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  • 1
    Book
    Book
    Berkeley, Calif. [u.a.] :Univ. of California Press,
    UID:
    almahu_BV023056043
    Format: XVII, 436 S. : , Ill., Notenbeisp.
    ISBN: 978-0-520-25088-8
    Series Statement: California studies in 20th-century music 8
    Content: "Jewish Identities mounts a formidable challenge to prevailing essentialist assumptions about Jewish music, which maintain that ethnic groups, nations, or religious communities possess an essence that must manifest itself in art created by members of that group. Klára Móricz scrutinizes concepts of Jewish identity and reorders ideas about twentieth-century Jewish music in three case studies: first, Russian Jewish composers of the first two decades of the twentieth century; second, the Swiss American Ernest Bloch; and third, Arnold Schoenberg. Examining these composers in the context of emerging Jewish nationalism, widespread racial theories, and utopian tendencies in modernist art and twentieth-century politics, Móricz describes a trajectory from paradigmatic nationalist techniques, through assumptions about the unintended presence of racial essences, to an abstract notion of Judaism." -- Book jacket.
    Note: Literaturverz. S. 401 - 415
    Language: English
    Subjects: Musicology
    RVK:
    Keywords: 1880-1959 Bloch, Ernest ; 1874-1951 Schönberg, Arnold ; Juden ; Musik ; Juden ; Nationalbewusstsein ; Musik ; Biografie ; Biografie
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  • 2
    Musical Score
    Musical Score
    München :G. Henle Verlag, | Budapest :Editio Musica.
    UID:
    almahu_BV044755925
    Format: 1 Partitur (85*, 253 Seiten) : , Faksimile ; , 33 cm.
    Series Statement: Béla Bartók complete critical edition volume 24
    Uniform Title: Konzerte Orchester Sz 116
    Note: Einleitung englisch, ungarisch und deutsch, kritischer Bericht englisch
    Language: English
    Subjects: Musicology
    RVK:
    Author information: Bartók, Béla, 1881-1945,
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  • 3
    Musical Score
    Musical Score
    München : G. Henle Verlag | Budapest : Editio Musica
    UID:
    b3kat_BV046172189
    Format: 1 Studienpartitur (IX, 160 Seiten)
    Edition: Urtext
    ISMN: 9790201870014
    Series Statement: Studien-Edition
    Uniform Title: Konzerte Orchester Sz 116
    Note: Vorwort deutsch, englisch und französisch, Bemerkungen (Seite 154-160) in deutscher und englischer Sprache
    Language: German
    Author information: Bartók, Béla 1881-1945
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  • 4
    UID:
    gbv_1003252338
    Format: 1 online resource , illustrations (black and white)
    ISBN: 9780199377244
    Content: This title explores the varied aesthetic impulses and ever-evolving personal motivations of Russian composer Arthur Lourié. A St Petersburg native allied with the Futurist movement and profoundly sympathetic to Silver Age decadence, Lourié was swept away by the Revolution; he surfaced as a Communist commissar of music before landing in Europe and America, where his career foundered. Making his way by serving others, he became Stravinsky's right-hand man.
    Note: Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on July 8, 2014)
    Additional Edition: ISBN 9780199829446
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 9780199829446
    Language: English
    Subjects: Musicology
    RVK:
    Keywords: Lourié, Arthur Vincent 1891-1966
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  • 5
    UID:
    gbv_1011591154
    Format: 1 Partitur (85*, 253 Seiten) , Illustrationen, Faksimile
    ISMN: 9790201862019
    Series Statement: Complete critical edition = Zeneműveinek kritikai összkiedása = Kritische Gesamtausgabe / Bartók ; edited by the Bartók Archives of the Hungarian Academy of Sciences volume 24
    Uniform Title: Konzerte Orchester Sz 116
    Note: Vorwort, Einleitung und erläuternde Texte englisch, ungarisch und deutsch; Kritischer Bericht englisch
    Language: English
    Author information: Bartók, Béla 1881-1945
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  • 6
    Book
    Book
    Oakland, CA :University of California Press,
    UID:
    almahu_BV046867358
    Format: xiv, 290 Seiten : , Illustrationen, Notenbeispiele.
    ISBN: 978-0-520-34442-6
    Series Statement: California studies in 20th-century music 26
    Content: "The Bolsheviks' 1917 political coup caused a seismic disruption in Russian culture. Carried by the first wave of emigrants, prerevolutionary Russian culture migrated West, transforming itself as it interacted with Western cultures and clashed with exported Soviet trends. In this book, Klára Móricz explores the transnational emigrant space of Russian composers Igor Stravinsky, Vladimir Dukelsky, Sergey Prokofiev, Nicolas Nabokov, and Arthur Lourié in interwar Paris. Their music reflected the conflict between a modernist narrative demanding innovation and a narrative of exile wedded to the preservation of prerevolutionary Russian culture. The Bolsheviks' and the emigrants' contrasting visions of Russia and its past collided frequently in the French capital, where the Soviets displayed their political and artistic products, providing emigrants with an irritant against which they had to measure their cultural aspirations. Russian composers in Paris also had to reckon with Stravinsky's disproportionate influence: if they succumbed to fashions dictated by their famous compatriot, they risked becoming epigones; if they kept to their old ways, they quickly became irrelevant. Although Stravinsky's neoclassicism provided a more neutral space, it was also marked by the exilic experience. The author offers this unexplored context for Stravinsky's neoclassicism, shedding new light on this infinitely elusive term."
    Note: Introduction -- Double narratives, or, Dukelsky's The end of St. Petersburg -- Soviet "méchanique," or, The Bolshevik temptation -- Neoclassicism à la russe 1, or, Reclaiming the Eighteenth Century in Nabokov's Ode -- Neoclassicism à la russe 2, or, Stravinsky's version of Similia similibus curentur -- 1937, or, Pushkin divided -- Feast in time of plague -- Epilogue, or, Firebird to Phoenix
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-0-520-97552-1
    Language: English
    Subjects: Musicology
    RVK:
    Keywords: Komponist ; Exil ; Kulturkontakt ; Komposition ; Moderne ; Criticism, interpretation, etc
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  • 7
    UID:
    almafu_9959229223602883
    Format: 1 online resource (316 p.)
    ISBN: 0-19-937724-3 , 0-19-982945-4
    Content: This title explores the varied aesthetic impulses and ever-evolving personal motivations of Russian composer Arthur Lourié. A St Petersburg native allied with the Futurist movement and profoundly sympathetic to Silver Age decadence, Lourié was swept away by the Revolution; he surfaced as a Communist commissar of music before landing in Europe and America, where his career foundered. Making his way by serving others, he became Stravinsky's right-hand man.
    Note: Description based upon print version of record. , Arthur Lourié : a biographical sketch / by Olesya Bobrik, translated by Klára Móricz and Simon Morrison -- Turania revisited, with Lourié my guide / by Richard Taruskin -- Koussevitzky's ghostwriter / by Simon Morrison -- Retrieving what time destroys : the palimpsest of Lourié's the Blackamoor of Peter the Great / by Klára Móricz -- Jacques Maritain and the Catholic muse in Lourie's post-Petersburg worlds / by Caryl Emerson -- Epilogue : the silver age and tinseltown / by Simon Morrison. , English
    Additional Edition: ISBN 0-19-982944-6
    Additional Edition: ISBN 1-306-57163-4
    Language: English
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  • 8
    UID:
    almahu_9948206460602882
    Format: 1 online resource : , illustrations (black and white)
    ISBN: 9780199377244 (ebook) :
    Content: This title explores the varied aesthetic impulses and ever-evolving personal motivations of Russian composer Arthur Lourié. A St Petersburg native allied with the Futurist movement and profoundly sympathetic to Silver Age decadence, Lourié was swept away by the Revolution; he surfaced as a Communist commissar of music before landing in Europe and America, where his career foundered. Making his way by serving others, he became Stravinsky's right-hand man.
    Additional Edition: Print version : ISBN 9780199829446
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 9
    Online Resource
    Online Resource
    Berkeley :University of California Press,
    UID:
    almafu_9959243832202883
    Format: 1 online resource (457 p.)
    Edition: 1st ed.
    ISBN: 0-520-93368-0
    Series Statement: California studies in 20th-century music ; 8
    Content: Jewish Identities mounts a formidable challenge to prevailing essentialist assumptions about "Jewish music," which maintain that ethnic groups, nations, or religious communities possess an essence that must manifest itself in art created by members of that group. Klára Móricz scrutinizes concepts of Jewish identity and reorders ideas about twentieth-century "Jewish music" in three case studies: first, Russian Jewish composers of the first two decades of the twentieth century; second, the Swiss American Ernest Bloch; and third, Arnold Schoenberg. Examining these composers in the context of emerging Jewish nationalism, widespread racial theories, and utopian tendencies in modernist art and twentieth-century politics, Móricz describes a trajectory from paradigmatic nationalist techniques, through assumptions about the unintended presence of racial essences, to an abstract notion of Judaism.
    Note: Description based upon print version of record. , Jewish nationalism a la russe : the Society for Jewish Folk Music. "Trifles of Jewish music" ; Zhidy and Yevrey in a neonationalist context -- Man's most dangerous myth : Ernest Bloch and racial thought. Racial mystique : anti-semitism and Ernest Bloch's racial theories of art ; Denied and accepted stereotypes : from Jezabel to Schelomo ; The confines of Judaism and the elusiveness of universality : the sacred service -- Utopias/dystopias : Arnold Schoenberg's spiritual Judaism. Uneasy parallels : from German nationalism to Jewish utopia ; Torsos and abstractions : "music in its promised land" ; On the ashes of the Holocaust : anxiety, abstraction, and Schoenberg's rhetoric of fear ; A taste for "the things in heaven" : cleansing music of politics in Schoenberg's last works. , English
    Additional Edition: ISBN 0-520-25088-5
    Language: English
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  • 10
    Online Resource
    Online Resource
    Oakland, California :University of California Press,
    UID:
    almafu_9960947786802883
    Format: 1 online resource (xiv, 290 pages) : , illustrations
    ISBN: 0-520-97552-9
    Series Statement: California Studies in 20th-Century Music ; 26
    Content: The Bolsheviks’ 1917 political coup caused a seismic disruption in Russian culture. Carried by the first wave of emigrants, Russian culture migrated West, transforming itself as it interacted with the new cultural environment and clashed with exported Soviet trends. In this book, Klára Móricz explores the transnational emigrant space of Russian composers Igor Stravinsky, Vladimir Dukelsky, Sergey Prokofiev, Nicolas Nabokov, and Arthur Lourié in interwar Paris. Their music reflected the conflict between a modernist narrative demanding innovation and a narrative of exile wedded to the preservation of prerevolutionary Russian culture. The emigrants’ and the Bolsheviks’ contrasting visions of Russia and its past collided frequently in the French capital, where the Soviets displayed their political and artistic products. Russian composers in Paris also had to reckon with Stravinsky’s disproportionate influence: if they succumbed to fashions dictated by their famous compatriot, they risked becoming epigones; if they kept to their old ways, they quickly became irrelevant. Although Stravinsky’s neoclassicism provided a seemingly neutral middle ground between innovation and nostalgia, it was also marked by the exilic experience. Móricz offers this unexplored context for Stravinsky’s neoclassicism, shedding new light on this infinitely elusive term.
    Note: Frontmatter -- , Contents -- , List of Illustrations -- , Acknowledgments -- , List of Abbreviations -- , Note on Transliteration -- , Introduction -- , 1. Double Narratives or Dukelsky’s The End of St. Petersburg -- , 2. Soviet “méchanique” or the Bolshevik Temptation -- , 3. Neoclassicism à la russe 1 or Reclaiming the Eighteenth Century in Nabokov’s Ode -- , 4. Neoclassicism à la russe 2 or Stravinsky’s Version of Similia similibus curentur -- , 5. 1937 or Pushkin Divided -- , 6. A Feast in Time of Plague -- , 7. Epilogue or Firebird to Phoenix -- , Notes -- , Selected Bibliography -- , Index
    Additional Edition: ISBN 0-520-34442-1
    Language: English
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