UID:
almafu_9960943447802883
Format:
1 online resource (250 pages) :
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digital, PDF file(s).
ISBN:
94-006-0430-0
Series Statement:
Media / Art / Politics ; volume 3
Content:
Fernand Deligny (1913-1996), 'poet and ethologist', is mostly known for his work with autistic children and for his influence on the revolutions in French post-war psychiatry. Though neither director nor a theorist of the image, cinema is constantly called into his social, pedagogical, and clinical experimentations. More interested in the processes of making, he distinguishes 'camering' from filming, thus emphasizing not the finished film but a 'film to come'. This volume provides Deligny's essential corpus on cinema and the image. It shows both the role of cameras in many of his experimental 'attempts' with delinquents and autistic children and his highly speculative reflections on image.
Note:
Title from publisher's bibliographic system (viewed on 22 Nov 2022).
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Frontmatter --
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Contents --
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Epigraph [1996] --
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Translator’s Note --
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General Introduction --
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Cinema. Cine-Club [1934] --
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The Camera, a Pedagogical Tool [1955] --
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He’s Still One of Us [1971] --
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Camering [1977] --
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Miscreating [1979] --
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Camering [1982] --
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The Alga and the Fungus [1982] --
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Fossils Have a Hard Life: Apropos of the Image [1982] --
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Camering [1978-1983] --
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The Distinctiveness of the IMAGEs [1988] --
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What Is Not Seen (by the Self) [1990] --
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Postface. Minor Gestures, Minor Media --
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Notes
Additional Edition:
Print version: Miguel, Marlon Camering Amsterdam : Amsterdam University Press,c2022
Language:
English
DOI:
10.1515/9789400604308
URL:
https://www.cambridge.org/core/product/identifier/9789400604308/type/BOOK
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