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  • 1
    Book
    Book
    Berkeley, Calif. [u.a.] :Univ. of California Press,
    UID:
    almafu_BV005411200
    Format: XVII, 283 S.
    ISBN: 0-520-07452-1 , 0-520-07454-8
    Language: English
    Subjects: English Studies
    RVK:
    RVK:
    Keywords: Englisch ; Roman ; Theater ; Englisch ; Roman ; Schauspieler
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Online Resource
    Online Resource
    Durham :Duke University Press,
    UID:
    almafu_9959677514602883
    Format: 1 online resource (306 p.)
    ISBN: 1-283-06490-1 , 9786613064905 , 0-8223-9084-1
    Series Statement: Series Q
    Content: Cultural study of Cold War film and theater that considers how Jewish assimilation into American culture during the blacklist period was characterized by a demand to be a stoolpigeon, or to become an informer.
    Note: Description based on print version record , Sycoanalysis : an introduction -- Jew envy -- Petrified laughter : Jews in pictures, 1947 -- Collaborators : Schulberg, Kazan, and a face in the crowd -- Comicosmopolitanism : behind television -- Bringing down the house : the blacklist musical -- Coda : cosmopolitan states. , English
    Additional Edition: ISBN 0-8223-4484-X
    Additional Edition: ISBN 0-8223-4467-X
    Language: English
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  • 3
    Online Resource
    Online Resource
    [Erscheinungsort nicht ermittelbar] : Duke University Press
    UID:
    gbv_1778744982
    Format: 1 Online-Ressource
    ISBN: 9780822390848
    Content: In a bold rethinking of the Hollywood blacklist and McCarthyite America, Joseph Litvak reveals a political regime that did not end with the 1950s or even with the Cold War: a regime of compulsory sycophancy, in which the good citizen is an informer, ready to denounce anyone who will not play the part of the earnest, patriotic American. While many scholars have noted the anti-Semitism underlying the House Un-American Activities Committee’s (HUAC’s) anti-Communism, Litvak draws on the work of Theodor W. Adorno, Hannah Arendt, Alain Badiou, and Max Horkheimer to show how the committee conflated Jewishness with what he calls “comic cosmopolitanism,” an intolerably seductive happiness, centered in Hollywood and New York, in show business and intellectual circles. He maintains that HUAC took the comic irreverence of the “uncooperative” witnesses as a crime against an American identity based on self-repudiation and the willingness to “name names”
    Note: English
    Language: English
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  • 4
    Book
    Book
    Durham [u.a.] :Duke Univ. Press,
    UID:
    almafu_BV011771768
    Format: XI, 181 S.
    ISBN: 0-8223-2007-X , 0-8223-2016-9
    Series Statement: Series Q
    Content: "Theoretically sophisticated: How often has this term been used to distinguish a work of contemporary criticism, and what, exactly, does it mean? In Strange Gourmets, Joseph Litvak reclaims sophistication from its negative connotations and turns the spotlight on those who, even as they demonize sophistication, surreptitiously and extensively use it." "Though commonly thought of as a kind of wordliness as its best and an elitist snobbery at its worst, sophistication, Litvak reminds us, remains tied to its earlier, if forgotten, meaning of "perversion" - a perversion whose avatars are the homosexual and the intellectual. Proceeding with his investigations from a specifically gay academic perspective, Litvak presents thoroughly inventive readings of novels by Austen, Thackeray, and Proust, and of theoretical works by Adorno and Barthes, each text epitomizing sophistication in one of its more familiar modes. Among the issues he explores are the ways in which these texts teach sophistication, the embarrassment that sophistication causes the sophisticated, and how the class politics of sophistication are inseparable from its sexual politics."--BOOK JACKET.
    Language: English
    Subjects: Comparative Studies. Non-European Languages/Literatures
    RVK:
    RVK:
    Keywords: Romantheorie
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  • 5
    Online Resource
    Online Resource
    Durham, North Carolina, USA :Duke University Press,
    UID:
    almahu_9949550314102882
    Format: 1 online resource (1 p.)
    ISBN: 9780822390848
    Content: In a bold rethinking of the Hollywood blacklist and McCarthyite America, Joseph Litvak reveals a political regime that did not end with the 1950s or even with the Cold War: a regime of compulsory sycophancy, in which the good citizen is an informer, ready to denounce anyone who will not play the part of the earnest, patriotic American. While many scholars have noted the anti-Semitism underlying the House Un-American Activities Committee's (HUAC's) anti-Communism, Litvak draws on the work of Theodor W. Adorno, Hannah Arendt, Alain Badiou, and Max Horkheimer to show how the committee conflated Jewishness with what he calls "comic cosmopolitanism," an intolerably seductive happiness, centered in Hollywood and New York, in show business and intellectual circles. He maintains that HUAC took the comic irreverence of the "uncooperative" witnesses as a crime against an American identity based on self-repudiation and the willingness to "name names".
    Language: English
    Keywords: Electronic books. ; Electronic books
    URL: Volltext  (lizenzpflichtig)
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  • 6
    Book
    Book
    Durham [u.a.] :Duke Univ. Press,
    UID:
    almafu_BV026752149
    Format: X, 294 S. : , Ill.
    ISBN: 978-0-8223-4484-1 , 978-0-8223-4467-4
    Series Statement: Series Q
    Note: Includes bibliographical references and index
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-0-8223-9084-8
    Language: English
    Keywords: Film ; Judenbild ; Antisemitismus
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  • 7
    Book
    Book
    Cambridge, UK ; Medford, MA :Polity,
    UID:
    almafu_BV046839364
    Format: vii, 43 Seiten.
    ISBN: 978-1-5095-4246-8 , 978-1-5095-4245-1
    Uniform Title: Méfiez-vous des Blancs, habitants du rivage
    Additional Edition: Erscheint auch als Online-Ausgabe, EPUB ISBN 978-1-5095-4247-5
    Language: English
    Subjects: Sociology
    RVK:
    Author information: Badiou, Alain 1937-
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  • 8
    Online Resource
    Online Resource
    Durham :Duke University Press,
    UID:
    almahu_9949420664502882
    Format: 1 online resource (x, 294 p.) : , ill.
    Edition: Electronic reproduction. Ann Arbor, MI : ProQuest, 2015. Available via World Wide Web. Access may be limited to ProQuest affiliated libraries.
    Series Statement: Series Q
    Note: Description based on print version record , Sycoanalysis : an introduction -- Jew envy -- Petrified laughter : Jews in pictures, 1947 -- Collaborators : Schulberg, Kazan, and a face in the crowd -- Comicosmopolitanism : behind television -- Bringing down the house : the blacklist musical -- Coda : cosmopolitan states.
    Additional Edition: Print version: Litvak, Joseph. Un-Americans Durham, N.C. : Duke University Press, 2009 ISBN 9780822344674
    Additional Edition: ISBN 082234467X
    Additional Edition: ISBN 9780822344841
    Additional Edition: ISBN 082234484X
    Language: English
    Keywords: Electronic books.
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  • 9
    Online Resource
    Online Resource
    New York, NY :Columbia University Press,
    UID:
    almafu_9959243433002883
    Format: 1 online resource (223 p.)
    ISBN: 0-231-53658-5
    Content: English-speaking readers might be surprised to learn that Alain Badiou writes fiction and plays along with his philosophical works and that they are just as important to understanding his larger intellectual project. In Ahmed the Philosopher, Badiou's most entertaining and accessible play, translated into English here for the first time, readers are introduced to Badiou's philosophy through a theatrical tour de force that has met with much success in France. Ahmed the Philosopher presents its comic hero, the "treacherous servant" Ahmed, as a seductively trenchant philosopher even as it casts philosophy itself as a comic performance. The comedy unfolds as a series of lessons, with each "short play" or sketch illuminating a different Badiousian concept. Yet Ahmed does more than illustrate philosophical abstractions; he embodies and vivifies the theatrical and performative aspects of philosophy, mobilizing a comic energy that exposes the emptiness and pomp of the world. Through his example, the audience is moved to a living engagement with philosophy, discovering in it the power to break through the limits of everyday life.
    Note: Description based upon print version of record. , Frontmatter -- , Contents -- , Preface to the English Translation of Ahmed Philosophe -- , Translator's Introduction -- , Ahmed the Philosopher -- , List of Scenes -- , 1. Nothing -- , 2. The Event -- , 3. Language -- , 4. Place -- , 5. Cause and Effect -- , 6. Politics -- , 7. The Multiple -- , 8. Chance -- , 9. Poetry -- , 10. The Subject (1) -- , 11. The Big and the Little -- , 12. Infinity -- , 13. Time -- , 14. Truth (1) -- , 15. The Nation -- , 16. Death -- , 17. The Subject (2) -- , 18. Morality -- , 19. Society -- , 20. God -- , 21. Truth (2) -- , 22. Philosophy -- , 23. Decision -- , 24. The Same And The Other -- , 25. The Family -- , 26. Terror -- , 27. Purposiveness -- , 28. Mathematics -- , 29. Nature -- , 30. The Idea -- , 31. The Absurd -- , 32. Repetition -- , 33. Origin -- , 34. Contradiction , Issued also in print. , In English.
    Additional Edition: ISBN 0-231-16693-1
    Language: English
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  • 10
    Online Resource
    Online Resource
    Berkeley, CA :University of California Press,
    UID:
    edoccha_9958068132402883
    Format: 1 online resource (xvii, 283 pages)
    Edition: Reprint 2019
    ISBN: 0-520-91137-7 , 0-585-16123-2
    Content: Litvak demonstrates that private experience in the novels of Austen, Charlotte Brontë, Eliot, and James is a rigorous enactment of a public script that constructs normative gender and class identities. He suggests that the theatricality which pervades these novels enforces social norms while introducing opportunities for novelists to resist them. This approach encourages a rethinking of the genre and its cultural contexts in all their instability and ambivalence.
    Note: Bibliographic Level Mode of Issuance: Monograph , Infection of acting : theatricals and theatricality in Mansfield Park -- Governess as actress : the inscription of theatricality in Jane Eyre -- Scenes of writing, scenes of instruction : authority and subversion in Villette -- Dickens and sensationalism -- Poetry and theatricality in Daniel Deronda -- Making a scene : Henry James's theater of embarrassment -- Actress, monster, novelist : figuration and counterplot in The Tragic muse. , English
    Additional Edition: ISBN 0-520-07454-8
    Additional Edition: ISBN 0-520-07452-1
    Language: English
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