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  • 1
    UID:
    kobvindex_ZLB14122199
    Format: 1 DVD-Video (ca. 85 Min.) , Tonformat: DD 2.0 , Bildformat: 16:9
    Content: In Iran, capital punishment is carried out according to Islamic law, which gives the family of the victim ownership of the offender's life. Day Break, based on a compilation of true stories and shot inside Teheran's century-old prison, revolves around the imminent execution of Mansour, a man found guilty of murder. When the family of the victim repeatedly fails to show up on the appointed day, Mansour's execution is postponed again and again. Stuck inside the purgatory of his own mind, he waits as time passes on without him, caught between life and death, retribution and forgiveness. (Film Movement)
    Content: "Mansour is awakened at daybreak for a medical exam (no sick person can be executed), and he is scheduled to face the victim's family for the third time; they did not show up the previous two times. Mansour and another death row inmate enter the execution room. Only one bench is filled̶Mansour's final judges have yet to make their appearance, but he is assured that the family is on the way. That gives us all a chance to see Islamic justice at work. Confronted by an embittered family member who appears set on retribution, the condemned murderer sobs and begs for his life. The judge also implores the family to consider granting mercy to no avail; the prisoner continues to pitifully plea for his life. It's almost a relief for the man to be ordered to step up for his hanging, but at the very last instant a bargain is struck̶his life in exchange for his house and property to be used for an orphanage. After witnessing mostly negative media coverage about Islamic justice, it's quite refreshing to see a different view̶a humanistic way of allowing the victims to act as the final judge. Meanwhile, Mansour learns that his execution has once again been postponed. A phone call from the family informs that there was a death in the family, so they must wait the traditionally prescribed 40 days before attending to Mansour's pending execution. While this news is usually cause for celebration, Mansour sees this as worse than death. The continual state of purgatory has been working on his mind, much like Dostoevsky's psychological study in Crime and Punishment." (John Nesbit)
    Note: Ländercode: 1 , Farsi mit engl. Untertiteln
    Language: Persian
    Keywords: Iran ; Todesstrafe 〈Motiv〉 ; Verurteilter ; Justizvollzugsanstalt ; Sühne ; Film ; DVD-Video ; DVD-Video
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    UID:
    kobvindex_ZLB15457778
    Format: 1 DVD-Video
    Content: Madhavi is the only daughter of Keshava Rao, an exponent of the traditional Mysore paintings. Keshava Rao, Madhavi and her husband live together in the same house. Denied of motherly love very early in life, Madhavi develops a strange obsessive feeling for her father during her formative years. Her unusual feelings, which should have subsided with time, remain dormant in her psyche. Well-known psychoanalyst Sigmund Freud defines such a state of mind as Electra complex- a daughter's unresolved attraction towards her father. This obsession has its problematic reflections in her married life. The arrival of Nava, a foreign girl, to learn painting from Keshava Rao creates even more problems. Madhavi's cluttered psyche drives her to weird imaginations about the relationship between her father and Nava, with attendant complications at home. Disturbed by the turn of events, Keshava Rao leaves home for good without giving out any clue about his whereabouts. With the intervention of the family friend (a doctor), Madhavi manages to get over her Electra complex. A few years later, she gets a hint that her father lives in distant Kashi and goes searching for him. In this process, she is exposed to the eerie life of Kashi, the mysterious happenings around, and the people longing for death in Mukthibhavan with the belief of attaining salvation. It opens her up to the understanding of her own little world better. What started off as a search for father ends up in her realization of the true meaning of life and living? A background to`Vimukthi': "You have to die here within 15 days; or else you have to quit the place!" This headline in a newspaper with reference to `Mukthibhavan' at Kashi (Varanasi) was at once arresting. The report went on with details: Many orthodox Hindus believe that dying at this holy place and getting a cremation in the banks of the holy Ganges River, is a sure step to salvation- no further birth and rebirth. In pursuit of this, hundreds of people counting their last days are brought to this place every day. Mukthibhavan is a special place where such people are accommodated, free of charge, but with the above condition, as it has to cater to the needs of many in the queue. Those who do not die within the stipulated period return home with the sad feeling that they are not destined to attain salvation. The 12 rooms of Mukthibhavan have seen over 20,000 such people in the last five decades. 'Vimukthi' took shape on the basis of several thoughts that churned the mind after reading this report. Desires and attachments are the root causes for the agonies of human life- both mental and physical. All of us, in our own ways, seem to be perennially in search of freedom from these shackles. The characters of Vimukthi keep exploring the means of unshackling themselves from these Desires & attachments. (Kannada Store)
    Note: Ländercode: 0 , Orig.: Indien, , Engl. Untertiteln
    Language: Kannada
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