Kooperativer Bibliotheksverbund

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Format: XI, 372 S., [4] Bl. : , zahlr. Ill. ; , 25 cm.

Series Statement: Toronto Italian studies

Note: Includes bibliographical references and index. - Introduction -- Part One. National Beginnings and Modernist Fears -- Part Two. Modern Memory Objects: Social Histories of the Photograph -- Part Three. Photography and the Acceleration of Modernity: Reality-Commodity-Violence -- Part Four. Critiques of Modernity: Stillness, Motion, and the Ethics of Seeing -- Part Five. Documents and Experiences

Language: English

Subjects: General works

Keywords: Fotografie ; Gesellschaft ; Kultur ; Aufsatzsammlung ; Aufsatzsammlung

URL: Inhaltsverzeichnis

URL: http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027679366&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA

URL: Inhaltsverzeichnis

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Format: 1 online resource (251 pages)

ISBN: 9781442676107 (e-book)

Additional Edition: Print version: Minghelli, Giuliana. In the shadow of the mammoth : Italo Svevo and the emergence of modernism. Toronto, [Ontario] ; Buffalo, [New York] ; London, [England] : University of Toronto Press, c2002 ISBN 9780802036384

Language: English

Keywords: Electronic books. ; Criticism, interpretation, etc. ; Electronic books.

URL: Click to View

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Format: 238 S. , 23cm

ISBN: 9780802036384 , 0802036384

Series Statement: Toronto Italian studies

Language: English

Subjects: Romance Studies

Keywords: Svevo, Italo 1861-1928 ; Svevo, Italo 1861-1928 ; Bibliografie

Author information: Svevo, Italo 1861-1928

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Format: 1 online resource (xii, 251 pages)

ISBN: 9780203073759 , 9781135104818 , 9781135104764 , 9781135104801

Series Statement: Routledge advances in film studies 23

Content: Introduction -- 1. 1943 Visconti : the haunted frames of Ossessione -- 2. 1946 Rossellini : landscape as burial ground -- 3. 1948 De Sica and Zavattini : memory in Shadow and stone -- 4. 1950 Antonioni : Cronaca di un amore's landscapes of remorse -- 5. Epilogue as prologue : Zavattini/Celati: documentaristic visions from Un paese to Mondonuovo.

Note: Includes bibliographical references (pages 230-240 and index)

Additional Edition: ISBN 9780415661089

Additional Edition: ISBN 9781138233843

Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 9780415661089

Language: English

DOI: 10.4324/9780203073759

URL: lizenzpflichtig

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Format: XII, 151 S , Ill.

ISBN: 9780415661089

Series Statement: Routledge advances in film studies 23

Note: Includes bibliographical references and index , Introduction -- 1943 Visconti: the haunted frames of Ossessione -- 1946 Rossellini: landscape as burial ground pais: beginning as end -- 1948 De Sica and Zavattini: memory in Shadow and stone -- 1950 Antonioni: Cronaca di un amore's landscapes of remorse -- Epilogue as prologue: Zavattini/Celati: documentaristic visions from Un paese to Mondonuovo.

Language: English

Subjects: Romance Studies , General works

Keywords: Italien ; Film ; Landschaft ; Geschichte 1943-1950

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Format: 1 online resource

ISBN: 9781442676107

Series Statement: Toronto Italian Studies

Content: Giuliana Minghelli uses Italo Svevo's parodic Darwinian fable of the prehistoric encounter between the weak and 'unfinished' man and an incommensurable other to reassess his eccentric contribution to 20th century literature.

Note: Frontmatter -- , Contents -- , Acknowledgments -- , Abbreviations -- , Introduction -- , 1. Between Darwinian Origins and Modernist Ends: Svevo’s Allegory of Symbiosis -- , 2. Of Artists, Women, and Jews: Svevo and the Modernist Contamination -- , 3. Between Darwinism and Dreams: The Stories of Alfonso and Annetta in Una Vita -- , 4. The Crying of the Statues: Art and Women in Senilità -- , 5. Leading the Pedagogue by the Hand -- , 6. Out of the Shadow of the Mammoth: Zeno and the Story of the Other -- , Conclusion -- , Notes -- , Bibliography -- , Index

Language: English

DOI: 10.3138/9781442676107

URL: https://doi.org/10.3138/9781442676107

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Format: 1 online resource (384 p.)

ISBN: 1-4426-1998-8 , 1-4426-1997-X

Series Statement: Toronto Italian Studies

Content: Stillness in Motion brings together the writing of scholars, theorists, and artists on the uneasy relationship between Italian culture and photography.

Note: Introduction -- Part One. National Beginnings and Modernist Fears -- Part Two. Modern Memory Objects: Social Histories of the Photograph -- Part Three. Photography and the Acceleration of Modernity: Reality-Commodity-Violence -- Part Four. Critiques of Modernity: Stillness, Motion, and the Ethics of Seeing -- Part Five. Documents and Experiences. , Issued also in print. , English

Additional Edition: ISBN 1-4426-4933-X

Language: English

Keywords: History. ; Electronic books.

DOI: 10.3138/9781442619975

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Format: 1 online resource

ISBN: 9781442619975

Content: Stillness in Motion brings together the writing of scholars, theorists, and artists on the uneasy relationship between Italian culture and photography. Highlighting the depth and complexity of the Italian contribution to the technology and practice of photography, this collection offers essays, interviews, and theoretical reflections at the intersection of comparative, visual, and cultural studies. Its chapters, illustrated with more than 130 black and white images and an eight-page colour section, explore how Italian literature, cinema, popular culture, and politics have engaged with the medium of photography over the course of time.The collection includes topics such as Futurism’s ambivalent relationship to photography, the influence of American photography on Italian neorealist cinema, and the connection between the photograph and Duchamp’s concept of the Readymade. With contributions from writer and theorist Umberto Eco, photographer Franco Vaccari, art historian Robert Valtorta, and cultural historian Robert Lumley, Stillness in Motion engages with crucial historical and cultural moments in Italian history, examining each one through particular photographic practices.

Note: Frontmatter -- , Contents -- , Figures -- , ACKNOWLEDGMENTS -- , Introduction / , PART ONE. National Beginnings and Modernist Fears -- , 1. Photography and the Construction of Italian National Identity / , 2. Local Colour and the Grey Aura of Modernity: Photography, Literature, and the Social Sciences in Fin-de-Siècle Italy / , 3. Eternal Speed/Omnipresent Immobility: Futurism and Photography / , PART TWO. Modern Memory Objects: Social Histories of the Photograph -- , 4. The Peripatetic Portrait: Exchange and Performance in Migration Photographs at the Turn of the Nineteenth Century / , 5. Presente! The Latent Memory of Italy’s Great War in Its Photographic Portraits / , PART THREE. Photography and the Acceleration of Modernity: Reality-Commodity-Violence -- , 6. Italian Neo-Realism between Cinema and Photography -- , 7. Photographic Excess: “Scandalous” Photography in Film and Literature after the Boom / , 8. Images of Violence, Violence of Images: The “Years of Lead” and the Practice of Armed Struggle between Photography and Video / , PART FOUR. Critiques of Modernity: Stillness, Motion, and the Ethics of Seeing -- , 9. The Body in and of the Image in the Films of Yervant Gianikian and Angela Ricci Lucchi / , 10. Intersections of Photography, Writing, and Landscape: The Italian Landscape Photobook from Ghirri to Fossati and Messori / , PART FIVE. Documents and Experiences -- , 11. A Photograph / , 12. Essays: Photography and the Ready-Made and Apollo and Daphne : A Myth for Photography / , Interview with Franco Vaccari / , Bibliography , In English.

Language: English

DOI: 10.3138/9781442619975

URL: https://doi.org/10.3138/9781442619975