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  • 1
    UID:
    almahu_9949481457302882
    Format: 1 online resource (330 p.)
    ISBN: 9789048553662 , 9783110767094
    Series Statement: Film Culture in Transition
    Content: Unlike most studies of the relationship between cinema and art, which privilege questions of medium or institutional specificity and intermediality, Screening the Art World explores the ways in which artists and the art world more generally have been represented in cinema. Contributors address a rarely explored subject -art in cinema, rather than the art of cinema - by considering films across genres, historical periods and national cinemas in order to reflect on cinema's fluctuating imaginary of 'art' and 'the art world'. The book examines the intersection of art history with history in cinema, cinema's simultaneous affirmation and denigration of the idea of art as 'truth' and what this means for cinema's understanding of itself, the dominant, often contradictory ways in which artists have been represented on screen, and cinematic representations of the art world's tenuous position between commercial good and cultural capital.
    Note: Frontmatter -- , Table of Contents -- , Editor's Introduction -- , Part I Cinema's Vision of Art: Aspirational, Satiric, Philosophical -- , 1. Art, Truth, Representation: Lois Weber's Dumb Girl of Portici -- , 2. Avant-Garde and Kitsch: Modern Art and Money on Screen, 1963-1964 -- , 3. Cinema as Philosophy of Art -- , Part II The Aura of Art in (the Age of) Film -- , 4. Ineffability? The Several Vermeers -- , 5. The Joker at the Museum in Tim Burton's Batman: Artistic Vandalism in Hollywood -- , 6. Chaos ex machina: The Art of Jean Tinguely and the Documentary Image -- , 7. China's Van Goghs: Documentary Production, International Taste, and Artistic Labor -- , Part III Affective Historiography: Negotiating the Past through Screening Art -- , 8. A World Made of Art -- , 9. Art and History in Woman in Gold (2015), The Monuments Men (2014), and Francofonia (2015) -- , 10. Examining Public Art in Parks and Recreation's Pawnee, Indiana -- , Part IV The Figure of the Artist: Between Mad Genius and Entrepreneur of the Self -- , 11. Homicidal and Suicidal Artist Figures in Film -- , 12. Blood Lust: Realism, Violent Inspiration, and the Artist in Horror Cinema -- , 13. Picturing Picasso : Revisiting Paul Haesaerts's Visite à Picasso (1950) -- , 14. This Is the End of High Entertainment : Tiny Furniture and This Is the End -- , 15. Screening Performance: Curating the Artist Persona -- , 16. Peter Greenaway's Artist-Entrepreneurs -- , Bibliography -- , Index , Mode of access: Internet via World Wide Web. , In English.
    In: Amsterdam University Press Complete eBook-Package 2022, De Gruyter, 9783110767094
    In: DG Plus PP Package 2022 Part 2, De Gruyter, 9783110767001
    In: EBOOK PACKAGE Arts 2022, De Gruyter, 9783110992809
    In: EBOOK PACKAGE Arts, Architecture and Design 2022 English, De Gruyter, 9783110992816
    In: EBOOK PACKAGE COMPLETE 2022 English, De Gruyter, 9783110993899
    In: EBOOK PACKAGE COMPLETE 2022, De Gruyter, 9783110994810
    Language: English
    RVK:
    Keywords: Aufsatzsammlung
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 2
    Online Resource
    Online Resource
    New York :Routledge,
    UID:
    almahu_9949384477602882
    Format: 1 online resource
    ISBN: 9781351187299 , 1351187295 , 9781351187305 , 1351187309 , 9781351187282 , 1351187287 , 9781351187312 , 1351187317
    Series Statement: Routledge advances in art and visual studies
    Content: Between the 1890s and the 1930s, movie going became an established feature of everyday life across America. Movies constituted an enormous visual data bank and changed the way artist and public alike interpreted images. This book explores modern painting as a response to, and an appropriation of, the aesthetic possibilities pried open by cinema from its invention until the outbreak of World War II, when both the art world and the film industry changed substantially. Artists were watching movies, filmmakers studied fine arts; the membrane between media was porous, allowing for fluid exchange. Each chapter focuses on a suite of films and paintings, broken down into facets and then reassembled to elucidate the distinctive art-film nexus at successive historic moments.
    Note: Two American artists & silent cinema. Lust for looking : John Sloan's moving picture eye -- Transforming moving pictures into art : Everett Shinn, artist on the set -- New woman, new negro. Leading ladies : dance, reform, liberation -- Seeing in black & white : resistance, rhythm, renaissance.
    Additional Edition: Print version: ISBN 9780815374190
    Language: English
    Keywords: Electronic books. ; Electronic books. ; Criticism, interpretation, etc. ; Electronic books
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 3
    Online Resource
    Online Resource
    Open Book Publishers | Cambridge, England :Open Book Publishers,
    UID:
    almahu_9949281735402882
    Format: 1 online resource (394 pages)
    ISBN: 1-78374-551-7
    Content: "From Darkness to Light explores from a variety of angles the subject of museum lighting in exhibition spaces in America, Japan, and Western Europe throughout the nineteenth and twentieth centuries. Written by an array of international experts, these collected essays gather perspectives from a diverse range of cultural sensibilities. From sensitive discussions of Tintoretto's unique approach to the play of light and darkness as exhibited in the Scuola Grande di San Rocco in Venice, to the development of museum lighting as part of Japanese artistic self-fashioning, via the story of an epic American painting on tour, museum illumination in the work of Henry James, and lighting alterations at Chatsworth (to name only a few topics) this book is a treasure trove of illuminating contributions. The collection is at once a refreshing insight for the enthusiastic museum-goer, who is brought to an awareness of the exhibit in its immediate environment, and a wide-ranging scholarly compendium for the professional who seeks to proceed in their academic or curatorial work with a more enlightened sense of the lighted space."--Publisher's website.
    Note: Acknowledgments -- Notes on Contributors -- Introduction: From Darkness to Light: Writers in Museums 1798-1898 / Rosella Mamoli Zorzi and Katherine Manthorne -- Part I: On Light. 1. Tintoretto: An Unexpected Light. Lightnings, Haloes, Embers and Other Glowing Lights / Melania G. Mazzucco ; 2. The Artificial Lighting Available to European and American Museums, 1800-1915 / David E. Nye -- Part II: On Light at the Scuola Grande di San Rocco and in Venice. 3. Tintoretto in San Rocco Between Light and Darkness / Maria Agnese Chiari Moretto Wiel ; 4. John Ruskin and Henry James in the Enchanting Darkness of the Scuola Grande di San Rocco / Rosella Mamoli Zorzi ; 5. Light at the Scuola Grande di San Rocco / Demetrio Sonaglioni ; 6. The Light in the Venice Ducal Palace / Camillo Tonini ; 7. Latent in Darkness: John Ruskin's Virtual Guide to the Academy of Fine Arts in Venice / Emma Sdegno ; 8. Venice, Art and Light in French Literature: 1831-1916 / Cristina Beltrami -- Part III: On Light in American Museums. 9. One Hundred Gems of Light: The Peale Family Introduces Gaslight to America / Burton K. Kummerow ; 10. Illuminating the Big Picture: Frederic Church's Heart of the Andes Viewed by Writers / Katherine Manthorne ; 11. Italian Genius in American Light: The James Jackson Jarves Collection at Yale / Kathleen Lawrence ; 12. Shedding Light on the History of Lighting at the Isabella Stewart Gardner Museum / Holly Salmon ; 13. Seeing Beauty: Light and Design at the Freer Gallery, ca. 1923 / Lee Glazer -- Part IV: On Light in Museum and Mansions in England, France, and Spain. 14. Lighting up the Darkness: The National Gallery, London / Sarah Quill ; 15. Sir John Soane / Helen Dorey ; 16. Chatsworth, a Modern English Mansion / Marina Coslovi ; 17. Daylight and Gold: In the Galleries With Henry James / Paula Deitz ; 18. Remarks on Illumination in Nineteenth-Century American Travel Writings on Madrid's Prado Museum / Pere Gifra-Adroher -- Part V: On Light in Italian Museums. 19. To Look (and to See) in the Nineteenth Century: At the Uffizi and Elsewhere / Cristina Acidini -- 20. Ways of Perceiving: The Passionate Pilgrims' Gaze in Nineteenth-Century Italy / Margherita Ciacci ; 21. 'In the Quiet Hours and the Deep Dusk, These Things too Recovered Their Advantage': Henry James on Light in European Museums / Joshua Parker ; 22. 'Shedding Light on Old Italian Masters': Timothy Cole's Series for the Century / Page S. Knox ; 23. 'Into the Broad Sunlight': Anne Hampton Brewster's Chronicle of Gilded Age Rome / Adrienne Baxter Bell -- Part VI: On Light in Museums in Japan. 24. In Praise of Shadows: Ernest Fenollosa and the Origins of Japanese Museum Culture / Dorsey Kleitz and Sandra Lucore -- Postscript. 25. Premonitions: Shakespeare to James / Sergio Perosa ; 26. The Museum on Stage: From Plato's Myth to Today's Perception / Alberto Pasetti Bombardella ; 27. Time and Light / Antonio Foscari -- Bibliography -- List of Illustrations. , English
    Additional Edition: ISBN 1-78374-549-5
    Language: English
    Keywords: History. ; Konferenzschrift ; Konferenzschrift
    URL: Cover
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  • 4
    Book
    Book
    Oakland, California :University of California Press,
    UID:
    almafu_BV047131220
    Format: x, 337 Seiten : , Illustrationen ; , 24 cm.
    ISBN: 978-0-520-35550-7
    Content: "Eliza Pratt Greatorex (1819-1897) was America's most famous woman artist in the mid-nineteenth century, but today she is all but forgotten. Beginning with her Irish roots, this biography brings her art and life back into focus. Unusually for a woman, she specialized in landscape and streetscapes, traveling from the Hudson River to the Colorado Rockies and across Europe and North Africa. Her magnum opus-graphics of Old New York- awakened the public to the destruction of the city's architectural heritage during the post-Civil War era. Exploring Greatorex's fierce ambition and creative path, Katherine Manthorne reveals how one woman forged an independent career in a male-dominated world to help shape American gender politics, visual culture, and urban consciousness"--
    Note: Includes bibliographical references and index
    Language: English
    Keywords: 1819-1897 Greatorex, Eliza ; Biografie ; Biographies ; Criticism, interpretation, etc ; Biografie
    Author information: Greatorex, Eliza 1819-1897
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  • 5
    UID:
    almafu_BV044855467
    Format: 175 Seiten.
    ISBN: 978-1-907804-96-0 , 978-0-932828-26-2
    Note: "Published on the occasion of the exhibition The Rockies and the Alps : Bierstadt, Calame, and the romance of the mountains, presented at the Newark Museum March 24-August 19, 2018"--Title page verso
    Language: English
    Keywords: 1830-1902 Bierstadt, Albert ; 1810-1864 Calame, Alexandre ; Landschaftsmalerei ; Alpen ; Rocky Mountains ; Künstler ; Landschaftsmalerei ; Alpen ; Rocky Mountains ; Bildband ; Ausstellungskatalog ; Ausstellungskatalog ; Ausstellungskatalog
    Author information: Calame, Alexandre 1810-1864
    Library Location Call Number Volume/Issue/Year Availability
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  • 6
    Book
    Book
    New York ; London : Routledge, Taylor & Francis Group
    UID:
    b3kat_BV045945560
    Format: ix, 153 Seiten , Illustrationen
    ISBN: 9780815374190
    Series Statement: Routledge advances in art and visual studies
    Note: Includes bibliographical references and index
    Additional Edition: Erscheint auch als Online-Ausgabe, ebk ISBN 978-1-351-18731-2
    Language: English
    Keywords: USA ; Malerei ; Film ; Kunst ; Geschichte 1893-1934
    Library Location Call Number Volume/Issue/Year Availability
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  • 7
    UID:
    almafu_BV002676273
    Format: X, 235 S. : Ill.
    ISBN: 0-87474-714-7
    Series Statement: New directions in American art
    Language: English
    Subjects: Art History
    RVK:
    Keywords: Kunst ; Lateinamerika ; Malerei
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  • 8
    Online Resource
    Online Resource
    [Erscheinungsort nicht ermittelbar] : Open Book Publishers
    UID:
    gbv_1794596518
    Format: 1 Online-Ressource (392 p.)
    Content: "From Darkness to Light explores from a variety of angles the subject of museum lighting in exhibition spaces in America, Japan, and Western Europe throughout the nineteenth and twentieth centuries. Written by an array of international experts, these collected essays gather perspectives from a diverse range of cultural sensibilities. From sensitive discussions of Tintoretto’s unique approach to the play of light and darkness as exhibited in the Scuola Grande di San Rocco in Venice, to the development of museum lighting as part of Japanese artistic self-fashioning, via the story of an epic American painting on tour, museum illumination in the work of Henry James, and lighting alterations at Chatsworth (to name only a few topics) this book is a treasure trove of illuminating contributions. The collection is at once a refreshing insight for the enthusiastic museum-goer, who is brought to an awareness of the exhibit in its immediate environment, and a wide-ranging scholarly compendium for the professional who seeks to proceed in their academic or curatorial work with a more enlightened sense of the lighted space. "
    Note: English
    Language: English
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  • 9
    Online Resource
    Online Resource
    [Erscheinungsort nicht ermittelbar] : Open Book Publishers
    UID:
    gbv_1778494595
    Format: 1 Online-Ressource (394 p.)
    ISBN: 9781783745494
    Note: English
    Language: English
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  • 10
    UID:
    gbv_467708150
    Format: 212 S , zahlr. Abb
    ISBN: 1879128098
    Language: English
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