Kooperativer Bibliotheksverbund

UID:

Format: 1 Online-Ressource (XVII, 242 Seiten) : , Illustrationen.

ISBN: 978-90-04-33314-7

Series Statement: Avant-garde critical studies volume 33

Content: Marianne Werefkin and the Women Artists in Her Circle' traces the relationships between the modernist artists in Werefkin's circle, including Erma Bossi, Elisabeth Epstein, Natalia Goncharova, Elizaveta Kruglikova, Else Lasker-Schuler, Marta Liepina-Skulme, Elena Luksch-Makowsky, and Maria Marc. The book demonstrates that their interactions were dominated not primarily by national ties, but rather by their artistic ideas, intellectual convictions, and gender roles; it offers an analysis of the various artistic scenes, the places of exchange, and the artists' sources of inspiration. Specifically focusing on issues of cosmopolitan culture, transcultural dialogue, gender roles, and the building of new artistic networks, the collection of essays re-evaluates the contributions of these artists to the development of modern art.

Note: Auf der Rückseite des Titelblattes: "This publication is an outcome of the international conference 'Crossing Borders: Marianne Werefkin and the Cosmopolitan Women Artists in her Circle', held at the Museen Böttcherstraße, Bremen in September 2014."

Additional Edition: Erscheint auch als Druck-Ausgabe, Hardback ISBN 978-90-04-32897-6

Language: English

Subjects: Art History

Keywords: 1860-1938 Werefkin, Marianne von ; Freundeskreis ; Künstlerin ; Konferenzschrift ; Aufsatzsammlung ; Konferenzschrift ; Aufsatzsammlung ; Konferenzschrift ; Aufsatzsammlung

DOI: 10.1163/9789004333147

URL: Volltext  (kostenfrei)

URL: Volltext  (kostenfrei)

URL: Volltext  (kostenfrei)

URL: Volltext  (kostenfrei)

URL: Volltext  (DOI)

URL: Volltext  (kostenfrei)

URL: Inhaltsverzeichnis

Author information: Malycheva, Tanja 1979-

Author information: Wünsche, Isabel 1965-

UID:

Format: 1 Online-Ressource (436 Seiten) : , Illustrationen.

ISBN: 978-3-422-98659-6

Content: Die Werke von Valentin Serov (1865-1911) markieren den Beginn moderner russischer Malerei. Er zeigte sie bei den Secessionen in München, Berlin und Wien, in der Weltausstellung und im Salon d'Automne in Paris sowie auf der Biennale in Venedig und in der Internationalen Ausstellung in Rom. Er gehörte der progressiven Zeitschrift Mir iskusstva an und feierte später mit deren Gründer Diaghilev Erfolge als Bühnenbildner der Ballets Russes. An der Moskauer Kunsthochschule unterrichtete er Petrov-Vodkin, Sapunov, Saryan, Kuznetsov, Mashkov, Larionov und Tatlin. Die Autorin unternimmt eine Reise durch Serovs Künstlerleben durch diverse Städte, Malereiströmungen, Sammlungen, ästhetische Theorien sowie auf die Theaterbühnen und lässt die Bildfindungsprozesse des Künstlers anschaulich werden

Content: The works of Valentin Serov (1865-1911) mark the beginning of modern Russian painting. He presented them at the Secessions in Munich, Berlin, and Vienna, and at the World Fair and Salon d'Automne in Paris as well as at the Venice Biennial and the International Exhibition in Rome. He was involved in the progressive magazine Mir iskusstva and later enjoyed success as a stage designer for the Ballets Russes, along with its founder, Diaghilev. At the art academy in Moscow, he taught Petrov-Vodkin, Sapunov, Saryan, Kuznetsov, Mashkov, Larionov, and Tatlin. The author goes on a journey through Serov's life as an artist in diverse cities, movements in painting, collections, aesthetic theories, and theater stages, and makes the artist's processes for creating pictures come alive

Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-3-422-98417-2

Language: German

Subjects: Art History

Keywords: 1865-1911 Serov, Valentin Aleksandrovič ; Malerei ; Szenografie

DOI: 10.1515/9783422986596

URL: Volltext  (URL des Erstveröffentlichers)

URL: lizenzpflichtig

URL: lizenzpflichtig

URL: Cover

URL: https://doi.org/10.1515/9783422986596

URL: https://www.degruyter.com/isbn/9783422986596

Author information: Malycheva, Tanja 1979-

UID:

Format: XVII, 242 Seiten : , Illustrationen.

ISBN: 978-90-04-32897-6

Series Statement: Avant-garde critical studies volume 33

Content: Marianne Werefkin and the Women Artists in Her Circle' traces the relationships between the modernist artists in Werefkin's circle, including Erma Bossi, Elisabeth Epstein, Natalia Goncharova, Elizaveta Kruglikova, Else Lasker-Schuler, Marta Liepina-Skulme, Elena Luksch-Makowsky, and Maria Marc. The book demonstrates that their interactions were dominated not primarily by national ties, but rather by their artistic ideas, intellectual convictions, and gender roles; it offers an analysis of the various artistic scenes, the places of exchange, and the artists' sources of inspiration. Specifically focusing on issues of cosmopolitan culture, transcultural dialogue, gender roles, and the building of new artistic networks, the collection of essays re-evaluates the contributions of these artists to the development of modern art

Note: "This publication is an outcome of the international conference Crossing Borders: Marianne Werefkin and the Cosmopolitan Women Artists in her Circle, held at the Museen Böttcherstraße, Bremen in September 2014"

Additional Edition: Erscheint auch als Online-Ausgabe Marianne Werefkin and the women artists in her circle ISBN 9789004333147

Language: English

Subjects: Art History

Keywords: 1860-1938 Werefkin, Marianne von ; Freundeskreis ; Künstlerin ; Konferenzschrift ; Konferenzschrift ; Aufsatzsammlung

URL: Volltext  (kostenfrei)

URL: http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029406361&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA

URL: http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029406361&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA

URL: Inhaltsverzeichnis

URL: http://www.brill.com/products/book/marianne-werefkin-and-women-artists-her-circle

Author information: Malycheva, Tanja, 1979-

Author information: Wünsche, Isabel, 1965-

UID:

Format: 436 Seiten : , 83 schwarzweiße Illustrationen, 17 farbige Illustrationen.

ISBN: 978-3-422-98417-2 , 3-422-98417-8

Additional Edition: Erscheint auch als Online-Ausgabe, PDF ISBN 978-3-422-98659-6

Language: German

Subjects: Art History

Keywords: 1865-1911 Serov, Valentin Aleksandrovič ; Malerei ; Szenografie ; Hochschulschrift

URL: https://www.degruyter.com/books/9783422984172

URL: https://www.degruyter.com/books/9783422984172

Author information: Malycheva, Tanja, 1979-,

UID:

Format: 112 S , zahlr. Ill.

ISBN: 9783934940444

Note: Text Dt. u. Engl , Text dt. und engl.

Language: German

Subjects: Art History

Keywords: Eilergerhard, Anke 1963- ; Ausstellungskatalog ; Ausstellungskatalog

Author information: Eilergerhard, Anke 1963-

Author information: Malycheva, Tanja 1979-

UID:

Format: 1 Online-Ressource (260 p.)

ISBN: 9789004333147

Series Statement: Avant-Garde Critical Studies

Content: The volume traces the relationships between Marianne Werefkin and the women artists in her circle. Specifically focusing on issues of cosmopolitan culture, transcultural dialogue, gender roles, and the building of new artistic networks, it re-evaluates the contributions of these artists to the development of modern art. Readership: All interested in 20th-century art, European modernism and the avant-garde movements, specifically women artists. Relevant also for advanced undergraduate and graduate courses in art history, cultural history, German and Slavic studies, and gender studies as well as an international audience of scholars and museum experts

Note: English

Language: English

Keywords: Werefkin, Marianne von 1860-1938 ; Umkreis ; Konferenzschrift ; Aufsatzsammlung

URL: kostenfrei

UID:

Format: 1 online resource.

Edition: 1st ed.

ISBN: 90-04-33314-2

Series Statement: Avant-garde critical studies ; v. 33

Content: Marianne Werefkin and the Women Artists in Her Circle traces the relationships between the modernist artists in Werefkin’s circle, including Erma Bossi, Elisabeth Epstein, Natalia Goncharova, Elizaveta Kruglikova, Else Lasker-Schüler, Marta Liepiņa-Skulme, Elena Luksch-Makowsky, and Maria Marc. The book demonstrates that their interactions were dominated not primarily by national ties, but rather by their artistic ideas, intellectual convictions, and gender roles; it offers an analysis of the various artistic scenes, the places of exchange, and the artists’ sources of inspiration. Specifically focusing on issues of cosmopolitan culture, transcultural dialogue, gender roles, and the building of new artistic networks, the collection of essays re-evaluates the contributions of these artists to the development of modern art. Contributors: Shulamith Behr, Marina Dmitrieva, Simone Ewald, Bernd Fäthke, Olga Furman, Petra Lanfermann, Tanja Malycheva, Galina Mardilovich, Antonia Napp, Carla Pellegrini Rocca, Dorothy Price, Hildegard Reinhardt, Kornelia Röder, Kimberly A. Smith, Laima Laučkaitė-Surgailienė, Baiba Vanaga, and Isabel Wünsche

Note: Includes index. , Preliminary Material / , Introduction / , Marianne Werefkin: Clemens Weiler’s Legacy / , Marianne Werefkin—From the Blue Rider to the Great Bear: An Exhibition in Retrospect / , Marianne Werefkin in Prerow, 1911: The Periphery as Focus / , Exile, the Avant-Garde, and Dada: Women Artists Active in Switzerland during the First World War / , The Cosmopolitan Approach as a Constituent Aspect of Modernist Thought / , Women Artists of Marianne Werefkin’s Circle: Sisters or Rivals? The Case of Vera Abegg-Verevkine / , Performing the Wo/man: The “Interplay” between Marianne Werefkin and Else Lasker-Schüler / , “Between us sleeps our child—art”: Creativity, Identity, and the Maternal in the Works of Marianne von Werefkin and Her Contemporaries / , Transcending Gender: Cross-Dressing as a Performative Practice of Women Artists of the Avant-garde / , Erma Bossi / , Maria Marc’s Letters / , Elisabeth Epstein: Moscow–Munich–Paris–Geneva, Waystations of a Painter and Mediator of the French-German Cultural Transfer / , The Artist Elena Luksch-Makowsky: Between St. Petersburg, Munich, Vienna, and Hamburg / , Natalia Goncharova: Artistic Innovator and Inspiring Muse / , Women as Catalysts for Innovation in Printmaking: Anna Ostroumova-Lebedeva and Elizaveta Kruglikova / , First Modernist Women Artists in Latvia and Their Paths into the International Art Scene / , Index / , English

Additional Edition: ISBN 90-04-32897-1

Language: English

UID:

Format: 1 online resource.

Edition: 1st ed.

ISBN: 90-04-33314-2

Series Statement: Avant-garde critical studies ; v. 33

Content: Marianne Werefkin and the Women Artists in Her Circle traces the relationships between the modernist artists in Werefkin’s circle, including Erma Bossi, Elisabeth Epstein, Natalia Goncharova, Elizaveta Kruglikova, Else Lasker-Schüler, Marta Liepiņa-Skulme, Elena Luksch-Makowsky, and Maria Marc. The book demonstrates that their interactions were dominated not primarily by national ties, but rather by their artistic ideas, intellectual convictions, and gender roles; it offers an analysis of the various artistic scenes, the places of exchange, and the artists’ sources of inspiration. Specifically focusing on issues of cosmopolitan culture, transcultural dialogue, gender roles, and the building of new artistic networks, the collection of essays re-evaluates the contributions of these artists to the development of modern art. Contributors: Shulamith Behr, Marina Dmitrieva, Simone Ewald, Bernd Fäthke, Olga Furman, Petra Lanfermann, Tanja Malycheva, Galina Mardilovich, Antonia Napp, Carla Pellegrini Rocca, Dorothy Price, Hildegard Reinhardt, Kornelia Röder, Kimberly A. Smith, Laima Laučkaitė-Surgailienė, Baiba Vanaga, and Isabel Wünsche

Note: Includes index. , Preliminary Material / , Introduction / , Marianne Werefkin: Clemens Weiler’s Legacy / , Marianne Werefkin—From the Blue Rider to the Great Bear: An Exhibition in Retrospect / , Marianne Werefkin in Prerow, 1911: The Periphery as Focus / , Exile, the Avant-Garde, and Dada: Women Artists Active in Switzerland during the First World War / , The Cosmopolitan Approach as a Constituent Aspect of Modernist Thought / , Women Artists of Marianne Werefkin’s Circle: Sisters or Rivals? The Case of Vera Abegg-Verevkine / , Performing the Wo/man: The “Interplay” between Marianne Werefkin and Else Lasker-Schüler / , “Between us sleeps our child—art”: Creativity, Identity, and the Maternal in the Works of Marianne von Werefkin and Her Contemporaries / , Transcending Gender: Cross-Dressing as a Performative Practice of Women Artists of the Avant-garde / , Erma Bossi / , Maria Marc’s Letters / , Elisabeth Epstein: Moscow–Munich–Paris–Geneva, Waystations of a Painter and Mediator of the French-German Cultural Transfer / , The Artist Elena Luksch-Makowsky: Between St. Petersburg, Munich, Vienna, and Hamburg / , Natalia Goncharova: Artistic Innovator and Inspiring Muse / , Women as Catalysts for Innovation in Printmaking: Anna Ostroumova-Lebedeva and Elizaveta Kruglikova / , First Modernist Women Artists in Latvia and Their Paths into the International Art Scene / , Index / , English

Additional Edition: ISBN 90-04-32897-1

Language: English

UID:

Format: 1 online resource.

Edition: 1st ed.

ISBN: 90-04-33314-2

Series Statement: Avant-garde critical studies ; v. 33

Content: Marianne Werefkin and the Women Artists in Her Circle traces the relationships between the modernist artists in Werefkin’s circle, including Erma Bossi, Elisabeth Epstein, Natalia Goncharova, Elizaveta Kruglikova, Else Lasker-Schüler, Marta Liepiņa-Skulme, Elena Luksch-Makowsky, and Maria Marc. The book demonstrates that their interactions were dominated not primarily by national ties, but rather by their artistic ideas, intellectual convictions, and gender roles; it offers an analysis of the various artistic scenes, the places of exchange, and the artists’ sources of inspiration. Specifically focusing on issues of cosmopolitan culture, transcultural dialogue, gender roles, and the building of new artistic networks, the collection of essays re-evaluates the contributions of these artists to the development of modern art. Contributors: Shulamith Behr, Marina Dmitrieva, Simone Ewald, Bernd Fäthke, Olga Furman, Petra Lanfermann, Tanja Malycheva, Galina Mardilovich, Antonia Napp, Carla Pellegrini Rocca, Dorothy Price, Hildegard Reinhardt, Kornelia Röder, Kimberly A. Smith, Laima Laučkaitė-Surgailienė, Baiba Vanaga, and Isabel Wünsche

Note: Includes index. , Preliminary Material / , Introduction / , Marianne Werefkin: Clemens Weiler’s Legacy / , Marianne Werefkin—From the Blue Rider to the Great Bear: An Exhibition in Retrospect / , Marianne Werefkin in Prerow, 1911: The Periphery as Focus / , Exile, the Avant-Garde, and Dada: Women Artists Active in Switzerland during the First World War / , The Cosmopolitan Approach as a Constituent Aspect of Modernist Thought / , Women Artists of Marianne Werefkin’s Circle: Sisters or Rivals? The Case of Vera Abegg-Verevkine / , Performing the Wo/man: The “Interplay” between Marianne Werefkin and Else Lasker-Schüler / , “Between us sleeps our child—art”: Creativity, Identity, and the Maternal in the Works of Marianne von Werefkin and Her Contemporaries / , Transcending Gender: Cross-Dressing as a Performative Practice of Women Artists of the Avant-garde / , Erma Bossi / , Maria Marc’s Letters / , Elisabeth Epstein: Moscow–Munich–Paris–Geneva, Waystations of a Painter and Mediator of the French-German Cultural Transfer / , The Artist Elena Luksch-Makowsky: Between St. Petersburg, Munich, Vienna, and Hamburg / , Natalia Goncharova: Artistic Innovator and Inspiring Muse / , Women as Catalysts for Innovation in Printmaking: Anna Ostroumova-Lebedeva and Elizaveta Kruglikova / , First Modernist Women Artists in Latvia and Their Paths into the International Art Scene / , Index / , English

Additional Edition: ISBN 90-04-32897-1

Language: English

UID:

Format: 112 S. : zahlr. Ill.

ISBN: 9783934940444

Language: German