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  • 1
    UID:
    almahu_BV035328857
    Format: VIII, 261 S.
    ISBN: 978-90-04-17076-6
    Series Statement: Mnemosyne : Supplementum 309
    Note: Teilw. zugl.: New York, Univ., Diss., 2002 u.d.T.: Religion, law, and poetics in Ovid's "Tristia" and "Epistulae ex Ponto"
    Language: English
    Subjects: Ancient Studies
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    Keywords: v43-17 Tristia Ovidius Naso, Publius ; Exil ; v43-17 Ex Ponto Ovidius Naso, Publius ; Exil ; Biografie ; Hochschulschrift ; Hochschulschrift ; Biografie ; Hochschulschrift
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  • 2
    UID:
    almahu_BV043089777
    Format: 1 Online-Ressource (VIII, 261 Seiten).
    ISBN: 978-90-47-42407-9 , 90-474-2407-7
    Series Statement: Mnemosyne : Supplements Volume 309
    Note: Includes bibliographical references (pages 217-231) and indexes. - Acknowledgments -- Introduction. The redress of exile -- 1. Historical reality and poetic representation -- -- Myth and history -- 2. Crimes and punishments -- -- The law and Ovid -- -- The crimen in carmen -- -- Summary -- 3. God and man -- -- Princeps Divus -- -- Augustus deus praesens -- 4. Religious ritual and poetic devotion -- -- Reading religion -- -- The cult of the Caesars -- -- The theologia tripertita in Varro -- -- di quoque carminibus si fas est dicere fiunt -- -- Preliminary conclusion -- 5. Space, justice, and the legal limits of empire -- -- lus, lex, and the limits of Rome -- -- Vates et exul -- -- Germanicus : vates et princeps -- -- Summary -- 6. Ovidius, Naso, poeta et exul -- -- Ovid and Homer -- -- Ovid, Homer, and the ira principis -- -- Ars, ingenium, and the representation of lived experience -- Conclusion. The exile's last word -- Bibliography -- -- Reference works -- -- Abbreviations in bibliography -- -- Authors -- Index locorum -- Index Verborum -- Index rerum. - After being banished to the Black Sea by the Roman emperor Augustus in 8 AD, Ovid responded in verse by composing the "Tristia and Epistulae ex Ponto". This title analyzes, in particular, Ovid's representation of himself and the emperor Augustus against the background of Roman religion, law, and poetry , Dissertation New York University 2002
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-90-04-17076-6
    Language: English
    Subjects: Ancient Studies
    RVK:
    RVK:
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    Keywords: v43-17 Tristia Ovidius Naso, Publius ; Exil ; v43-17 Ex Ponto Ovidius Naso, Publius ; Exil ; Biografie ; Hochschulschrift
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  • 3
    UID:
    gbv_1738141535
    Format: 1 Online-Ressource
    ISBN: 9789047424079
    Series Statement: Brill eBook titles 2009
    Content: Preliminary material /M. Mcgowan -- Introduction - The redress of exile /M. Mcgowan -- Chapter One. Historical reality and poetic representation /M. Mcgowan -- Chapter Two. Crimes and punishments: The legitimacy of Ovid’s banishment /M. Mcgowan -- Chapter Three. God and man: Caesar Augustus in Ovid’s exilic mythology /M. Mcgowan -- Chapter Four. Religious ritual and poetic devotion: Ovid’s representation of religion in Tr. and Pont. /M. Mcgowan -- Chapter Five. Space, justice, and the legal limits of empire: A comparative analysis of Fas, Ius, Lex, and Vates in Tr. and Pont. /M. Mcgowan -- Chapter Six. Ovidius Naso, poeta et exul: Ovid’s identification with Homer and Ulysses in Tr. and Pont. /M. Mcgowan -- Conclusion - The exile’s last word: Power and poetic redress on the margins of empire /M. Mcgowan -- Bibliography /M. Mcgowan -- Index locorum /M. Mcgowan -- Index verborum* /M. Mcgowan -- Index rerum /M. Mcgowan -- Supplements to Mnemosyne /M. Mcgowan.
    Content: In response to being exiled to the Black Sea by the Roman emperor Augustus in 8 AD, Ovid began to compose the Tristia and Epistulae ex Ponto and to create for himself a place of intellectual refuge. From there he was able to reflect out loud on how and why his own art had been legally banned and left for dead on the margins of the empire. As the last of the Augustan poets, Ovid was in a unique position to take stock of his own standing and of the place of poetry itself in a culture deeply restructured during the lengthy rule of Rome's first emperor. This study considers exile in the Tristia and Epistulae ex Ponto as a place of genuine suffering and a metaphor for poetry's marginalization from the imperial city. It analyzes, in particular, Ovid's representation of himself and the emperor Augustus against the background of Roman religion, law, and poetry
    Note: Includes bibliographical references (p. [217]-231) and indexes
    Additional Edition: ISBN 9789004170766
    Additional Edition: ISBN 9004170766
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 9789004170766
    Language: English
    URL: DOI
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  • 4
    Book
    Book
    New York :Empire State Editions, an imprint of Fordham University Press,
    UID:
    almafu_BV046929217
    Format: xii, 283 Seiten : , Illustrationen, Karten ; , 27 cm.
    Edition: First edition
    ISBN: 978-0-8232-8870-0
    Note: Im vorwort: "This book grew out of a conference held at New York University in March 2015 on 'Classical New York: Greece & Rome in NYC's Art, Architecture, and History'."
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-0-82328103-9
    Language: English
    Subjects: Art History
    RVK:
    Keywords: Architektur ; Neuklassizismus ; Konferenzschrift
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  • 5
    UID:
    almahu_9949701551302882
    Format: 1 online resource.
    ISBN: 9789047424079
    Series Statement: Brill eBook titles 2009
    Content: In response to being exiled to the Black Sea by the Roman emperor Augustus in 8 AD, Ovid began to compose the Tristia and Epistulae ex Ponto and to create for himself a place of intellectual refuge. From there he was able to reflect out loud on how and why his own art had been legally banned and left for dead on the margins of the empire. As the last of the Augustan poets, Ovid was in a unique position to take stock of his own standing and of the place of poetry itself in a culture deeply restructured during the lengthy rule of Rome's first emperor. This study considers exile in the Tristia and Epistulae ex Ponto as a place of genuine suffering and a metaphor for poetry's marginalization from the imperial city. It analyzes, in particular, Ovid's representation of himself and the emperor Augustus against the background of Roman religion, law, and poetry.
    Note: Preliminary material / , Introduction - The redress of exile / , Chapter One. Historical reality and poetic representation / , Chapter Two. Crimes and punishments: The legitimacy of Ovid's banishment / , Chapter Three. God and man: Caesar Augustus in Ovid's exilic mythology / , Chapter Four. Religious ritual and poetic devotion: Ovid's representation of religion in Tr. and Pont. / , Chapter Five. Space, justice, and the legal limits of empire: A comparative analysis of Fas, Ius, Lex, and Vates in Tr. and Pont. / , Chapter Six. Ovidius Naso, poeta et exul: Ovid's identification with Homer and Ulysses in Tr. and Pont. / , Conclusion - The exile's last word: Power and poetic redress on the margins of empire / , Bibliography / , Index locorum / , Index verborum* / , Index rerum / , Supplements to Mnemosyne /
    Additional Edition: Ovid in exile ISBN 9789004170766 (hardback : alk. paper)
    Additional Edition: ISBN 9004170766 (hardback : alk. paper)
    Language: English
    URL: DOI:
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  • 6
    UID:
    almahu_BV045265586
    Format: xii, 283 Seiten : , Illustrationen, Karten ; , 27 cm.
    ISBN: 978-0-8232810-2-2
    Note: Im vorwort: "This book grew out of a conference held at New York University in March 2015 on 'Classical New York: Greece & Rome in NYC's Art, Architecture, and History'."
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-0-82328103-9
    Language: English
    Subjects: Art History
    RVK:
    Keywords: Architektur ; Neuklassizismus ; Konferenzschrift
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  • 7
    UID:
    almahu_9948312938702882
    Format: viii, 261 p.
    Edition: Electronic reproduction. Ann Arbor, MI : ProQuest, 2015. Available via World Wide Web. Access may be limited to ProQuest affiliated libraries.
    Series Statement: Mnemosyne. Supplements, v. 309.
    Language: English
    Keywords: Electronic books.
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  • 8
    UID:
    edocfu_9960141279802883
    Format: 1 online resource (320 p.) : , 88
    ISBN: 9780823281046
    Content: During the rise of New York from the capital of an upstart nation to a global metropolis, the visual language of Greek and Roman antiquity played a formative role in the development of the city’s art and architecture. This compilation of essays offers a survey of diverse reinterpretations of classical forms in some of New York’s most iconic buildings, public monuments, and civic spaces.Classical New York examines the influence of Greco-Roman thought and design from the Greek Revival of the late eighteenth and early nineteenth centuries through the late-nineteenth-century American Renaissance and Beaux Arts period and into the twentieth century’s Art Deco. At every juncture, New Yorkers looked to the classical past for knowledge and inspiration in seeking out new ways to cultivate a civic identity, to design their buildings and monuments, and to structure their public and private spaces.Specialists from a range of disciplines—archaeology, architectural history, art history, classics, and history— focus on how classical art and architecture are repurposed to help shape many of New York City’s most evocative buildings and works of art. Federal Hall evoked the Parthenon as an architectural and democratic model; the Pantheon served as a model for the creation of Libraries at New York University and Columbia University; Pennsylvania Station derived its form from the Baths of Caracalla; and Atlas and Prometheus of Rockefeller Center recast ancient myths in a new light during the Great Depression.Designed to add breadth and depth to the exchange of ideas about the place and meaning of ancient Greece and Rome in our experience of New York City today, this examination of post-Revolutionary art, politics, and philosophy enriches the conversation about how we shape space—be it civic, religious, academic, theatrical, or domestic—and how we make use of that space and the objects in it.
    Note: Frontmatter -- , Contents -- , Preface -- , Figures -- , Classical New York -- , One. The Custom House of 1833–42: A Greek Revival Building in Context -- , Two. The Imperial Metropolis -- , Three. Archaeology versus Aesthetics: The Metropolitan Museum of Art’s Classical Collection in Its Early Years -- , Four. The Gould Memorial Library and Hall of Fame: Reinterpreting the Pantheon in the Bronx -- , Five. The Expression of Civic Life: Civic Centers and the City Beautiful in New York City -- , Six. The Titans of Rockefeller Center: Prometheus and Atlas -- , Seven. Rome Reborn: Old Pennsylvania Station and the Legacy of the Baths of Caracalla -- , Eight. The Roman Bath in New York: Public Bathing, the Pursuit of Plea sure, and Monumental Delight -- , Nine. “In Ancient and Permanent Language”: Artful Dialogue in the Latin Inscriptions of New York City -- , Reflections. Elizabeth Macaulay- Lewis and Matthew M. McGowan -- , Glossary -- , Acknowledgments -- , Bibliography -- , Contributors -- , General Index -- , Index Locorum -- , Index of Greek, Latin, and Biblical Sources , In English.
    Language: English
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  • 9
    Online Resource
    Online Resource
    Baltimore, Maryland :Project Muse, | Baltimore, Md. :Project MUSE,
    UID:
    edocfu_9961152798602883
    Format: 1 online resource (278 pages)
    Edition: First edition.
    ISBN: 0-8232-8104-3 , 0-8232-8103-5
    Content: During the rise of New York from the capital of an upstart nation to a global metropolis, the visual language of Greek and Roman antiquity played a formative role in the development of the city's art and architecture. This compilation of essays offers a survey of diverse reinterpretations of classical forms in some of New York's most iconic buildings, public monuments, and civic spaces. Classical New York examines the influence of Greco-Roman thought and design from the Greek Revival of the late eighteenth and early nineteenth centuries through the late-nineteenth-century American Renaissance and Beaux Arts period and into the twentieth century's Art Deco. At every juncture, New Yorkers looked to the classical past for knowledge and inspiration in seeking out new ways to cultivate a civic identity, to design their buildings and monuments, and to structure their public and private spaces. Specialists from a range of disciplines--archaeology, architectural history, art history, classics, and history--focus on how classical art and architecture are repurposed to help shape many of New York City's most evocative buildings and works of art. Federal Hall evoked the Parthenon as an architectural and democratic model; the Pantheon served as a model for the creation of Libraries at New York University and Columbia University; Pennsylvania Station derived its form from the Baths of Caracalla; and Atlas and Prometheus of Rockefeller Center recast ancient myths in a new light during the Great Depression. Designed to add breadth and depth to the exchange of ideas about the place and meaning of ancient Greece and Rome in our experience of New York City today, this examination of post-Revolutionary art, politics, and philosophy enriches the conversation about how we shape space--be it civic, religious, academic, theatrical, or domestic--and how we make use of that space and the objects in it.
    Note: Classical New York / Elizabeth Macaulay-Lewis and Matthew M. McGowan -- The Custom House of 1833-42 : a Greek Revival building in context / Francis Morrone -- The imperial metropolis / Margaret Malamud -- Archaeology versus aesthetics : the Metropolitan Museum of Art's classical collection in its early years / Elizabeth Bartman -- The Gould Memorial Library and Hall of Fame : reinterpreting the Pantheon in the Bronx / Elizabeth Macaulay- Lewis -- "The expression of civic life" : civic centers and the city beautiful in New York City / Jon Ritter -- The Titans of Rockefeller Center : Prometheus and Atlas / Jared A. Simard -- Rome reborn : Old Pennsylvania Station and the legacy of the Baths of Caracalla / Maryl B. Gensheimer -- The Roman bath in New York : public bathing, the pursuit of pleasure, and monumental delight / Allyson McDavid -- "In ancient and permanent language" : artful dialogue in the Latin inscriptions of New York City / Matthew M. McGowan -- Reflections / Elizabeth Macaulay-Lewis and Matthew M. McGowan.
    Additional Edition: ISBN 0-8232-8102-7
    Language: English
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  • 10
    UID:
    b3kat_BV047166562
    ISSN: 0009-840X
    In: volume:67
    In: number:1
    In: year:2017
    In: pages:307-308
    In: The classical review / Classical Association, Cambridge, 2017, Band 67, Heft 1 (2017), Seite 307-308, 0009-840X
    Language: English
    Keywords: Rezension
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