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  • 1
    Online Resource
    Online Resource
    Sounding imperial : poetic voice and the politics of empire, 1730-1820 (2012)
    Baltimore :Johns Hopkins University Press,
    Details
    UID:
    almahu_9949711801502882
    Format: 1 online resource (232 p.)
    Edition: 1st ed.
    ISBN: 1-4214-0855-4
    Content: Sounding Imperial offers a more nuanced sense of poetry's unseen role in larger historical processes, emphasizing not just appropriation or collusion but the murky middle range in which most British authors operated during their colonial encounters and the voices that they used to make those cross-cultural encounters seem vivid and alive.
    Note: Description based upon print version of record. , ""Contents""; ""List of Illustrations""; ""Acknowledgments""; ""Introduction: The Global Aesthetics of Poetic Voice""; ""1. Thomas Gray, Virtual Authorship, and the Performed Voice""; ""Authoring Gray�s “Elegy�""; ""Performing Gray�s “Elegy�""; ""Impersonating the Bard?""; ""Wildness and Welsh Prosody""; ""Quotation Marks""; ""(Un)Editing the Bards""; ""2. Wales, Public Poetry, and the Politics of Collective Voice""; ""Bardic Nationalism Reconsidered""; ""The Aboriginal Aesthetics of Iolo Morganwg""; ""Listening to the Welsh Past""; ""Dead Voices Reanimated"" , ""3. Scotland and the Invention of Voice""""Primitive Passions, Poetry Addiction, History""; ""Ambiguous Speech""; ""Writing, Re-performance, and Restored Voices""; ""Intimate Hailing""; ""Ossian�s Afterlife""; ""4. Impersonating Native Voices in Anglo-Indian Poetry""; ""William Jones and the Fountainhead of Verse""; ""Making the Subaltern Speak""; ""Rewriting Gray�s “The Bard� in India""; ""Dislocated Orientalism""; ""Coda: Reading the Archive of the Inauthentic""; ""Notes""; ""Bibliography""; ""Index""; ""A""; ""B""; ""C""; ""D""; ""E""; ""F""; ""G""; ""H""; ""I""; ""J""; ""K"" , ""L""""M""; ""N""; ""O""; ""P""; ""Q""; ""R""; ""S""; ""T""; ""V""; ""W""; ""Z"" , English
    Additional Edition: ISBN 1-4214-0854-6
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    HU Berlin
    FU Berlin
    Charité
  • 2
    Book
    Book
    Sounding imperial : poetic voice and the politics of empire, 1730 - 1820 (2013)
    Baltimore :Johns Hopkins Univ. Press,
    Details
    UID:
    almahu_BV040990090
    Format: XI, 217 S. : , Ill.
    ISBN: 1-4214-0854-6 , 978-1-4214-0854-5
    Note: Includes bibliographical references and index
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 1-4214-0855-4
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-1-4214-0855-2
    Language: English
    Subjects: English Studies
    RVK:
    HK 1181
    RVK:
    HL 1191
    Keywords: Englisch ; Lyrik ; Lyrisches Ich ; Kolonialismus
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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  • 3
    Online Resource
    Online Resource
    Sounding Imperial : Poetic Voice and the Politics of Empire, 1730-1820 (2013)
    [Erscheinungsort nicht ermittelbar] : Johns Hopkins University Press
    Details
    UID:
    gbv_1832288870
    Format: 1 Online-Ressource (232 p.)
    ISBN: 9781421428390
    Content: Spoken words come alive in written verse.In Sounding Imperial, James Mulholland offers a new assessment of the origins, evolution, and importance of poetic voice in the eighteenth and early nineteenth centuries. By examining a series of literary experiments in which authors imitated oral voices and impersonated foreign speakers, Mulholland uncovers an innovative global aesthetics of poetic voice that arose as authors invented new ways of crafting textual voices and appealing to readers. As poets drew on cultural forms from around Great Britain and across the globe, impersonating "primitive" speakers and reviving ancient oral performances (or fictionalizing them in verse), they invigorated English poetry.Mulholland situates these experiments with oral voices and foreign speakers within the wider context of British nationalism at home and colonial expansion overseas. Sounding Imperial traces this global aesthetic by reading texts from canonical authors like Thomas Gray, James Macpherson, and Felicia Hemans together with lesser-known writers, like Welsh antiquarians, Anglo-Indian poets of colonialism, and impersonators of Pacific islanders. The frenetic borrowing, movement, and adaptation of verse of this time offers a powerful analytic by which scholars can understand anew poetry's role in the formation of national culture and the exercise of colonial power. Sounding Imperial offers a more nuanced sense of poetry's unseen role in larger historical processes, emphasizing not just appropriation or collusion but the murky middle range in which most British authors operated during their colonial encounters and the voices that they used to make those cross-cultural encounters seem vivid and alive
    Note: English
    Language: Undetermined
    URL: kostenfrei
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    Online Resource
    Stabi Berlin
    UB Potsdam
  • 4
    Book
    Book
    Before the Raj : writing early Anglophone India (2021)
    Baltimore :Johns Hopkins University Press,
    Details
    UID:
    almahu_BV047171606
    Format: xiv, 293 Seiten : , Illustrationen.
    ISBN: 978-1-4214-3960-0 , 978-1-4214-3961-7
    Additional Edition: Erscheint auch als Online-Ausgabe, ebook ISBN 978-1-4214-3962-4
    Language: English
    Subjects: English Studies
    RVK:
    HQ 6023
    Keywords: Literatur ; Englisch ; Criticism, interpretation, etc ; History
    URL: http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032577063&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
    URL: http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032577063&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA
    URL: Inhaltsverzeichnis
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  • 5
    Book
    Book
    Salvador da Bahia de Todos os Santos no século XIX : pintura documental: Diógenes Rebouc̨as. Notícias e notas: Godofredo Filho. [Versão do texto em inglês é de James Mulholland] (1996)
    Salvador, BA : Odebrecht
    Details
    UID:
    gbv_1611083362
    Format: 247 S. , zahlr. Ill.
    Edition: 3. ed.
    ISBN: 8585023643
    Note: Text engl. und portug
    Language: Portuguese
    Keywords: Salvador ; Stadtentwicklung ; Architektur ; Geschichte 1800-1900 ; Salvador ; Stadtentwicklung ; Architektur ; Geschichte 1800-1900
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  • 6
    Book
    Book
    Desempenho econômico e perspectivas do Brasil (1985)
    Rio de Janeiro : FGV Inst. de Documentação,
    Details
    UID:
    gbv_466705468
    Format: XIII, 179 S , Tab
    Language: Portuguese
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  • 7
    Book
    Book
    The history of metals in North America, 1580 to 1800 / (1975)
    Details
    UID:
    almafu_BV026258602
    Format: V, 371 Bl.
    Note: Kopie, erschienen im Verl. Univ. Microfilms Internat., Ann Arbor, Mich. , Univ. of Delaware, Diss., 1975
    Language: English
    Keywords: Hochschulschrift
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  • 8
    Online Resource
    Online Resource
    Sounding Imperial : Poetic Voice and the Politics of Empire, 1730–1820 (2013)
    Johns Hopkins University Press
    Details
    UID:
    edoccha_9960788134202883
    Format: 1 electronic resource (232 p.)
    ISBN: 1-4214-2839-3
    Content: Spoken words come alive in written verse.In Sounding Imperial, James Mulholland offers a new assessment of the origins, evolution, and importance of poetic voice in the eighteenth and early nineteenth centuries. By examining a series of literary experiments in which authors imitated oral voices and impersonated foreign speakers, Mulholland uncovers an innovative global aesthetics of poetic voice that arose as authors invented new ways of crafting textual voices and appealing to readers. As poets drew on cultural forms from around Great Britain and across the globe, impersonating “primitive” speakers and reviving ancient oral performances (or fictionalizing them in verse), they invigorated English poetry.Mulholland situates these experiments with oral voices and foreign speakers within the wider context of British nationalism at home and colonial expansion overseas. Sounding Imperial traces this global aesthetic by reading texts from canonical authors like Thomas Gray, James Macpherson, and Felicia Hemans together with lesser-known writers, like Welsh antiquarians, Anglo-Indian poets of colonialism, and impersonators of Pacific islanders. The frenetic borrowing, movement, and adaptation of verse of this time offers a powerful analytic by which scholars can understand anew poetry’s role in the formation of national culture and the exercise of colonial power. Sounding Imperial offers a more nuanced sense of poetry’s unseen role in larger historical processes, emphasizing not just appropriation or collusion but the murky middle range in which most British authors operated during their colonial encounters and the voices that they used to make those cross-cultural encounters seem vivid and alive.
    Note: English
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    Charité
  • 9
    Online Resource
    Online Resource
    Sounding Imperial : Poetic Voice and the Politics of Empire, 1730–1820 (2013)
    Johns Hopkins University Press
    Details
    UID:
    edocfu_9960788134202883
    Format: 1 electronic resource (232 p.)
    ISBN: 1-4214-2839-3
    Content: Spoken words come alive in written verse.In Sounding Imperial, James Mulholland offers a new assessment of the origins, evolution, and importance of poetic voice in the eighteenth and early nineteenth centuries. By examining a series of literary experiments in which authors imitated oral voices and impersonated foreign speakers, Mulholland uncovers an innovative global aesthetics of poetic voice that arose as authors invented new ways of crafting textual voices and appealing to readers. As poets drew on cultural forms from around Great Britain and across the globe, impersonating “primitive” speakers and reviving ancient oral performances (or fictionalizing them in verse), they invigorated English poetry.Mulholland situates these experiments with oral voices and foreign speakers within the wider context of British nationalism at home and colonial expansion overseas. Sounding Imperial traces this global aesthetic by reading texts from canonical authors like Thomas Gray, James Macpherson, and Felicia Hemans together with lesser-known writers, like Welsh antiquarians, Anglo-Indian poets of colonialism, and impersonators of Pacific islanders. The frenetic borrowing, movement, and adaptation of verse of this time offers a powerful analytic by which scholars can understand anew poetry’s role in the formation of national culture and the exercise of colonial power. Sounding Imperial offers a more nuanced sense of poetry’s unseen role in larger historical processes, emphasizing not just appropriation or collusion but the murky middle range in which most British authors operated during their colonial encounters and the voices that they used to make those cross-cultural encounters seem vivid and alive.
    Note: English
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    FU Berlin
  • 10
    Online Resource
    Online Resource
    Sounding Imperial : Poetic Voice and the Politics of Empire, 1730–1820 (2013)
    Johns Hopkins University Press
    Details
    UID:
    almahu_9949331843502882
    Format: 1 electronic resource (232 p.)
    ISBN: 1-4214-2839-3
    Content: Spoken words come alive in written verse.In Sounding Imperial, James Mulholland offers a new assessment of the origins, evolution, and importance of poetic voice in the eighteenth and early nineteenth centuries. By examining a series of literary experiments in which authors imitated oral voices and impersonated foreign speakers, Mulholland uncovers an innovative global aesthetics of poetic voice that arose as authors invented new ways of crafting textual voices and appealing to readers. As poets drew on cultural forms from around Great Britain and across the globe, impersonating “primitive” speakers and reviving ancient oral performances (or fictionalizing them in verse), they invigorated English poetry.Mulholland situates these experiments with oral voices and foreign speakers within the wider context of British nationalism at home and colonial expansion overseas. Sounding Imperial traces this global aesthetic by reading texts from canonical authors like Thomas Gray, James Macpherson, and Felicia Hemans together with lesser-known writers, like Welsh antiquarians, Anglo-Indian poets of colonialism, and impersonators of Pacific islanders. The frenetic borrowing, movement, and adaptation of verse of this time offers a powerful analytic by which scholars can understand anew poetry’s role in the formation of national culture and the exercise of colonial power. Sounding Imperial offers a more nuanced sense of poetry’s unseen role in larger historical processes, emphasizing not just appropriation or collusion but the murky middle range in which most British authors operated during their colonial encounters and the voices that they used to make those cross-cultural encounters seem vivid and alive.
    Note: English
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    HU Berlin
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