戒, Sè, Jiè, 2007) , Shanghai Baby (2007) , Sleepwalking Land (Terra Sonâmbula, 2007) , The Blind Side (2009) , Invictus (2009) , The Secret in Their Eyes (El secreto de sus ojos, 2009) , Jaffa ( כלת הים , Kalat Hayam, 2009) , Pumzi (2009) , Anchor Baby (2010) , Even the Rain (También la Iluvia, 2010) , Melancholia (2011) , Laurence Anyways (2012) , The Cut (2014) , The Theory of Everything (2014) , Eye in the Sky (2015) , Masaan (2015) , The Salesman (Forushandeh, 2016) , Jackie (2016) , The Nest of the Turtledove (Гніздо горлиці, Hnizdo horlytsi, 2016) , Cold War (Zimna wojna, 2018) , Mirja Lecke , Elevator Baby (2019) , The Invisible Life of Eurídice Gusmão (A vida invisível, 2019) , Joker (2019) , Hamilton (2020) , No Hard Feelings/FUTUR DREI (2020) , Suggestions for Further Reading , Contributors , In English
    Additional Edition: ISBN 9783837659733
    Additional Edition: Erscheint auch als print ISBN 9783837659733
    Language: English
    URL: Cover
    Author information: Diekmann, Stefanie
    Author information: Ludewig, Alexandra 1969-
    Author information: Krug, Christian
    Author information: Gerund, Katharina
    Author information: Lano, Carolin 1984-
    Author information: Engell, Lorenz 1959-
    Author information: Schmitz, Norbert M. 1960-
    Author information: Schäfer, Stefanie 1979-
    Author information: Paul, Heike 1968-
    Author information: Banerjee, Mita 1971-
    Author information: Kirchmann, Kay 1961-
    Author information: Ritzenhoff, Karen A. 1963-
    Author information: Maurits, Peter J. 1981-
    Author information: Demmelhuber, Thomas 1980-
    Author information: Zabirko, Oleksandr 1983-
    Author information: Tognolotti, Chiara 1972-
    Author information: Wiedenmann, Nicole 1977-
    Author information: Ruhe, Cornelia 1973-
    Author information: Fahle, Oliver 1969-
    Author information: McPherson, Annika
    Author information: Hiergeist, Teresa 1984-
    Author information: Barg, Werner C. 1957-
    Author information: Sykora, Katharina 1955-
    Author information: Dubasevych, Roman
    Author information: Folie, Sandra 1988-
    Author information: Esders-Angermund, Karin
    Author information: Wortmann, Thomas 1983-
    Author information: Morsch, Thomas 1967-
    Author information: Ritzer, Ivo 1981-
    Author information: Bush, Matthew 1976-
    Author information: Lecke, Mirja 1972-
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  • 8
    UID:
    almahu_9949481225002882
    Format: 1 online resource (400 p.)
    ISBN: 9783839459737 , 9783110767001
    Series Statement: Global Sentimentality ; 1
    Content: This new go-to reference book for global melodrama assembles contributions by experts from a wide range of disciplines, including cultural studies, film and media studies, gender and queer studies, political science, and postcolonial studies. The melodramas covered in this volume range from early 20th-century silent movies to contemporary films, from independent `arthouse' productions to Hollywood blockbusters. The comprehensive overview of global melodramatic film in the Lexicon constitutes a valuable resource for scholars and practitioners of film, teachers, film critics and anyone who is interested in the past and present of melodramatic film on a global scale. The Lexicon of Global Melodrama includes essays on All That Heaven Allows, Bombay, Casablanca, Die Büchse der Pandora, In the Mood for Love, Nosotros los Pobres, Terra Sonambula, and Tokyo Story.
    Note: Frontmatter -- , Content -- , Introduction -- , A Drunkard's Reformation (1909) -- , Tom Gunning -- , Blind Husbands (1919) -- , Applause (1929) -- , Pandora's Box (Die Büchse der Pandora, 1929) -- , The Blue Angel (Der blaue Engel, 1930) -- , Ganga Bruta (1933) -- , Masquerade in Vienna (Maskerade, 1934) -- , Modern Times (1936) -- , Bewitching Kisses (Besos brujos, 1937) -- , Heimat (1938) -- , Gone with the Wind (1939) -- , Casablanca (1942) -- , Mashenka (Машенька, 1942) -- , Children of Paradise (Les Enfants du paradis, 1945) -- , Nosotros los pobres (1948) -- , Chains (Catene, 1949) -- , Tokyo Story (東京物語, Tōkyō Monogatari, 1953) -- , House of Ricordi (Casa Ricordi, 1954) -- , The Night of the Hunter (1955) -- , All that Heaven Allows (1955) -- , The Word (Ordet, 1955) -- , Violent Playground (1958) -- , Hiroshima mon amour (1959) -- , Imitation of Life (1959) -- , Oyster Girl (蚵女,Ke nü, 1963) -- , A Patch of Blue (1965) -- , Guess Who's Coming to Dinner (1967) -- , Dark of the Sun (1968) -- , Love Story (1970) -- , The Legend of the Red Lantern (红灯记, Hongdeng ji, 1970) -- , Ariana (אריאנה, 1971) -- , Insiang (1976) -- , Amar Akbar Anthony (1977) -- , The Smoking Fish (El pez que fuma, 1977) -- , An Unmarried Woman (1978) -- , The Marriage of Maria Braun (Die Ehe der Maria Braun, 1979) -- , Ticket of No Return (Bildnis einer Trinkerin, 1979) -- , Babylon (1980) -- , Dorian Gray in the Mirror of the Yellow Press (Dorian Gray im Spiegel der Boulevardpresse, 1984) -- , The Official Story (La historia oficial, 1985) -- , Where Is the Friend's House? (Khane-ye doust kodjast, 1987) -- , Little Vera (Маленькая Вера, Malen'kaia Vera, 1988) -- , The Unbearable Lightness of Being (1988) -- , Women on the Verge of a Nervous Breakdown (Mujeres al borde de un ataque de nervios, 1988) -- , Coming Out (1989) -- , Living in Bondage, Part I (1992) and II (1993) -- , Farewell My Concubine (霸王別姬, Bawang bie ji, 1993) -- , The Piano (1993) -- , In the Heat of the Sun (陽光燦爛的日子, Yángguāng Cànlàn De Rìzi, 1994) -- , Bombay (1995) -- , The Bridges of Madison County (1995) -- , Kikujiro (菊次郎の夏, Kikujirō no natsu, 1999) -- , Water Drops on Burning Rocks (Gouttes d'eau sur pierres brûlantes, 2000) -- , Erin Brockovich (2000) -- , In the Mood for Love (花樣年華, Fa yeung nin wa, 2000) -- , Moulin Rouge! (2001) -- , Sometimes Happy, Sometimes Sad (Kabhi Khushi Kabhie Gham, 2001) -- , Devdas ( 2002) -- , Destiny Has No Favorites (El destino no tiene favoritos, 2003) -- , Monsieur Ibrahim (Monsieur Ibrahim et les fleurs du Coran, 2003) -- , Osuofia in London, Part I (2003) and II (2004) -- , Brokeback Mountain (2005) -- , Rang De Basanti ( 2006) -- , The Yacoubian Building ('Imārat Ya'qūbīān, 2006) -- , Lust, Caution (色, 戒, Sè, Jiè, 2007) -- , Shanghai Baby (2007) -- , Sleepwalking Land (Terra Sonâmbula, 2007) -- , The Blind Side (2009) -- , Invictus (2009) -- , The Secret in Their Eyes (El secreto de sus ojos, 2009) -- , Jaffa ( כלת הים , Kalat Hayam, 2009) -- , Pumzi (2009) -- , Anchor Baby (2010) -- , Even the Rain (También la Iluvia, 2010) -- , Melancholia (2011) -- , Laurence Anyways (2012) -- , The Cut (2014) -- , The Theory of Everything (2014) -- , Eye in the Sky (2015) -- , Masaan (2015) -- , The Salesman (Forushandeh, 2016) -- , Jackie (2016) -- , The Nest of the Turtledove (Гніздо горлиці, Hnizdo horlytsi, 2016) -- , Cold War (Zimna wojna, 2018) -- , Mirja Lecke -- , Elevator Baby (2019) -- , The Invisible Life of Eurídice Gusmão (A vida invisível, 2019) -- , Joker (2019) -- , Hamilton (2020) -- , No Hard Feelings/FUTUR DREI (2020) -- , Suggestions for Further Reading -- , Contributors , Mode of access: Internet via World Wide Web. , In English.
    In: DG Plus PP Package 2022 Part 2, De Gruyter, 9783110767001
    In: EBOOK PACKAGE COMPLETE 2022 English, De Gruyter, 9783110993899
    In: EBOOK PACKAGE COMPLETE 2022, De Gruyter, 9783110994810
    In: EBOOK PACKAGE Sociology 2022 English, De Gruyter, 9783110994551
    In: EBOOK PACKAGE Sociology 2022, De Gruyter, 9783110994520
    In: transcript Complete eBook Package 2022, De Gruyter, 9783111025094
    In: transcript English Frontlist eBook-Package 2022, De Gruyter, 9783110768510
    Additional Edition: ISBN 9783837659733
    Language: English
    URL: Cover
    URL: Cover
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  • 9
    UID:
    gbv_1669507769
    Format: xiv, 304 Seiten , illustrations (black and white) , 22 cm
    ISBN: 9789811331992 , 9811331995
    Note: "The genesis of this book was the one-day workshop entitled: Nation, Gender, and Genres: "Literature and Film from Taiwan and Korea, 1930s-1960s" held at the University of Hong Kong on August 9, 2015"--Page v , Includes bibliographical references (pages 267-291) and index , Coining the ideal woman in love/marriage fiction from colonial Taiwan /Pei-yin Lin --The epic and the alternative: romance in postcolonial Taiwan /Pei-yin Lin --Claiming colonial masculinity: sex and romance in Ch'ae Mansik's colonial fiction /Su Yun Kim --From the detective to the romance genre: popular fiction in post colonial Korea /Su Yun Kim --The production of imperialized bodies: colonial Taiwan's film regulations and propaganda films /Mamie Misawa --The National Anthem film in the early 1950s Taiwan /Mamie Misawa --Militarism, enlightenment, and colonial Korean cinema /Kelly Y. Jeong --The spectacle of affect: postwar South Korean melodrama films /Kelly Y. Jeong --Epilogue transwar imperial formations: popular cultures /Lisa Yoneyama , "This collection examines literature and film studies from the late colonial and early postcolonial periods in Taiwan and Korea, and highlights the similarities and differences of Taiwanese and Korean popular culture by focusing on the representation of gender, genre, state regulation, and spectatorship. Calling for the "de-colonializing" and "de-Cold Warring" of the two ex-colonies and anticommunist allies, the book places Taiwan and Korea side by side in a "trans-war" frame. Considering Taiwan-Korea relations along a new trans-war axis, the book focuses on the continuities between the late colonial period's Asia-Pacific War and the consequent Korean War and the ongoing conflict between the two sides of the Taiwan Strait, facilitated by Cold War power struggles. The collection also invites a meaningful transcolonial reconsideration of East Asian cultural and literary flows, beyond the conventional colonizer/colonized dichotomy and ideological antagonism"--Back cover
    Language: English
    Keywords: Taiwan ; Korea ; Südkorea ; Kolonie ; Postkolonialismus ; Film ; Literatur ; K-Pop ; Konferenzschrift
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  • 10
    Online Resource
    Online Resource
    Singapore :Springer Singapore, | Singapore :Palgrave Macmillan.
    UID:
    edocfu_BV045500520
    Format: 1 Online-Ressource (xiv, 304 Seiten) : , Illustrationen.
    ISBN: 978-981-133-200-5
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-981-133-199-2
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-981-133-201-2
    Language: English
    Subjects: Comparative Studies. Non-European Languages/Literatures , General works
    RVK:
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    Keywords: Literatur ; Film ; Konferenzschrift
    URL: Volltext  (URL des Erstveröffentlichers)
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