Kooperativer Bibliotheksverbund

UID:

Umfang: 1 Online-Ressource (x, 283 Seiten)

ISBN: 9781003285298 , 9781000821567 , 9781000821581

Inhalt: Art in Global Asia in a Transformed World / Menene Gras, Jonathan Harris, Bashir Makhoul -- Pedagogy, Bureaucracy and Fashioning a Rooted Modernism / Hammad Nasar -- Metonym and Metaphor, Islands and Continents: Reflections on Curating Contemporary Art from Southeast Asia / Lee Weng Choy -- Biennales and Triennales in Global Asia: Art as Journey and Encounter / Caroline Turner.

Weitere Ausg.: ISBN 9781032258515

Weitere Ausg.: ISBN 9781032258522

Weitere Ausg.: Erscheint auch als Druck-Ausgabe The Routledge handbook of contemporary art in global Asia Abingdon, Oxon : Routledge, 2023 ISBN 9781032258515

Weitere Ausg.: ISBN 9781032258522

Sprache: Englisch

Schlagwort(e): Asien ; Globalisierung ; Kunst ; Geschichte 2000-2023 ; Aufsatzsammlung

DOI: 10.4324/9781003285298

URL: lizenzpflichtig

URL: Inhaltsverzeichnis

UID:

Umfang: xvi, 269 Seiten : , Illustrationen.

ISBN: 978-1-84631-952-5 , 978-1-84631-953-2

Serie: Value : Art : Politics

Inhalt: The Origins of Palestinian Art provides the most comprehensive survey of contemporary Palestinian art to date. The development of contemporary practice, theory and criticism is understood as integral to the concomitant construction of Palestinian national identities. In particular the book explores the intricate relationship between art and nationalism in which the idea of origin plays an important and problematic role. The book deconstructs the existing narratives of the history of Palestinian art, which search for its origins in the 19th century, and argues that Palestinian contemporary art demonstrates pluralistic, politically and philosophically complex attitudes towards identity and nation that confound familiar narratives of origin and belonging. The book builds upon theories of art, nationalism and post-colonialism particularly in relation to the themes of fragmentation and dispersal. It takes the Arabic word for Diaspora, Shatat (literally broken apart), as a central concern in contemporary understanding of Palestinian culture and develops it, along with Edward Said's paradoxical formula of a 'coherence of dispersal' as the organising concept of the book. This aspect of contemporary Palestinian art is peculiarly suited to the conditions produced by the globalisation of art and we show how Palestinian artists, despite not having a state, have developed an international profile

Anmerkung: Literaturverzeichnis Seite [252]-256

Sprache: Englisch

Fachgebiete: Kunstgeschichte

Schlagwort(e): Kunst ; Nationalbewusstsein

URL: Inhaltsverzeichnis

UID:

Umfang: xvi, 269 Seiten , Illustrationen , 24 cm

ISBN: 9781846319525 , 1846319528 , 1846319536 , 9781846319532

Serie: Value, art, politics [9]

Inhalt: The problem of the origin -- Origin and disaster -- Jerusalem as the navel and the blind spot -- Inside the line: Palestinians in Israel -- Al-Shataat: a coherence of dispersion -- Trailers and openings.

Inhalt: The Origins of Palestinian Art provides the most comprehensive survey of contemporary Palestinian art to date. The development of contemporary practice, theory and criticism is understood as integral to the concomitant construction of Palestinian national identities. In particular the book explores the intricate relationship between art and nationalism in which the idea of origin plays an important and problematic role. The book deconstructs the existing narratives of the history of Palestinian art, which search for its origins in the 19th century, and argues that Palestinian contemporary art demonstrates pluralistic, politically and philosophically complex attitudes towards identity and nation that confound familiar narratives of origin and belonging. The book builds upon theories of art, nationalism and post-colonialism particularly in relation to the themes of fragmentation and dispersal. It takes the Arabic word for Diaspora, Shatat (literally broken apart), as a central concern in contemporary understanding of Palestinian culture and develops it, along with Edward Said's paradoxical formula of a 'coherence of dispersal' as the organising concept of the book. This aspect of contemporary Palestinian art is peculiarly suited to the conditions produced by the globalisation of art and we show how Palestinian artists, despite not having a state, have developed an international profile

Anmerkung: Includes bibliographical references (pages 252-256) and index

Sprache: Englisch

URL: Book review (H-Net)

UID:

Umfang: 1 online resource

ISBN: 9781003285298 , 1003285295 , 9781000821567 , 1000821560 , 9781000821581 , 1000821587

Inhalt: "This substantial collection of newly commissioned essays presents an ambitious, entertaining, and accessible guide to developments in Asian art over the past twenty years of the epoch of globalization. The term 'Global Asia' signals the genesis and evolution of contemporary art within the context of global economic, social, political, and intellectual change related to the end of the Cold War, Decolonization, the emergence of postcolonial societies and cultures, and the rise of a global contemporary art world. In the handbook its editors establish, in an extended introductory section and in four section introductions, the theoretical, geographical, and historical parameters within which the contemporary visual arts of 'Global Asia' may be described, analyzed, and evaluated. The collected chapters provide a diverse, multi-authored, heterogeneous, and genuinely plural account of art and its contexts. The democratic and inclusive character of globalization is reflected and produced within this anthology, which includes different styles of writing as well as varieties of analytic and thematic focus. The anthology will appeal to both scholars and students in art history, art practice, curation, contemporary art, fine art, cultural studies, and globalization studies"--

Anmerkung: Includes index. , Art in Global Asia in a Transformed World / Menene Gras, Jonathan Harris, Bashir Makhoul -- Pedagogy, Bureaucracy and Fashioning a Rooted Modernism / Hammad Nasar -- Metonym and Metaphor, Islands and Continents: Reflections on Curating Contemporary Art from Southeast Asia / Lee Weng Choy -- Biennales and Triennales in Global Asia: Art as Journey and Encounter / Caroline Turner.

Weitere Ausg.: Print version: Routledge handbook of contemporary art in global Asia Abingdon, Oxon : Routledge, 2023 ISBN 9781032258515

Sprache: Englisch

DOI: 10.4324/9781003285298

URL: https://www.taylorfrancis.com/books/9781003285298

UID:

Umfang: 1 online resource (384 p.) : , 120 B/W illustrations

ISBN: 0-7486-3403-7

Inhalt: ‘These thoughtful, poignant reflections bring forth vividly some of the human dimensions of one of the great tragedies of current history, the forced dispossession of Palestinians from their homeland.’ - Noam Chomsky‘This handsome collection speaks in a multiplicity of voices and textures that capture the enduring presence of the homeland in every Diasporic home. Palestinians and non-Palestinians will be moved by it in equal measure.’ - Azmi BisharaHow does it feel when you cannot find Palestine under ‘P’ in the encyclopaedia your father brings home? Why cultivate fig and orange trees in the Arizona desert? What does it mean to know every inch of a village you have never seen, a village that no longer exists?In this groundbreaking volume, 102 Palestinians in North America and the United Kingdom reflect in their own words on what it means to be Palestinian in the diaspora. Men and women, young and old, Christians and Muslims, including well-known academics, poets, writers, faith leaders and singers, reveal their tangled ties to ‘home’ and ‘homeland’, exploring how Palestine in the diaspora can be both lost and found, bereaved and celebrated, lived and longed-for.Touching, often troubling, but full of character and wit, the reflections in Being Palestinian offer a radically fresh look at the modern Palestinian experience in the West. And the time-honoured issues of identity, exile and diaspora give acute sense to these very personal reflections.Key FeaturesIncludes reflections from celebrated academics and writers, including Najla Said, Lila Abu Lughod, Ghada Karmi, Naomi-Shihab Nye, Salma Khadra Jayyusi, Sharif Elmusa, Nathalie Handal, Nabil Matar and Khaled HroubThe volume will include up to 20 personal photographs which visually depict the authors’ reflections in the bookCovering the United States, Canada, England, Wales and Scotland, the volume offers fascinating portraits of a community spread across the WestThe first published account of the experiences of the political prisoner Dr Sami Al-Arian

Anmerkung: Frontmatter -- , Contents -- , Prologue -- , Becoming Palestinian -- , Beyond Recitation and Ritual -- , Only Icons -- , Resident of Both, National of None -- , Without my Jaffa: Other Seas -- , Buffeted By How Others See You -- , Disrupting the Peace of Others -- , Fate: A Blessing -- , The Invisible Face of the Occupier -- , A Palestinian State of Mind -- , No Land’s Man Determined to Return to Palestine -- , An Ornithologist from Iceland -- , A Recurring Sound. A Familiar Image -- , A Journey in Progress -- , In Dust -- , Citizen of the World -- , Being Nobody -- , Embracing Uncertainty -- , ‘Our Country Lives in Us’ -- , Forever Gazan -- , Ties that Bind, Ties that Sustain -- , Pal.I.Am -- , Things We Carry With Us -- , The Sadness Continues -- , Childhood Curtailed -- , Forty Days of Mourning -- , Seeking ‘Home’ -- , Voices from Within -- , The Tree -- , A Road Taken -- , Living in a World of Double Standards -- , Walking in Her Years -- , Claiming Citizenship -- , Breathing Politics -- , Motherland -- , Painting my Way Back Home One Stitch at a Time -- , A Demon of Hope -- , Contradictory Worlds -- , Bint Liblaad on the Road -- , Darker Shades of Exile -- , Present in Absence -- , Inside as an Outsider -- , Caught Between the Taste of Sunshine and Chopin Nocturnes -- , I See Palestine in my Rear-View Mirror -- , I Am, and I Am Always Becoming -- , Guide to Being Palestinian -- , Memories that Live -- , A Boy from Mash-had -- , Reconciling Araby and America -- , When Will it be Vacant? -- , Living in Letters or the Arrogance of a Cityless Man -- , Palestine in the Nepantla -- , Enduring Ties -- , The Pain and Beauty of Dispossession -- , The Durable Cords of Memory -- , Mujaddara – Arabian Haggis! -- , Still Life -- , Subversive Abstraction -- , Where to Now? -- , Fitting Nowhere -- , Home is Where the Heart is. But Where is Home? -- , A Vision Affirmed -- , Bridge to Palestine -- , Badge of Honour -- , Homemaking -- , Stranger to my Own Story -- , No Room in my Luggage -- , Labyrinth of Memories -- , Palestine the Brave -- , From Ajjur to America: Rootedness in Diaspora -- , In, but not Of -- , Lurching at Jericho -- , Rolling Grape Leaves on a Map of the World -- , An Act of Resistance -- , The Mukhtar and I: A Day with my Grandfather in the Old City -- , Parsley, Miryamiyah, Rosemary and Za‘tar -- , In Search of a Common Language -- , Fostering Palestine -- , Seeds of Justice -- , My Resilient Flag -- , Written on his Forehead: My Father, Aziz Shihab -- , Aiming High -- , My Mother’s Heels -- , Images from a Shattered Mirror -- , Be/longing -- , Eating Forbidden Palestine -- , Palestinian-Something -- , No Paradise to Recreate -- , A Mission to Explain -- , A Heavy, Unwieldy Bag -- , Lost to Geography -- , Transcending Blind Allegiance -- , Still a Palestinian -- , Homing Instincts -- , Born(e) in the Heart -- , Bodily Wounds and the Journey Home -- , Holding Palestine Close to my Heart -- , When All is Not What it Seems -- , The Weight of Our Blessings -- , A Sometime Palestinian -- , Entry Denied -- , Barricaded -- , Glossary , Issued also in print. , In English.

Weitere Ausg.: ISBN 0-7486-3402-9

Sprache: Englisch

DOI: 10.1515/9780748634033

URL: https://doi.org/10.1515/9780748634033

URL: https://www.degruyter.com/isbn/9780748634033

UID:

Umfang: XVI, 269 Seiten , Illustrationen

Ausgabe: 1. publication

Serie: Value. Art. Politics

Inhalt: This book provides the most comprehensive survey of contemporary Palestinian art to date. The development of contemporary practice, theory and criticism is understood as integral to the concomitant construction of Palestinian national identities. In particular the book explores the intricate relationship between art and nationalism in which the idea of origin plays an important and problematic role. The book deconstructs the existing narratives of the history of Palestinian art, which search for its origins in the 19th century, and argues that Palestinian contemporary art demonstrates pluralistic, politically and philosophically complex attitudes towards identity and nation that confound familiar narratives of origin and belonging. The book builds upon theories of art, nationalism and post-colonialism particularly in relation to the themes of fragmentation and dispersal. It takes the Arabic word for Diaspora Shatat (literally broken apart) as a central concern in contemporary understanding of Palestinian culture and develops it, along with Edward Said's paradoxical formula of a 'coherence of dispersal' as the organising concept of the book. This aspect of contemporary Palestinian art is peculiarly suited to the conditions produced by the globalisation of art and we show how Palestinian artists, despite not having a state, have developed an international profile. Inhaltsverzeichnis: List of Illustrations Preface Acknowledgements 1. Introduction The Problem of the Beginning 2. The Problem of the Origin The Empty Centre The Wall 3. Origin and Disaster Chaos and the Open Mouth 4. Jerusalem as the Navel and the Blind Spot The City as Hierophany The City as Wiki 5. Inside the Line: Palestinians in Israel 6. Al-Shataat: A Coherence of Dispersion The Shadow of the Map The Cracked Earth Contingency, Tactics and Strategic Essentialism The Artist as Semblant 7. Trailers and Openings Bibliography Index

Sprache: Englisch