Kooperativer Bibliotheksverbund

UID:

Format: xxvi, 296 p. , ill , 22 cm

Edition: Online_Ausgabe New York In the United States of America distributed by Palgrave Macmillan 2004 E-Books von NetLibrary Sonstige Standardnummer des Gesamttitels: 22382847

Edition: Boulder, Colo NetLibrary

ISBN: 1417519797

Note: Based on a conference on contemporary Brazilian cinema organized by the Centre for Brazilian Studies and held at Wadham College, Oxford in June 2000. - Includes bibliographical references and index , A new policy for Brazilian cinema / José Álvaro Moisés -- The cinema that Brazil deserves / Carlos Diegues -- Brazilian cinema in the 1990s: the unexpected encounter and the resentful character / Ismail Xavier -- Humility, guilt and narcissism turned inside out in Brazil's film revival / Fernão Pessoa Ramos -- Chronically unfeasible : the political film in a depoliticized world / João Luiz Vieira -- It's all Brazil / Amir Labaki -- A cinema of conversation - Eduardo Coutinho's Santo Forte and Babilônia 2000 / Verónica Ferreira Dias -- The sertão and the favela in contemporary Brazilian film / Ivana Bentes -- The sertão in the Brazilian imaginary at the end of the millennium / Luiz Zanin Oricchio -- Death on the beach - the recycled utopia of Midnight / Lúcia Nagib -- Nelson Rodrigues in the 1990s : two recent screen adaptations / Stephanie Dennison -- An oblique gaze : irony and humour in Helvécio Ratton's Love & Co / Maria Esther Maciel -- Cabral and the Indians : filmi

Additional Edition: Reproduktion von The new Brazilian cinema 2003

Language: English

Subjects: General works

Keywords: Brasilien ; Film ; Geschichte 1995-2000 ; Aufsatzsammlung ; Konferenzschrift ; Electronic books. ; Electronic books. ; Electronic books ; Konferenzschrift

URL: Volltext

URL: Full text  (Click to View (Currently Only Available on Campus))

URL: Volltext  (Deutschlandweit zugänglich)

URL: Volltext  (Deutschlandweit zugänglich)

UID:

Format: 1 Online-Ressource (301 Seiten)

ISBN: 9789048539215

Series Statement: Film culture in transition

Note: Erscheint als Open Access bei De Gruyter

Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-94-6298-751-7

Language: English

Keywords: Film ; Realismus

DOI: 10.1515/9789048539215

URL: Volltext  (kostenfrei)

URL: Volltext  (kostenfrei)

UID:

Format: XXII, 162 S. , zahlr. Ill.

ISBN: 9781845114480 , 9781845113285

Series Statement: Tauris world cinema series

Language: English

Subjects: Romance Studies

Keywords: Brasilien ; Film ; Geschichte 1959-2002 ; Brasilien ; Film ; Utopie ; Geschichte 1995-2002

URL: Inhaltsverzeichnis

URL: Inhaltsverzeichnis

URL: Cover

UID:

Format: XXVI, 296 S. , Ill.

ISBN: 1860649289 , 1860648789

Content: In a comprehensive critical survey of Brazilian film production since the mid-1990s Lucia Nagib explores what has become known as the 'renaissance of Brazilian cinema'. Besides explaining the recent boom, this book explores the aesthetic tendencies of recent productions and their relationships to earlier works.

Language: English

Subjects: General works

Keywords: Brasilien ; Film ; Geschichte 1995-2000 ; Aufsatzsammlung ; Konferenzschrift ; Bibliografie ; Konferenzschrift

URL: Inhaltsverzeichnis

URL: http://www.loc.gov/catdir/description/hol054/2004297788.html

UID:

Format: 1 online resource (300 pages) : , illustrations; digital, PDF file(s).

Edition: 1st ed.

ISBN: 9789048539215

Series Statement: Film Culture in Transition

Content: This book presents the bold and original proposal to replace the general appellation of 'world cinema' with the more substantive concept of 'realist cinema'. Veering away from the usual focus on modes of reception and spectatorship, it locates instead cinematic realism in the way films are made. The volume is structured across three innovative categories of realist modes of production: 'non-cinema', or a cinema that aspires to be life itself; 'intermedial passages', or films that incorporate other artforms as a channel to historical and political reality; and 'total cinema', or films moved by a totalising impulse, be it towards the total artwork, total history or universalising landscapes. Though mostly devoted to recent productions, each part starts with the analysis of foundational classics, which have paved the way for future realist endeavours, proving that realism is timeless and inherent in cinema from its origin.

Note: Frontmatter -- Table of Contents -- List of Illustrations -- Acknowledgements -- Introduction -- Part I. Non-cinema -- 1. The Death of (a) Cinema -- 2. Jafar Panahi’s Forbidden Tetralogy -- 3. Film as Death -- 4. The Blind Spot of History -- Part II. Intermedial Passages -- 5. The Geidōmono Genre and Intermedial Acting in Ozu and Mizoguchi -- 6. Intermedial History-Telling -- 7. Passages to Reality -- Part III. Towards Total Cinema -- 8. The Reality of Art -- 9. Historicising the Story through Film and Music -- 10. Total Cinema as Mode of Production -- Bibliography -- Index , Also available in print form. , In English.

Additional Edition: Print version: ISBN 9789462987517

Language: English

DOI: 10.1515/9789048539215

URL: lizenzpflichtig

URL: Open Access

URL: kostenfrei

URL: Cover

URL: Cover

UID:

Format: xxxi, 304 Seiten : , Illustrationen ; , 23 cm.

ISBN: 978-1-78076-510-5 , 978-1-78076-511-2

Series Statement: Tauris world cinema series

Language: English

Keywords: Film ; Intermedialität ; Interkulturalität ; Aufsatzsammlung ; Konferenzschrift ; Aufsatzsammlung

URL: http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=026886611&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA

URL: Cover

URL: Inhaltsverzeichnis

UID:

Format: XIV, 293 S. : , Ill.

ISBN: 978-1-4411-3783-8 , 1-4411-3783-1 , 978-1-4411-6583-1 , 1-4411-6583-5

Note: Includes bibliographical references and index

Language: English

Subjects: General works

Keywords: Film ; Realismus

URL: http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=021197940&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA

URL: Inhaltsverzeichnis

UID:

Format: 1 online resource (325 p.)

Edition: First edition.

ISBN: 0-85773-646-9 , 0-7556-9948-3 , 1-282-52876-9 , 9786612528767 , 0-85771-507-0 , 600-00-0737-X , 1-4175-1979-7

Content: In a comprehensive critical survey of Brazilian film production since the mid-1990s Lucia Nagib explores what has become known as the 'renaissance of Brazilian cinema'. Besides explaining the recent boom, this book explores the aesthetic tendencies of recent productions and their relationships to earlier works.

Note: Based on a conference on contemporary Brazilian cinema organized by the Centre for Brazilian Studies and held at Wadham College, Oxford in June 2000. , A new policy for Brazilian cinema / José Álvaro Moisés -- The cinema that Brazil deserves / Carlos Diegues -- Brazilian cinema in the 1990s : the unexpected encounter and the resentful character / Ismail Xavier -- Humility, guilt and narcissism turned inside out in Brazil's film revival / Fernão Pessoa Ramos -- Chronically unfeasible : the political film in a depoliticized world / João Luiz Vieira -- It's all Brazil / Amir Labaki -- A cinema of conversation -- Eduardo Coutinho's Santo Forte and Babilônia 2000 / Verónica Ferreira Dias -- The sertão and the favela in contemporary Brazilian film / Ivana Bentes -- The sertão in the Brazilian imaginary at the end of the millennium / Luiz Zanin Oricchio -- Death on the beach -- the recycled utopia of Midnight / Lúcia Nagib -- Nelson Rodrigues in the 1990s : two recent screen adaptations / Stephanie Dennison -- An oblique gaze : irony and humour in Helvécio Ratton's Love & Co / Maria Esther Maciel -- Cabral and the Indians : filmic representations of Brazil's 500 years / Robert Stam -- For all and traditions of popular musical comedy / Lisa Shaw -- ImagiNation / José Carlos Avellar -- Then and now : cinema as history in the light of new media and new technologies / Laura Mulvey. , Also available in print. , English

Additional Edition: ISBN 1-86064-928-9

Additional Edition: ISBN 1-86064-878-9

Language: English

DOI: 10.5040/9780755699483

UID:

Format: 1 online resource (301 pages)

Content: "This book presents the bold and original proposal to replace the general appellation of 'world cinema' with the more substantive concept of 'realist cinema'. Veering away from the usual focus on modes of reception and spectatorship, it locates instead cinematic realism in the way films are made. The volume is structured across three innovative categories of realist modes of production: 'non-cinema', or a cinema that aspires to be life itself; 'intermedial passages', or films that incorporate other artforms as a channel to historical and political reality; and 'total cinema', or films moved by a totalising impulse, be it towards the total artwork, total history or universalising landscapes. Though mostly devoted to recent productions, each part starts with the analysis of foundational classics, which have paved the way for future realist endeavours, proving that realism is timeless and inherent in cinema from its origin."--Back cover.

Note: List of Illustrations Acknowledgements Introduction Part I Non-cinema 1 The Death of (a) Cinema: The State of Things 2 Jafar Panahi's Forbidden Tetralogy: This Is Not a Film, Closed Curtain, Taxi Tehran, Three Faces 3 Film as Death: The Act of Killing 4 The Blind Spot of History: Colonialism in Tabu Part II Intermedial Passages 5 The Geidomono Genre and Intermedial Acting in Ozu and Mizoguchi 6 Intermedial History-Telling: Mysteries of Lisbon 7 Passages to Reality: The Case of Brazilian Cinema Part III Towards Total Cinema 8 The Reality of Art: Ossessione 9 Historicising the Story through Film and Music: An Intermedial Reading of Heimat 2 10 Total Cinema as Mode of Production Bibliography Index.

Additional Edition: ISBN 94-6298-751-3

Language: English

UID:

Format: 1 online resource (xvii, 364 pages) : , illustrations (black and white, and colour), digital, PDF file(s).

Edition: 1st ed.

ISBN: 1-4744-5301-5 , 1-4744-5300-7

Series Statement: Edinburgh studies in film and intermediality

Content: From its inception, Brazilian cinema has combined extra-filmic artistic and cultural forms, both local and imported, resulting in an original aesthetic blend. By adopting intermediality as a historiographic method, this book reconstructs the history and cultural wealth behind filmic expressions in Brazilian cinema.

Note: Previously issued in print: 2022. , Frontmatter -- , Contents -- , List of Figures -- , The Contributors -- , Acknowledgements -- , Introduction -- , Part I Intervisuality -- , 1 Traffic in Images: Visual Spectacle before Cinema in Brazil -- , 2 Intermedial Landscapes in the Work of Cao Guimarães -- , 3 ‘The most innocent film of the year’: Comic Books, Sex and Cinema Marginal -- , 4 Photographs of the Invisible: Intermedial Figurations of Social Exclusion in Babás and Aquarius -- , 5 Exploring the Cinematic Imaginary: Carlos Adriano, André Parente and the Precision of the Vague -- , Part II The Empire of Music -- , 6 Watson Macedo’s Aviso aos navegantes (1950): Reflections on the Musical Numbers of a Brazilian Chanchada -- , 7 (In)Visible Musicians: Supporting Instrumentalists and their Intermedial Vocation -- , 8 Music-video Aesthetics in Pernambucan Cinema -- , 9 Possessing Archival Images: Ghosts, Songs and Films in Cartola – música para os olhos (2007) -- , Part III Entertainment Circuits -- , 10 Intermediality in Brazilian Silent Cinema: Luiz de Barros’s Works and Intermedial Strategies -- , 11 ‘Synchronised Film Fever’ amid the ‘Gramophonoradiomania’: Record, Radio and Cinema at the Dawn of the ‘Talkies’ in Rio de Janeiro -- , 12 The Singer, the Acrobats and the Bands: A Study of Three Brazilian Films and their Intermedial Characters -- , 13 Gilda de Abreu’s O Ébrio as a Unique Intermedial Project -- , 14 Chanchada, Samba and Beyond: From the Cinema of Radio to the Cinema of Television (1930s–1960s) -- , Part IV From Impure Cinema to Cosmopoetics -- , 15 Impure Cinema as Method: The Last Films of Eduardo Coutinho -- , 16 Queering Intermediality in Brazilian Cinema -- , 17 The Humiliation of the Father: Theatrical Melodrama and Cinema Novo’s Critique of Conservative Modernisation -- , 18 Intermedial Territories: Maps and the Amazonian Moving Image -- , 19 An Intermedial Reading of Glauber Rocha’s Cosmogony -- , Index

Additional Edition: ISBN 1-4744-5299-X

Additional Edition: ISBN 1-4744-5298-1

Language: English

DOI: 10.1515/9781474453004

URL: https://www.cambridge.org/core/product/identifier/9781474453004/type/BOOK