Kooperativer Bibliotheksverbund

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Format: 1 Online-Ressource (x, 341 Seiten) : , Illustrationen.

ISBN: 978-1-474-41382-4 , 978-1-4744-1383-1

Content: A comprehensive critical survey of the impact of 9/11 on Film, written by some of the foremost scholars in American cinema.〈p〉American Cinema in the Shadow of 9/11 is a ground-breaking collection of essays by some of the foremost scholars writing in the field of contemporary American film. Through a dynamic critical analysis of the defining films of the turbulent post-9/11 decade, the volume explores and interrogates the impact of 9/11 and the 'War on Terror' on American cinema and culture.

Note: List of figures -- Acknowledgements -- Foreword / Alison Landsberg. Introduction: American cinema in the shadow of 9/11 / Terence McSweeney. Part 1 Dramatisations of the "War on Terror" : The mythic shape of American Sniper (2015) / John Shelton Lawrence and Robert Jewett -- Responding to realities or telling the same old story? Mixing real-world and mythic resonances in The Kingdom (207) and Zero Dark Thirty (2012) / Geoff King -- Acts of redemption and "the falling man" photograph in post-9/11 US cinema / Guy Westwell -- "You be very mindful of how you act:" post-9/11 culture and Arab American subjectivities in Joseph Castelo's The War Within (2005) and Hesham Issawi's AmericanEast (2008) / Paul Petrovic -- Refracting fundamentalism in Mira Nair's The Reluctant Fundamentalist (2012) / Ana Cristina Mendes and Karen Bennett. Part 2 Influences of the "War on Terror" : "Not now that strength:" embodiment and globalisation in post-9/11 James Bond / Vincent M. Gaine -- Training the body politic: networked masculinity and the "War on Terror" in Hollywood film / Adam Knee -- "Gettin' dirty:" Tarantino's vengeful justice, the marked viewer and post-9/11 America / Andrew Schopp -- Stop the clocks: Lincoln and post-9/11 cinema / Ian Scott -- Foreshadows of the fall: questioning 9/11's impact on American attitudes / Stephen Joyce. Part 3 Allegories of the "War on Terror" : "Daddy, I'm scared. can we go home?" Fear and allegory in Frank Darabont's The Mist (200&) / Terence McSweeney -- The terrible, horrible desire to know: post-9/11 horror remakes, reboots, sequels and prequels / James Kendrick -- Post-9/11 power and responsibility in the Marvel cinematic universe / Christine Muller -- Nowhere left to zone in Children of Men (2006) / Sean Redmond - Traumatise, repeat, finish: military science fiction (long) after 9/11 and Doug Liman's Edge of Tomorrow (2014) / Steffen Hantke. Selected filmography -- Notes on the contributors -- Index

Additional Edition: Erscheint auch als Druck-Ausgabe, hardback ISBN 978-1-474-41381-7

Language: English

Subjects: General works

Keywords: Film ; Elfter September ; Aufsatzsammlung ; Aufsatzsammlung

URL: Volltext  (URL des Erstveröffentlichers)

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URL: https://www.cambridge.org/core/product/identifier/9781474413824/type/BOOK

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Format: 1 online resource : , 36 b&w film stills

ISBN: 9780231549790

Series Statement: Short Cuts

Content: Audiences around the globe continue to flock to see the latest releases from Marvel and DC studios, making it clear that superhero films resonate with the largest global audience that Hollywood has ever reached. Yet despite dominating theater screens like never before, the superhero genre remains critically marginalized—ignored at best and more often actively maligned.Terence McSweeney examines this global phenomenon, providing a concise and up-to-date overview of the superhero genre. He lays out its narrative codes and conventions, exploring why it appeals to diverse audiences and what it has to say about the world in the first two decades of the twenty-first century. Unpacking the social, ideological, and cultural content of superhero films, he argues that the genre should be considered a barometer of contemporary social anxieties and a reflection of cultural values. McSweeney scrutinizes representations of gender, race, and sexuality as well as how the genre’s conventions relate to and comment on contemporary political debates. Beyond American contributions to the genre, the book also features extensive analysis of superhero films from all over the world, contrasting them with the dominant U.S. model.The book’s presentation of a range of case studies and critical debates is accessible and engaging for students, scholars, and enthusiasts at all levels.

Note: Frontmatter -- , Contents -- , Acknowledgments -- , Introduction: Cultural Phenomenon or Cultural Catastrophe? -- , 1. The Codes and Conventions of the Contemporary Superhero Film -- , 2. The Mythologies of the Contemporary Superhero Film -- , 3. Gender and Sexuality in the Contemporary Superhero Film -- , 4. Ethnicity in the Contemporary Superhero Film -- , 5. The Global Contemporary Superhero Film -- , Conclusion: “Is it me or is it getting crazier out there?” The Future of the Contemporary Superhero Film and the Genre’s “Impossible Solutions for Insoluble Problems” -- , Filmography -- , Notes -- , Bibliography -- , Index , In English.

Language: English

Subjects: General works

DOI: 10.7312/mcsw19241

URL: https://doi.org/10.7312/mcsw19241

URL: https://www.degruyter.com/isbn/9780231549790

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URL: Cover

URL: Volltext  (URL des Erstveröffentlichers)

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Format: x, 242 Seiten : , Illustrationen.

ISBN: 978-1-4968-3608-3 , 9781496836090

Content: "Black Panther is one of the most financially successful and culturally impactful films to emerge from the American film industry in recent years. When it was released in 2018 it broke numerous records and resonated with audiences all around the world in ways which transcended the dimensions of the superhero film. In Black Panther: Interrogating a Cultural Phenomenon author Terence McSweeney explores the film from a diverse range of perspectives, seeing it not only as a comic book adaptation and a superhero film, but also a dynamic contribution to the discourse of both African and African American studies. Black Panther: Interrogating a Cultural Phenomenon argues that Black Panther is one of the defining American films of the last decade and the most remarkable title in the Marvel Cinematic Universe (2008-). The MCU has become the largest film franchise in the history of the medium and has even shaped the contours of the contemporary blockbuster, but the narratives within it have almost exclusively perpetuated largely unambiguous fantasies of American heroism and exceptionalism. In contrast, Black Panther complicates this by engaging in an entirely different mythos in its portrayal of an African nation-never colonized by Europe-as the most powerful and technologically advanced in the world. McSweeney charts how and why Black Panther became a cultural phenomenon and also a battleground on which a war of meaning was waged at a very particular time in American history"--

Note: Introduction: A "defining moment for Black America" or just a movie? -- "Tell me a story, Baba": what is the State of Wakanda? -- A Black Panther for the new millennium: geopolitics in the Marvel Cinematic Universe -- "Ungubani?": N'Jadaka/Erik "Killmonger" Stevens -- "It's hard for a good man to be king": T'Challa's journey from prince to king and Black Panther -- The women of Black Panther: transcending the disappointments of the MCU -- Conclusion: Beyond the frames of the screen: "in times of crisis the wise build bridges..."

Additional Edition: Erscheint auch als Online-Ausgabe, epub ISBN 978-1-4968-3610-6

Additional Edition: Erscheint auch als Online-Ausgabe, epub ISBN 978-1-4968-3611-3

Additional Edition: Erscheint auch als Online-Ausgabe, PDF ISBN 978-1-4968-3613-7

Additional Edition: Erscheint auch als Online-Ausgabe, PDF ISBN 978-1-4968-3612-0

Language: English

Subjects: General works

Keywords: Black Panther

UID:

Format: 1 Online-Ressource (XI, 297 p).

Edition: 1st ed. 2019

ISBN: 978-3-030-19458-1

Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-3-030-19457-4

Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-3-030-19459-8

Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-3-030-19460-4

Language: English

Subjects: General works

Keywords: Black mirror ; Aufsatzsammlung

DOI: 10.1007/978-3-030-19458-1

URL: Volltext  (URL des Erstveröffentlichers)

URL: http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031465488&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA

URL: https://doi.org/10.1007/978-3-030-19458-1

UID:

Format: 1 online resource (ix, 242 pages) : , digital, PDF file(s).

ISBN: 1-4744-0854-0 , 0-7486-9310-6

Series Statement: Traditions in American cinema

Content: Popular cinema is often derided with the epithet 'it's only a movie' but is there any more potent cultural artefact than popular film? Where could one turn for a more effective cultural barometer than to Hollywood cinema? American film in the first decade of the new millennium became a cultural battleground on which a war of representation was waged, but did these films endorse the 'War on Terror' or criticise it? More than just reproducing these fears and fantasies, The 'War on Terror' and American Film: 9/11 Frames Per Second argues that American cinema has played a significant role in shaping them, restructuring how audiences have viewed the 'War on Terror' in particularly influential ways. This compelling, theoretically informed and up-to-date exploration of contemporary American cinema charts the evolution of the impact of 9/11 on Hollywood film from Black Hawk Down (2001), through Batman Begins (2005), United 93 (2006) to Olympus Has Fallen (2013). Through a vibrant analysis of a range of genres and films - which in turn reveal a strikingly diverse array of social, historical and political perspectives - The 'War on Terror' and American Film:9/11 Frames Per Second explores the impact of 9/11 and the war on terror on American cinema in the first decade of the new millennium and beyond. Key Features〈/STRONG〉Charts the evolution of the impact of 9/11 on Hollywood film: draws on a range of contemporary films including Black Hawk Down (2001), through Batman Begins (2005), United 93 (2006) to Olympus Has Fallen (2013) *Comprehensive and broad in scope: provides a rich social, historical and political context *Interrogates the emerging debates of the era: focuses on some of the most prominent genres/sub-genres and cycles of the decade and explains why they have emerged and how they differ from pre 9/11 films

Note: Title from publisher's bibliographic system (viewed on 08 Aug 2016). , The lives of others : vulnerability in post-9/11 American cinema -- , Boots on the ground : the new millennial combat film as cultural artefact -- , 'Masters of our own security' : redemption through violence in the post-9/11 action genre -- , Turning to the dark side : challenging American mythology in the superhero genre -- , Remaking 9/11 : imagining the unimaginable in the alien-invasion film -- , Decade of the dead : zombie films as allegory of national trauma -- , The rise and fall of empires : the 'war on terror' as allegorical moment in historical film.

Additional Edition: ISBN 0-7486-9309-2

Language: English

Subjects: General works

DOI: 10.1515/9780748693108

URL: https://doi.org/10.1515/9780748693108

URL: https://www.degruyter.com/isbn/9780748693108

URL: Volltext  (lizenzpflichtig)

URL: https://doi.org/10.1515/9780748693108

URL: https://www.degruyter.com/isbn/9780748693108

URL: http://www.cambridge.org/core/product/identifier/9780748693108/type/BOOK

UID:

Format: x, 341 Seiten : , Illustrationen.

ISBN: 978-1-4744-1381-7 , 978-1-4744-3195-8

Note: Hier auch später erschienene, unveränderte Nachdrucke

Additional Edition: Erscheint auch als Online-Ausgabe, webready PDF ISBN 978-1-4744-1382-4

Additional Edition: Erscheint auch als Online-Ausgabe, epub ISBN 978-1-4744-1383-1

Language: English

Subjects: General works

Keywords: Film ; Elfter September ; Aufsatzsammlung ; Aufsatzsammlung

URL: http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029155640&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA

URL: http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029155640&sequence=000002&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA

UID:

Format: xiii, 224 Seiten : , Illustrationen.

ISBN: 978-1-03-203964-0 , 978-1-03-203965-7

Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-1-00318-996-1

Language: English

Subjects: General works

Keywords: Aufsatzsammlung ; Aufsatzsammlung

URL: Inhaltsverzeichnis

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Format: 1 online resource (416 p.) : , 93 B/W illustrations

ISBN: 9781474442657

Series Statement: Traditions in American Cinema : TAC

Content: Provides a revisionist account of the Hollywood RenaissanceProvides in-depth analysis of 24 directors working within this periodChallenges the traditional canon of Hollywood Renaissance auteursReassesses American art cinema of the 1970sIn the late 1960s, the collapse of the classic Hollywood studio system led in part, and for less than a decade, to a production trend heavily influenced by the international art cinema. Reflecting a new self-consciousness in the US about the national film patrimony, this period is known as the Hollywood Renaissance. However, critical study of the period is generally associated with its so-called principal auteurs, slighting a number of established and emerging directors who were responsible for many of the era’s most innovative and artistically successful releases.With contributions from leading film scholars, this book provides a revisionist account of this creative resurgence by discussing and memorializing twenty-four directors of note who have not yet been given a proper place in the larger history of the period. Including filmmakers such as Hal Ashby, John Frankenheimer, Mike Nichols, and Joan Micklin Silver, this more expansive approach to the auteurism of the late 1960s and 1970s seems not only appropriate but pressing — a necessary element of the re-evaluation of 'Hollywood' with which cinema studies has been preoccupied under the challenges posed by the emergence and flourishing of new media.

Note: Frontmatter -- , CONTENTS -- , FIGURES -- , NOTES ON THE CONTRIBUTORS -- , THE NEW PICTURE SHOW: AN INTRODUCTION -- , 1. HAL ASHBY, GENTLE GIANT -- , 2. REMAKING GENDER IN THE EARLY FILMS OF PETER BOGDANOVICH -- , 3. IN EXTREMIS: JOHN BOORMAN’S CINEMA OF DISLOCATION -- , 4. JOHN CASSAVETES: IN YOUR FACE AND OFF THE GRID -- , 5. “LET ME LOVE YOU”: AMBIGUOUS MASCULINITY IN MICHAEL CIMINO’S MELODRAMAS -- , 6. DE PALMA’S EMBATTLED RED PERIOD: HITCHCOCK, GENDER, GENRE, AND POSTMODERNISM -- , 7. ESCAPE FROM ESCAPISM: BOB FOSSE AND THE HOLLYWOOD RENAISSANCE -- , 8. THE LITTLE DEATHS OF JOHN FRANKENHEIMER -- , 9. WILLIAM FRIEDKIN: FRAYED CONNECTIONS -- , 10. SIDNEY LUMET AND THE NEW HOLLYWOOD -- , 11. TERRENCE MALICK’S EMERGENT LYRICISM IN BADLANDS AND DAYS OF HEAVEN -- , 12. ELAINE MAY: SUBVERTING MACHISMO “STEP BY TINY STEP” -- , 13. PAUL MAZURSKY: THE NEW HOLLYWOOD’S FORGOTTEN MAN -- , 14. NEW HOLLYWOOD CROSSOVER: JOAN MICKLIN SILVER AND THE INDIE-STUDIO DIVIDE -- , 15. MIKE NICHOLS AND THE HOLLYWOOD RENAISSANCE: A CINEMA OF CULTURAL INVESTIGATION -- , 16. “THERE WILL BE NO QUESTIONS”: 1970S AMERICAN CINEMA AS PARALLAX IN ALAN J. PAKULA’S “PARANOIA TRILOGY” -- , 17. GENRES OF THE MODERN MYTHIC IN THE FILMS OF SAM PECKINPAH -- , 18. BOB RAFELSON’S AMBIVALENT AUTHORSHIP -- , 19. WE’VE NEVER DANCED: ALAN RUDOLPH’S WELCOME TO L.A. AND REMEMBER MY NAME -- , 20. JERRY SCHATZBERG’S DOWNFALL PORTRAITS: HIS CINEMA OF LONELINESS -- , 21. INSIDE JOHN SCHLESINGER OUTSIDE -- , 22. FIRE AND ICE: PAUL SCHRADER -- , 23. PETER YATES: ON LOCATION IN THE NEW HOLLYWOOD -- , INDEX , In English.

Language: English

DOI: 10.1515/9781474442657

URL: https://www.degruyter.com/isbn/9781474442657

URL: lizenzpflichtig

URL: https://www.degruyter.com/isbn/9781474442657

UID:

Format: 1 online resource : , illustrations

ISBN: 9781003189961 , 1003189962 , 9781000540635 , 1000540634 , 1000540642 , 9781000540642

Content: "Contemporary American Science Fiction Film explores and interrogates a diverse variety of popular and culturally relevant American science fiction films made in the first two decades of the new millennium, offering a ground-breaking investigation of the impactful role of genre cinema in the modern era. Placing one of the most popular and culturally resonant American film genres broadly within its rich social, historical, industrial, and political context, the book interrogates some of the defining critical debates of the era via an in-depth analysis of a range of important films. An international team of authors draw on case studies from across the science fiction genre to examine what these films can tell us about the time period, how the films themselves connect to the social and political context, how the fears and anxieties they portray resonate beyond the screen, and how the genre responds to the shifting coordinates of the Hollywood film industry. Offering new insights and perspectives on the cinematic science fiction genre, this volume will appeal primarily to scholars and students of film, television, culture and media studies, as well as anyone interested in science fiction and speculative film"--

Note: Introduction: The fears and fantasies of science fiction film : genre as cultural artefact / Terence McSweeney and Stuart Joy -- A tale as old as time : Steven Spielberg's A.I. Artificial intelligence (2001) / Christine Muller -- Through the lens of 9/11 : reflections of Bush era politics and the post-9/11 milieu in Minority report (2002) and V for Vendetta (2006) / Fran Pheasant Kelly -- Precarious lives, human rights and "the sense of today" : the continuing resonance and relevance of Alfonso Cuarón's Children of men (2006) / Terence McSweeney -- Seeing and touching the bodies of others : evolving the male animal toward secular moral enlightenment in the Planet of the apes reboot franchise / Carol Donelan -- Time travel, trauma and the futility of revenge in Looper (2012) / Stuart Joy -- Science fiction cinema between arthouse and blockbuster : from Stanley Kubrick's 2001 to Christopher Nolan's Interstellar (2014) / Steffen Hantke -- 21st-century Star wars : profiles in (female) courage / Stacey Peebles -- Rationality, emotionality and geopolitics in Arrival (2016) : from structural oppositions and reconciliations to mixed modalities and claims to 'quality' status / Geoff King -- "The world is built on a wall" : deconstructing Blade runner 2049 (2017) / Will Brooker -- Speculative anger and collective economic strength in Boots Riley's Sorry to bother you (2018) / Paul Petrovic -- Coping with the deconstruction of American identity : hybridization and self-destruction in Alex Garland's Annihilation (2018) / Andrew Schopp -- Wakanda forever? On Ryan Coogler's Black Panther (2018) / Gerry Canavan.

Additional Edition: Print version: Contemporary American science fiction film Abingdon, Oxon ; New York, NY : Routledge, 2022 ISBN 9781032039640

Language: English

Keywords: Electronic books. ; Criticism, interpretation, etc. ; History.

URL: https://www.taylorfrancis.com/books/9781003189961

URL: lizenzpflichtig

UID:

Format: 1 online resource (352 p.) : , 40 B/W illustrations

ISBN: 9781474413824

Content: A comprehensive critical survey of the impact of 9/11 on Film, written by some of the foremost scholars in American cinemaAmerican Cinema in the Shadow of 9/11 is a ground-breaking collection of essays by some of the foremost scholars writing in the field of contemporary American film. Through a dynamic critical analysis of the defining films of the turbulent post-9/11 decade, the volume explores and interrogates the impact of 9/11 and the 'War on Terror' on American cinema and culture. In a vibrant discussion of films like American Sniper (2014), Zero Dark Thirty (2012), Spectre (2015), The Hateful Eight (2015), Lincoln (2012), The Mist (2007), Children of Men (2006), Edge of Tomorrow (2014) and Avengers: Age of Ultron (2015), noted authors Geoff King, Guy Westwell, John Shelton Lawrence, Ian Scott, Andrew Schopp, James Kendrick, Sean Redmond, Steffen Hantke and many others consider the power of popular film to function as a potent cultural artefact, able to both reflect the defining fears and anxieties of the tumultuous era, but also shape them in compelling and resonant ways.Key FeaturesFifteen original essays by some of the foremost scholars in American CinemaFeatures essays on the key films of the era, along with many that have previously been overlooked in scholarly literatureThe volume is critically informed but vibrant and engagingIncludes chapters by Geoff King, Guy Westwell, John Shelton Lawrence and Robert Jewett, Ian Scott, Andrew Schopp, James Kendrick, Sean Redmond, Steffen Hantke and many othersCase StudiesAmericanEast (Hesham Issawi, 2008) American Sniper (Clint Eastwood, 2014)Avengers: Age of Ultron (Joss Whedon, 2015)Casino Royale (Martin Campbell, 2006)Children of Men (Alfonso Cuarón, 2006) Django Unchained (Quentin Tarantino, 2012)Edge of Tomorrow (Doug Liman, 2014)Extremely Loud and Incredibly Close (Stephen Daldry, 2011)Halloween (John Carpenter, 1978)Halloween (Rob Zombie, 2007)Halloween II (Rob Zombie, 2009)The Hateful Eight (Quentin Tarantino, 2015)Inglourious Basterds (Quentin Tarantino, 2009)The Kingdom (Peter Berg, 2007)Lincoln (Steven Spielberg, 2012)Marvel Avengers Assemble (Joss Whedon, 2012) U.S Title The AvengersPearl Harbour (Michael Bay, 2001)The Reluctant Fundamentalist (Mira Nair, 2012)RoboCop (Paul Verhoeven, 1987)RoboCop (José Padilha, 2014)The Siege (Edward Zwick, 1998)Source Code (Duncan Jones, 2011)Spectre (Sam Mendes, 2015)Unstoppable (Tony Scott, 2011)The Walk (Robert Zemeckis, 2015)The War Within (Joseph Castrello, 2005)Zero Dark Thirty (Kathryn Bigelow, 2012)

Note: Frontmatter -- , Contents -- , Figures -- , Acknowledgements -- , Foreword -- , Introduction: American Cinema in the Shadow of 9/11 -- , Part I. Dramatisations of the ‘War on Terror -- , 1. The Mythic Shape of American Sniper (2015) -- , 2. Responding to Realities or Telling the Same Old Story? Mixing Real-world and Mythic Resonances in The Kingdom (2007) and Zero Dark Thirty (2012) -- , 3. Acts of Redemption and ‘The Falling Man’ Photograph in Post-9/11 US Cinema -- , 4. ‘You be very mindful of how you act’: Post-9/11 Culture and Arab American Subjectivities in Joseph Castelo’s The War Within (2005) and Hesham Issawi’s AmericanEast (2008) -- , 5. Refracting Fundamentalism in Mira Nair’s The Reluctant Fundamentalist (2012) -- , Part II. Influences of the ‘War on Terror’ -- , 6. ‘Not now that strength’: Embodiment and Globalisation in Post-9/11 James Bond -- , 7. Training the Body Politic: Networked Masculinity and the ‘War on Terror’ in Hollywood Film -- , 8. ‘Gettin’ Dirty’: Tarantino’s Vengeful Justice, the Marked Viewer and Post-9/11 Am -- , 9. Stop the Clocks: Lincoln and Post-9/11 Cinema -- , 10. Foreshadows of the Fall: Questioning 9/11’s Impact on American Attitudes -- , Part III. Allegories of the ‘War on Terror’ -- , 11. ‘Daddy, I’m scared. Can we go home?’ Fear and Allegory in Frank Darabont’s The Mist (2007 -- , 12. The Terrible, Horrible Desire to Know: Post-9/11 Horror Remakes, Reboots, Sequels and Prequels -- , 13. Post-9/11 Power and Responsibility in the Marvel Cinematic Universe -- , 14. Nowhere Left to Zone in Children of Men (2006) -- , 15. Traumatise, Repeat, Finish: Military Science Fiction (Long) after 9/11 and Doug Liman’s Edge of Tomorrow (2014) -- , Selected Filmography -- , Notes on the Contributors -- , Index , In English.

Language: English

DOI: 10.1515/9781474413824

URL: Co-access DOI click Walter de Gruyter

URL: https://www.degruyter.com/isbn/9781474413824

URL: Co-access DOI click Walter de Gruyter

URL: https://www.degruyter.com/isbn/9781474413824