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  • 1
    UID:
    gbv_870954113
    Format: 191 Seiten , Illustrationen (teilweise farbig) , 28 cm
    ISBN: 9781910433942
    Content: It is now almost 25 years since the fall of the Berlin Wall, the fragmentation of the Soviet Union into a series of republics and the rejection of communist politics in much of the former Eastern Bloc. Seen by many as a victory for the capitalist West over the communist East, the geopolitics of this period was far more complicated than this. Across a series of essays and artist contributions, Red Africa explores the crosscurrents of international solidarity and friendship. The aesthetic experience of the works and the exhibition is also an invitation for the visitor to explore what Leila Ghandi and others have described as a politics of affective community. Red Africa is the culmination of a two-year research programme and exhibition project at Calvert 22, London, and Iwalewa House, Bayreuth. This traced the work of African artists and filmmakers who studied in the Soviet Union and Eastern Bloc under free education schemes originally offered under the Third International, discontinued during Stalin's reign, then brought back during Khruschev's thaw. Connections were particularly strong with countries such as Mozambique, Ghana, Ethiopia and Angola that were conducting liberation struggles or which, post-independence, were part of the Non-Aligned Movement which held its first Summit conference in Belgrade in 1961. Red Africa is beautifully illustrated with film stills, artworks and archival images drawing on the extensive research of the contributing artists, researchers and curators. Contributors include Onejoon Che, Radovan Cukic and Ivan Manojlovic, Ros Gray, Ana Balona de Oliveira, Burt Cesar, Filipa Cesar, Angela Ferreira, Yevgenyi Fiks, Kiluanji Kia Henda, Isaac Julien, Alexander Markov, Jo Ratcliffe, Polly Savage, Nadine Siegert, Manuela Ribeiro Sanches, The Travelling Communique Group, Milica Tomic, Tonel and Vanessa Vasic-Janekovic.
    Note: Literaturangaben
    Language: English
    Subjects: History , Art History
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    Keywords: Afrika ; Ost-West-Konflikt ; Politische Kunst ; Sozialismus ; Ausstellungskatalog ; Ausstellungskatalog ; Ausstellungskatalog
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  • 2
    Book
    Book
    London : BFI
    UID:
    b3kat_BV012897276
    Format: 81 S.
    ISBN: 0851700683
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    Image
    Image
    London, UK :Black Dog Publishing,
    UID:
    almafu_BV043866186
    Format: 191 Seiten : , Illustrationen ; , 28 cm.
    ISBN: 978-1-910433-94-2
    Content: It is now almost 25 years since the fall of the Berlin Wall, the fragmentation of the Soviet Union into a series of republics and the rejection of communist politics in much of the former Eastern Bloc. Seen by many as a victory for the capitalist West over the communist East, the geopolitics of this period was far more complicated than this. Across a series of essays and artist contributions, Red Africa explores the crosscurrents of international solidarity and friendship. The aesthetic experience of the works and the exhibition is also an invitation for the visitor to explore what Leila Ghandi and others have described as a politics of affective community. Red Africa is the culmination of a two-year research programme and exhibition project at Calvert 22, London, and Iwalewa House, Bayreuth. This traced the work of African artists and filmmakers who studied in the Soviet Union and Eastern Bloc under free education schemes originally offered under the Third International, discontinued during Stalin's reign, then brought back during Khruschev's thaw. Connections were particularly strong with countries such as Mozambique, Ghana, Ethiopia and Angola that were conducting liberation struggles or which, post-independence, were part of the Non-Aligned Movement which held its first Summit conference in Belgrade in 1961. Red Africa is beautifully illustrated with film stills, artworks and archival images drawing on the extensive research of the contributing artists, researchers and curators. Contributors include Onejoon Che, Radovan Cukic and Ivan Manojlovic, Ros Gray, Ana Balona de Oliveira, Burt Cesar, Filipa Cesar, Angela Ferreira, Yevgenyi Fiks, Kiluanji Kia Henda, Isaac Julien, Alexander Markov, Jo Ratcliffe, Polly Savage, Nadine Siegert, Manuela Ribeiro Sanches, The Travelling Communique Group, Milica Tomic, Tonel and Vanessa Vasic-Janekovic
    Note: Includes bibliographical references
    Language: English
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    Keywords: Ost-West-Konflikt ; Ausstellungskatalog ; Ausstellungskatalog
    Library Location Call Number Volume/Issue/Year Availability
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  • 4
    Book
    Book
    Houndmills [u.a.] :Palgrave Macmillan,
    UID:
    almafu_BV025504633
    Format: X, 228 S. : , Ill.
    Edition: 1. publ.
    ISBN: 0-230-00874-7
    Series Statement: Language, discourse, society
    Note: Includes bibliographical references and index
    Language: English
    Subjects: General works
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    Keywords: Filmtheorie ; Aufsatzsammlung ; Aufsatzsammlung
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  • 5
    UID:
    almahu_BV044552661
    Format: 1 DVD-Video, 1 Blu-Ray-Disc ; , 1 Beiheft (40 Seiten) , 12 cm
    Language: English
    Subjects: Romance Studies , Ethnology , General works
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    Keywords: 1925-1961 Fanon, Frantz ; Antikolonialismus ; Film ; DVD-Video ; Blu-Ray-Disc
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  • 6
    UID:
    gbv_1016151179
    Format: 1 DVD-Video, 1 Blu-Ray Disc (68 min) , farbig, schwarz/weiß, PAL, Dolby Digital 2.0 stereo, original aspect ratio 1,66:1, BD 50, 1080p, 24 fps, PCM 2.0 stereo, DVD 9 , 1 Beiheft (40 Seiten)
    Note: Spielfilm. Großbritannien. Frankreich. 1996 , Sprache: Englisch, Französisch , Untertitel: Englisch, Französisch
    Language: English
    Keywords: Film ; DVD-Video ; Blu-Ray-Disc
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  • 7
    Image
    Image
    London : Normal Films | Durham, NC : Duke University Press
    UID:
    gbv_1852379642
    Format: 405 Seiten , Illustrationen , 22 cm
    ISBN: 9781478020448 , 147802044X
    Content: "Curating the Moving Image presents a selection of essays dealing with contemporary art, film and installation. In the 20th century film became one of the most important tools for social and aesthetic exchange. This dynamic has now migrated into the art world and contemporary curatorial practice. These essays argue that radical forms bring in the curatorial as a most significant force within the fields of art and cultural practices."--Back cover
    Note: Umschlagtitel , Includes bibliographical references (pages 395-399) and index (pages 403-405) , Introduction -- First Movement: Theatrical Fields -- Second Movement: Back to the Future -- Third Movement: China as Method -- Afterword & Postscriptum.
    Language: English
    Subjects: General works
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    Keywords: Videokunst ; Kurator ; Videokunst ; Museum ; Ausstellung ; Aufsatzsammlung
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