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  • 1
    UID:
    b3kat_BV039982832
    Format: 1 Online-Ressource
    Series Statement: eHRAF World Cultures
    Content: The African American Collection provides information on history, race relations, civil rights movement, culture and contemporary economic problems, circa 1620s to 2000s. Davis and Pinkey cover from the earliest days of slavery up to about 1970. Four documents deal with racial segregation and discrimination both prior to and immediately after the civil rights movements. Three documents feature in-depth portrayals of individual life histories, communities and families, and kinship networks and migration patterns. Two documents provide a theoretically complex discussion of race relations and opportunities in urban communities. Two recent documents address deconstructing erroneous representations of African Americans in scholarly discourse and public policy and education and popular culture. The remaining documents discuss the continuity of racial discrimination and class- and gender-based exploitation in the lives of African American women and artists
    Note: Culture Summary: African Americans - Molefi Kete Asante - 2010 -- - Black Americans - Alphonso Pinkney - [1975] -- - Drylongso: a self-portrait of Black America - [edited by] John Langston Gwaltney - 1981 -- - Soulside: inquiries into ghetto culture and community - Ulf Hannerz - 1969 -- - Deep South: a social anthropological study of caste and class - written by Allison Davis, Burleigh B. Gardner and Mary R. Gardner, directed by W. Lloyd Warner - 1941 -- - Black metropolis: a study of Negro life in a northern city [Vol. 1 - By St. Clair Drake and Horace R. Cayton - 1970 -- - Black metropolis: a study of Negro life in a northern city [Vol. 2 - By St. Clair Drake and Horace R. Cayton - 1970 -- - Family and childhood in a Southern Negro community - Virginia Heyer Young - 1970 -- , - Spout Spring: a Black community - by Peter Kunkel and Sara Sue Kennard - 1971 -- - After freedom: a cultural study in the Deep South - Hortense Powdermaker ; with a new preface by Elliott M. Rudwick - 1968 -- - Black Corona: race and the politics of place in an urban community - Steven Gregory - 1998 -- - Blacked out: dilemmas of race, identity, and success at Capital High - Signithia Fordham - 1996 -- - All our kin - Carol Stack - 1997 -- - The color-blind - Lee D. Baker - 1998 -- - Purity, soul food, and Sunni Islam: explorations at the intersection of consumption and resistance - Carolyn Rouse, Janet Hoskins - 2004 -- - Black like this: race, generation, and rock in the post-civil rights era - Maureen Mahon - 2000 -- - Resistance and resilience: the sojourner syndrome and the social context of reproduction in central Harlem - Leith Mullings - 2005
    Language: English
    Subjects: Ethnology
    RVK:
    Keywords: USA ; Schwarze
    URL: Volltext  (Deutschlandweit zugänglich)
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  • 2
    Book
    Book
    Durham [u.a.] :Duke Univ. Press,
    UID:
    almafu_BV019409244
    Format: XI, 317 S. : , Ill.
    ISBN: 0-8223-3305-8 , 0-8223-3317-1
    Content: An account of the Black Rock Coalition, that began in New York in 1985, & its relation to the results of the civil rights era integration, to the larger questions of racialization in the music industry, & American society.
    Language: English
    Subjects: Musicology
    RVK:
    RVK:
    Keywords: Rockmusik ; Schwarze
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  • 3
    Online Resource
    Online Resource
    Durham : Duke University Press
    UID:
    gbv_1738090191
    Format: 1 Online-Ressource (406 p)
    Edition: [Online-Ausgabe]
    ISBN: 9781478012771
    Series Statement: Refiguring American Music
    Content: African American women have played a pivotal part in rock and roll—from laying its foundations and singing chart-topping hits to influencing some of the genre's most iconic acts. Despite this, black women's importance to the music's history has been diminished by narratives of rock as a mostly white male enterprise. InBlack Diamond Queens, Maureen Mahon draws on recordings, press coverage, archival materials, and interviews to document the history of African American women in rock and roll between the 1950s and the 1980s. Mahon details the musical contributions and cultural impact of Big Mama Thornton, LaVern Baker, Betty Davis, Tina Turner, Merry Clayton, Labelle, the Shirelles, and others, demonstrating how dominant views of gender, race, sexuality, and genre affected their careers. By uncovering this hidden history of black women in rock and roll, Mahon reveals a powerful sonic legacy that continues to reverberate into the twenty-first century
    Content: Frontmatter -- CONTENTS -- Illustrations -- Acknowledgments -- Introduction -- ONE. Rocking and Rolling with Big Mama Thornton -- TWO. LaVern Baker, the Incredible Disappearing Queen of Rock and Roll -- THREE. Remembering the Shirelles -- FOUR. Call and Response -- FIVE. Negotiating “Brown Sugar” -- SIX. The Revolutionary Sisterhood of Labelle -- SEVEN. The Fearless Funk of Betty Davis -- EIGHT. Tina Turner’s Turn to Rock -- Epilogue -- Notes -- Bibliography -- Index
    Note: Mode of access: Internet via World Wide Web. , In English
    Additional Edition: ISBN 9781478011224
    Additional Edition: Erscheint auch als print ISBN 9781478011224
    Language: English
    URL: Cover
    URL: Cover
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  • 4
    UID:
    b3kat_BV048927593
    Format: 247 Seiten , 29 cm x 25 cm
    ISBN: 9781838666330 , 1838666338
    Content: Wangechi Mutu’s multidisciplinary practice grapples with contemporary realities while proffering new models for a radically changed future informed by feminism, Afrofuturism, and interspecies symbiosis. Her work addresses some of today's most critical questions concerning historical violence and its impact on women, together with our inextricable ties toward one another, our ecosystems, and other life forms. Accompanying a major solo exhibition at the New Museum opening in February 2023, this expansive survey will trace the entirety of Mutu’s influential career chronologically, from early sculptural works of the late 1990s to her collage works of the early 2000s and more recent video works, large-scale sculptures, and site-specific interventions. This monograph provides the opportunity to see thematic through-lines and progressions across the entire arc of Mutu's career to date. Her sculptures inaugurated the Metropolitan Museum of Art's Façade Project, and her work is in the collection of the Museum of Modern Art, New York, and Tate Modern, London, among other major institutions
    Note: Impressum: Published ... on the occasion of the exhibition "Wangechi Mutu: Intertwined", March 2-June 4, 2023 , Essays by Maureen Mahon, Yvonne Adhiambo Owuor, and Tina Campt, and a roundtable discussion with Firelei Báez, Kandis Williams, and Kiyan Williams, moderated by Nana Adusei-Poku
    Language: English
    Subjects: Art History
    RVK:
    Keywords: Wangechi Mutu 1972- ; Malerei ; Plastik ; Collage ; Videokunst ; Ausstellungskatalog ; Ausstellungskatalog ; Bildband ; Bildband ; Ausstellungskatalog
    Author information: Campt, Tina 1964-
    Author information: Wangechi Mutu 1972-
    Author information: Owuor, Yvonne Adhiambo 1968-
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  • 5
    Book
    Book
    London : Heinemann Educational
    UID:
    gbv_423943227
    Language: Undetermined
    Author information: Hardy, Thomas 1840-1928
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  • 6
    Book
    Book
    London :Heinemann,
    UID:
    almafu_BV003259218
    Format: 110 S.
    ISBN: 0-435-18552-7
    Language: English
    Subjects: English Studies
    RVK:
    Keywords: 1840-1928 Hardy, Thomas ; Roman ; Einführung
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  • 7
    Online Resource
    Online Resource
    Durham :Duke University Press,
    UID:
    edocfu_9959712580602883
    Format: 1 online resource (336 p.) : , 39 b&w illus.
    ISBN: 9780822386131
    Content: The original architects of rock ’n’ roll were black musicians including Little Richard, Etta James, and Chuck Berry. Jimi Hendrix electrified rock with his explosive guitar in the late 1960s. Yet by the 1980s, rock music produced by African Americans no longer seemed to be “authentically black.” Particularly within the music industry, the prevailing view was that no one—not black audiences, not white audiences, and not black musicians—had an interest in black rock. In 1985 New York-based black musicians and writers formed the Black Rock Coalition (brc) to challenge that notion and create outlets for black rock music. A second branch of the coalition started in Los Angeles in 1989. Under the auspices of the brc, musicians organized performances and produced recordings and radio and television shows featuring black rock. The first book to focus on the brc, Right to Rock is, like the coalition itself, about the connections between race and music, identity and authenticity, art and politics, and power and change. Maureen Mahon observed and participated in brc activities in New York and Los Angeles, and she conducted interviews with more than two dozen brc members. In Right to Rock she offers an in-depth account of how, for nearly twenty years, members of the brc have broadened understandings of black identity and black culture through rock music.
    Note: Frontmatter -- , Contents -- , Acknowledgments -- , ONE. Reclaiming the Right to Rock -- , TWO. The ‘‘Postliberated Generation’’ -- , THREE. Saturday Go to Meeting -- , FOUR. Black Rock Manifesting -- , FIVE. Black Rock Aesthetics -- , SIX. Living Colored in the Music Industry -- , SEVEN. Media Interventions -- , EIGHT. Playing Rock, Playing Roles -- , NINE. Jimi Hendrix Experiences -- , TEN. Until the Levee Breaks -- , Discography -- , Notes -- , Bibliography -- , Index , In English.
    Language: English
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  • 8
    Online Resource
    Online Resource
    Durham :Duke University Press,
    UID:
    edocfu_9959677621402883
    Format: 1 online resource.
    ISBN: 1-4780-1019-3 , 1-4780-1277-3
    Series Statement: Refiguring american music
    Content: "Maureen Mahon documents the major contributions African American women vocalists such as Big Mama Thornton, Betty Davis, Tina Turner, and Merry Clayton have made to rock and roll throughout its history."--
    Note: Rocking and Rolling with Big Mama Thornton -- LaVern Baker, the Incredible Disappearing Queen of Rock and Roll -- Remembering the Shirelles -- Call and Response -- Negotiating "Brown Sugar" -- The Revolutionary Sisterhood of Labelle -- The Fearless Funk of Betty Davis -- Tina Turner's Turn to Rock , Issued also in print.
    Additional Edition: ISBN 1-4780-1122-X
    Language: English
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  • 9
    E-Resource
    E-Resource
    North Carolina :Duke University Press,
    UID:
    edocfu_9959677591402883
    Format: 1 online resource (331 p.)
    Content: An account of the Black Rock Coalition, which began in New York in 1985, and its relation to the results of civil rights era integration, and to the larger questions of racialization in the music industry, and American society.
    Note: Description based upon print version of record. , CONTENTS; Acknowledgments; ONE Reclaiming the Right to Rock; TWO The ''Postliberated Generation''; THREE Saturday Go to Meeting; FOUR Black Rock Manifesting; FIVE Black Rock Aesthetics; SIX Living Colored in the Music Industry; SEVEN Media Interventions; EIGHT Playing Rock, Playing Roles; NINE Jimi Hendrix Experiences; TEN Until the Levee Breaks; Discography; Notes; Bibliography; Index
    Additional Edition: ISBN 0-8223-3317-1
    Language: English
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