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  • 1
    Book
    Book
    Ithaca u.a. :Cornell Univ. Press,
    UID:
    almafu_BV004638204
    Format: VIII, 285 S. : Ill.
    Edition: 1. publ.
    ISBN: 0-8014-2538-7 , 0-8014-9771-X
    Language: English
    Subjects: History , Romance Studies , Sociology
    RVK:
    RVK:
    RVK:
    Keywords: Frau ; Renaissance ; Frau ; Aufsatzsammlung ; Konferenzschrift ; Konferenzschrift ; Aufsatzsammlung ; Konferenzschrift
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Online Resource
    Online Resource
    Toronto :University of Toronto Press,
    UID:
    almahu_9949546436402882
    Format: 1 online resource (200 p.)
    ISBN: 9781487542603 , 9783110993899
    Series Statement: Toronto Italian Studies
    Content: Since the late twentieth century, the Venetian courtesan Veronica Franco has been viewed as a triumphant proto-feminist icon: a woman who celebrated her sexuality, an outspoken champion of women and their worth, and an important intellectual and cultural presence in sixteenth-century Venice. In Veronica Franco in Dialogue, Marilyn Migiel provides a nuanced account of Franco's rhetorical strategies through a close analysis of her literary work. Focusing on the first fourteen poems in the Terze Rime, a collection of Franco's poems published in 1575, Migiel looks specifically at back-and-forth exchanges between Franco and an unknown male author. Migiel argues that in order to better understand what Franco is doing in the poetic collection, it is essential to understand how she constructs her identity as author, lover, and sex worker in relation to this unknown male author. Veronica Franco in Dialogue accounts for the moments of ambivalence, uncertainty, and indirectness in Franco's poetry, as well as the polemicism and assertions of triumph. In doing so, it asks readers to consider their ideological investments in the stories we tell about early modern female authors and their cultural production.
    Note: Frontmatter -- , Contents -- , Acknowledgments -- , Note on the Text and Translations of Veronica Franco's Terze rime (Poems in Terza Rima) -- , Introduction: What Do We See in Veronica Franco? -- , 1 Gendered Strategies of Persuasion: Terze rime 1 and 2 -- , 2 Poetic Identity and Community: Terze rime 3 and 4 -- , 3 Repenting as a Courtesan: Terze rime 5 and 6 -- , 4 Complaining and Cognitive Reframing: Terze rime 7 and 8 -- , 5 Seductive Insinuation and Obliquely Frank Refusal: Terze rime 9 and 10 -- , 6 Verona, Venezia, Veronica: Terze rime 11 and 12 -- , 7 Attacks and Concessions under Erasure: Terze rime 13 and 14 -- , Conclusion -- , Bibliography -- , Index , Mode of access: Internet via World Wide Web. , In English.
    In: EBOOK PACKAGE COMPLETE 2022 English, De Gruyter, 9783110993899
    In: EBOOK PACKAGE COMPLETE 2022, De Gruyter, 9783110994810
    In: EBOOK PACKAGE Literary, Cultural, Area Studies 2022 English, De Gruyter, 9783110993752
    In: EBOOK PACKAGE Literary, Cultural, Area Studies 2022, De Gruyter, 9783110993738
    In: University of Toronto Press Complete eBook-Package 2022, De Gruyter, 9783110767155
    Language: English
    URL: Cover
    URL: Cover
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  • 3
    Book
    Book
    Lewiston, NY u.a. :Mellen,
    UID:
    almafu_BV009162745
    Format: II, 196 S. : graph. Darst.
    ISBN: 0-7734-9392-1
    Language: English
    Subjects: Romance Studies
    RVK:
    Keywords: 1544-1595 La Gerusalemme liberata Tasso, Torquato ; Frau
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  • 4
    Online Resource
    Online Resource
    Toronto :University of Toronto Press,
    UID:
    almafu_9958353155802883
    Format: 1 online resource
    ISBN: 9781442670457
    Series Statement: Toronto Italian Studies
    Content: Both a passionate denunciation of masculinist readings of the Decameron and a meticulous critique of previous feminist analyses, Marilyn Migiel's A Rhetoric of the Decameron offers a sophisticated re-examination of the representations of women, men, gender identity, sexuality, love, hate, morality, and truth in Boccaccio's masterpiece. The Decameron stages an ongoing, dynamic, and spirited debate about issues as urgent now as in the fourteenth century ? a debate that can only be understood if the Decameron's rhetorical objectives and strategies are completely reconceived.Addressing herself equally to those who argue for a proto-feminist Boccaccio ? a quasi-liberal champion of women's autonomy ? and to those who argue for a positivistically secure historical Boccaccio who could not possibly anticipate the concerns of the twenty-first century, Migiel challenges readers to pay attention to Boccaccio's language, to his pronouns, his passives, his echolalia, his patterns of repetition, and his figurative language. She argues that human experience, particularly in the sexual realm, is articulated differently by the Decameron's male and female narrators, and refutes the notion that the Decameron offers an undifferentiated celebration of Eros. Ultimately, Migiel contends, the stories of the Decameron suggest that as women become more empowered, the limitations on them, including the threat of violence, become more insistent.
    Note: Frontmatter -- , Contents -- , Acknowledgments -- , Note on Citations of the Decameron -- , Introduction: A Rhetoric of the Decameron (and why women should read it) -- , 1. Woman as Witness -- , 2. Fiammetta v. Dioneo -- , 3. Boccaccio’s Sexed Thought -- , 4. To Transvest Not to Transgress -- , 5. Women’s Witty Words: Restrictions on Their Use -- , 6. Men, Women, and Figurative Language in the Decameron -- , 7. Domestic Violence in the Decameron -- , Conclusion -- , Notes -- , Works Cited -- , Index
    Language: English
    Keywords: Electronic books.
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  • 5
    Online Resource
    Online Resource
    Toronto :University of Toronto Press,
    UID:
    almahu_BV043492049
    Format: 1 online resource.
    ISBN: 978-1-4426-2575-4
    Series Statement: Toronto Italian Studies
    Note: Description based on online resource; title from PDF title page (publisher’s Web site, viewed Jan. 06, 2016) , Marilyn Migiel returns to Giovanni Boccaccio’s masterpiece, this time to focus on the dialogue about ethical choices that the Decameron creates with us and that we, as individuals and as groups, create with the Decameron
    Language: English
    Keywords: 1313-1375 Il Decamerone Boccaccio, Giovanni ; Ethik
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 6
    Online Resource
    Online Resource
    Toronto, [Ontario] ; : University of Toronto Press,
    UID:
    almafu_9959242184402883
    Format: 1 online resource (209 p.)
    Edition: 1st ed.
    ISBN: 1-4426-2576-7 , 1-4426-2575-9
    Series Statement: Toronto Italian Studies
    Content: Marilyn Migiel returns to Giovanni Boccaccio's masterpiece, this time to focus on the dialogue about ethical choices that the Decameron creates with us and that we, as individuals and as groups, create with the Decameron.
    Note: Wanted : translators of the Decameron's moral and ethical complexities -- He said, she said, we read : an ethical reflection on a confluence of voices -- Can the lower classes be wise? (for the answer, see your translation of the Decameron) -- Some restrictions apply : testing the reader in Decameron 3.8 -- Rushing to judge? Read the story of Tofano and Ghita (Decameron 7.4) -- New lessons in criticism and blame from the Decameron -- He ironizes, he ironizes not, he ironizes ... -- To conclude : a conclusion that is not one. , Issued also in print. , In English.
    Additional Edition: ISBN 1-4426-3188-0
    Language: English
    Keywords: Electronic books.
    Library Location Call Number Volume/Issue/Year Availability
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  • 7
    Book
    Book
    Toronto [u.a.] : Univ. of Toronto Press
    UID:
    gbv_385594011
    Format: XI, 219 S.
    ISBN: 0802085946 , 0802088198
    Series Statement: Toronto Italian studies
    Note: Literaturverz. S. [203] - 212
    Language: English
    Subjects: Romance Studies , Ancient Studies
    RVK:
    RVK:
    Keywords: Boccaccio, Giovanni 1313-1375 Il Decamerone
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  • 8
    Book
    Book
    Toronto : University of Toronto Press
    UID:
    gbv_846242214
    Format: x, 197 Seiten , 24 cm
    ISBN: 9781442631885 , 1442631880
    Series Statement: Toronto Italian studies
    Note: Includes bibliographical references and index , Introduction: The ethical dimension of the Decameron , Wanted: translations of the Decameron's moral and ethical complexities , He said, she said, we read: an ethical reflection on a confluence of voices , Can the lower classes be wise? (For the answer, see your translation of the Decameron) , Some restrictions apply: testing the reader in Decameron 3.8 , Rushing the judge? Read the story of Tofano and Ghita (Decameron 7.4) , New lessons in criticism and blame from the Decameron , Her ironizes, he ironizes not, he ironizes... , To conclude: A conclusion that is not one
    Additional Edition: Erscheint auch als Online-Ausgabe Migiel, Marilyn Ethical Dimension of the 'Decameron' Toronto : University of Toronto Press, 2016 ISBN 9781442625754
    Language: English
    Subjects: Romance Studies
    RVK:
    Keywords: Boccaccio, Giovanni 1313-1375 Il Decamerone ; Ethik ; Boccaccio, Giovanni 1313-1375 Il Decamerone ; Ethik
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  • 9
    UID:
    almafu_BV026309905
    Format: V, 203 Bl.
    Note: Kopie, erschienen im Verl. Univ. Microfilms Internat., Ann Arbor, Mich. , Yale Univ., Diss., 1981
    Language: English
    Keywords: Hochschulschrift
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  • 10
    Online Resource
    Online Resource
    Toronto :University of Toronto Press,
    UID:
    edocfu_9958353155802883
    Format: 1 online resource
    ISBN: 9781442670457
    Series Statement: Toronto Italian Studies
    Content: Both a passionate denunciation of masculinist readings of the Decameron and a meticulous critique of previous feminist analyses, Marilyn Migiel's A Rhetoric of the Decameron offers a sophisticated re-examination of the representations of women, men, gender identity, sexuality, love, hate, morality, and truth in Boccaccio's masterpiece. The Decameron stages an ongoing, dynamic, and spirited debate about issues as urgent now as in the fourteenth century ? a debate that can only be understood if the Decameron's rhetorical objectives and strategies are completely reconceived.Addressing herself equally to those who argue for a proto-feminist Boccaccio ? a quasi-liberal champion of women's autonomy ? and to those who argue for a positivistically secure historical Boccaccio who could not possibly anticipate the concerns of the twenty-first century, Migiel challenges readers to pay attention to Boccaccio's language, to his pronouns, his passives, his echolalia, his patterns of repetition, and his figurative language. She argues that human experience, particularly in the sexual realm, is articulated differently by the Decameron's male and female narrators, and refutes the notion that the Decameron offers an undifferentiated celebration of Eros. Ultimately, Migiel contends, the stories of the Decameron suggest that as women become more empowered, the limitations on them, including the threat of violence, become more insistent.
    Note: Frontmatter -- , Contents -- , Acknowledgments -- , Note on Citations of the Decameron -- , Introduction: A Rhetoric of the Decameron (and why women should read it) -- , 1. Woman as Witness -- , 2. Fiammetta v. Dioneo -- , 3. Boccaccio’s Sexed Thought -- , 4. To Transvest Not to Transgress -- , 5. Women’s Witty Words: Restrictions on Their Use -- , 6. Men, Women, and Figurative Language in the Decameron -- , 7. Domestic Violence in the Decameron -- , Conclusion -- , Notes -- , Works Cited -- , Index
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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