feed icon rss

Your email was sent successfully. Check your inbox.

An error occurred while sending the email. Please try again.

Proceed reservation?

Export
  • 1
    Book
    Book
    New York :Berghahn Books,
    UID:
    almahu_BV044486325
    Format: vii, 195 Seiten : , Illustrationen.
    ISBN: 978-1-78533-571-6
    Note: Includes bibliographical references and index
    Additional Edition: Erscheint auch als Online-Ausgabe, Ebook ISBN 9781785335723
    Language: English
    Subjects: Romance Studies , General works
    RVK:
    RVK:
    Keywords: 1901-1999 Bresson, Robert ; Autorenfilme ; Rezeption ; 1901-1999 Bresson, Robert ; 1938-1981 Eustache, Jean ; 1925-2003 Pialat, Maurice
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 2
    UID:
    gbv_888052146
    Format: viii, 195 Seiten , Illustrationen , 24 cm
    ISBN: 9781785335716
    Series Statement: Berghahn on film
    Note: Includes bibliographical references (pages 181-191) and index
    Additional Edition: ISBN 9781785335723
    Additional Edition: Erscheint auch als Online-Ausgabe Morari, Codruța Bressonians New York : Berghahn Books, 2017 ISBN 9781785335723
    Language: English
    Keywords: Bresson, Robert 1901-1999 ; Autorenfilme ; Rezeption ; Frankreich ; Bresson, Robert 1901-1999 ; Eustache, Jean 1938-1981 ; Pialat, Maurice 1925-2003
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 3
    Microfilm
    Microfilm
    [Frankreich] : [Verlag nicht ermittelbar]
    UID:
    gbv_1742343147
    Format: 406 Seiten
    Edition: Mikrofiche-Ausgabe Lille Atelier national de Reproduction des Thèses$h2009 2 Mikrofiches
    Content: Cette étude explore les opérations de catégorisation essentielles à l’organisation des domaines de l’expression et de la perception au cinéma et surtout à leur réversibilité propre au médium cinématographique. Un rôle fondamental revient aux processus d’analogie, de projection conceptuelle et d’isomorphisme entre ces deux domaines, processus que ce travail regroupe sous la catégorie de « métaphore ». La métaphore ne représente ni le symptôme, ni l’exemplum de la relation expression/ perception. Sa force consiste en ce qu’elle se situe en son coeur, tandis que son statut est d’assurer la réversibilité des deux domaines grâce à sa capacité à faire fonctionner des éléments identiques dans des médiums de signification différents. En tant qu’opération conceptuelle, la métaphore siège dans cet espace engendré par le jeu des formes de médiation entre le domaine de l’expression et de la perception cinématographiques. La médiation entre ces deux domaines est régie par des codes spécifiques dont l’interaction et la collaboration sont constitutives de l’opération métaphorique même. Aux degrés de médiation correspondent des degrés de métaphoricité que le présent travail organise selon des critères liés à leur manifestation dans le médium cinématographique. Au lieu de faire l’objet des taxinomies réductrices, les métaphores au cinéma se rangent sur un axe de degrés variables
    Content: The present work focuses on conceptual operations involved in the organisation of the cinematographic expression and perception, operations that assure the reversibility of those two domains. In this dynamics of perception, a central role is played by such processes as analogy, conceptual mapping and isomorphism, processes that constitute the class of “metaphors”. Metaphor does not represent the symptom, nor the exemplum of the relationship between cinematographic expression and perception. Cinematic metaphor is rather situated at its core; it ensures the exchanges between expression and perception due to its ability to make work identical elements in different mediums of signification. As a conceptual operation, metaphor inhabits an intermediary space generated by the play of different forms of mediation between the realms of cinematographic expression and perception. This mediation is regulated by specific codes, whose interaction and collaboration are inherent to the metaphorical operation itself. To degrees of mediation correspond degrees of metaphoricity, and the present work has the contention to organise those degrees according to criteria proper to the cinematographic medium. Rather than being subject to reductive taxonomies, cinematic metaphors should be organise according to the degree of mediation of perception
    Note: Dissertation Université Paris 3 2008
    Language: French
    Keywords: Hochschulschrift
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 4
    Online Resource
    Online Resource
    New York; : Berghahn Books,
    UID:
    almafu_9960890195902883
    Format: 1 online resource (206 p.)
    ISBN: 9781785335723
    Content: How should we understand film authorship in an era when the idea of the solitary and sovereign auteur has come under attack, with critics proclaiming the death of the author and the end of cinema? The Bressonians provides an answer in the form of a strikingly original study of Bresson and his influence on the work of filmmakers Jean Eustache and Maurice Pialat. Extending the discourse of authorship beyond the idea of a singular visionary, it explores how the imperatives of excellence function within cinema’s pluralistic community. Bresson’s example offered both an artistic legacy and a creative burden within which filmmakers reckoned in different, often arduous, and altogether compelling ways.
    Note: Frontmatter -- , Contents -- , Illustrations -- , Acknowledgements -- , Introduction -- , CHAPTER ONE “Il faut un auteur!” Robert Bresson and the Making of the Author -- , CHAPTER TWO An Elusive Style -- , CHAPTER THREE Kinsmen -- , CHAPTER FOUR The Ethics of Duplicity -- , CHAPTER FIVE Working Artists -- , Conclusion -- , Bibliography -- , Index , In English.
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 5
    Online Resource
    Online Resource
    New York :Berghahn Books,
    UID:
    almahu_9949370144102882
    Format: 1 online resource (204 pages)
    ISBN: 9781785335723 (e-book)
    Additional Edition: Print version: Morari, Codruta. Bressonians : French cinema and the culture of authorship. New York : Berghahn Books, 2017 ISBN 9781785335716
    Language: English
    Keywords: Electronic books.
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
Close ⊗
This website uses cookies and the analysis tool Matomo. Further information can be found on the KOBV privacy pages