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UID:

Format: 1 Online-Ressource

ISBN: 9780520384521

Content: 'At the Edges of Sleep' considers sleep in film and moving image art as both a subject matter to explore onscreen and a state to induce in the audience. Far from negating action or meaning, sleep extends into new territories as it designates ways of existing in the world, in relation to people, places, and the past. Defined positively, sleep also expands our understanding of reception beyond the binary of concentration and distraction. These possibilities converge in the work of Thai filmmaker and artist Apichatpong Weerasethakul, who has explored the subject of sleep systematically throughout his career. In examining Apichatpong’s work, Jean Ma brings together an array of interlocutors - from Freud to Proust, George Méliès to Tsai Ming-liang, Weegee to Warhol - to rethink moving images through the lens of sleep. Ma exposes an affinity between cinema, spectatorship, and sleep that dates to the earliest years of filmmaking, and sheds light upon the shifting cultural valences of sleep in the present moment [...].

Note: Erscheint als Open Access bei De Gruyter

Additional Edition: Erscheint auch als Druck-Ausgabe, Paperback ISBN 978-0-520-38451-4

Language: English

Keywords: Film ; Videokunst ; Performance ; Schlaf

DOI: 10.1525/luminos.132

DOI: 10.1525/9780520384521

URL: Volltext  (kostenfrei)

URL: Volltext  (kostenfrei)

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URL: kostenfrei

URL: JSTOR

URL: Luminos

URL: https://www.degruyter.com/isbn/9780520384521

URL: Cover

URL: https://doi.org/10.1525/9780520384521

URL: EBSCOhost

URL: Click here to view book

UID:

Format: 1 online resource (280 p.)

Edition: 1st ed.

ISBN: 0-520-38452-0

Content: Many recent works of contemporary art, performance, and film turn a spotlight on sleep, wresting it from the hidden, private spaces to which it is commonly relegated. At the Edges of Sleep considers sleep in film and moving image art as both a subject matter to explore onscreen and a state to induce in the audience. Far from negating action or meaning, sleep extends into new territories as it designates ways of existing in the world, in relation to people, places, and the past. Defined positively, sleep also expands our understanding of reception beyond the binary of concentration and distraction. These possibilities converge in the work of Thai filmmaker and artist Apichatpong Weerasethakul, who has explored the subject of sleep systematically throughout his career. In examining Apichatpong’s work, Jean Ma brings together an array of interlocutors—from Freud to Proust, George Méliès to Tsai Ming-liang, Weegee to Warhol—to rethink moving images through the lens of sleep. Ma exposes an affinity between cinema, spectatorship, and sleep that dates to the earliest years of filmmaking, and sheds light upon the shifting cultural valences of sleep in the present moment.

Note: Frontmatter -- , Contents -- , List of Illustrations -- , Acknowledgments -- , 1 Apichatpong Weerasethakul and the Turn to Sleep -- , 2 Sleep Must Be Protected -- , PART I: REGARDING SLEEP -- , 3 Into the Dark -- , 4 Exiting and Entering Early Cinema -- , 5 Somnolent Journeys -- , 6 Insensate Intimacies -- , PART II: SLEEPING REGARD -- , 7 The Regressive Thesis -- , 8 Narcotic Reception -- , 9 A Little History of Sleeping at the Movies -- , 10 Zoning Out -- , 11 Circadian Cinemas -- , Notes -- , Selected Bibliography -- , Index , In English.

Additional Edition: ISBN 0-520-38451-2

Language: English

Keywords: Electronic books. ; Electronic books.

DOI: 10.1525/9780520384521

URL: lizenzpflichtig

URL: kostenfrei

URL: kostenfrei

URL: Cover

URL: Click to View

URL: Click to View

UID:

Format: 1 online resource (viii, 203 p.) : , ill.

ISBN: 9789882207172 (ebook) : , 9882207170 (ebook) :

Content: This text looks closely at films by the most renowned directors of contemporary Chinese art cinema: Hou Hsiao-hsien, Tsai Ming-liang and Wong Kar-wai. It argues that these directors have collectively authored a distinct cinema of time across the realms of national and transnational film culture.

Additional Edition: Print version ISBN 9789888028054

Language: English

URL: Hong Kong scholarship online

UID:

Format: 1 Online-Ressource (282 p.)

ISBN: 9780520384514

Content: At the Edges of Sleep considers sleep in film and moving image art as both a subject matter to explore onscreen and a state to induce in the audience. Far from negating action or meaning, sleep extends into new territories as it designates ways of existing in the world, in relation to people, places, and the past. Defined positively, sleep also expands our understanding of reception beyond the binary of concentration and distraction. These possibilities converge in the work of Thai filmmaker and artist Apichatpong Weerasethakul, who has explored the subject of sleep systematically throughout his career. In examining Apichatpong's work, Jean Ma brings together an array of interlocutors-from Freud to Proust, George Méliès to Tsai Ming-liang, Weegee to Warhol-to rethink moving images through the lens of sleep. Ma exposes an affinity between cinema, spectatorship, and sleep that dates to the earliest years of filmmaking, and sheds light upon the shifting cultural valences of sleep in the present moment. "Moving with ease across historical contextualization, theoretical inquiry, and the close reading of films and other cultural objects, Jean Ma takes on urgent contemporary debates pertaining to corporeality, slowness, attention, and cinematic relocation. A true pleasure to read." - ERIKA BALSOM, author of After Uniqueness: A History of Film and Video Art in Circulation "Intellectually ambitious, erudite across a number of fields, poetically written yet lucid, and both historically informed and deeply attuned to our own moment." - KAREN REDROBE, author of Crash: Cinema and the Politics of Speed and Stasis "Downright groundbreaking in its far-ranging and far-reaching insights." - DANA POLAN, Cinema Studies, New York University

Note: English

Language: Undetermined

URL: kostenfrei

UID:

Format: 1 online resource (viii, 203 pages) : , illustrations

ISBN: 988-220-717-0 , 1-283-01686-9 , 9786613016867 , 988-220-578-X

Series Statement: Gale eBooks

Content: This book looks closely at films by the most renowned directors of contemporary Chinese art cinema: Hou Hsiao-hsien, Tsai Ming-liang and Wong Kar-wai. It argues that these directors have collectively authored a distinct cinema of time across the realms of national and transnational film culture.

Note: Description based upon print version of record. , Time without measure, sadness without cure -- , Photography's absent times -- , The post-classical art film -- , The haunted movie theater -- , Chance encounters and compulsive returns. , English

Additional Edition: ISBN 988-8028-06-5

Additional Edition: ISBN 988-8028-05-7

Language: English

UID:

Format: VIII, 203 S. : , Ill.

ISBN: 978-988-8028-05-4

Note: Includes bibliographical references and index. - Time without measure, sadness without cure -- Photography's absent times -- The post-classical art film -- The haunted movie theater -- Chance encounters and compulsive returns

Language: English

Subjects: General works

Keywords: Film ; Zeit ; Verlust ; Trauer ; 1947- Hou, Hsiao-hsien ; 1957- Cai, Mingliang ; 1958- Wong, Kar-wai

URL: http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=020708470&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA

UID:

Format: vi, 312 p. : , ill.

Edition: Electronic reproduction. Ann Arbor, MI : ProQuest, 2015. Available via World Wide Web. Access may be limited to ProQuest affiliated libraries.

Series Statement: e-Duke books scholarly collection.

Note: I. BEYOND REFERENTIALITY. 1 What's the Point of an Index? or, Faking Photographs / Tom Gunning. "The Forgotten Image between Two Shots" : Photos, Photograms, and the Essayistic / Timothy Corrigan. 3 Structural Film: Noise / Juan A. Suarez -- II. NATION , MEMORY, HISTORY. 4 An Essay on Calendar / Atom Egoyan. 5 Photography's Absent Times / Jean Ma. 6 The Idea of Still / Rebecca Baron, interviewed by Janet Sarbanes. 7 Crash Aesthetics: Amores Perros and the Dream of Cinematic Mobility / Karen Beckman. 8 Surplus Memories: From the Slide Show to the Digital Bulletin Board in Jim Mendiola's Speeder Kills / Rita Gonzalez -- III. WORKING BETWEEN MEDIA. 9 Photography's Expanded Field / George Baker. 10 Weekend Campus / Nancy Davenport. 11 Aleph Beat: Wallace Berman between Photography and Film / Louis Kaplan. 12 Mental Images: The Dramatization of Psychological Disturbance / Zoe Beloff. 13 Concerning "the Photographic" / Raymond Bellour.

Language: English

Keywords: Electronic books.

URL: Click to View

UID:

Format: 1 online resource (280 pages) , Electronic book.

ISBN: 9780520384521 , 0520384520

Content: Many recent works of contemporary art, performance, and film turn a spotlight on sleep, wresting it from the hidden, private spaces to which it is commonly relegated. At the Edges of Sleep considers sleep in film and moving image art as both a subject matter to explore onscreen and a state to induce in the audience. Far from negating action or meaning, sleep extends into new territories as it designates ways of existing in the world, in relation to people, places, and the past. Defined positively, sleep also expands our understanding of reception beyond the binary of concentration and distraction. These possibilities converge in the work of Thai filmmaker and artist Apichatpong Weerasethakul, who has explored the subject of sleep systematically throughout his career. In examining Apichatpong's work, Jean Ma brings together an array of interlocutors-from Freud to Proust, George Méliès to Tsai Ming-liang, Weegee to Warhol-to rethink moving images through the lens of sleep. Ma exposes an affinity between cinema, spectatorship, and sleep that dates to the earliest years of filmmaking, and sheds light upon the shifting cultural valences of sleep in the present moment.

Note: Frontmatter -- , Contents -- , List of Illustrations -- , Acknowledgments -- , 1 Apichatpong Weerasethakul and the Turn to Sleep -- , 2 Sleep Must Be Protected -- , PART I: REGARDING SLEEP -- , 3 Into the Dark -- , 4 Exiting and Entering Early Cinema -- , 5 Somnolent Journeys -- , 6 Insensate Intimacies -- , PART II: SLEEPING REGARD -- , 7 The Regressive Thesis -- , 8 Narcotic Reception -- , 9 A Little History of Sleeping at the Movies -- , 10 Zoning Out -- , 11 Circadian Cinemas -- , Notes -- , Selected Bibliography -- , Index , In English.

Language: English

Keywords: Electronic books.

URL: Open Access

URL: Click here to view book

UID:

Format: viii, 203 p. : , ill.

Edition: Electronic reproduction. Ann Arbor, MI : ProQuest, 2015. Available via World Wide Web. Access may be limited to ProQuest affiliated libraries.

Language: English

Keywords: Electronic books.

URL: Click to View

UID:

Format: 1 online resource (323 p.) : , 57 b&w photographs

ISBN: 9780822391432

Series Statement: e-Duke books scholarly collection

Content: In Still Moving noted artists, filmmakers, art historians, and film scholars explore the boundary between cinema and photography. The interconnectedness of the two media has emerged as a critical concern for scholars in the field of cinema studies responding to new media technologies, and for those in the field of art history confronting the ubiquity of film, video, and the projected image in contemporary art practice. Engaging still, moving, and ambiguous images from a wide range of geographical spaces and historical moments, the contributors to this volume address issues of indexicality, medium specificity, and hybridity as they examine how cinema and photography have developed and defined themselves through and against one another.Foregrounding the productive tension between stasis and motion, two terms inherent to cinema and to photography, the contributors trace the shifting contours of the encounter between still and moving images across the realms of narrative and avant-garde film, photography, and installation art. Still Moving suggests that art historians and film scholars must rethink their disciplinary objects and boundaries, and that the question of medium specificity is a necessarily interdisciplinary question. From a variety of perspectives, the contributors take up that challenge, offering new ways to think about what contemporary visual practice is and what it will become.Contributors: George Baker, Rebecca Baron, Karen Beckman, Raymond Bellour, Zoe Beloff,Timothy Corrigan, Nancy Davenport, Atom Egoyan, Rita Gonzalez, Tom Gunning, Louis Kaplan,Jean Ma, Janet Sarbanes, Juan A. Suárez

Note: Frontmatter -- , Contents -- , Acknowledgments -- , Introduction -- , ONE BEYOND REFERENTIALITY -- , 1 What’s the Point of an Index? or, Faking Photographs -- , 2 “The Forgotten Image between Two Shots”: Photos, Photograms, and the Essayistic -- , Structural Film: Noise -- , TWO NATION , MEMORY, HISTORY -- , 4 An Essay on Calendar -- , 5 Photography’s Absent Times -- , 6 The Idea of Still -- , 7 Crash Aesthetics: Amores Perros and the Dream of Cinematic Mobility -- , 8 Surplus Memories: From the Slide Show to the Digital Bulletin Board in Jim Mendiola’s Speeder Kills -- , THREE WORKING BETWEEN MEDIA -- , 9 Photography’s Expanded Field -- , 10 Weekend Campus -- , 11 Aleph Beat: Wallace Berman between Photography and Film -- , 12 Mental Images: The Dramatization of Psychological Disturbance -- , 13 Concerning “the Photographic” -- , References -- , Contributors -- , Index , In English.

Language: English

DOI: 10.1515/9780822391432

URL: https://doi.org/10.1515/9780822391432

URL: https://www.degruyter.com/isbn/9780822391432

URL: https://doi.org/10.1515/9780822391432

URL: https://www.degruyter.com/isbn/9780822391432