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  • 1
    Book
    Book
    Edinburgh :Edinburgh University Press,
    UID:
    almafu_BV047637653
    Format: viii, 239 Seiten : , Illustrationen ; , 24 cm.
    ISBN: 978-1-4744-7980-6 , 978-1-4744-7979-0
    Content: Columbo is fifty years old. A global smash in the 1970s, it is now a cult TV favourite. What is the reason for this enduring popularity? In this fascinating exploration of a television classic, David Martin-Jones argues that Columbo reveals how our current globalized world – of 24/7 capital, invasive surveillance and online labour – emerged in the late 20th century. Exploring everything from the influences on Falk’s iconic acting style to the show’s depiction of Los Angeles, Martin-Jones illuminates how our attention is channelled, via technologies like television and computers, to influence how we perform, learn, police and locate ourselves in today’s world. Columbo emerged alongside shows like Kojak and The Rockford Files, but re-viewing the series today reveals how contemporary television hits – from Elementary to The Purge – continue to shape how and why we pay attention 24/7
    Note: War zeitweiseOpen Access beiDe Gruyter. Vom Verlag zurückgezogen. 10.1.23
    Additional Edition: Erscheint auch als Online-Ausgabe, PDF ISBN 978-1-4744-7981-3
    Additional Edition: Erscheint auch als Online-Ausgabe, EPUB ISBN 978-1-4744-7982-0
    Language: English
    Subjects: General works
    RVK:
    Keywords: Columbo ; 1927-2011 Falk, Peter
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  • 2
    Book
    Book
    Edinburgh :Edinburgh Univ. Press,
    UID:
    almahu_BV035794995
    Format: IX, 254 S. : , Ill. ; , 24 cm.
    Content: What is your favourite fantasy Scotland? Perhaps you enjoyed Whisky Galore! or Brigadoon, or maybe The Wicker Man is to your taste, Local Hero or Highlander? Yet have you also considered Kuch Kuch Hota Hai, Rob Roy, Dog Soldiers, Danny the Dog, Festival, The Water Horse, Carla's Song, Trainspotting and Red Road? Scotland: Global Cinema is the first book to focus exclusively on the unprecedented explosion of filmmaking in Scotland in the 1990s and 2000s. It explores the various cinematic fantasies of Scotland created by contemporary filmmakers from all over the world - including Scotland, England, France, the United States and India - who braved the weather to shoot in Scotland. Significantly broadening the scope of previous debates, Scotland: Global Cinema provides analysis of ten different genres and modes prevalent in the 1990s/2000s: the comedy, road movie, Bollywood extravaganza, (Loch Ness) monster movie, horror film, costume drama, gangster flick, social realist melodrama, female friendship/US indie movie, and art cinema. These various chapters suggest a wealth of different histories of cinema in Scotland, and uncover the numerous identities - national, transnational, diasporic, global/local, gendered, sexual, religious - created by these approaches. Cinema in Scotland is situated in a global context through analysis of the intersection of transversal flows of filmmaking, tourism, trade and transnational fantasy typical of globalization, as they meet and mingle against the world famous cinematic landscapes of Scotland.
    Note: Includes bibliographical references and index
    Language: English
    Subjects: General works
    RVK:
    Keywords: Film ; Filmproduktion
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  • 3
    UID:
    almafu_9960141317202883
    Format: 1 online resource (248 p.) : , 3 B/W line art
    ISBN: 9780748647460
    Series Statement: Deleuze Connections : DECO
    Content: A wide-ranging collection of essays on the film-philosophy of Gilles DeleuzeDeleuze and Film explores how different films from around the world 'think' about topics like history, national identity, geopolitics, ethics, gender, genre, affect, religion, surveillance culture, digital aesthetics and the body. Mapping the global diversity of this cinematic thinking, this book greatly expands upon the range of films discussed in Deleuze's Cinema books.Key FeaturesAnalyses several Asian films, including Japan's most famous monster movie Godzilla, the colourful Thai western Tears of the Black Tiger, the South Korean road movie Traces of Love and the Iranian comedy The LizardDiscusses American film noir, recent European art films such as Red Road and The Lives of Others and Hollywood CGI Blockbusters including Hellboy and The Curious Case of Benjamin Button Includes a dedicated chapter on the animated documentary Waltz with BashirStudies host of different directors from Rainer Werner Fassbinder to Baz Luhrmann
    Note: Frontmatter -- , Contents -- , Acknowledgements -- , Introduction: Deleuze’s World Tour of Cinema -- , 1 An Imprint of Godzilla: Deleuze, the Action-Image and Universal History -- , 2 Philosophy, Politics and Homage in Tears of the Black Tiger -- , 3 Time-Images in Traces of Love: Repackaging South Korea’s Traumatic National History for Tourism -- , 4 The Rebirth of the World: Cinema According to Baz Luhrmann -- , 5 ‘There are as many paths to the time-image as there are fi lms in the world’: Deleuze and The Lizard -- , 6 In Search of Lost Reality: Waltzing with Bashir -- , 7 The Schizoanalysis of European Surveillance Films -- , 8 Fictions of the Imagination: Habit, Genre and the Powers of the False -- , 9 Feminine Energies, or the Outside of Noir -- , 10 The Daemons of Unplumbed Space: Mixing the Planes in Hellboy -- , 11 Digitalising Deleuze: The Curious Case of the Digital Human Assemblage, or What Can a Digital Body Do? -- , 12 The Surface of the Object: Quasi-Interfaces and Immanent Virtuality -- , Notes on Contributors -- , Index , In English.
    Language: English
    Subjects: Philosophy
    RVK:
    Keywords: Aufsatzsammlung
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 4
    UID:
    gbv_1026174074
    Format: xii, 206 Seiten , Illustrationen , 25 cm
    ISBN: 0815374275 , 9780815374275
    Series Statement: British art: histories and interpretations since 1700
    Content: This edited collection, including contributors from the disciplines of art history, film studies, cultural geography and cultural anthropology, explores ways in which islands in the north of England and Scotland have provided space for a variety of visual-cultural practices and forms of creative expression which have informed our understanding of the world. Simultaneously the chapters reflect upon the importance of these islands as a space in which, and with which, to contemplate the pressures and the possibilities within contemporary society. This book makes a timely and original contribution to the developing field of island studies, and will be of interest to scholars studying issues of place, community and the peripheries
    Additional Edition: ISBN 9781351187695
    Additional Edition: ISBN 9781351187701
    Additional Edition: ISBN 9781351187688
    Additional Edition: ISBN 9781351187718
    Additional Edition: ISBN 9781351187718
    Language: English
    Keywords: Britische Inseln ; Kunst ; Insel ; Aufsatzsammlung
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  • 5
    UID:
    gbv_160664419X
    Format: vii, 268 Seiten , Illustrationen , 23 cm
    ISBN: 0814333885 , 9780814333884
    Series Statement: Contemporary approaches to film and television series
    Content: Introduction : a peripheral view of world cinema / Dina Iordanova, David Martin-Jones, Belén Vidal -- Peripheral positions : (re-)drawing industries and markets. Rise of the fringe : global cinema's long tail / Dina Iordanova -- Affinitive and milieu-building transnationalism : the Advance Party initiative / Mette Hjort -- Cinema in a settler society : brand New Zealand / Duncan Petrie -- Peripheral visions : Blak screens and cultural citizenship / Faye Ginsburg -- Emerging from underground and the periphery : Chinese independent cinema at the turn of the twenty-first century / Sheldon H. Lu -- New spaces of empire : Quebec cinema's centers and peripheries / Bill Marshall -- Peripheral visions : (re-)conceiving identities and histories. The Palestinian road (block) movie : everyday geographies of second Intifada cinema / Kay Dickinson -- Islands at the edge of history : landscape and the past in recent Scottish-Gaelic films / David Martin-Jones -- Filming the times of Tangier : nostalgia, postcolonial agency, and preposterous history / Patricia Pisters -- Back to the margins in search of the core : Foreign land's geography of exclusion / Lúcia Nagib -- Memories of underdevelopment : Torremolinos 73, cinephilia, and filiation at the margins of Europe / Belén Vidal -- Experience-information-image : a historiography of unfolding in Arab cinema / Laura U. Marks
    Note: Literaturangaben , Introduction : a peripheral view of world cinema / Dina Iordanova, David Martin-Jones, Belén VidalPeripheral positions : (re-)drawing industries and markets. Rise of the fringe : global cinema's long tail / Dina Iordanova -- Affinitive and milieu-building transnationalism : the Advance Party initiative / Mette Hjort -- Cinema in a settler society : brand New Zealand / Duncan Petrie -- Peripheral visions : Blak screens and cultural citizenship / Faye Ginsburg -- Emerging from underground and the periphery : Chinese independent cinema at the turn of the twenty-first century / Sheldon H. Lu -- New spaces of empire : Quebec cinema's centers and peripheries / Bill Marshall -- Peripheral visions : (re-)conceiving identities and histories. The Palestinian road (block) movie : everyday geographies of second Intifada cinema / Kay Dickinson -- Islands at the edge of history : landscape and the past in recent Scottish-Gaelic films / David Martin-Jones -- Filming the times of Tangier : nostalgia, postcolonial agency, and preposterous history / Patricia Pisters -- Back to the margins in search of the core : Foreign land's geography of exclusion / Lúcia Nagib -- Memories of underdevelopment : Torremolinos 73, cinephilia, and filiation at the margins of Europe / Belén Vidal -- Experience-information-image : a historiography of unfolding in Arab cinema / Laura U. Marks. , Introduction : a peripheral view of world cinema , Peripheral positions : (re-)drawing industries and markets. Rise of the fringe : global cinema's long tail , Affinitive and milieu-building transnationalism : the Advance Party initiative , Cinema in a settler society : brand New Zealand , Peripheral visions : Blak screens and cultural citizenship , Emerging from underground and the periphery : Chinese independent cinema at the turn of the twenty-first century , New spaces of empire : Quebec cinema's centers and peripheries , Peripheral visions : (re-)conceiving identities and histories. The Palestinian road (block) movie : everyday geographies of second Intifada cinema , Islands at the edge of history : landscape and the past in recent Scottish-Gaelic films , Filming the times of Tangier : nostalgia, postcolonial agency, and preposterous history , Back to the margins in search of the core : Foreign land's geography of exclusion , Memories of underdevelopment : Torremolinos 73, cinephilia, and filiation at the margins of Europe , Experience-information-image : a historiography of unfolding in Arab cinema
    Additional Edition: Erscheint auch als Online-Ausg. Cinema at the periphery Detroit : Wayne State University Press, 2010 ISBN 0814333885
    Additional Edition: ISBN 9780814336946
    Additional Edition: ISBN 9780814333884
    Language: English
    Subjects: General works
    RVK:
    RVK:
    Keywords: Film ; Peripherie ; Globalisierung ; Film ; Peripherie ; Globalisierung ; Konferenzschrift
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  • 6
    UID:
    almahu_BV023206212
    Format: XVII, 149 Seiten : , Illustrationen.
    ISBN: 978-1-84511-547-0
    Series Statement: Contemporary thinkers reframed
    Content: "Deleuze disdains easy answers. Yet easy answers to Deleuze are what students need. Without reducing Deleuze's complex body of thought to simplistic solutions, this very contemporary guide leads the reader into the world of Deleuze's spiralling thought through concrete examples from art, film, TV and even computer games. From "Eternal Sunshine of the Spotless Mind and The Cell to Pac Man and Doom, and from the work of Robert Mapplethorpe, Coco Fusco and Rachel Whiteread to Lost and Doctor Who, this easily digestible introduction looks at the key ideas promoted by Deleuze, both in his own work and in his notoriously difficult collaborations with Felix Guattari, to make them both fresh and relevant to the visual arts today." -- Book cover.
    Language: English
    Subjects: Philosophy
    RVK:
    Keywords: 1925-1995 Deleuze, Gilles
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  • 7
    UID:
    almafu_BV035345036
    Format: IX, 244 S. : , Ill. ; , 25 cm.
    ISBN: 978-0-7486-3585-6 , 978-0-7486-2244-3 , 0-7486-2244-6
    Note: Includes bibliographical references and index. - Introduction : Deleuze, film studies and national identity -- History -- Memory -- National identity in the global city -- American triumphalism and the first Gulf War -- Renegotiating the national past after 9/11 -- The Pacific Rim -- Conclusion : blind chance and possible futures
    Language: English
    Subjects: General works , Philosophy
    RVK:
    RVK:
    RVK:
    Keywords: 1925-1995 Deleuze, Gilles ; Filmanalyse ; Erzählte Zeit ; Nationalbewusstsein
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  • 8
    UID:
    gbv_1023519984
    Format: XVI, 242 pages , Illustrationen
    ISBN: 9781138907959 , 9781138907942
    Series Statement: Remapping world cinema 3
    Note: Includes bibliographical references and index
    Additional Edition: ISBN 9781315694832
    Language: English
    Keywords: Wahrheit ; Film ; Geschichte ; Kollektives Gedächtnis
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  • 9
    Online Resource
    Online Resource
    Edinburgh : Edinburgh University Press
    UID:
    b3kat_BV043774051
    ISBN: 9780748647460 , 0748647465 , 0748641203 , 9780748641208 , 1280687975 , 9781280687976
    Series Statement: Deleuze connections
    Note: Includes bibliographical references and index , Copyright; Contents; Acknowledgements; Introduction: Deleuze's World Tour of Cinema; Chapter 1 An Imprint of Godzilla: Deleuze, the Action-Image and Universal History; Chapter 2 Philosophy, Politics and Homage in Tears of the Black Tiger; Chapter 3 Time-Images in Traces of Love: Repackaging South Korea's Traumatic National History for Tourism; Chapter 4 The Rebirth of the World: Cinema According to Baz Luhrmann; Chapter 5 'There are as many paths to the time imageas there are films in the world': Deleuze and The Lizard; Chapter 6 In Search of Lost Reality: Waltzing with Bashir , A wide-ranging collection of essays on the film-philosophy of Gilles DeleuzeDeleuze and Film explores how different films from around the world 'think' about a range of topics like history, national identity, geopolitics, ethics, gender, genre, affect, religion, surveillance culture, digital aesthetics and the body. Mapping the global diversity of this cinematic thinking, this book greatly expands upon the range of films discussed in Deleuze's Cinema books. Key Features Analyses several Asian films: including Japan's most famous monster movie Godzilla, the colourful Thai western Tears of the Bl
    Language: English
    Keywords: Deleuze, Gilles 1925-1995 ; Film ; Philosophie ; Aufsatzsammlung
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  • 10
    UID:
    almafu_BV022824300
    Format: IX, 244 S. : , Ill. ; , 25 cm.
    ISBN: 978-0-7486-3585-6 , 978-0-7486-2244-3 , 0-7486-2244-6
    Content: This volume challenges the traditional use of Deleuze's philosophy to examine European art cinema. It explores how Deleuze can be used to analyse national identity across a range of different cinemas. Focusing on a narrative time, it combines a Deleuzean approach with a vast range of non-traditional material.
    Note: Includes bibliographical references and index. - Introduction : Deleuze, film studies and national identity -- History -- Memory -- National identity in the global city -- American triumphalism and the first Gulf War -- Renegotiating the national past after 9/11 -- The Pacific Rim -- Conclusion : blind chance and possible futures
    Language: English
    Subjects: Philosophy
    RVK:
    Keywords: 1925-1995 Deleuze, Gilles ; Filmanalyse ; Erzählte Zeit ; Nationalbewusstsein
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