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  • 1
    Online Resource
    Online Resource
    New York, NY :Routledge,
    UID:
    almahu_9949383730802882
    Format: 1 online resource (xiv, 257 pages).
    ISBN: 9780429505232 , 042950523X , 9780429999277 , 0429999275 , 9780429999284 , 0429999283 , 9780429999291 , 0429999291
    Series Statement: Transnational studies in jazz
    Content: "Remixing European Jazz Culture examines a European jazz culture that emerged during the mid-1990's in cosmopolitan cities like Amsterdam and Berlin. Since then, internationally recognized jazz styles have developed. This book examines three phenomena that supported the turn of European jazz in the 21st century: 1) the influence and integration of the aesthetics of popular music such as hip hop and EDM, 2) the role of electronic and digital technologies in performance, recording and distribution, and 3) the expanding international networks of contemporary jazz performance, promotion, and reception due to globalization, transnational tourism, and migration. This book reveals how the transformation of national cultural identities are tied to contemporary processes within jazz cultures, such as aesthetic flow, cultural migration, digital mediation and the increasing disintegration of artistic boundaries (high, low, acoustic, digital, classical and popular). In addition to illuminating the creative output of current groups, the book addresses why such forms of eclectic, mixed-mediated, hybrid jazz are frequently ignored by jazz scholars when this music greatly expanded the plane of jazz's continued prosperity, popularity and revitalization in the 21st century. Through case studies ranging from jazz performers to jazz media or performance contexts, the book examines the impact of particular locales for the emergence of jazz-centered networks in various cities, including Amsterdam, Rotterdam, Berlin, London and Oslo. It also uncovers the dominant role of New York as the jazz center, in guiding criteria for jazz prestige within contemporary local, national and international circuits. Finally, it examines how the entire project of remixing European jazz culture has stimulated a merging of jazz's past and present"--
    Additional Edition: Print version: McGee, Kristin A.. Remixing European jazz culture New York : Routledge, 2020. ISBN 9781138585485
    Language: English
    Keywords: Electronic books. ; Electronic books. ; Criticism, interpretation, etc.
    URL: Volltext  (lizenzpflichtig)
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Book
    Book
    London | New York : Routledge, Taylor & Francis Group
    UID:
    kobvindex_ZLB35080807
    Format: xiv, 257 Seiten , Illustrationen
    ISBN: 9781138585492 , 9781138585485
    Series Statement: Transnational studies in jazz
    Content: "Remixing European Jazz Culture examines a European jazz culture that emerged during the mid-1990's in cosmopolitan cities like Amsterdam and Berlin. Since then, internationally recognized jazz styles have developed. This book examines three phenomena that supported the turn of European jazz in the 21st century: 1) the influence and integration of the aesthetics of popular music such as hip hop and EDM, 2) the role of electronic and digital technologies in performance, recording and distribution, and 3) the expanding international networks of contemporary jazz performance, promotion, and reception due to globalization, transnational tourism, and migration. This book reveals how the transformation of national cultural identities are tied to contemporary processes within jazz cultures, such as aesthetic flow, cultural migration, digital mediation and the increasing disintegration of artistic boundaries (high, low, acoustic, digital, classical and popular). In addition to illuminating the creative output of current groups, the book addresses why such forms of eclectic, mixed-mediated, hybrid jazz are frequently ignored by jazz scholars when this music greatly expanded the plane of jazz's continued prosperity, popularity and revitalization in the 21st century. Through case studies ranging from jazz performers to jazz media or performance contexts, the book examines the impact of particular locales for the emergence of jazz-centered networks in various cities, including Amsterdam, Rotterdam, Berlin, London and Oslo. It also uncovers the dominant role of New York as the jazz center, in guiding criteria for jazz prestige within contemporary local, national and international circuits. Finally, it examines how the entire project of remixing European jazz culture has stimulated a merging of jazz's past and present"--
    Language: English
    Keywords: Europa ; Jazz
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    Online Resource
    Online Resource
    Middletown, CT. 06459 : Wesleyan University Press
    UID:
    kobvindex_INTEBC6527786
    Format: 1 online resource (457 pages)
    Edition: 1st ed.
    ISBN: 9780819579935
    Series Statement: Music / Culture Series
    Content: This scholarly essay collection investigates the global impact of Beyoncé Knowles-Carter. It focuses on the artistic, political, and cultural interventions of Beyoncé's creative output, from Destiny's Child to Lemonade and Homecoming. Sixteen international scholars explore Beyonce's artistry and reception from the perspectives of critical race studies, gender and women's studies, queer and cultural studies, music, and fan studies
    Note: Cover -- Beyoncé in the World -- Title -- Copyright -- CONTENTS -- Foreword -- Acknowledgments -- Introduction: Beyoncé Studies -- PART ONE "DIVA" / BLACK FEMINIST GENEALOGIES -- 1. "I Came to Slay": The Knowles Sisters, Black Feminism, and the Lineage of Black Female Cool -- 2. From Colorism to Conjurings: Tracing the Dust in Beyoncé's Lemonade -- PART TWO "FORMATION" / A SOUTHERN TURN -- 3. Beyoncé's South and a "Formation" Nation -- 4. Merging Past and Present in Lemonade's Black Feminist Utopia -- PART THREE "XO" / FAITH AND FANDOM -- 5. At the Digital Cross(roads) with Beyoncé: Gospel Covers That Remix the Risqué into the Religious -- 6. "She Made Me Understand": How Lemonade Raised the Intersectional Consciousness of Beyoncé's International Fans -- PART FOUR "WORLDWIDE WOMAN" / BEYONCÉ'S RECEPTION BEYOND THE UNITED STATES -- 7. The Performative Negotiations of Beyoncé in Brazilian Bodies and the Construction of the Pop Diva in Ludmilla's Funk Carioca and Gaby Amarantos's Tecnobrega -- 8. A Critical Analysis of White Ignorance Within Beyoncé's Online Reception in the Spanish Context -- PART FIVE "HOLD UP" / PERFORMING FEMME AFFINITY AND DISSENT -- 9. Six-Inch Heels and Queer Black Femmes: Beyoncé and Black Trans Women -- 10. From "Say My Name" to "Texas Bamma": Transgressive Topoi, Oppositional Optics, and Sonic Subversion in Beyoncé's "Formation" -- PART SIX "FREEDOM" / SOUNDING PROTEST, HEARING POLITICS -- 11. Musical Form in Beyoncé's Protest Music -- 12. Beyoncé's Black Feminist Critique: Multimodal Intertextuality and Intersectionality in "Sorry" -- PART SEVEN "PRAY YOU CATCH ME" / HEALING AND COMMUNITY -- 13. Beyond "Becky with the Good Hair": Hair and Beauty in Beyoncé's "Sorry" Kristin Denise Rowe -- 14. The Livable, Surviving, and Healing Poetics of Lemonade: A Black Feminist Futurity in Action -- About the Contributors -- Index
    Additional Edition: Print version Baade, Christina Beyoncé in the World Middletown, CT. 06459 : Wesleyan University Press,c2021 ISBN 9780819579911
    Language: English
    Keywords: Electronic books
    URL: Full-text  ((OIS Credentials Required))
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  • 4
    Book
    Book
    Middletown, CT : Wesleyan University Press
    UID:
    kobvindex_ZLB34752309
    Format: 392 Seiten , 22,6 cm
    ISBN: 9780819579928
    Content: From Destiny's Child to Lemonade, Homecoming, and The Gift, Beyonce Knowles-Carter has redefined global stardom, feminism, Black representation, and celebrity activism. This book brings together new work from sixteen international scholars to explore Beyonce's impact as an artist and public figure from the perspectives of critical race studies, gender and women's studies, queer and cultural studies, music, and fan studies. The authors explore Beyonce's musical persona as one that builds upon the lineages of Black female cool, Black southern culture, and Black feminist cultural production. They explore Beyonce's reception within and beyond North America, including how a range of performers-from YouTube gospel singers to Brazilian pop artists have drawn inspiration from her performances and image. The authors show how Beyonce's music is a source of healing and kinship for many fans, particularly Black women and queer communities of color. Combining cutting edge research, vivid examples, and accessible writing, this collection provides multiple lenses onto the significance of Beyonce in the United States and around the world.
    Note: Englisch
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 5
    Online Resource
    Online Resource
    Middletown, Conn. :Wesleyan University Press,
    UID:
    almahu_9948315540602882
    Format: xv, 316 p. : , ill.
    Edition: Electronic reproduction. Ann Arbor, MI : ProQuest, 2015. Available via World Wide Web. Access may be limited to ProQuest affiliated libraries.
    Series Statement: Music/culture
    Note: Jazz culture and all-girls films. The feminization of mass culture and the novelty of all-girl bands -- The Ingenues and the Harlem Playgirls -- All-girl bands and sound films in the swing era. Phil Spitalny's Musical Queens -- The "blonde bombshell of swing": Ina Ray Hutton and her Melodears -- Soundies and features during the 1940s. Swinging the classics: Hazel Scott and Hollywood's musical-racial matrix -- Pinups, patriotism, and feminized genres -- Swing-centered films and the hour of charm -- The International Sweethearts of Rhythm and independent black sound film -- Variety television and the 1950s. Television, vaudeo, and female musical hosts -- Variety television revives all-girl bands -- Television's musical guests: Hazel Scott, Peggy Lee, and Lena Horne -- Conclusion : the jazz canon (representations and gendered absences).
    Language: English
    Keywords: Electronic books.
    Library Location Call Number Volume/Issue/Year Availability
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  • 6
    Online Resource
    Online Resource
    Middletown, Conn. :Wesleyan University Press,
    UID:
    almafu_9959228198402883
    Format: 1 online resource (338 p.)
    Edition: 1st ed.
    ISBN: 1-283-10937-9 , 9786613109378 , 0-8195-6967-4
    Series Statement: Music/culture
    Content: Investigates the changing representations of jazz women in American culture
    Note: Description based upon print version of record. , Jazz culture and all-girls films. The feminization of mass culture and the novelty of all-girl bands -- The Ingenues and the Harlem Playgirls -- All-girl bands and sound films in the swing era. Phil Spitalny's Musical Queens -- The "blonde bombshell of swing": Ina Ray Hutton and her Melodears -- Soundies and features during the 1940s. Swinging the classics: Hazel Scott and Hollywood's musical-racial matrix -- Pinups, patriotism, and feminized genres -- Swing-centered films and the hour of charm -- The International Sweethearts of Rhythm and independent black sound film -- Variety television and the 1950s. Television, vaudeo, and female musical hosts -- Variety television revives all-girl bands -- Television's musical guests: Hazel Scott, Peggy Lee, and Lena Horne -- Conclusion : the jazz canon (representations and gendered absences). , English
    Additional Edition: ISBN 0-8195-6907-0
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 7
    Online Resource
    Online Resource
    Middletown, CT. 06459 :Wesleyan University Press,
    UID:
    almahu_9949707734602882
    Format: 1 online resource (457 pages)
    Edition: 1st ed.
    ISBN: 9780819579935
    Series Statement: Music / Culture Series
    Content: This scholarly essay collection investigates the global impact of Beyoncé Knowles-Carter. It focuses on the artistic, political, and cultural interventions of Beyoncé's creative output, from Destiny's Child to Lemonade and Homecoming. Sixteen international scholars explore Beyonce's artistry and reception from the perspectives of critical race studies, gender and women's studies, queer and cultural studies, music, and fan studies.
    Note: Cover -- Beyoncé in the World -- Title -- Copyright -- CONTENTS -- Foreword -- Acknowledgments -- Introduction: Beyoncé Studies -- PART ONE "DIVA" / BLACK FEMINIST GENEALOGIES -- 1. "I Came to Slay": The Knowles Sisters, Black Feminism, and the Lineage of Black Female Cool -- 2. From Colorism to Conjurings: Tracing the Dust in Beyoncé's Lemonade -- PART TWO "FORMATION" / A SOUTHERN TURN -- 3. Beyoncé's South and a "Formation" Nation -- 4. Merging Past and Present in Lemonade's Black Feminist Utopia -- PART THREE "XO" / FAITH AND FANDOM -- 5. At the Digital Cross(roads) with Beyoncé: Gospel Covers That Remix the Risqué into the Religious -- 6. "She Made Me Understand": How Lemonade Raised the Intersectional Consciousness of Beyoncé's International Fans -- PART FOUR "WORLDWIDE WOMAN" / BEYONCÉ'S RECEPTION BEYOND THE UNITED STATES -- 7. The Performative Negotiations of Beyoncé in Brazilian Bodies and the Construction of the Pop Diva in Ludmilla's Funk Carioca and Gaby Amarantos's Tecnobrega -- 8. A Critical Analysis of White Ignorance Within Beyoncé's Online Reception in the Spanish Context -- PART FIVE "HOLD UP" / PERFORMING FEMME AFFINITY AND DISSENT -- 9. Six-Inch Heels and Queer Black Femmes: Beyoncé and Black Trans Women -- 10. From "Say My Name" to "Texas Bamma": Transgressive Topoi, Oppositional Optics, and Sonic Subversion in Beyoncé's "Formation" -- PART SIX "FREEDOM" / SOUNDING PROTEST, HEARING POLITICS -- 11. Musical Form in Beyoncé's Protest Music -- 12. Beyoncé's Black Feminist Critique: Multimodal Intertextuality and Intersectionality in "Sorry" -- PART SEVEN "PRAY YOU CATCH ME" / HEALING AND COMMUNITY -- 13. Beyond "Becky with the Good Hair": Hair and Beauty in Beyoncé's "Sorry" Kristin Denise Rowe -- 14. The Livable, Surviving, and Healing Poetics of Lemonade: A Black Feminist Futurity in Action -- About the Contributors -- Index.
    Additional Edition: Print version: Baade, Christina Beyoncé in the World Middletown, CT. 06459 : Wesleyan University Press,c2021 ISBN 9780819579911
    Language: English
    Keywords: Electronic books.
    Library Location Call Number Volume/Issue/Year Availability
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  • 8
    Book
    Book
    Middletown, Connecticut :Wesleyan University Press,
    UID:
    almafu_BV047351449
    Format: xx, 423 Seiten : , Illustrationen.
    ISBN: 978-0-8195-7991-1 , 978-0-8195-7992-8
    Series Statement: Music/culture
    Content: "Bringing together interdisciplinary scholars with expertise in gender and ethnic studies; communication and cultural studies; and music, religion, history, and literature, this volume draws on a diversity of perspectives and methods to investigate the artistic meanings, cultural contexts, and significance of Beyoncé's LEMONADE"--
    Note: Introduction. Beyoncé Studies / Christina Baade, Marquita Smith, and Kristin McGee -- PART ONE. "DIVA" / BLACK FEMINIST GENEALOGIES. "I Came to Slay" : The Knowles Sisters, Black Feminism, and the Lineage of Black Female Cool / H. Zahra Caldwell ; From Colorism to Conjurings : Tracing the Dust in Beyoncé's Lemonade / Cienna Davis -- PART TWO. "FORMATION" / A SOUTHERN TURN. Beyoncé's South and a "Formation" Nation Riché Richardson / Merging Past and Present in Lemonade's Black Feminist Utopia / J. Brendan Shaw -- PART THREE. "XO" / FAITH AND FANDOM. At the Digital Cross(roads) with Beyoncé : Gospel Covers That Remix the Risqué into the Religious / Birgitta J. Johnson ; "She Made Me Understand" : How Lemonade Raised the Intersectional Consciousness of Beyoncé's International Fans / Rebecca J. Sheehan -- , PART FOUR. "WORLDWIDE WOMAN" / BEYONCÉ'S RECEPTION BEYOND THE UNITED STATES. The Performative Negotiations of Beyoncé in Brazilian Bodies and the Construction of the Pop Diva in Ludmilla's Funk Carioca and Gaby Amarantos's Tecnobrega / Simone Pereira de Sá and Thiago Soares ; A Critical Analysis of White Ignorance Within Beyoncé's Online Reception in the Spanish Context / Elena Herrera Quintana -- PART FIVE. "HOLD UP" / PERFORMING FEMME AFFINITY AND DISSENT. Six-Inch Heels and Queer Black Femmes : Beyoncé and Black Trans Women / Jared Mackley-Crump and Kirsten Zemke ; From "Say My Name" to "Texas Bamma" : Transgressive Topoi, Oppositional Optics, and Sonic Subversion in Beyoncé's "Formation" / Byron B Craig and Stephen E. Rahko -- , PART SIX. "FREEDOM" / SOUNDING PROTEST, HEARING POLITICS. The Deformed Musical Forms of Beyoncé's Celebrity Activism / Annelot Prins and Taylor Myers ; Beyoncé's Black Feminist Critique : Multimodal Intertextuality and Intersectionality in "Sorry" / Rebekah Hutten and Lori Burns -- PART SEVEN. "PRAY YOU CATCH ME" / HEALING AND COMMUNITY. Beyond "Becky with the Good Hair" : Hair and Beauty in Beyoncé's "Sorry" / Kristin Denise Rowe ; The Livable, Surviving, and Healing Poetics of Lemonade : A Black Feminist Futurity in Action / Mary Senyonga
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-0-8195-7993-5
    Language: English
    Keywords: 1981- Beyoncé ; Aufsatzsammlung ; Criticism, interpretation, etc
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