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  • 1
    UID:
    almafu_BV045404853
    Umfang: xxvi, 256 Seiten : , Illustrationen, Portraits.
    Ausgabe: First edition
    ISBN: 978-0-19-883637-7
    Sprache: Englisch
    Fachgebiete: Ethnologie , Allgemeines , Anglistik
    RVK:
    RVK:
    RVK:
    Schlagwort(e): Literatur ; Buchhandel ; Sklaverei ; Bibliothek
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 2
    Online-Ressource
    Online-Ressource
    [Erscheinungsort nicht ermittelbar] : Johns Hopkins University Press
    UID:
    gbv_1832291081
    Umfang: 1 Online-Ressource (288 p.)
    ISBN: 9781421428062
    Inhalt: Winner, 2010 Donald Murphy Prize for a Distinguished First Book, American Conference on Irish StudiesRenowned as one of the most brilliant satirists ever, Jonathan Swift has long fascinated Hibernophiles beyond the shores of the Emerald Isle. Sean Moore's examination of Swift's writings and the economics behind the distribution of his work elucidates the humorist's crucial role in developing a renewed sense of nationalism among the Irish during the eighteenth century.Taking Swift's Irish satires, such as A Modest Proposal and the Drapier's Letters, as examples of anticolonial discourse, Moore unpacks the author's carefully considered published words and his deliberate drive to liberate the Dublin publishing industry from England's shadow to argue that the writer was doing nothing less than creating a national print media. He points to the actions of Anglo-Irish colonial subjects at the outset of Britain's financial revolution; inspired by Swift's dream of a sovereign Ireland, these men and women harnessed the printing press to disseminate ideas of cultural autonomy and defend the country's economic rights. Doing so, Moore contends, imbued the island with a sense of Irishness that led to a feeling of independence from England and ultimately gave the Irish a surprising degree of financial autonomy. Applying postcolonial, new economic, and book history approaches to eighteenth-century studies, Swift, the Book, and the Irish Financial Revolution effectively links the era's critiques of empire to the financial and legal motives for decolonization. Scholars of colonialism, postcolonialism, Irish studies, Atlantic studies, Swift, and the history of the book will find Moore's eye-opening arguments original and compelling
    Anmerkung: English
    Sprache: Unbestimmte Sprache
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 3
    Buch
    Buch
    Baltimore :Johns Hopkins Univ. Press,
    UID:
    almafu_BV036743977
    Umfang: XI, 268 S.
    ISBN: 978-0-8018-9507-4 , 0-8018-9507-3
    Sprache: Englisch
    Fachgebiete: Anglistik
    RVK:
    Schlagwort(e): 1667-1745 Swift, Jonathan ; Wirtschaft ; Buchhandel ; Satire ; Nationalismus ; Fiktionale Darstellung
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 4
    Online-Ressource
    Online-Ressource
    Baltimore :Johns Hopkins University Press,
    UID:
    almafu_9959165295802883
    Umfang: 1 online resource (xi, 268 p. )
    ISBN: 0-8018-9924-9
    Originaltitel: Project Muse UPCC books
    Inhalt: In the 1700s, not all revolutions involved combat. Jonathan Swift, proving the pen is mightier than the sword, wrote scathing satires of England and, by so doing, fostered a growing sense of Irishness among the people who lived on the large island to the left of London. This sense of Irish nationalism, Moore argues, led to a greater sense of being independent from the mainland and, in what might be a surprise, more autonomy for Ireland than one might imagine. And so, when the good times rolled, Ireland got to keep much of its newly generated wealth. This was in sharp contrast to another British territory, consisting of thirteen colonies, where taxes tended to be increased with somewhat unpleasant consequences. What begins with a look at Swift's satiric writings ends up being a fascinating study of Colonialism and post-Colonialism--ever a subject of interest--allowing thoughtful and provocative insights into Irish and American history.
    Anmerkung: Bibliographic Level Mode of Issuance: Monograph , God knows how we wretches came by that fashionable thing a national debt: the Dublin book trade and the Irish financial revolution -- Banking on print: the Bank of Ireland, the South Sea bubble, and the bailout -- Arachne's bowels: scatology, enlightenment, and Swift's relations with the London book trade -- Money, the great divider of the world, has, by a strange revolution, been the great uniter of a most divided people: from minting to printing in the Drapier's letters -- Devouring posterity: a modest proposal, empire, and Ireland's debt of the nation -- A mart of literature: the 1730s and the rise of a literary public sphere in Ireland -- Epilogue: a brand identity crisis in a national literature? , English
    Weitere Ausg.: ISBN 0-8018-9507-3
    Sprache: Englisch
    Schlagwort(e): Electronic books.
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 5
    Buch
    Buch
    Baltimore, Md. : 〈〈The〉〉 Johns Hopkins University Press
    UID:
    b3kat_BV040771124
    Umfang: S. 345 - 474 , Ill.
    Serie: Eighteenth-century studies 45,3
    Sprache: Englisch
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 6
    Online-Ressource
    Online-Ressource
    Baltimore :Johns Hopkins University Press,
    UID:
    edoccha_9959165295802883
    Umfang: 1 online resource (xi, 268 p. )
    ISBN: 0-8018-9924-9
    Originaltitel: Project Muse UPCC books
    Inhalt: In the 1700s, not all revolutions involved combat. Jonathan Swift, proving the pen is mightier than the sword, wrote scathing satires of England and, by so doing, fostered a growing sense of Irishness among the people who lived on the large island to the left of London. This sense of Irish nationalism, Moore argues, led to a greater sense of being independent from the mainland and, in what might be a surprise, more autonomy for Ireland than one might imagine. And so, when the good times rolled, Ireland got to keep much of its newly generated wealth. This was in sharp contrast to another British territory, consisting of thirteen colonies, where taxes tended to be increased with somewhat unpleasant consequences. What begins with a look at Swift's satiric writings ends up being a fascinating study of Colonialism and post-Colonialism--ever a subject of interest--allowing thoughtful and provocative insights into Irish and American history.
    Anmerkung: Bibliographic Level Mode of Issuance: Monograph , God knows how we wretches came by that fashionable thing a national debt: the Dublin book trade and the Irish financial revolution -- Banking on print: the Bank of Ireland, the South Sea bubble, and the bailout -- Arachne's bowels: scatology, enlightenment, and Swift's relations with the London book trade -- Money, the great divider of the world, has, by a strange revolution, been the great uniter of a most divided people: from minting to printing in the Drapier's letters -- Devouring posterity: a modest proposal, empire, and Ireland's debt of the nation -- A mart of literature: the 1730s and the rise of a literary public sphere in Ireland -- Epilogue: a brand identity crisis in a national literature? , English
    Weitere Ausg.: ISBN 0-8018-9507-3
    Sprache: Englisch
    Schlagwort(e): Electronic books.
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 7
    Online-Ressource
    Online-Ressource
    Johns Hopkins University Press
    UID:
    almahu_9949331815302882
    Umfang: 1 electronic resource (288 p.)
    ISBN: 1-4214-2806-7
    Inhalt: Winner, 2010 Donald Murphy Prize for a Distinguished First Book, American Conference on Irish StudiesRenowned as one of the most brilliant satirists ever, Jonathan Swift has long fascinated Hibernophiles beyond the shores of the Emerald Isle. Sean Moore's examination of Swift's writings and the economics behind the distribution of his work elucidates the humorist's crucial role in developing a renewed sense of nationalism among the Irish during the eighteenth century.Taking Swift's Irish satires, such as A Modest Proposal and the Drapier's Letters, as examples of anticolonial discourse, Moore unpacks the author's carefully considered published words and his deliberate drive to liberate the Dublin publishing industry from England's shadow to argue that the writer was doing nothing less than creating a national print media. He points to the actions of Anglo-Irish colonial subjects at the outset of Britain's financial revolution; inspired by Swift's dream of a sovereign Ireland, these men and women harnessed the printing press to disseminate ideas of cultural autonomy and defend the country's economic rights. Doing so, Moore contends, imbued the island with a sense of Irishness that led to a feeling of independence from England and ultimately gave the Irish a surprising degree of financial autonomy. Applying postcolonial, new economic, and book history approaches to eighteenth-century studies, Swift, the Book, and the Irish Financial Revolution effectively links the era's critiques of empire to the financial and legal motives for decolonization. Scholars of colonialism, postcolonialism, Irish studies, Atlantic studies, Swift, and the history of the book will find Moore's eye-opening arguments original and compelling.
    Anmerkung: English
    Sprache: Englisch
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 8
    Online-Ressource
    Online-Ressource
    Johns Hopkins University Press
    UID:
    edoccha_9960788131502883
    Umfang: 1 electronic resource (288 p.)
    ISBN: 1-4214-2806-7
    Inhalt: Winner, 2010 Donald Murphy Prize for a Distinguished First Book, American Conference on Irish StudiesRenowned as one of the most brilliant satirists ever, Jonathan Swift has long fascinated Hibernophiles beyond the shores of the Emerald Isle. Sean Moore's examination of Swift's writings and the economics behind the distribution of his work elucidates the humorist's crucial role in developing a renewed sense of nationalism among the Irish during the eighteenth century.Taking Swift's Irish satires, such as A Modest Proposal and the Drapier's Letters, as examples of anticolonial discourse, Moore unpacks the author's carefully considered published words and his deliberate drive to liberate the Dublin publishing industry from England's shadow to argue that the writer was doing nothing less than creating a national print media. He points to the actions of Anglo-Irish colonial subjects at the outset of Britain's financial revolution; inspired by Swift's dream of a sovereign Ireland, these men and women harnessed the printing press to disseminate ideas of cultural autonomy and defend the country's economic rights. Doing so, Moore contends, imbued the island with a sense of Irishness that led to a feeling of independence from England and ultimately gave the Irish a surprising degree of financial autonomy. Applying postcolonial, new economic, and book history approaches to eighteenth-century studies, Swift, the Book, and the Irish Financial Revolution effectively links the era's critiques of empire to the financial and legal motives for decolonization. Scholars of colonialism, postcolonialism, Irish studies, Atlantic studies, Swift, and the history of the book will find Moore's eye-opening arguments original and compelling.
    Anmerkung: English
    Sprache: Englisch
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 9
    Online-Ressource
    Online-Ressource
    Johns Hopkins University Press
    UID:
    edocfu_9960788131502883
    Umfang: 1 electronic resource (288 p.)
    ISBN: 1-4214-2806-7
    Inhalt: Winner, 2010 Donald Murphy Prize for a Distinguished First Book, American Conference on Irish StudiesRenowned as one of the most brilliant satirists ever, Jonathan Swift has long fascinated Hibernophiles beyond the shores of the Emerald Isle. Sean Moore's examination of Swift's writings and the economics behind the distribution of his work elucidates the humorist's crucial role in developing a renewed sense of nationalism among the Irish during the eighteenth century.Taking Swift's Irish satires, such as A Modest Proposal and the Drapier's Letters, as examples of anticolonial discourse, Moore unpacks the author's carefully considered published words and his deliberate drive to liberate the Dublin publishing industry from England's shadow to argue that the writer was doing nothing less than creating a national print media. He points to the actions of Anglo-Irish colonial subjects at the outset of Britain's financial revolution; inspired by Swift's dream of a sovereign Ireland, these men and women harnessed the printing press to disseminate ideas of cultural autonomy and defend the country's economic rights. Doing so, Moore contends, imbued the island with a sense of Irishness that led to a feeling of independence from England and ultimately gave the Irish a surprising degree of financial autonomy. Applying postcolonial, new economic, and book history approaches to eighteenth-century studies, Swift, the Book, and the Irish Financial Revolution effectively links the era's critiques of empire to the financial and legal motives for decolonization. Scholars of colonialism, postcolonialism, Irish studies, Atlantic studies, Swift, and the history of the book will find Moore's eye-opening arguments original and compelling.
    Anmerkung: English
    Sprache: Englisch
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 10
    Online-Ressource
    Online-Ressource
    Baltimore :Johns Hopkins University Press,
    UID:
    almahu_9949711801302882
    Umfang: 1 online resource (xi, 268 p. )
    ISBN: 0-8018-9924-9
    Originaltitel: Project Muse UPCC books
    Inhalt: In the 1700s, not all revolutions involved combat. Jonathan Swift, proving the pen is mightier than the sword, wrote scathing satires of England and, by so doing, fostered a growing sense of Irishness among the people who lived on the large island to the left of London. This sense of Irish nationalism, Moore argues, led to a greater sense of being independent from the mainland and, in what might be a surprise, more autonomy for Ireland than one might imagine. And so, when the good times rolled, Ireland got to keep much of its newly generated wealth. This was in sharp contrast to another British territory, consisting of thirteen colonies, where taxes tended to be increased with somewhat unpleasant consequences. What begins with a look at Swift's satiric writings ends up being a fascinating study of Colonialism and post-Colonialism--ever a subject of interest--allowing thoughtful and provocative insights into Irish and American history.
    Anmerkung: Bibliographic Level Mode of Issuance: Monograph , God knows how we wretches came by that fashionable thing a national debt: the Dublin book trade and the Irish financial revolution -- Banking on print: the Bank of Ireland, the South Sea bubble, and the bailout -- Arachne's bowels: scatology, enlightenment, and Swift's relations with the London book trade -- Money, the great divider of the world, has, by a strange revolution, been the great uniter of a most divided people: from minting to printing in the Drapier's letters -- Devouring posterity: a modest proposal, empire, and Ireland's debt of the nation -- A mart of literature: the 1730s and the rise of a literary public sphere in Ireland -- Epilogue: a brand identity crisis in a national literature? , English
    Weitere Ausg.: ISBN 0-8018-9507-3
    Sprache: Englisch
    Schlagwort(e): Electronic books.
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
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