feed icon rss

Your email was sent successfully. Check your inbox.

An error occurred while sending the email. Please try again.

Proceed reservation?

Export
  • 1
    UID:
    almafu_9961673465402883
    Format: 1 electronic resource (488 p.)
    Series Statement: Studi e saggi
    Content: The Modern Age perspective was born as a bridge between art and science. It made art necessary and science visible; its breeding ground was architecture, which has always involved the lovers of one and the other in synergy. The field of thought in which perspective was conceived focused on the highest topics: the universe and the earth. Starting from astronomers-geographers and topographers, perspective was built over time as a discipline and a scientific-artistic method, systematically deriving a theorem from another, in a crescendo of complexity, which has sometimes taken on acrobatic forms, not open to evidence. The perspective techniques developed over time have accompanied the figures of architecture and of the graphic arts in their changes. Nowadays, the current information technologies make it possible to study the models of this artistic field with the confidence of being able to bring to light a new story about it. This volume collects the essays of 44 researchers who, within an Italian National Project launched in 2011 and coordinated by Riccardo Migliari (from Rome), joined the call of the group in Florence, which Maria Teresa Bartoli directed, in order to illustrate their method of cultural and technical approach to the theme through a case study: be it represented by a painting or by the passages of a treatise.
    Note: Italian
    Additional Edition: ISBN 88-927-3297-8
    Language: Italian
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 2
    Online Resource
    Online Resource
    Florence :Firenze University Press,
    UID:
    almafu_9961673455202883
    Format: 1 online resource (320 pages).
    Series Statement: Studi e saggi
    Content: The perspective in graphic arts was born with a different form than the one used to present it in today's courses, and it developed along with the transformations of scientific thought. This study disassembles from the inside the perspective images of a series of works, and then assembles them again, using clear graphic elaborations to show every step of the process. The sequence of the essays illustrates the evolution of role of the abacus and of measures in the works of the first artist-scientists, according to the scientific thought of the time. From Humanism to Baroque, perspective ceases to be a research on the truth of the eye. On the contrary, it becomes the search of the the eye's deception, exploiting mechanical devices and complex theorems of geometric optics. The original quest is therefore replaced by technical virtuosity. The final repertoire offers a selection of examples showing the wideness of the theme over the centuries.
    Additional Edition: ISBN 88-927-3105-X
    Language: Italian
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 3
    UID:
    gbv_1030792895
    Format: XI, 302 Seiten , Illustrationen, Pläne , 31 cm
    ISBN: 9788864537306
    Series Statement: Studi e saggi 190
    Note: Includes bibliographical references , Texts in Italian and English
    Additional Edition: ISBN 9788864537313
    Language: Italian
    Keywords: Italien ; Architektur ; Malerei ; Perspektive ; Geschichte 1420-1600 ; Aufsatzsammlung
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 4
    UID:
    almahu_9949712090702882
    Format: 1 online resource (488 pages) : , illustrations (colour); digital, PDF file(s).
    Series Statement: Studi e saggi ; 148
    Content: La prospettiva dell'età moderna nacque come un ponte gettato tra l'arte e la scienza. Essa dava necessità all'arte e rendeva visibile la scienza; il terreno di coltura fu quello dell'architettura, che da sempre impegnava in sinergia i cultori dell'una e dell'altra. L'ambito di pensiero in cui fu concepita si occupava degli argomenti più alti, l'universo e la terra: a partire dagli astronomi-geografi e dai topografi, si è costruita nel tempo come disciplina e metodo scientifico-artistico, derivando sistematicamente teoremi da teoremi, in un crescendo di complessità, che ha assunto forme talvolta acrobatiche, non aperte all'evidenza. Le tecniche prospettiche sviluppate nel tempo hanno accompagnato le figure dell'architettura e del figurativo nei loro mutamenti. Le attuali tecnologie informatiche ci permettono oggi di studiare i modelli di questo ambito artistico con la fiducia di poter portare alla luce una storia nuova su di esso. Questo volume raccoglie i saggi di 44 ricercatori che, all'interno di un Progetto Nazionale bandito nel 2011, coordinato da Riccardo Migliari di Roma, hanno aderito alla chiamata del gruppo fiorentino, di cui è responsabile Maria Teresa Bartoli, per illustrare il loro metodo di approccio culturale e tecnico al tema attraverso un caso-studio: fosse esso rappresentato da un dipinto o dai passi di un trattato.
    Additional Edition: ISBN 9788866558842
    Language: Italian
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
Close ⊗
This website uses cookies and the analysis tool Matomo. Further information can be found on the KOBV privacy pages