Kooperativer Bibliotheksverbund

UID:

Format: 1 online resource (xviii, 284 pages) : , digital, PDF file(s).

ISBN: 1-78744-534-8

Content: This collection explores the idea of music in the salon during the long nineteenth century, both as a socio-cultural phenomenon, and as a source of artistic innovation and exchange. Drawing on a wide range of scholarly approaches, this book uses the idea of the salon as a springboard to examine issues such as gender, religion, biography and performance; to explore the ways in which the salon was represented in different media; and to showcase the heterogeneity of the salon through a selection of case studies. It offers fresh considerations of familiar salons in large cultural centres, as well as insights into lesser-known salons in both Europe and the United States. Bringing together an international group of scholars, the collection underscores the enduring impact of the European musical salon.

Note: Title from publisher's bibliographic system (viewed on 17 Jan 2023). , Introduction / , Johanna Kinkel's Social Life in Berlin (1836-39) : Reflections on Historiographical Sources / , Accidental Aesthetics in the Salon : Amateurism and the Romantic Fragment in the Lied Sketches of Bettina von Arnim / , Salon Culture in the Circle of Joseph Joachim, or, Composing Inwardness : C. J. Arnold's "Quartettabend bei Bettina von Arnim" Reconsidered / , Reading, Singing, Becoming : The M adchenlieder of Paul Heyse and Johannes Brahms / , Fridays with Malla : Musical Repertoire in the Swedish Salon of Malla Silfverstolpe / , Observing Musical Salon Culture in England c. 1800 through the Lens of the Caricature / , The Salon Singer as Subject of Satire during the July Monarchy / , The Instruments of the Vienna Biedermeier Salon : Diversity in Design, Sound, and Technology / , Offenbach and the Representation of the Salon / , Affordances of the Piano : A Cinematic Representation of the Victorian Salon / , 'Der Mensch ist zur Geselligkeit geboren' : Salon Culture, Night Thoughts, and a Schubert Song / , Traditions, Preferences and Musical Taste in the Staegemann-Olfers Salon in Nineteenth-Century Berlin / , Josephine Lang and the Salon in Southern Germany / , Jessie Hillebrand and Musical Life in 1870s Florence / , An Invitation to 309 Beacon Street : Clara Kathleen Rogers and her Boston Salon / , "Too Much Playing Four Hands!" : Ernst von Dohn anyi's European Salon in the United States of the 1950s /

Additional Edition: ISBN 1-78327-390-9

Language: English

DOI: 10.1515/9781787445345

URL: lizenzpflichtig

URL: https://www.cambridge.org/core/product/identifier/9781787445345/type/BOOK

UID:

Format: 1 online resource (xxvii, 407 pages) : , digital, PDF file(s).

Edition: 1st ed.

ISBN: 1-316-73031-X , 1-316-73224-X , 1-316-68137-8

Series Statement: Composers in Context

Content: Brahms in Context offers a fresh perspective on the much-admired nineteenth-century German composer. Including thirty-nine chapters on historical, social and cultural contexts, the book brings together internationally renowned experts in music, law, science, art history and other areas, including many figures whose work is appearing in English for the first time. The essays are accessibly written, with short reading lists aimed at music students and educators. The book opens with personal topics including Brahms's Hamburg childhood, his move to Vienna, and his rich social life. It considers professional matters from finance to publishing and copyright; the musicians who shaped and transmitted his works; and the larger musical styles which influenced him. Casting the net wider, other essays embrace politics, religion, literature, philosophy, art, and science. The book closes with chapters on reception, including recordings, historical performance, his compositional legacy, and a reflection on the power of composer myths.

Note: Title from publisher's bibliographic system (viewed on 14 May 2019). , Childhood in Hamburg / Renate and Kurt Hofmann -- The Schumanns / Thomas Synofzik -- Vienna / Camille Crittenden -- Leipzig and Berlin / Karen Leistra-Jones -- Personal habits / William Horne -- Correspondence / Wolfgang Sandberger -- Holidays / Inga-Mai Groote -- Finances / Jakob Hauschildt -- As pianist / Katrin Eich -- As conductor / Walter Frisch -- As arranger / Valerie Goertzen -- As editor / Peter Schmitz -- As teacher / Johannes Behr -- Private music-making / Katy Hamilton -- Concert life / Laurenz Lutteken -- Genre / Matthew Gelbart -- Folk music / George Bozarth -- Early music / Virginia Hancock -- Singers / Natasha Loges -- Conductors / Leon Botstein -- Pianists / Michael Musgrave -- Other instrumentalists / Heather Platt -- Instruments / Anneke Scott -- Publishers / Peter Schmitz -- Copyright / Friedemann Kawohl -- Politics and religion / David Brodbeck -- Literature / Natasha Loges -- Philosophy / Nicole Grimes -- Visual arts / William Vaughan and Natasha Loges -- Science and technology / Myles Jackson and Katy Hamilton -- Germany / Johannes Behr -- England / Katy Hamilton -- Analysis / Heather Platt -- The era of national socialism / Ulrike Petersen -- Editing Brahms / Michael Struck -- Recordings / Ivan Hewett -- Historical performance / Michael Musgrave -- Inspiration / Markus Boggemann -- Mythmaking / Natasha Loges and Katy Hamilton.

Additional Edition: ISBN 1-107-16341-2

Language: English

Subjects: Musicology

Keywords: Aufsatzsammlung

URL: lizenzpflichtig

URL: https://doi.org/10.1017/9781316681374

UID:

Format: 1 online resource (xxvii, 395 pages) : , digital, PDF file(s).

ISBN: 1-108-45808-4 , 1-316-05658-9 , 1-316-05422-5 , 1-316-08259-8 , 1-316-08023-4 , 1-316-07077-8 , 1-107-33740-2 , 1-316-07786-1 , 1-316-07549-4 , 1-316-07313-0

Content: Johannes Brahms was a consummate professional musician, a successful pianist, conductor, music director, editor and composer. Yet he also faithfully championed the world of private music-making, creating many works and arrangements for enjoyment in the home by amateurs. This collection explores Brahms' public and private musical identities from various angles: the original works he wrote with amateurs in mind; his approach to creating piano arrangements of not only his own, but also other composers' works; his relationships with his arrangers; the deeper symbolism and lasting legacy of private music-making in his day; and a hitherto unpublished memoir which evokes his Viennese social world. Using Brahms as their focus point, the contributors trace the overlapping worlds of public and private music-making in the nineteenth century, discussing the boundaries between the composer's professional identity and his lifelong engagement with amateur music-making.

Note: Title from publisher's bibliographic system (viewed on 05 Oct 2015). , Brahms in the home : an introduction / , The Joachim Quartet concerts at the Berlin Singakademie : Mendelssohnian Geselligkeit in Wilhelmine Germany / , Domesticity in Brahms's string sextets, opp. 18 and 36 / , Where was the home of Brahms's piano works? / , Main and shadowy existence(s) : works and arrangements in the oeuvre of Johannes Brahms / , Brahms arranges his symphonies / , At the piano with Joseph and Johannes : Joachim's overtures in Brahms's circle / , Brahms and his arrangers / , Brahms in the Wittgenstein homes : a memoir and letters / , The construction of gender and mores in Brahms's Mädchenlieder / , Music inside the home and outside the box : Brahms's vocal quartets in context / , The limits of the lied : Brahms's Magelone-Romanzen Op. 33 / , Being (like) Brahms : emulation and ideology in late nineteenth-century Hausmusik / , The cultural dialectics of chamber music : Adorno and the visual-acoustic imaginary of Bildung / , English

Additional Edition: ISBN 1-322-17686-8

Additional Edition: ISBN 1-107-04270-4

Language: English

URL: Volltext  (lizenzpflichtig)

URL: https://doi.org/10.1017/CBO9781107337404

UID:

Format: 1 online resource (xvi, 480 pages) : , digital, PDF file(s).

ISBN: 1-78744-155-5

Content: Covering Brahms's 32 song opuses published during four decades of song-writing, this book offers a way of understanding what Brahms believed to be the right poetic basis for his immortal music.

Note: Title from publisher's bibliographic system (viewed on 09 Oct 2019). , Frontmatter -- , Contents -- , Illustrations -- , Foreword -- , Acknowledgements -- , Abbreviations -- , Introduction -- , Index of Solo Song Opuses published in Brahms's Lifetime -- , Table of Poets' Lifespans -- , Map 1: The German Empire 1864-1871 -- , Map 2: Poets' Main Areas of Activity -- , Guide to Poet Entries -- , BRAHMS'S POETS From Willibald Alexis to Josef Wenzig -- , Chapter 1 -- , Chapter 2 -- , Select Bibliography -- , Index of Brahms's Musical Works -- , General Index

Additional Edition: ISBN 1-78327-236-8

Language: English

URL: lizenzpflichtig

URL: http://www.cambridge.org/core/product/identifier/9781787441552/type/BOOK

UID:

Format: xvi, 480 Seiten : , Illustrationen, Notenbeispiele, Portraits.

ISBN: 978-1-78327-236-5 , 1-78327-236-8

Content: Johannes Brahms's much-loved solo songs continue to be enjoyed in recordings and on recital stages all over the world. This book provides a wealth of information on the poets whose words he set, many of whom are still unfamiliar. A substantial introduction explores the multiple meanings song-poetry held for Brahms and challenges the widely held opinion that he responded only to the general mood of a poem. It is followed by alphabetically organised essays on the forty-six poets whose verses he set. Each summarises the settings, Brahms's links to the poet, interconnections between the poets, and offers further context situating the poet within a wider literary, cultural and political landscape. The poets are revealed to be part of a deeply collegial cultural community of which Brahms was an active part. Covering Brahms's 32 song opuses published during four decades of song-writing, this book offers a way of understanding what Brahms believed to be the right poetic basis for his immortal music. It is designed to be an essential reference tool for students and scholars of Johannes Brahms, as well as performers and lovers of his songs. - NATASHA LOGES is Head of Postgraduate Programmes at the Royal College of Music and has co-edited Brahms in the home and the concert hall: Between private and public performance and contributed to the Cambridge History of Musical Performance and is currently co-editing Johannes Brahms in Context. As a song accompanist, she has performed in various venues overseas and in the UK.

Note: Auf dem Buchcover: "Foreword by Graham Johnson"

Language: English

Subjects: Musicology

Keywords: 1833-1897 Brahms, Johannes ; Kunstlied ; Lyriker ; Lyrik

URL: Inhaltsverzeichnis

UID:

Format: vii, 292 Seiten : , Illustrationen, Notenbeispiele, Portraits ; , 23 cm.

ISBN: 978-0-253-04701-4 , 978-0-253-04700-7

Content: "A singer in an evening dress, a grand piano. A modest-sized audience, mostly well-dressed and silver-haired, equipped with translation booklets. A program consisting entirely of songs by one or two composers. This is the way of the Lieder recital these days. While it might seem that this style of performance is a long-standing tradition, German Song Onstage demonstrates that it is not. For much of the 19th century, the songs of Beethoven, Schubert, Schumann, and Brahms were heard in the home, salon, and, no less significantly, on the concert platform alongside orchestral and choral works. A dedicated program was rare, a dedicated audience even more so. The Lied was a genre with both more private and more public associations than is commonly recalled. The contributors to this volume explore a broad range of venues, singers, and audiences in distinct places and time periods-including the United States, the United Kingdom, Russia, and Germany-from the mid-19th century through the early 20th century. These historical case studies are set alongside reflections from a selection of today's leading musicians, offering insights on current Lied practices that will inform future generations of performers, scholars, and connoisseurs. Together these case studies unsettle narrow and elitist assumptions about what it meant and still means to present German song onstage by providing a transnational picture of historical Lieder performance, and opening up discussions about the relationship between history and performance today"--

Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-0-253-04703-8

Language: English

Subjects: Musicology

Keywords: Deutsch ; Kunstlied ; Aufführung ; Aufsatzsammlung ; Criticism, interpretation, etc ; Aufsatzsammlung

URL: http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032167527&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA

URL: Inhaltsverzeichnis

UID:

Format: xviii, 284 Seiten : , Illustrationen, Notenbeispiele.

ISBN: 978-1-78327-390-4

Content: This collection explores the idea of music in the salon during the long nineteenth century, both as a socio-cultural phenomenon, and as a source of artistic innovation and exchange. Drawing on a wide range of scholarly approaches, this book uses the idea of the salon as a springboard to examine issues such as gender, religion, biography and performance; to explore the ways in which the salon was represented in different media; and to showcase the heterogeneity of the salon through a selection of case studies. It offers fresh considerations of familiar salons in large cultural centres, as well as insights into lesser-known salons in both Europe and the United States. Bringing together an international group of scholars, the collection underscores the enduring impact of the European musical salon. - ANJA BUNZEL holds a research position at the Czech Academy of Sciences. She gained her PhD in Musicology from Maynooth University and has published on Johanna Kinkel and nineteenth-century salon culture in both English and German. NATASHA LOGES is Head of Postgraduate Programmes at the Royal College of Music, London. Her publications include Brahms in the Home and the Concert Hall (Cambridge, 2014) and Brahms and his Poets (Boydell Press, 2017). She is a pianist, broadcaster and critic. (Klappentext)

Note: Introduction / Anja Bunzel and Natasha Loges. - Johanna Kinkel's Social Life in Berlin (1836-39): Reflections on Historiographical Sources / Anja Bunzel. - Accidental Aesthetics in the Salon: Amateurism and the Romantic Fragment in the Lied Sketches of Bettina von Arnim / Jennifer Ronyak. - Salon Culture in the Circle of Joseph Joachim, or, Composing Inwardness: C. J. Arnold's "Quartettabend bei Bettina von Arnim" Reconsidered / Katharina Uhde and R. Larry Todd. - Reading, Singing, Becoming: The Mädchenlieder of Paul Heyse and Johannes Brahms / Natasha Loges. - Fridays with Malla: Musical Repertoire in the Swedish Salon of Malla Silfverstolpe / Kirsten Santos Rutschman. - Observing Musical Salon Culture in England c. 1800 through the Lens of the Caricature / Maren Bagge and Clemens Kreutzfeldt. - The Salon Singer as Subject of Satire during the July Monarchy / Mary Anne Garnett. - The Instruments of the Vienna Biedermeier Salon: Diversity in Design, Sound, and Technology / Beatrix Darmstädter. - Offenbach and the Representation of the Salon / Péter Bozó. - Affordances of the Piano: A Cinematic Representation of the Victorian Salon / Harry White. - 'Der Mensch ist zur Geselligkeit geboren': Salon Culture, Night Thoughts, and a Schubert Song / Susan Youens. - Traditions, Preferences and Musical Taste in the Staegemann-Olfers Salon in Nineteenth-Century Berlin / Petra Wilhelmy-Dollinger. - Josephine Lang and the Salon in Southern Germany / Harald Krebs. - Jessie Hillebrand and Musical Life in 1870s Florence / Michael Uhde. - An Invitation to 309 Beacon Street: Clara Kathleen Rogers and her Boston Salon / Katie A. Callam. - "Too Much Playing Four Hands!": Ernst von Dohnányi's European Salon in the United States of the 1950s / Veronika Kusz. - Select Bibliography. - Index

Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-1-78744-534-5

Language: English

Subjects: Musicology

Keywords: Salonmusik ; Soziokultur ; Aufsatzsammlung ; Aufsatzsammlung

URL: http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030810416&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA

URL: https://boydellandbrewer.com/musical-salon-culture-in-the-long-nineteenth-century-hb.html

UID:

Format: XXVII, 395 S. , Notenbeisp.

Edition: 1. publ.

ISBN: 9781107042704

Content: "Johannes Brahms was a consummate professional musician, a successful pianist, conductor, music director, editor and composer. Yet he also faithfully championed the world of private music-making, creating many works and arrangements for enjoyment in the home by amateurs. This collection explores Brahms's public and private musical identities from various angles: the original works he wrote with amateurs in mind; his approach to creating piano arrangements of not only his own, but also other composers' works; his relationships with his arrangers; the deeper symbolism and lasting legacy of private music-making in his day; and a hitherto unpublished memoir which evokes his Viennese social world. Using Brahms as their focus point, the contributors trace the overlapping worlds of public and private music-making in the nineteenth century, discussing the boundaries between the composer's professional identity and his lifelong engagement with amateur music-making"--

Note: Includes bibliographical references and index

Language: English

Subjects: Musicology

Keywords: Brahms, Johannes 1833-1897 ; Aufsatzsammlung

URL: Inhaltsverzeichnis

URL: Cover

Author information: Brahms, Johannes 1833-1897

UID:

Format: 1 online resource (303 pages)

Edition: 1st ed.

ISBN: 0-253-04701-3 , 0-253-04702-1 , 0-253-04703-X

Content: "A singer in an evening dress, a grand piano. A modest-sized audience, mostly well-dressed and silver-haired, equipped with translation booklets. A program consisting entirely of songs by one or two composers. This is the way of the Lieder recital these days. While it might seem that this style of performance is a long-standing tradition, German Song Onstage demonstrates that it is not. For much of the 19th century, the songs of Beethoven, Schubert, Schumann, and Brahms were heard in the home, salon, and, no less significantly, on the concert platform alongside orchestral and choral works. A dedicated program was rare, a dedicated audience even more so. The Lied was a genre with both more private and more public associations than is commonly recalled. The contributors to this volume explore a broad range of venues, singers, and audiences in distinct places and time periods-including the United States, the United Kingdom, Russia, and Germany-from the mid-19th century through the early 20th century. These historical case studies are set alongside reflections from a selection of today's leading musicians, offering insights on current Lied practices that will inform future generations of performers, scholars, and connoisseurs. Together these case studies unsettle narrow and elitist assumptions about what it meant and still means to present German song onstage by providing a transnational picture of historical Lieder performance, and opening up discussions about the relationship between history and performance today"--

Note: "Eine wahre Olla Patrida [sic]": Anna Milder-Hauptmann, Schubert, and programming the Orient / , Song in concert as observed by the Schumans: toward the personalization of the public stage / , From miscellanies to musical works: Julius Stockhausen, Clara Schumann, and Dichterliebe / , Natalia Macfarren and the English German lied / , "For any ordinary performer it would be absurd, ridiculous, or offensive": performing lieder cycles on the American stage / , The concert hall as a gender-neutral space: the case of Amalie Joachim, nee Schneeweiss / , Nikolai Medtner: championing the German lied and Russian spirit / , From the benefit concert to the solo song recital in London, 1870-1914 / , German song and the working classes in Berlin, 1980-1914 / , Lili Lehmann's dedicated lieder recitals / , "Eine Reihe bunter Zauberbilder": Thomas Mann, Hans Pfitzner, and the politics of song accompaniment / , Performers' reflections /

Additional Edition: ISBN 0-253-04700-5

Language: English

Keywords: Criticism, interpretation, etc. ; Criticism, interpretation, etc.