UID:
almahu_9948126495602882
Format:
1 online resource (272 pages) :
,
digital, PDF file(s).
Edition:
Electronic reproduction. Manchester, UK: Manchester University Press, 2017. Mode of access: World Wide Web.
Edition:
System requirements: Web browser.
Edition:
Access may be restricted to users at subscribing institutions.
ISBN:
9781526125439 (eBook)
,
9781526125446 (eBook)
Series Statement:
Manchester Gothic
Content:
The first book devoted to the study of horror film and adaptation. Comprised of essays by top scholars in the field, this anthology includes analyses of such under-examined films as Thomas Edison’s Frankenstein, John Barrymore’s Jekyll and Hyde, Jean Epstein’s La Chute de la maison Usher, Gus van Sant’s Psycho and Guillermo de Toro’s Cronos.
Content:
Consists of completely original essays by top scholars in the field of horror film analysis and adaptation studies. This book engages with an impressive range of horror texts, from the earliest silent horror films through to important contemporary phenomena, such as Japanese horror cinema. Offers significant insights into cinematic adaptations of horror literature by H.P. Lovecraft, Edgar Allen Poe, and Clive Barker.
Content:
The fifteen groundbreaking essays contained in this book address the concept of adaptation in relation to horror cinema. Adaptation is not only a key cultural practice and strategy for filmmakers, but it is also a theme of major importance within horror cinema as a hole. The history of the genre is full of adaptations that have drawn from fiction or folklore, or that have assumed the shape of remakes of pre-existing films. The horror genre itself also abounds with its own myriad transformations and transmutations.〈BR〉〈BR〉The essays within this volume engage with an impressive range of horror texts, from the earliest silent horror films by Thomas Edison and Jean Epstein through to important contemporary phenomena, such as the western appropriation of Japanese horror motifs. Classic works by Alfred Hitchcock, David Cronenberg and Abel Ferrara receive cutting-edge re-examination, as do unjustly neglected works by Mario Bava, Guillermo del Toro and Stan Brakhage.
Note:
Available in paperback: 2016.
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Monstrous adaptations: an introduction – Richard J. Hand and Jay McRoy〈BR〉PART I: From page to scream: literary adaptation and horror cinema〈BR〉1. Paradigms of metamorphosis and transmutation: Thomas Edison’s Frankenstein and John Barrymore’s Jekyll and Hyde – Richard J. Hand〈BR〉2. Painting the life out of her: aesthetic integration and disintegration in Jean Epstein’s La Chute de la maison Usher – Guy Crucianelli〈BR〉3. The unfilmable? H. P. Lovecraft and the cinema – Julian Petley〈BR〉4. Imperfect geometry: identity and culture in Clive Barker’s ‘The Forbidden’ and Bernard Rose’s Candyman – Brigid Cherry〈BR〉PART II: Re-imaginings and re-articulations: thematic adaptation in contemporary horror cinema〈BR〉5. Out from the realist underground; or, the Baron of Blood visits Cannes: recursive and self-reflexive patterns in David Cronenberg’s Videodrome and eXistenZ – Steffen Hantke〈BR〉6. ‘These Children That You Spit On’: horror and generic hybridity – Andy W. Smith〈BR〉7. ‘Our Reaction Was Only Human’: monstrous becomings in Abel Ferrara's Body Snatchers – Jay McRoy〈BR〉PART III: From avant garde to exploitation: cinematic experiments as monstrous adaptation〈BR〉8. Adapting the occult: horror and the avant garde in the cinema of Stan Brakhage and Ken Jacob – Marianne Shaneen〈BR〉9. The Gorgon: adapting classical myth as gothic romance – I. Q. Hunter〈BR〉10. Marion Crane dies twice – Murray Pomerance〈BR〉PART IV: Displacements and border crossings: horror cinema and transcultural adaptation〈BR〉11. Adapting legends: urban legends and their adaptation in horror cinema – Mikel J. Koven〈BR〉12. Fulcanelli as a vampiric Frankenstein and Jesus as his vampiric Monster: the Frankenstein and Dracula myths in Guillermo del Toro’s Cronos – Brad O’Brien〈BR〉13. Gothic horrors, family secrets and the patriarchal imperative: the early horror films of Mario Bava – Reynold Humphries〈BR〉14. ‘In the Church of the Poison Mind’: adapting the metaphor of psychopathology to look back at the mad, monstrous 80s – Ruth Goldberg〈BR〉15. ‘Everyone Will Suffer’: national identity and the spirit of subaltern vengeance in Nakata Hideo’s Ringu and Gore Verbinski’s The Ring – Linnie Blake.
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Also available in print form.
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Mode of access: internet via World Wide Web.
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In English.
Additional Edition:
Print version: Hand, Richard. Monstrous adaptations : generic and thematic mutations in horror film, ISBN 9780719076039
Language:
English
URL:
https://dx.doi.org/10.7765/9781526125439
URL:
https://www.manchesterhive.com/view/9781526125439/9781526125439.xml
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