Kooperativer Bibliotheksverbund

UID:

Format: 516 Seiten

ISBN: 9789089648556

Series Statement: Film theory in media history

Note: Erscheint auch als Open Access bei De Gruyter

Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-90-4852-710-6 10.1515/9789048527106

Language: English

Subjects: General works

Keywords: Italien ; Filmtheorie ; Geschichte 1896-1922 ; Quelle ; Aufsatzsammlung

URL: Volltext  (kostenfrei)

URL: Volltext  (kostenfrei)

URL: Inhaltsverzeichnis

URL: Volltext  (kostenfrei)

URL: Inhaltsverzeichnis

UID:

Format: 1 online resource (516 pages).

ISBN: 90-485-2710-4

Series Statement: Film theory in media history

Content: This collection for the first time brings together scholars to explore the ways that various people and groups in Italian society reacted to the advent of cinema. Looking at the responses of writers, scholars, clergymen, psychologists, philosophers, members of parliament, and more, the pieces collected here from that period show how Italians developed a common language to describe and discuss this invention that quickly exceeded all expectations and transcended existing categories of thought and artistic forms. The result is a close-up picture of a culture in transition, dealing with a "scandalous" new technology that appeared poised to thoroughly change everyday life.

Note: Frontmatter -- , Table of Contents -- , The Throb of the Cinematograph / , Section 1 -- , Cinema and Modern Life / , Cinematography / , The Philosophy of Cinematograph / , Summertime Spectacles: The Cinema / , Why I Love the Cinema / , The Movie Theatre Audience / , The Art of Celluloid / , The Triumph of the Cinema / , The Death of the Word / , Section 2 -- , Film in Transition / , The Museum of the Fleeting Moment / , The Woman and the Cinema / , Darkness and Intelligence / , A Spectatrix is Speaking to You / , Motion Pictures in Provincial Towns / , Cinematic Psychology / , The Cinematograph Doesn't Exist / , The Cinema: School of the Will and of Energy / , The Close-up / , The Soul of Titles / , Section 3 -- , Cinema at War / , The War, from Up Close / , That Poor Cinema... / , Families of Soldiers / , War for the Profit of Industry / , The War and Cinematograph / , Max Linder Dies in The War / , Cinema of War / , Section 4 -- , Politics, Morality, Education / , The Motion Pictures and Education / , The Intuitive Method in Religious Education / , The Cinema and Its Influence on the Education of the People / , The Cinematograph in the Schools / , Speech at the People's Theatre / , Cinema for the Cultivation of the Intellect / , Educational Cinema / , Section 5 -- , Film, Body, Mind / , Collective Psychology / , About Some Psychological Observations Made During Film Screenings / , Concerning the Effects of Film Viewing on Neurotic Individuals / , The Ongoing Battle between Gesture and Word / , The Cinematograph in the Field of Mental Illness and Criminality: Notes / , Cinema and Juvenile Delinquency / , Section 6 -- , The Aesthetic Side / , Problems of Art: Expression and Movement in Sculpture / , Scenic Impressionism / , The Aesthetics of Cinema / , The Poetics of Cinema / , Manifesto for a Cinematic Revolution / , Theatre and the Cinema / , The Futurist Cinematography / , In the Beginning Was Sex... / , Rectangle-Film (25 x 19) / , The Proscenium Arch of My Cinema / , My Views on the Cinematograph / , Meditations in the Dark / , Section 7 -- , Theory in a Narrative Form / , Colour Film / , At the Cinema / , A Phantom Pursued / , Miopetti's Duel / , Pamela-Films / , Feature Film / , Me, Rirì, and Love in Slippers / , A Cinematic Performance / , Life, a Glass Theatre / , The Shears' Reflection / , Sources -- , Author Biographies -- , General Bibliography -- , Acknowledgements -- , About the Editors -- , Index of Names -- , Index of Concepts -- , Index of Films , In English.

Additional Edition: ISBN 90-8964-855-0

Language: English

Keywords: Electronic books. ; Electronic books.

DOI: 10.1515/9789048527106

URL: lizenzpflichtig

URL: Click to View

UID:

Format: 1 online resource

ISBN: 9789048527106

Series Statement: Film Theory in Media History

Content: This collection for the first time brings together scholars to explore the ways that various people and groups in Italian society reacted to the advent of cinema. Looking at the responses of writers, scholars, clergymen, psychologists, philosophers, members of parliament, and more, the pieces collected here from that period show how Italians developed a common language to describe and discuss this invention that quickly exceeded all expectations and transcended existing categories of thought and artistic forms. The result is a close-up picture of a culture in transition, dealing with a “scandalous” new technology that appeared poised to thoroughly change everyday life.

Note: Frontmatter -- , Table of Contents -- , The Throb of the Cinematograph / , Section 1 -- , Cinema and Modern Life / , Cinematography / , The Philosophy of Cinematograph / , Summertime Spectacles: The Cinema / , Why I Love the Cinema / , The Movie Theatre Audience / , The Art of Celluloid / , The Triumph of the Cinema / , The Death of the Word / , Section 2 -- , Film in Transition / , The Museum of the Fleeting Moment / , The Woman and the Cinema / , Darkness and Intelligence / , A Spectatrix is Speaking to You / , Motion Pictures in Provincial Towns / , Cinematic Psychology / , The Cinematograph Doesn’t Exist / , The Cinema: School of the Will and of Energy / , The Close-up / , The Soul of Titles / , Section 3 -- , Cinema at War / , The War, from Up Close / , That Poor Cinema... / , Families of Soldiers / , War for the Profit of Industry / , The War and Cinematograph / , Max Linder Dies in The War / , Cinema of War / , Section 4 -- , Politics, Morality, Education / , The Motion Pictures and Education / , The Intuitive Method in Religious Education / , The Cinema and Its Influence on the Education of the People / , The Cinematograph in the Schools / , Speech at the People’s Theatre / , Cinema for the Cultivation of the Intellect / , Educational Cinema / , Section 5 -- , Film, Body, Mind / , Collective Psychology / , About Some Psychological Observations Made During Film Screenings / , Concerning the Effects of Film Viewing on Neurotic Individuals / , The Ongoing Battle between Gesture and Word / , The Cinematograph in the Field of Mental Illness and Criminality: Notes / , Cinema and Juvenile Delinquency / , Section 6 -- , The Aesthetic Side / , Problems of Art: Expression and Movement in Sculpture / , Scenic Impressionism / , The Aesthetics of Cinema / , The Poetics of Cinema / , Manifesto for a Cinematic Revolution / , Theatre and the Cinema / , The Futurist Cinematography / , In the Beginning Was Sex… / , Rectangle-Film (25 x 19) / , The Proscenium Arch of My Cinema / , My Views on the Cinematograph / , Meditations in the Dark / , Section 7 -- , Theory in a Narrative Form / , Colour Film / , At the Cinema / , A Phantom Pursued / , Miopetti’s Duel / , Pamela-Films / , Feature Film / , Me, Rirì, and Love in Slippers / , A Cinematic Performance / , Life, a Glass Theatre / , The Shears’ Reflection / , Sources -- , Author Biographies -- , General Bibliography -- , Acknowledgements -- , About the Editors -- , Index of Names -- , Index of Concepts -- , Index of Films , In English.

Language: English

DOI: 10.1515/9789048527106

URL: https://doi.org/10.1515/9789048527106

URL: Open Access

URL: kostenfrei

URL: Cover

URL: Cover

URL: Cover

UID:

Format: 1 Online-Ressource (220 p.)

ISBN: 9788833132778 , 9788833130323

Series Statement: Sanctorum. Scritture, pratiche, immagini 2

Content: Nella cultura mafiosa, eventi religiosi come battesimi, funerali, feste patronali, pellegrinaggi ricoprono da sempre un ruolo importante. Lo stesso si può dire per il mondo dell’antimafia, nel quale i rituali devozionali occupano uno spazio simbolico irrinunciabile. Nel tempo queste tipologie di interazione hanno però trovato forme di rappresentazione anche in media diversi rispetto a quelli tradizionalmente vocati alle pratiche religiose e devozionali. A essere investiti di questa funzione sono così stati teatro popolare e di ricerca, letteratura agiografica e romanzo d’inchiesta, stampa quotidiana e fotografia, cinema e fiction tv, reportage documentario e servizi del tg, graphic novel e pagine dei social web. Muovendosi a largo spettro fra i vari luoghi di questa complessa mediasfera, il presente volume propone uno sguardo trasversale proprio su questo fenomeno, integrando fra loro, nell’analisi, saperi e linguaggi tipici del mondo dello spettacolo, delle arti visive e della storia dei media con quelli legati alla storia contemporanea e delle religioni

Note: Italian

Language: Undetermined

URL: kostenfrei

UID:

Format: 1 online resource (516 pages).

ISBN: 90-485-2710-4

Series Statement: Film theory in media history

Content: This collection for the first time brings together scholars to explore the ways that various people and groups in Italian society reacted to the advent of cinema. Looking at the responses of writers, scholars, clergymen, psychologists, philosophers, members of parliament, and more, the pieces collected here from that period show how Italians developed a common language to describe and discuss this invention that quickly exceeded all expectations and transcended existing categories of thought and artistic forms. The result is a close-up picture of a culture in transition, dealing with a "scandalous" new technology that appeared poised to thoroughly change everyday life.

Note: Frontmatter -- , Table of Contents -- , The Throb of the Cinematograph / , Section 1 -- , Cinema and Modern Life / , Cinematography / , The Philosophy of Cinematograph / , Summertime Spectacles: The Cinema / , Why I Love the Cinema / , The Movie Theatre Audience / , The Art of Celluloid / , The Triumph of the Cinema / , The Death of the Word / , Section 2 -- , Film in Transition / , The Museum of the Fleeting Moment / , The Woman and the Cinema / , Darkness and Intelligence / , A Spectatrix is Speaking to You / , Motion Pictures in Provincial Towns / , Cinematic Psychology / , The Cinematograph Doesn't Exist / , The Cinema: School of the Will and of Energy / , The Close-up / , The Soul of Titles / , Section 3 -- , Cinema at War / , The War, from Up Close / , That Poor Cinema... / , Families of Soldiers / , War for the Profit of Industry / , The War and Cinematograph / , Max Linder Dies in The War / , Cinema of War / , Section 4 -- , Politics, Morality, Education / , The Motion Pictures and Education / , The Intuitive Method in Religious Education / , The Cinema and Its Influence on the Education of the People / , The Cinematograph in the Schools / , Speech at the People's Theatre / , Cinema for the Cultivation of the Intellect / , Educational Cinema / , Section 5 -- , Film, Body, Mind / , Collective Psychology / , About Some Psychological Observations Made During Film Screenings / , Concerning the Effects of Film Viewing on Neurotic Individuals / , The Ongoing Battle between Gesture and Word / , The Cinematograph in the Field of Mental Illness and Criminality: Notes / , Cinema and Juvenile Delinquency / , Section 6 -- , The Aesthetic Side / , Problems of Art: Expression and Movement in Sculpture / , Scenic Impressionism / , The Aesthetics of Cinema / , The Poetics of Cinema / , Manifesto for a Cinematic Revolution / , Theatre and the Cinema / , The Futurist Cinematography / , In the Beginning Was Sex... / , Rectangle-Film (25 x 19) / , The Proscenium Arch of My Cinema / , My Views on the Cinematograph / , Meditations in the Dark / , Section 7 -- , Theory in a Narrative Form / , Colour Film / , At the Cinema / , A Phantom Pursued / , Miopetti's Duel / , Pamela-Films / , Feature Film / , Me, Rirì, and Love in Slippers / , A Cinematic Performance / , Life, a Glass Theatre / , The Shears' Reflection / , Sources -- , Author Biographies -- , General Bibliography -- , Acknowledgements -- , About the Editors -- , Index of Names -- , Index of Concepts -- , Index of Films , In English.

Additional Edition: ISBN 90-8964-855-0

Language: English

Keywords: Electronic books.

DOI: 10.1515/9789048527106

UID:

Format: 1 Online-Ressource (516 pages)

ISBN: 9789048527106 , 9048527104 , 9789089648556 , 9089648550

Series Statement: Film theory in media history

Content: This collection is the first to bring together scholars to explore the ways in which various people and groups in Italian society reacted to the advent of cinema. Looking at the responses of writers, scholars, clergymen, psychologists, philosophers, members of parliament, and more, the pieces collected here from that period show how Italians developed a common language to describe and discuss this invention that quickly exceeded all expectations and transcended existing categories of thought and artistic forms. The result is a close-up picture of a culture in transition, dealing with a 'scandalous' new technology that appeared poised to thoroughly change everyday life

Content: The Throb of the Cinematograph /Francesco Casetti --Section 1 --Cinema and Modern Life /Francesco Casetti --Cinematography /Edipi --The Philosophy of Cinematograph /Giovanni Papini --Summertime Spectacles: The Cinema /Gaio --Why I Love the Cinema /Maffio Maffii --The Movie Theatre Audience /Giovanni Fosse --The Art of Celluloid /Crainquebille --The Triumph of the Cinema /Ricciotto Canudo --The Death of the Word /Fausto Maria Martini --Section 2 --Film in Transition /Francesco Casetti --The Museum of the Fleeting Moment /Lucio d'Ambra --The Woman and the Cinema /Haydee --Darkness and Intelligence /Emanuele Toddi --A Spectatrix is Speaking to You /Matilde Serao --Motion Pictures in Provincial Towns /Emilio Scaglione --Cinematic Psychology /Edoardo Coli --The Cinematograph Doesn't Exist /Silvio d'Amico --The Cinema: School of the Will and of Energy /Giovanni Bertinetti --The Close-up /Alberto Orsi --The Soul of Titles /Ernesto Quadrone --Section 3 --Cinema at War /Luca Mazzei --The War, from Up Close /Nino Salvaneschi --That Poor Cinema /Renato Giovannetti --Families of Soldiers /Luigi Lucatelli --War for the Profit of Industry /Renato Giovannetti --The War and Cinematograph /g.pr. --Max Linder Dies in The War /Lucio d'Ambra --Cinema of War /Saverio Procida --Section 4 --Politics, Morality, Education /Silvio Alovisio --The Motion Pictures and Education /Domenico Orano --The Intuitive Method in Religious Education /Romano Costetti --The Cinema and Its Influence on the Education of the People /Giovanni Battista Avellone --The Cinematograph in the Schools /Francesco Orestano --Speech at the People's Theatre /Vittorio Emanuele Orlando --Cinema for the Cultivation of the Intellect /Angelina Buracci --Educational Cinema /Ettore Fabietti --Section 5 --Film, Body, Mind /Silvio Alovisio --Collective Psychology /Pasquale Rossi --About Some Psychological Observations Made During Film Screenings /Mario Ponzo --Concerning the Effects of Film Viewing on Neurotic Individuals /Giuseppe d'Abundo --The Ongoing Battle between Gesture and Word /Mariano Luigi Patrizi --The Cinematograph in the Field of Mental Illness and Criminality: Notes /Giuseppe Vidoni --Cinema and Juvenile Delinquency /Mario Ponzo --Section 6 --The Aesthetic Side /Luca Mazzei --Problems of Art: Expression and Movement in Sculpture /Corrado Ricci --Scenic Impressionism /Sebastiano Arturo Luciani --The Aesthetics of Cinema /Goffredo Bellonci --The Poetics of Cinema /Sebastiano Arturo Luciani --Manifesto for a Cinematic Revolution /Goffredo Bellonci --Theatre and the Cinema /Antonio Gramsci --The Futurist Cinematography /Remo Chiti --In the Beginning Was Sex /Antonio Gramsci --Rectangle-Film (25 x 19) /Emanuele Toddi --The Proscenium Arch of My Cinema /Anton Giulio Bragaglia --My Views on the Cinematograph /Lucio d'Ambra --Meditations in the Dark /Michele Biancale --Section 7 --Theory in a Narrative Form /Luca Mazzei --Colour Film /Roberto Tanfani --At the Cinema /Luigia Cortesi --A Phantom Pursued /Alberto Lumbroso --Miopetti's Duel /Aldo Borelli --Pamela-Films /Guido Gozzano --Feature Film /Pio Vanzi --Me, Riri, and Love in Slippers /Luciano Doria --A Cinematic Performance /Federigo Tozzi --Life, a Glass Theatre /Pier Maria Rosso di San Secondo --The Shears' Reflection /Guido Gozzano.

Note: Includes bibliographical references (pages 490-504) and indexes , Undetermined

Language: English

URL: kostenfrei

UID:

Format: 1 online resource (516 pages).

ISBN: 90-485-2710-4

Series Statement: Film theory in media history

Content: This collection for the first time brings together scholars to explore the ways that various people and groups in Italian society reacted to the advent of cinema. Looking at the responses of writers, scholars, clergymen, psychologists, philosophers, members of parliament, and more, the pieces collected here from that period show how Italians developed a common language to describe and discuss this invention that quickly exceeded all expectations and transcended existing categories of thought and artistic forms. The result is a close-up picture of a culture in transition, dealing with a "scandalous" new technology that appeared poised to thoroughly change everyday life.

Note: Frontmatter -- , Table of Contents -- , The Throb of the Cinematograph / , Section 1 -- , Cinema and Modern Life / , Cinematography / , The Philosophy of Cinematograph / , Summertime Spectacles: The Cinema / , Why I Love the Cinema / , The Movie Theatre Audience / , The Art of Celluloid / , The Triumph of the Cinema / , The Death of the Word / , Section 2 -- , Film in Transition / , The Museum of the Fleeting Moment / , The Woman and the Cinema / , Darkness and Intelligence / , A Spectatrix is Speaking to You / , Motion Pictures in Provincial Towns / , Cinematic Psychology / , The Cinematograph Doesn't Exist / , The Cinema: School of the Will and of Energy / , The Close-up / , The Soul of Titles / , Section 3 -- , Cinema at War / , The War, from Up Close / , That Poor Cinema... / , Families of Soldiers / , War for the Profit of Industry / , The War and Cinematograph / , Max Linder Dies in The War / , Cinema of War / , Section 4 -- , Politics, Morality, Education / , The Motion Pictures and Education / , The Intuitive Method in Religious Education / , The Cinema and Its Influence on the Education of the People / , The Cinematograph in the Schools / , Speech at the People's Theatre / , Cinema for the Cultivation of the Intellect / , Educational Cinema / , Section 5 -- , Film, Body, Mind / , Collective Psychology / , About Some Psychological Observations Made During Film Screenings / , Concerning the Effects of Film Viewing on Neurotic Individuals / , The Ongoing Battle between Gesture and Word / , The Cinematograph in the Field of Mental Illness and Criminality: Notes / , Cinema and Juvenile Delinquency / , Section 6 -- , The Aesthetic Side / , Problems of Art: Expression and Movement in Sculpture / , Scenic Impressionism / , The Aesthetics of Cinema / , The Poetics of Cinema / , Manifesto for a Cinematic Revolution / , Theatre and the Cinema / , The Futurist Cinematography / , In the Beginning Was Sex... / , Rectangle-Film (25 x 19) / , The Proscenium Arch of My Cinema / , My Views on the Cinematograph / , Meditations in the Dark / , Section 7 -- , Theory in a Narrative Form / , Colour Film / , At the Cinema / , A Phantom Pursued / , Miopetti's Duel / , Pamela-Films / , Feature Film / , Me, Rirì, and Love in Slippers / , A Cinematic Performance / , Life, a Glass Theatre / , The Shears' Reflection / , Sources -- , Author Biographies -- , General Bibliography -- , Acknowledgements -- , About the Editors -- , Index of Names -- , Index of Concepts -- , Index of Films , In English.

Additional Edition: ISBN 90-8964-855-0

Language: English

Keywords: Electronic books.

DOI: 10.1515/9789048527106

UID:

Format: 1 online resource (516 pages).

ISBN: 90-485-2710-4

Series Statement: Film theory in media history

Content: This collection for the first time brings together scholars to explore the ways that various people and groups in Italian society reacted to the advent of cinema. Looking at the responses of writers, scholars, clergymen, psychologists, philosophers, members of parliament, and more, the pieces collected here from that period show how Italians developed a common language to describe and discuss this invention that quickly exceeded all expectations and transcended existing categories of thought and artistic forms. The result is a close-up picture of a culture in transition, dealing with a "scandalous" new technology that appeared poised to thoroughly change everyday life.

Note: Frontmatter -- , Table of Contents -- , The Throb of the Cinematograph / , Section 1 -- , Cinema and Modern Life / , Cinematography / , The Philosophy of Cinematograph / , Summertime Spectacles: The Cinema / , Why I Love the Cinema / , The Movie Theatre Audience / , The Art of Celluloid / , The Triumph of the Cinema / , The Death of the Word / , Section 2 -- , Film in Transition / , The Museum of the Fleeting Moment / , The Woman and the Cinema / , Darkness and Intelligence / , A Spectatrix is Speaking to You / , Motion Pictures in Provincial Towns / , Cinematic Psychology / , The Cinematograph Doesn't Exist / , The Cinema: School of the Will and of Energy / , The Close-up / , The Soul of Titles / , Section 3 -- , Cinema at War / , The War, from Up Close / , That Poor Cinema... / , Families of Soldiers / , War for the Profit of Industry / , The War and Cinematograph / , Max Linder Dies in The War / , Cinema of War / , Section 4 -- , Politics, Morality, Education / , The Motion Pictures and Education / , The Intuitive Method in Religious Education / , The Cinema and Its Influence on the Education of the People / , The Cinematograph in the Schools / , Speech at the People's Theatre / , Cinema for the Cultivation of the Intellect / , Educational Cinema / , Section 5 -- , Film, Body, Mind / , Collective Psychology / , About Some Psychological Observations Made During Film Screenings / , Concerning the Effects of Film Viewing on Neurotic Individuals / , The Ongoing Battle between Gesture and Word / , The Cinematograph in the Field of Mental Illness and Criminality: Notes / , Cinema and Juvenile Delinquency / , Section 6 -- , The Aesthetic Side / , Problems of Art: Expression and Movement in Sculpture / , Scenic Impressionism / , The Aesthetics of Cinema / , The Poetics of Cinema / , Manifesto for a Cinematic Revolution / , Theatre and the Cinema / , The Futurist Cinematography / , In the Beginning Was Sex... / , Rectangle-Film (25 x 19) / , The Proscenium Arch of My Cinema / , My Views on the Cinematograph / , Meditations in the Dark / , Section 7 -- , Theory in a Narrative Form / , Colour Film / , At the Cinema / , A Phantom Pursued / , Miopetti's Duel / , Pamela-Films / , Feature Film / , Me, Rirì, and Love in Slippers / , A Cinematic Performance / , Life, a Glass Theatre / , The Shears' Reflection / , Sources -- , Author Biographies -- , General Bibliography -- , Acknowledgements -- , About the Editors -- , Index of Names -- , Index of Concepts -- , Index of Films , In English.

Additional Edition: ISBN 90-8964-855-0

Language: English

Keywords: Electronic books.

DOI: 10.1515/9789048527106

UID:

Format: 1 Online-Ressource (516 Seiten)

ISBN: 9048527104 , 9789048527106

Series Statement: Film theory in media history

Content: This collection is the first to bring together scholars to explore the ways in which various people and groups in Italian society reacted to the advent of cinema. Looking at the responses of writers, scholars, clergymen, psychologists, philosophers, members of parliament, and more, the pieces collected here from that period show how Italians developed a common language to describe and discuss this invention that quickly exceeded all expectations and transcended existing categories of thought and artistic forms. The result is a close-up picture of a culture in transition, dealing with a 'scandalous' new technology that appeared poised to thoroughly change everyday life

Note: The Throb of the Cinematograph , Section 1 -- , Cinema and Modern Life , Cinematography , The Philosophy of Cinematograph , Summertime Spectacles: The Cinema , Why I Love the Cinema , The Movie Theatre Audience , The Art of Celluloid , The Triumph of the Cinema , The Death of the Word , Section 2 -- , Film in Transition , The Museum of the Fleeting Moment , The Woman and the Cinema , Darkness and Intelligence , A Spectatrix is Speaking to You , Motion Pictures in Provincial Towns , Cinematic Psychology , The Cinematograph Doesn't Exist , The Cinema: School of the Will and of Energy , The Close-up , The Soul of Titles , Section 3 -- , Cinema at War , The War, from Up Close , That Poor Cinema , Families of Soldiers , War for the Profit of Industry , The War and Cinematograph , Max Linder Dies in The War , Cinema of War , Section 4 -- , Politics, Morality, Education , The Motion Pictures and Education , The Intuitive Method in Religious Education , The Cinema and Its Influence on the Education of the People , The Cinematograph in the Schools , Speech at the People's Theatre , Cinema for the Cultivation of the Intellect , Educational Cinema , Section 5 -- , Film, Body, Mind , Collective Psychology , About Some Psychological Observations Made During Film Screenings , Concerning the Effects of Film Viewing on Neurotic Individuals , The Ongoing Battle between Gesture and Word , The Cinematograph in the Field of Mental Illness and Criminality: Notes , Cinema and Juvenile Delinquency , Section 6 -- , The Aesthetic Side , Problems of Art: Expression and Movement in Sculpture , Scenic Impressionism , The Aesthetics of Cinema , The Poetics of Cinema , Manifesto for a Cinematic Revolution , Theatre and the Cinema , The Futurist Cinematography , In the Beginning Was Sex , Rectangle-Film (25 x 19) , The Proscenium Arch of My Cinema , My Views on the Cinematograph , Meditations in the Dark , Section 7 -- , Theory in a Narrative Form , Colour Film , At the Cinema , A Phantom Pursued , Miopetti's Duel , Pamela-Films , Feature Film , Me, Riri, and Love in Slippers , A Cinematic Performance , Life, a Glass Theatre , The Shears' Reflection , Undetermined

Additional Edition: Erscheint auch als Druck-Ausgabe Early Film Theories in Italy, 1896-1922 Amsterdam : Amsterdam University Press, 2017

Language: English

Keywords: Italien ; Filmtheorie ; Geschichte 1896-1922 ; Quelle

DOI: 10.5117/9789089648556

URL: Volltext  (kostenfrei)

UID:

Format: 1 online resource (219 pages) : , illustrations.

Series Statement: Sanctorum ; 2

Additional Edition: ISBN 88-3313-277-3

Language: Italian