Kooperativer Bibliotheksverbund

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Format: 361 S., [2] Bl. , Ill.

ISBN: 082234811X , 0822348225 , 9780822348115 , 9780822348221

Note: Includes bibliographical references and index , I collage, therefore I am : an introduction to cutting across media , Digital Mana : on the source of the infinite proliferation of mutant copies in contemporary culture , Copyrights and copywrongs : an interview with Siva Vaidhyanathan , Das Plagiierenwerk : Convolute Uii , PhotoStatic Magazine and the rise of the casual publisher , Plagiarism 101 : an appropriated oral history of the Tape-Beatles , Ambiguity and theft , Where does sad news come from? , Excerpts from "Two relationships to a cultural public domain" , Everybody's got something to hide except for me and my lawsuit : William S. Burroughs, DJ Danger Mouse, and the politics of Grey Tuesday , How copyright law changed hip-hop : an interview with Public Enemy's Chuck D and Hank Shocklee , Hip-hop meets the avant-garde : a cease and desist letter from attorneys represening Philip Glass , Getting snippety , Crashing the spectacle : a forgotten history of digital sampling, infringement, copyright liberation, and the end of recorded music , Billboard liberation : a photo essay , On the seamlessly nomadic future of collage , Cultural sampling and social critique : the collage aesthetic of Chris Ofili , Remixing cultures : Bartók and Kodály in the age of indigenous cultural rights , A day to sing : creativity, diversity, and freedom of expression in the network society , Visualizing copyright, seeing hegemony : toward a meta-critique of intellectual property , Collage as practice and metaphor in popular culture , Assassination weapons : the visual culture of New Wave science fiction , Free culture : a conversation with Jonathan Lethem , The ecstasy of influence : a plagiarism

Language: English

Subjects: General works

Keywords: USA ; Collage ; Künste ; Urheberrecht

URL: Inhaltsverzeichnis

URL: Inhaltsverzeichnis

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Format: 1 online resource (1 video file, 61 min.)

Content: In 1998, university professor Kembrew McLeod trademarked the phrase “freedom of expression” - a startling comment on the way that intellectual property law restricts creativity and expression of ideas. This provocative and amusing documentary explores the battles being waged in courts, classrooms, museums, film studios, and the Internet over control of our cultural commons. Based on McLeod's award-winning book of the same title, Freedom of Expression charts the many successful attempts to push back this assault by overzealous copyright holders. Freedom of Expression is an essential tool for educators, activists, filmmakers, students, artists, librarians, and more.

Note: Originally produced by Media Education Foundation in 2007. , Mode of access: World Wide Web.

In: Media Education Foundation Collection

Language: English

Keywords: Documentary films. ; Documentary films.

URL: A Kanopy streaming video

URL: A Kanopy streaming video

URL: Cover Image

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Format: XV, 275 S.

ISBN: 0-8204-5157-6

Series Statement: Popular culture and everyday life 1

Language: English

Subjects: Law

Keywords: Geistiges Eigentum ; Kulturelle Identität

URL: Inhaltsverzeichnis

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Format: IX, 355 S.

ISBN: 978-0-8147-9629-0

Note: Includes bibliographical references and index

Language: English

Keywords: Streich ; Jesus Christus ; Falschmeldung

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Format: 1 Online-Ressource (xi, 395 Seiten) , Illustrationen

ISBN: 9780262357388

Series Statement: Information Policy Series

Content: New perspectives on the misinformation ecosystem that is the production and circulation of fake news.

Content: Intro -- Contents -- Series Editor's Introduction -- Introduction -- What Is Fake News? -- Fake News and the Circuit of Media Study -- Overview -- Notes -- I. Politics: Part Introduction -- 1. The Political Function of Fake News: Disorganized Propaganda in the Era of Automated Media -- Fake News and Symbolic Efficiency -- The Demolition of Civic Dispositions -- Is It Propaganda? -- Notes -- 2. Ways of Seeing … What You Want: Flexible Visuality and Image Politics in the Post-Truth Era -- Photographic Realism and Skepticism -- The Condition of Flexible Visuality -- The False Hope of Digital Image Literacy and Forensic Technology -- Notes -- 3. A Case against the Post-Truth Era: Revisiting Mouffe's Critique of Consensus-Based Democracy -- Agonistic Pluralism and the Critique of Consensus-Based Democracy -- The Impossibility of a "Truth Era" -- Conclusion -- Notes -- 4. You're Fake News: The Problem with Accusations of Falsehood -- Heard Any Fake News Lately? -- The Lore (and Lure) of the Folk -- Notes -- II. Journalism: Part Introduction -- 5. Journalism and the New Information Ecosystem: Responsibilities and Challenges -- The Seven Categories of Information Disorder -- Discussion -- Notes -- 6. Native Advertising as Counterfeit News -- Native Advertising and the Disclosure Debacle -- Counterfeit News and the Future of Journalism -- Notes -- 7. The Second Amendment vs. the First: The NRA's Constitutional Bias Perspective on Fake News -- The Mediatization of the NRA -- Analyzing the NRA and "Fake News" -- Fake News: Identity and Practice -- Axioms about Journalism and Mainstream Media -- "Fake News" Journalistic Practices -- Conclusion -- Notes -- 8. Media Credibility before "Fake News": Interpreting an Antiabortion Activist Undercover Video -- The Video -- Reader Comments -- Media Credibility before "Fake News" -- Acknowledgment -- Notes.

Note: Description based on publisher supplied metadata and other sources

Additional Edition: ISBN 9780262538367

Additional Edition: Erscheint auch als Druck-Ausgabe Fake news Cambridge, Massachusetts : The MIT Press, 2020 ISBN 9780262538367

Language: English

Subjects: General works

Keywords: Desinformation ; Falschmeldung

URL: Volltext  (lizenzpflichtig)

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Format: IX, 325 S , 23 cm

ISBN: 9780822348641 , 9780822348757 , 0822348640 , 0822348756

Note: Formerly CIP Uk. - Includes bibliographical references (p. [303]-311) and index. - The golden age of sampling -- A legal and cultural history of sound collage -- The competing interests in sample licensing -- Sampling lawsuits : hip-hop goes to court -- The sample clearance system : how it works (and how it breaks down) -- Consequences for creativity : an assessment of the sample clearance system -- Proposals for reform , The golden age of sampling -- A legal and cultural history of sound collage -- The competing interests in sample licensing -- Sampling lawsuits : hip-hop goes to court -- The sample clearance system : how it works (and how it breaks down) -- Consequences for creativity : an assessment of the sample clearance system -- Proposals for reform.

Language: English

Subjects: Musicology

Keywords: Sampling ; Urheberrecht

UID:

Format: 1 online resource (1 video file, 61 min.)

Content: In 1998, university professor Kembrew McLeod trademarked the phrase “freedom of expression” - a startling comment on the way that intellectual property law restricts creativity and expression of ideas. This provocative and amusing documentary explores the battles being waged in courts, classrooms, museums, film studios, and the Internet over control of our cultural commons. Based on McLeod's award-winning book of the same title, Freedom of Expression charts the many successful attempts to push back this assault by overzealous copyright holders. Freedom of Expression is an essential tool for educators, activists, filmmakers, students, artists, librarians, and more.

Note: Originally produced by Media Education Foundation in 2007. , Mode of access: World Wide Web.

In: Media Education Foundation Collection

Language: English

Keywords: Documentary films.

URL: A Kanopy streaming video

UID:

Format: 1 online resource (viii, 375 p. )

Edition: 1st ed.

ISBN: 0-385-51325-9

Content: A look at the issue of intellectual property law and its repercussions for American culture and our everyday lives explains how the trend toward privatization of such items as public space, English language, and genes causes a clash between economic values and the value of free speech, creativity, and shared resources.

Note: Bibliographic Level Mode of Issuance: Monograph , This gene is your gene : fencing off the folk and genetic commons -- Copyright criminals : this is a sampling sport -- Illegal art : when art gets in trouble with the law, and art gives the law trouble back -- Culture, Inc. : our hyper-referential, branded culture -- Our privatized world : selling off the public square, culture, education, our democracy, and everything else -- The digital future : and the analog past. , English

Language: English

UID:

Format: 1 Online-Ressource (x, 154 pages)

Edition: Also published in print

ISBN: 9781501302381 , 1501302388 , 9781501305283 , 150130528X , 9781501302374 , 150130528X , 150130237X , 1501302396 , 9781501302398

Series Statement: 33 1/3

Content: Introduction -- Downtown New York in the 1960s and 1970s -- Blondie's arty antecedents -- Parallel scenes -- From the Bowery to Blondiemania -- "Disco sucks", "Chicks can't rock", Blah Blah Blah -- Conclusion: The downtown pop underground.

Content: "Released in the US in 1978, Blondie's Parallel Lines brought the band their first commercial success. By mixing punk, disco and radio-friendly rock with nostalgic influences from 1960s girl groups, pop and surf rock, the album was a departure from Blondie's earlier two albums. Parallel Lines embraced the diversity of New York City's varied music scenes, and embodied the social conflicts that played out between fans of disco, pop, punk and mainstream rock. Kembrew McLeod's critical account of Parallel Lines and the story of Blondie's rise also serves as an alternative history of 1970s American popular music. It challenges the conventional wisdom that dismissed disco as fluffy (and implicitly feminine) prefab schlock, while at the same time elevating punk's pop influences."--Bloomsbury Publishing

Note: Includes bibliographical references (pages 145-150) , Also published in print. , Mode of access: World Wide Web. , Barrierefreier Inhalt: Compliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily

Additional Edition: ISBN 9781501305283

Additional Edition: Erscheint auch als Druck-Ausgabe McLeod, Kembrew, 1970- Parallel lines New York : Bloomsbury Academic, 2016

Language: English

Keywords: Electronic books

DOI: 10.5040/9781501305283

URL: lizenzpflichtig

URL: http://dx.doi.org/10.5040/9781501305283?locatt=label:secondary_bloomsburyPopularMusic

UID:

Format: 1 online resource (408 pages).

ISBN: 0-262-35739-9 , 0-262-35738-0

Series Statement: Information Policy

Content: New perspectives on the misinformation ecosystem that is the production and circulation of fake news. What is fake news Is it an item on Breitbart, an article in The Onion , an outright falsehood disseminated via Russian bot, or a catchphrase used by a politician to discredit a story he doesn't like This book examines the real fake news: the constant flow of purposefully crafted, sensational, emotionally charged, misleading or totally fabricated information that mimics the form of mainstream news. Rather than viewing fake news through a single lens, the book maps the various kinds of misinformation through several different disciplinary perspectives, taking into account the overlapping contexts of politics, technology, and journalism. The contributors consider topics including fake news as "disorganized" propaganda; folkloric falsehood in the "Pizzagate" conspiracy; native advertising as counterfeit news; the limitations of regulatory reform and technological solutionism; Reddit's enabling of fake news; the psychological mechanisms by which people make sense of information; and the evolution of fake news in America. A section on media hoaxes and satire features an oral history of and an interview with prankster-activists the Yes Men, famous for parodies that reveal hidden truths. Finally, contributors consider possible solutions to the complex problem of fake news--ways to mitigate its spread, to teach students to find factually accurate information, and to go beyond fact-checking.

Note: Politics -- Journalism -- Law & Policy -- Social Media -- Reception -- History -- Media Hoaxes & Satire -- Solutions.

Additional Edition: ISBN 0-262-53836-9

Language: English