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  • 1
    Image
    Image
    London ; New York :Routledge Taylor & Francis Group,
    UID:
    almahu_BV044014137
    Format: xi, 183 Seiten, 8 ungezählte Seiten Bildtafeln : , Illustrationen.
    ISBN: 978-1-4094-2775-9 , 978-0-367-19910-4
    Series Statement: An Ashgate book
    Language: English
    RVK:
    RVK:
    Keywords: Malerei ; Künstler ; Selbstbildnis ; Selbstbild ; Pose
    Author information: Moran, Claire.
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  • 2
    UID:
    gbv_1623174244
    Format: xi, 183 Seiten, 8 ungezählte Seiten Bildtafeln , Illustrationen , 25 cm
    ISBN: 9781409427759
    Series Statement: An Ashgate book
    Content: "Restoring the role of theatrical performance as both subject and trope in the aesthetics of self-representation, Staging the Artist questions how nineteenth-century French and Belgian artists self-consciously fashioned their identities through their art and writings. This emphasis on performance allows for a new understanding of the processes of self-fashioning which underlie self-representation in word and image. Claire Moran offers new interpretations of works by major nineteenth-century figures such as Paul Gauguin and Edgar Degas, and addresses the neglected topic of the function of theatre in the development of modern visual art. Incarnating Baudelaire's metaphor of the artist as an actor ever-conscious of his role, the artists discussed "Courbet, Ensor and Van Gogh, among others" employed theatre as both a thematic source and formal inspiration in their painting, writings and social behaviour. Moran argues that what renders this visual, literary and social performance modern is its self-consciousness, which in turn serves as a model with which to challenge pictorial convention. This book suggests that tracing modern performance and artistic identity to the nineteenth century provides a greater understanding not only of the significance of theatre in the development of modern art, but also highlights the self-conscious staging inherent to modern artistic identity."--Publisher's website
    Content: Introduction -- The pose and the posture -- Role-playing and acting -- Aesthetic performances -- Conclusion
    Note: Literaturverzeichnis: Seite 171-180 und Index
    Language: English
    RVK:
    Keywords: Künstler ; Selbstbildnis ; Selbstbild ; Pose ; Malerei ; Geschichte 1840-1920 ; Frankreich ; Belgien ; Künstler ; Selbstbildnis ; Selbstbild ; Pose ; Malerei ; Geschichte 1840-1920 ; Geschichte
    Author information: Moran, Claire
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  • 3
    Online Resource
    Online Resource
    New Your : Bloomsbury Publishing
    UID:
    gbv_1788672755
    Format: 1 Online-Ressource , illustrations
    Edition: Also issued in print: Bloomsbury Visual Arts, 2021
    ISBN: 9781501341724 , 1501341723
    Series Statement: Material Culture of Art and Design
    Content: Introduction, Claire Moran (Queen's University Belfast, UK) -- Part 1: Representing the Domestic Interior -- 1. Louis-Philippe ou l'intérieur'. The Emergence of the scene of the Modern Interior in the visual culture of the July Monarchy, Matteo Piccioni (Sapienza University of Rome, Italy) -- 2. Shattered Spaces. The Domestic Interior in 19th-century French Literature, Anne Green (King's College London, UK) -- 3. Inside/Out: Modernity and the domestic Interior in Belgian art and literature, Claire Moran (Queen s University Belfast, UK) -- 4. The Bedroom as Portrait: Ekphrasis, Balzac, and Impressionism in the 19th century, Jill Owen (Indiana University, USA) -- Part 2: Gendered Domesticities -- 4. M re-M nag re: The Politics of Domestic Labour in Edouard Vuillard s Practice, Francesca Berry (University of Birmingham, UK) -- 5. Home in Colette's Claudine: A Contemporary Discussion on Non-Normative Dwellings, Aina Marti (University of Kent, UK) -- 6. Interior decoration and bricolage in the French feminine press of the 1860s and 1870s, from La M nag re to St phane Mallarm s La Derni re Mode, Caroline Ardrey (The Baudelaire Song Project, UK) Part -- 3: Aesthetics and the Domestic Interior -- 7. Brussels Art Nouveau and Symbolist Interiors, Aniel Guxholli (McGill University, Canada) -- 8. Villa Khnopff: the Home of an Artist and the Palace of Art, Maria Golovteeva (University of St Andrews, UK) -- 9. Cubist Still Life and the Private Interior, Anna Jozefacka (New York University, USA) -- 10. Irrevocably lost? Domestic space in George Rodenbach s Bruges-la-Morte and Marcel Proust s Du c t de chez Swann, Nathalie Aubert (Oxford Brookes University, UK) -- 11. Cromedeyre tout enti re est une seule maison. The Domestic Interior in Jules Romain s Cromedyre-le-Vieil, Dominique Bauer (KU Leuven, Belgium) Part -- 4: Displaying the Interior -- 12. From public representation to private aesthetics. Interiors of Belgian private art collectors, c. 1830-1930, Ulrike M ller (Ghent University and Antwerp University, Belgium) and Marjan Sterckx (Ghent University, Belgium) -- 13. Antiques at home. Collecting practices and the domestic interior in late nineteenth-century Antwerp, Ilja Van Damme (University of Antwerp, Belgium) -- 14. Installing Interiority: Practices of Artistic Display and the New Interior c. 1890, Alexandra Fraser (University of Michigan, USA)"
    Content: "Domestic Space in France and Belgium offers a new addition to the growing body of work in Interior Studies. Focused on late 19th and early 20th-century France and Belgium, it addresses an overlooked area of modernity: the domestic sphere and its conception and representation in art, literature and material culture. Scholars from the US, UK, France, Italy, Canada and Belgium offer fresh and exciting interpretations of artworks, texts and modern homes. Comparative and interdisciplinary, it shows through a series of case-studies in literature, art and architecture, how modernity was expressed through domestic life at the turn of the century in France and Belgium."--
    Note: Bloomsbury Visual Arts , Includes bibliographical references and index , Also issued in print: Bloomsbury Visual Arts, 2021. , Barrierefreier Inhalt: Compliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily
    Additional Edition: ISBN 9781501341694
    Additional Edition: ISBN 9781501341700
    Additional Edition: ISBN 9781501341717
    Additional Edition: ISBN 9781501341694
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 9781501341694
    Language: Undetermined
    Keywords: Electronic books
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  • 4
    Online Resource
    Online Resource
    Bern : Peter Lang AG, Internationaler Verlag der Wissenschaften
    UID:
    almahu_9948665296302882
    Format: 1 online resource (352 p.)
    Edition: 1st, New ed.
    ISBN: 9783035304886
    Series Statement: Romanticism and after in France / Le Romantisme et après en France 23
    Content: This collection of essays explores the relationship between art, literature and the stage in France and Belgium in the period 1830-1910. It is the first book to bring together scholarship on this neglected area of study and provides unique insights into current research within this rich interdisciplinary field. The rise in popular theatre, the beginnings of a ‘society of spectacle’, the emergence of the print media and the development of stage direction and set design, along with the crisis in pictorial and literary representation, created a dynamic cultural climate wherein the interface between writing, painting and dramatic representation thrived. The chapters in this volume chart different facets of this phenomenon: from the art of performing assumed by writers and the collaborations between artists and theatre directors to the theatrical motifs that infiltrated visual art and the increasingly ‘dramatized’ relationship between painting and spectator at the end of the century.
    Note: Contents: Laurence Senelick: The Offenbach Century – Karen Humphreys: Barbey d’Aurevilly and Mlle Duverger: Spectacle and Performance in the Théâtre de la Gaîté and Le Gaulois – Séverine Reyrolle : L’art marionnettique : laboratoire de la modernité dramaturgique – Arnaud Rykner : Le tableau vivant et la scène du corps : vision, pulsion, dispositif – Sandra Bornemann: Interior and Stage: Intimisme in the Work of Édouard Vuillard – Jill Fell: Paul Ranson, Alfred Jarry and the Nabi Puppet Theatres – Camille Racine : Un peintre au théâtre : les décors de George Desvallières pour le Théâtre des Arts, 1911-1913 – Katherine Hoffman: The Enchanted Early World of the Ballets Russes: Exploring Visual Arts and Theatrical Collaborations – Aude Campmas : Exposition et reconnaissance de la femme-fleur dans La Curée : variations sur les tableaux vivants, mise en scène de la stérilité – Dominique Jeannerod : Portraits de l’insaisissable : l’art et la représentation d’Arsène Lupin sur scène – Olivia Voisin : ‘Spectacle dans un fauteuil’ : naissance d’un genre iconographique, 1825-1840 – Claire Moran: A Play within a Play: Manet’s Self-Portraits and the Art of Performance – Karen Stock: Degas and Zola: Piercing the Veil – Xavier Fontaine: The Bibliophile’s Book as Theatrical Performance: Pelléas et Mélisande. Illustrated by Fernand Khnopff – Andrei Pop: Masks, Modernity and Egoism: Theatrical Practice in James Ensor and Maurice Maeterlinck – Clément Dessy: Staging and Writing the Arabesque: The Aesthetics of Line in Nabi Painting and Avant-Garde Theatre in the Late Nineteenth Century.
    Additional Edition: ISBN 9783034308267
    Language: English
    URL: Volltext  (lizenzpflichtig)
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  • 5
    UID:
    gbv_1605257125
    Format: XVIII, 334 S. , Ill. , 225 mm x 150 mm
    ISBN: 9783034308267 , 3034308264
    Series Statement: Le romantisme et après en France 23
    Additional Edition: Erscheint auch als Online-Ausgabe Moran, Claire The Art of Theatre Oxford : Peter Lang AG, Internationaler Verlag der Wissenschaften, 2013 ISBN 9783034308267
    Language: English
    Keywords: Frankreich ; Belgien ; Theater ; Geschichte 1830-1910 ; Konferenzschrift
    Author information: Moran, Claire
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  • 6
    UID:
    gbv_559327269
    Format: Ill
    ISSN: 0266-6286
    In: Word & image, Philadelphia, PA : Routledge, Taylor & Francis Group, 1985, 23(2007), 4, Seite 414-420, 0266-6286
    In: volume:23
    In: year:2007
    In: number:4
    In: pages:414-420
    Language: English
    Author information: Moran, Claire
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