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  • 1
    Online Resource
    Online Resource
    Adaptation and the New Art Film : Remaking the Classics in the Twilight of Cinema (2021)
    Cham :Palgrave Macmillan,
    Details
    UID:
    almafu_BV047271092
    Format: 1 Online-Ressource (x, 279 Seiten) : , Illustrationen.
    Edition: 1st ed. 2021
    ISBN: 978-3-030-62934-2
    Series Statement: Palgrave Studies in Adaptation and Visual Culture
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-3-030-62933-5
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-3-030-62935-9
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-3-030-62936-6
    Language: English
    Subjects: General works
    RVK:
    AP 53000
    Keywords: Remake
    DOI: 10.1007/978-3-030-62934-2
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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    Online Access
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    FU Berlin
    Charité
    Filmuniversität Babelsberg
  • 2
    Online Resource
    Online Resource
    Adaptation and the New Art Film : Remaking the Classics in the Twilight of Cinema (2021)
    Cham :Springer International Publishing :
    Details
    UID:
    almahu_9948689688502882
    Format: X, 279 p. 29 illus., 25 illus. in color. , online resource.
    Edition: 1st ed. 2021.
    ISBN: 9783030629342
    Series Statement: Palgrave Studies in Adaptation and Visual Culture,
    Content: Since the 1990s, the expropriation of canonical works of cinema has been a fundamental dimension of art-film exploration. Rainer Werner Fassbinder provides an early model of open adaptation of film classics, followed ever more boldly by the Coen Brothers, Chantal Akerman, Alex Carax, Todd Haynes, Florian Henckel von Donnersmarck, Baz Luhrmann, and Olivier Assayas. This book devotes chapters to each of these directors to examine how their films redeploy landmark precursors such as City Lights (1931), Citizen Kane(1941), Rome Open City (1945), All About Eve (1950), and Vertigo (1958) in order to probe our psychological, philosophical, and historical situations in a postmodern société du spectacle. In broadly diverse ways, each of these directors complicates received notions of the past and its representation, while probing the transformative media evolution and dislocation of the present, in film art and in society.
    Note: Introduction -- Part 1: Rainer Werner Fassbinder and Douglas Sirk -- Chapter 1: The Recreation of All that Heaven Allows as Angst Essen Seele Auf (Fear Eats the Soul, 1974) -- Part 2: Derivations and Procedural Challenges -- Chapter 2. The Palimpsestuous Ghost of Rome Open City (1945) in The Lives of Others (2006) -- Chapter 3. Clouds of Sils Maria and All about Eve: Adapting a Classic Paradigm -- Chapter 4. Leos Carax: Les Amants du Pont-Neuf and City Lights -- Part 3: Nostalgic Adventures and Aesthetic Complications -- Chapter 5. Chantal Akerman in the Labyrinth of Desire: La Captive, Marcel Proust, and Vertigo -- Chapter 6. The Coen Brothers' Retrospective Foreboding -- Chapter 7. Baz Luhrmann's Outsized Ambition: The Great Gatsby and Citizen Kane -- Chapter 8. Conclusion.
    In: Springer Nature eBook
    Additional Edition: Printed edition: ISBN 9783030629335
    Additional Edition: Printed edition: ISBN 9783030629359
    Additional Edition: Printed edition: ISBN 9783030629366
    Language: English
    DOI: 10.1007/978-3-030-62934-2
    URL: https://doi.org/10.1007/978-3-030-62934-2
    URL: lizenzpflichtig
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  • 3
    Online Resource
    Online Resource
    Dashiell Hammett and the movies / (2014)
    New Brunswick, New Jersey ; : Rutgers University Press,
    Details
    UID:
    almafu_9959237624802883
    Format: 1 online resource (226 p.)
    Edition: 1st ed.
    ISBN: 0-8135-6254-6
    Content: As the father of the hardboiled detective genre, Dashiell Hammett had a huge influence on Hollywood. Yet, it is easy to forget how adaptable Hammett's work was, fitting into a variety of genres and inspiring generations of filmmakers. Dashiell Hammett and the Movies offers the first comprehensive look at Hammett's broad oeuvre and how it was adapted into films from the 1930's all the way into the 1990's. Film scholar William H. Mooney reveals the wide range of films crafted from the same Hammett novels, as when The Maltese Falcon was filmed first as a pre-Code sexploitation movie, then as a Bette Davis screwball comedy, and finally as the Humphrey Bogart classic. He also considers how Hammett rose to Hollywood fame not through the genre most associated with him, but through a much fizzier concoction, the witty murder mystery The Thin Man. To demonstrate the hold Hammett still has over contemporary filmmakers, the book culminates in an examination of the Coen brothers' pastiche Miller's Crossing. Mooney not only provides us with an in-depth analysis of Hammett adaptations, he also chronicles how Hollywood enabled the author's own rise to stardom, complete with a celebrity romance and a carefully crafted public persona. Giving us a behind-the-scenes look at the complex power relationships, cultural contexts, and production concerns involved in bringing Hammett's work from the page to the screen, Dashiell Hammett and the Movies offers a fresh take on a literary titan.
    Note: Description based upon print version of record. , Front matter -- , CONTENTS -- , Acknowledgments -- , Introduction: Inferior Hammett or Exemplary Hollywood? -- , 1. Three Early Films: Roadhouse Nights (1930), City Streets (1931), and Mister Dynamite (1935) -- , 2. Celebrity: The Thin Man (1934) -- , 3. After The Thin Man: From Sequel to Series -- , 4. Lillian Hellman: Woman in the Dark (1934) and Watch on the Rhine (1943) -- , 5. Sexual Politics: The Maltese Falcon (1931), Satan Met a Lady (1936), and The Maltese Falcon (1941) -- , 6. Ethnic Politics: The Glass Key (1935 and 1942) -- , 7. Hammett in Retrospect: Miller's Crossing (1990) -- , Conclusion: Dashiell Hammett and the Movies -- , Notes -- , Bibliography -- , Index -- , ABOUT THE AUTHOR , English
    Additional Edition: ISBN 0-8135-6253-8
    Language: English
    Subjects: American Studies
    RVK:
    HU 3758
    Keywords: Electronic books.
    DOI: 10.36019/9780813562544
    URL: https://www.degruyter.com/isbn/9780813562544
    URL: Click to View
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    HU Berlin
    FU Berlin
  • 4
    Online Resource
    Online Resource
    Adaptation and the New Art Film : Remaking the Classics in the Twilight of Cinema (2021)
    Cham : palgrave macmillan, Springer International Publishing AG
    Details
    UID:
    gbv_1765321514
    Format: 1 Online-Ressource (x, 279 pages)
    ISBN: 9783030629342
    Series Statement: Palgrave Studies in Adaptation and Visual Culture
    Content: Intro -- Acknowledgments -- Contents -- List of Figures -- Chapter 1: Introduction -- The Art Film -- Adaptation and Remaking -- Postmodernism and the Decline of Theatrical Exhibition -- Bibliography -- Part I: Adapting a Classic Film -- Chapter 2: Rainer Werner Fassbinder and Douglas Sirk: Recreation of All That Heaven Allows as Angst essen Seele auf (1974) -- Fassbinder's Background in the Theater -- The Filmmaking Environment of the 1960s: Remaking Godard -- Fassbinder's Encounter with the Films of Douglas Sirk -- From All That Heaven Allows to Fear Eats the Soul -- Fear Eats the Soul as an Adaptation -- Bibliography -- Chapter 3: Far from Heaven (2002) -- Bibliography -- Part II: Film(s) to Film -- Chapter 4: Les amants du Pont-Neuf (1991) and City Lights (1931) -- Leos Carax and Alex -- The Two Narratives -- Chaplin and Alex as Performers -- The Social Text -- The Other Major Intertext: L'Atalante -- Stylistic Hybridity -- Bibliography -- Chapter 5: Rewriting Roma città aperta (1945) as Das Leben der Anderen (2006) -- Realism and Authenticity -- Admiration and Criticism -- The Lives of Others, in Dialogue with Rome Open City -- Bibliography -- Chapter 6: From All About Eve (1950) to Clouds of Sils Maria (2014): Adapting a Classic Paradigm -- Bibliography -- Part III: Book/Film/Film Multiplicities -- Chapter 7: Chantal Akerman, Marcel Proust, and Alfred Hitchcock's Vertigo (1958) -- Chantal Akerman -- La Captive -- Akerman's Proust -- Vertigo -- Bibliography -- Chapter 8: From Dashiell Hammett to the Coen Brothers' Miller's Crossing (1990) -- The Coen Brothers, Blood Simple, and Raising Arizona -- Dashiell Hammett and The Glass Key -- The Early Films, 1935 and 1942 -- Miller's Crossing -- Bibliography -- Chapter 9: Citizen Kane (1941) and Baz Luhrmann's The Great Gatsby (2013) -- Baz Luhrmann's "Red Curtain" Cinema -- The Great Gatsby (2013).
    Note: Description based on publisher supplied metadata and other sources
    Additional Edition: ISBN 9783030629335
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 9783030629335
    Language: English
    URL: lizenzpflichtig
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    Online Resource
    Stabi Berlin
  • 5
    Book
    Book
    Dashiell Hammett and the movies (2014)
    New Brunswick, New Jersey : Rutgers University Press
    Details
    UID:
    gbv_779836200
    Format: viii, 213 Seiten , Illustrationen , 24 cm
    ISBN: 9780813562520 , 9780813562537
    Note: Includes bibliographical references (pages 197-201) and index , Three early films: Roadhouse nights (1930), City streets (1931), and Mister Dynamite (1935)Celebrity: The Thin man (1934) -- After The thin man: from sequel to series -- Lillian Hellman: Woman in the dark (1934) and Watch on the Rhine (1943) -- Sexual Politics: The Maltese falcon (1931), Satan met a lady (1936), and The Maltese falcon (1941) -- Ethnic Politics: The glass key (1935 and 1942) -- Hammett in retrospect: Miller's crossing (1990) -- Conclusion: Dashiell Hammett and the movies.
    Additional Edition: ISBN 9780813562544
    Language: English
    Subjects: American Studies
    RVK:
    HU 3758
    Keywords: Hammett, Dashiell 1894-1961 ; Literatur ; Verfilmung
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    Stabi Berlin get availability status
  • 6
    Online Resource
    Online Resource
    Adaptation and the New Art Film : Remaking the Classics in the Twilight of Cinema (2021)
    Cham :Palgrave Macmillan,
    Details
    UID:
    edoccha_BV047271092
    Format: 1 Online-Ressource (x, 279 Seiten) : , Illustrationen.
    Edition: 1st ed. 2021
    ISBN: 978-3-030-62934-2
    Series Statement: Palgrave Studies in Adaptation and Visual Culture
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-3-030-62933-5
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-3-030-62935-9
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-3-030-62936-6
    Language: English
    Subjects: General works
    RVK:
    AP 53000
    Keywords: Remake
    DOI: 10.1007/978-3-030-62934-2
    URL: Volltext  (URL des Erstveröffentlichers)
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    Online Access
    Open Access Request
    Charité
  • 7
    Online Resource
    Online Resource
    Adaptation and the New Art Film : Remaking the Classics in the Twilight of Cinema (2021)
    Cham :Palgrave Macmillan,
    Details
    UID:
    edocfu_BV047271092
    Format: 1 Online-Ressource (x, 279 Seiten) : , Illustrationen.
    Edition: 1st ed. 2021
    ISBN: 978-3-030-62934-2
    Series Statement: Palgrave Studies in Adaptation and Visual Culture
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-3-030-62933-5
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-3-030-62935-9
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-3-030-62936-6
    Language: English
    Subjects: General works
    RVK:
    AP 53000
    Keywords: Remake
    DOI: 10.1007/978-3-030-62934-2
    URL: Volltext  (URL des Erstveröffentlichers)
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    Online Access
    Open Access Request
    FU Berlin
  • 8
    AV-Medium
    AV-Medium
    Effects (2023)
    [Austin, TX] : American Genre Film Archive
    Details
    UID:
    kobvindex_ZLB35092283
    Format: 1 4K Ultra HD Blu-Ray (84 min), 1 Blu-Ray-Disc (84 min + Bonus) , 1 Booklet , 1.85:1 OAR ; HDR
    Note: 4K restoration from the original 16mm camera negative. 4K “grindhouse” preservation from the only 35mm print in existence , Orig.: USA, 1980
    Language: English
    Keywords: Film
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    AV-Medium
    Berlin VÖBB/ZLB get availability status
  • 9
    Online Resource
    Online Resource
    Dashiell Hammett and the Movies / (2014)
    New Brunswick, NJ :Rutgers University Press,
    Details
    UID:
    edocfu_9959128036702883
    Format: 1 online resource : , 39 photographs
    ISBN: 9780813562544
    Content: As the father of the hardboiled detective genre, Dashiell Hammett had a huge influence on Hollywood. Yet, it is easy to forget how adaptable Hammett’s work was, fitting into a variety of genres and inspiring generations of filmmakers. Dashiell Hammett and the Movies offers the first comprehensive look at Hammett’s broad oeuvre and how it was adapted into films from the 1930s all the way into the 1990s. Film scholar William H. Mooney reveals the wide range of films crafted from the same Hammett novels, as when The Maltese Falcon was filmed first as a pre-Code sexploitation movie, then as a Bette Davis screwball comedy, and finally as the Humphrey Bogart classic. He also considers how Hammett rose to Hollywood fame not through the genre most associated with him, but through a much fizzier concoction, the witty murder mystery The Thin Man. To demonstrate the hold Hammett still has over contemporary filmmakers, the book culminates in an examination of the Coen brothers’ pastiche Miller’s Crossing. Mooney not only provides us with an in-depth analysis of Hammett adaptations, he also chronicles how Hollywood enabled the author’s own rise to stardom, complete with a celebrity romance and a carefully crafted public persona. Giving us a behind-the-scenes look at the complex power relationships, cultural contexts, and production concerns involved in bringing Hammett’s work from the page to the screen, Dashiell Hammett and the Movies offers a fresh take on a literary titan.
    Note: Frontmatter -- , CONTENTS -- , Acknowledgments -- , Introduction: Inferior Hammett or Exemplary Hollywood? -- , 1. Three Early Films: Roadhouse Nights (1930), City Streets (1931), and Mister Dynamite (1935) -- , 2. Celebrity: The Thin Man (1934) -- , 3. After The Thin Man: From Sequel to Series -- , 4. Lillian Hellman: Woman in the Dark (1934) and Watch on the Rhine (1943) -- , 5. Sexual Politics: The Maltese Falcon (1931), Satan Met a Lady (1936), and The Maltese Falcon (1941) -- , 6. Ethnic Politics: The Glass Key (1935 and 1942) -- , 7. Hammett in Retrospect: Miller’s Crossing (1990) -- , Conclusion: Dashiell Hammett and the Movies -- , Notes -- , Bibliography -- , Index -- , ABOUT THE AUTHOR , In English.
    Language: English
    Subjects: American Studies
    RVK:
    HU 3758
    DOI: 10.36019/9780813562544
    URL: https://www.degruyter.com/isbn/9780813562544
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
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    FU Berlin
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