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  • 1
    Online Resource
    Online Resource
    Washington, DC : National Endowment for the Humanities ; Nachgewiesen 1994 -
    UID:
    b3kat_BV016877732
    Format: Online-Ressource
    ISSN: 1555-0532
    Note: Gesehen am 17.09.10 , Periodizität: alle 2 Monate
    Additional Edition: Erscheint auch als Druck-Ausgabe Humanities ISSN 0018-7526
    Former: Druckausg. u. Vorg. Humanities
    Language: English
    Keywords: Zeitschrift ; Zeitschrift
    URL: Volltext  (kostenfrei)
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  • 2
    UID:
    almafu_9961535633402883
    Format: 1 online resource (354 p.)
    ISBN: 9781478093817
    Content: Hawaiʻi Is My Haven maps the context and contours of Black life in the Hawaiian Islands. This ethnography emerges from a decade of fieldwork with both Hawaiʻi-raised Black locals and Black transplants who moved to the Islands from North America, Africa, and the Caribbean. Nitasha Tamar Sharma highlights the paradox of Hawaiʻi as a multiracial paradise and site of unacknowledged antiBlack racism. While Black culture is ubiquitous here, African-descended people seem invisible. In this formerly sovereign nation structured neither by the US Black/White binary nor the one-drop rule, nonWhite multiracials, including Black Hawaiians and Black Koreans, illustrate the coarticulation and limits of race and the native/settler divide. Despite erasure and racism, nonmilitary Black residents consider Hawaiʻi their haven, describing it as a place to "breathe" that offers the possibility of becoming local. Sharma's analysis of race, indigeneity, and Asian settler colonialism shifts North American debates in Black and Native studies to the Black Pacific. Hawaiʻi Is My Haven illustrates what the Pacific offers members of the African diaspora and how they in turn illuminate race and racism in "paradise."
    Note: Frontmatter -- , CONTENTS -- , Acknowledgments -- , Introduction: Hawaiʻi Is My Haven -- , 1. Over Two Centuries: The History of Black People in Hawaiʻi -- , 2. "Saltwater Negroes": Black Locals, Multiracialism, and Expansive Blackness -- , 3. "Less Pressure": Black Transplants, Settler Colonialism, and a Racial Lens -- , 4. Racism in Paradise: AntiBlack Racism and Resistance in Hawaiʻi -- , 5. Embodying Kuleana: Negotiating Black and Native Positionality in Hawaiʻi -- , Conclusion: Identity ↔ Politics ↔ Knowledge -- , Notes -- , Bibliography -- , Index , In English.
    Language: English
    URL: Cover
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  • 3
    UID:
    almafu_9961535633502883
    Format: 1 online resource (264 p.)
    ISBN: 9781478093800
    Content: The countless retellings and reimaginings of the private and public lives of Phillis Wheatley, Sally Hemings, Sarah Baartman, Mary Seacole, and Sarah Forbes Bonetta have transformed them into difficult cultural and black feminist icons. In Infamous Bodies, Samantha Pinto explores how histories of these black women and their ongoing fame generate new ways of imagining black feminist futures. Drawing on a variety of media, cultural, legal, and critical sources, Pinto shows how the narratives surrounding these eighteenth- and nineteenth-century celebrities shape key political concepts such as freedom, consent, contract, citizenship, and sovereignty. Whether analyzing Wheatley's fame in relation to conceptions of race and freedom, notions of consent in Hemings's relationship with Thomas Jefferson, or Baartman's ability to enter into legal contracts, Pinto reveals the centrality of race, gender, and sexuality in the formation of political rights. In so doing, she contends that feminist theories of black women's vulnerable embodiment can be the starting point for future progressive political projects.
    Note: Frontmatter -- , Contents -- , Acknowledgments -- , INTRODUCTION Infamous Bodies, Corrective Histories -- , 1. FANTASIES OF FREEDOM Phillis Wheatley and the "Deathless Fame" of Black Feminist Thought -- , 2. THE ROMANCE OF CONSENT Sally Hemings, Black Women's Sexuality, and the Fundamental Vulnerability of Rights -- , 3. VENUS AT WORK The Contracted Body and Fictions of Sarah Baartman -- , 4. CIVIC DESIRE Mary Seacole's Adventures in Black Citizenship -- , 5. #DEVELOPMENTGOALS Sovereignty, Sarah Forbes Bonetta, and the Production of the Black Feminist Political Subject -- , CONCLUSION Black Feminist Celebrity and the Political Life of Vulnerability -- , Notes -- , References -- , Index , In English.
    Language: English
    URL: Cover
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  • 4
    UID:
    b3kat_BV049638350
    Format: 1 Online-Ressource (288 Seiten) , 25 b&w halftones, 1 map
    ISBN: 9781501765582
    Content: In Imperial Gateway, Seiji Shirane explores the political, social, and economic significance of colonial Taiwan in the southern expansion of Japan's empire from 1895 to the end of World War II. Challenging understandings of empire that focus on bilateral relations between metropole and colonial periphery, Shirane uncovers a half century of dynamic relations between Japan, Taiwan, China, and Western regional powers. Japanese officials in Taiwan did not simply take orders from Tokyo; rather, they often pursued their own expansionist ambitions in South China and Southeast Asia. When outright conquest was not possible, they promoted alternative strategies, including naturalizing resident Chinese as overseas Taiwanese subjects, extending colonial police networks, and deploying tens of thousands of Taiwanese to war. The Taiwanese-merchants, gangsters, policemen, interpreters, nurses, and soldiers-seized new opportunities for socioeconomic advancement that did not always align with Japan's imperial interests. Drawing on multilingual archives in six countries, Imperial Gateway shows how Japanese officials and Taiwanese subjects transformed Taiwan into a regional gateway for expansion in an ever-shifting international order.Thanks to generous funding from the National Endowment for the Humanities Open Book Program and its participation in TOME (Toward an Open Monograph Ecosystem), the ebook editions of this book are available as Open Access volumes from Cornell Open (cornellpress.cornell.edu/cornell-open) and other repositories
    Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed 06. Mrz 2024) , In English
    Language: English
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 5
    UID:
    almahu_9949296139102882
    Format: 1 online resource (285 p.)
    ISBN: 9781618116932 , 9783110688146
    Series Statement: Cultural Revolutions: Russia in the Twentieth Century
    Content: Across the twentieth century, the Russian literary hero remained central to Russian fiction and frequently "battled" one enemy or another, whether on the battlefield or on a civilian front. War was the experience of the Russian people, and it became a dominant trope to represent the Soviet experience in literature as well as other areas of cultural life. This book traces those war experiences, memories, tropes, and metaphors in the literature of the Soviet and post-Soviet period, examining the work of Dmitry Furmanov, Fyodor Gladkov, Alexander Tvardovsky, Emmanuil Kazakevich, Vera Panova, Viktor Nekrasov, Alexander Solzhenitsyn, Vladimir Voinovich, Sergei Dovlatov, Vladimir Makanin, Viktor Astafiev, Viktor Pelevin, and Vasily Aksyonov. These authors represented official Soviet literature and underground or dissident literature; they fell into and out of favor, were exiled and returned to Russia, died at home and abroad. Most importantly, they were all touched by war, and they reacted to the state of war in their literary works.
    Note: Frontmatter -- , Contents -- , Acknowledgements -- , Introduction -- , Part I. CREATING HEROES FROM CHAOS -- , Chapter One. Born in the Crucible of War Chapaev and His Socialist Realist Comrades -- , Part II. WORLD WAR II AND THE HERO -- , Chapter Two. The Peasant-Soldier: Alexander Tvardovsky and a New Chapaev -- , Chapter Three. Eyewitnesses to Heroism: Emmanuil Kazakevich and Vera Panova -- , Chapter Four. Retreat: Viktor Nekrasov and the Truth of the Trenches -- , Part III. COLD WAR REPERCUSSIONS -- , Chapter Five. From World War to Cold War: Tvardovsky, Solzhenitsyn, Voinovich, and Heroism in the Post-Stalin Period -- , Chapter Six. Antiheroes in a Post-heroic Age: Sergei Dovlatov, Vladimir Makanin, and Cold War Malaise -- , Part IV. Chapaev and War: Russian Redux -- , Chapter Seven. Revisiting War: Viktor Astafiev and the Boys of '24 -- , Chapter Eight. Revisiting Chapaev: Viktor Pelevin and Vasily Aksyonov -- , Afterword -- , References -- , Index , Mode of access: Internet via World Wide Web.
    In: Academic Studies Press Backlist eBook-Package 2008-2015, De Gruyter, 9783110688146
    Language: English
    URL: Cover
    URL: Cover
    URL: Cover
    URL: Cover
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  • 6
    UID:
    almahu_9948249609502882
    Format: 1 online resource (240 pages)
    Edition: First edition.
    ISBN: 1-61811-682-7 , 1-61811-127-2
    Series Statement: Studies in Russian and Slavic literatures, cultures and history.
    Content: Epic and the Russian Novel from Gogol to Pasternak examines the origin of the nineteen- century Russian novel and challenges the Lukács-Bakhtin theory of epic. By removing the Russian novel from its European context, the authors reveal that it developed as a means of reconnecting the narrative form with its origins in classical and Christian epic in a way that expressed the Russian desire to renew and restore ancient spirituality. Through this methodology, Griffiths and Rabinowitz dispute Bakhtin's classification of epic as a monophonic and dead genre whose time has passed. Due to its grand themes and cultural centrality, the epic is the form most suited to newcomers or cultural outsiders seeking legitimacy through appropriation of the past. Through readings of Gogol's Dead Souls-a uniquely problematic work, and one which Bakhtin argued was novelistic rather than epic-Dostoevsky's Brothers Karamazov, Pasternak's Dr. Zhivago, and Tolstoy's War and Peace, this book redefines "epic" and how we understand the sweep of Russian literature as a whole.
    Note: Description based upon print version of record. , Frontmatter -- , CONTENTS -- , ACKNOWLEDGMENTS -- , PREFACE -- , 1. Epic and Novel -- , 2. Gogol in Rome -- , 3. Dostoevsky's The Brothers Karamazov -- , 4. Tolstoy and Homer -- , 5. Doctor Zhivago and the Tradition of National Epic -- , 6. Stalin and the Death of Epic: Mikhail Bakhtin, Nadezhda Mandelstam, Boris Pasternak -- , Works Cited -- , Index , English
    Additional Edition: ISBN 1-936235-53-6
    Language: English
    Keywords: Anthologies ; Anthologies ; Anthologies
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  • 7
    UID:
    almahu_9948249609802882
    Format: 1 online resource (250 pages)
    Edition: 1st ed.
    ISBN: 1-61811-706-8 , 1-61811-134-5
    Series Statement: Out of series.
    Content: The Goalkeeperis a new scholarly almanac devoted to the art of Vladimir Nabokov. Himself an ardent goalkeeper, the author of Lolita viewed soccer as more than a game: "I was less the keeper of a soccer goal than the keeper of a secret" (Speak, Memory). The inaugural collection features contributions from two dozen leading Nabokov scholars worldwide, including academic articles (Neil Cornwell, Gerard de Vries, Samuel Schuman, and others); roundtable discussions (Brian Boyd, Jeff Edmunds, Priscilla Meyer, David Rampton, Leona Toker); interviews (Dmitri Nabokov, Alvin Toffler); archival materials; the Kyoto Nabokov conference report; and book reviews (Pekka Tammi, Zoran Kuzmanovich, Galya Diment). The Nabokov Almanac, edited by Yuri Leving, is affiliated with the Nabokov Online Journal, published since 2007.
    Note: Description based upon print version of record. , Frontmatter -- , CONTENTS -- , SLIDE TACKLE. FROM THE EDITOR -- , TEAM. ABOUT THE CONTRIBUTORS -- , FIELD. FORUM -- , NABOKOV STUDIES: STRATEGIC DEVELOPMENT OF THE FIELD AND SCHOLARLY COOPERATION / , FIRST TIME BALL. RUSSIAN NABOKOV -- , ORHAN PAMUK AND VLADIMIR NABOKOV ON DOSTOEVSKY / , SACRIFICING THE MAIDEN('S)HEAD: DECODING NABOKOV'S BURLESQUE OF SEX AND VIOLENCE IN INVITATION TO A BEHEADING / , IRONY BEHIND THE IRON CURTAIN: INTERNAL ESCAPE FROM TOTALITARIANISM IN NABOKOV'S INVITATION TO A BEHEADING / , NABOKOV'S INVITATION TO PLATO'S BEHEADING / , CENTER CIRCLE. FORUM -- , INSTITUTIONALIZING NABOKOV: MUSEUM, ARCHIVE, EXHIBITION / , NARROWING THE ANGLE. MEMOIR -- , A NEOPHYTE'S COLLISION WITH VLADIMIR VLADIMIROVICH / , CORNER ARC. ENGLISH NABOKOV -- , NABOKOV'S PALE FIRE AND ALEXANDER POPE / , PICTURING MEMORY, PUNCTURING VISION: VLADIMIR NABOKOV'S PALE FIRE / , TWO NOTES ON PALE FIRE / , A FOLD OF THE MARQUISETTE: NABOKOV'S LEPIDOPTERY IN VISUAL MEDIA / , GOAL BOX. INTERVIEW -- , "LAURA IS NOT EVEN THE ORIGINAL'S NAME" / , ONE TOUCH PASS. NABOKOV ACROSS THE LINES -- , "WHICH IS SEBASTIAN?" WHAT'S IN A (SHAKESPEAREAN AND NABOKOVIAN) NAME? / , AESTHETICS AND SIN: THE NYMPH AND THE FAUN IN HAWTHORNE'S THE MARBLE FAUN AND NABOKOV'S LOLITA / , NABOKOV AND PRINCE D. S. MIRSKY / , CORNER FLAG. INTERVIEW -- , "LOST IN TRANSIT" / , MIDFIELD LINE. FORUM -- , TEACHING NABOKOV / , RED CARD. ARCHIVE -- , "THE BOOK IS DAZZLINGLY BRILLIANT . . . BUT". TWO EARLY INTERNAL REVIEWS OF NABOKOV'S THE GIFT / , DANGEROUS PLAY. CONFERENCE -- , "REVISING NABOKOV REVISING" NABOKOV CONFERENCE IN KYOTO / , PENALTY AREA. BOOK REVIEWS -- , Graham Vickers, Chasing Lolita: How Popular Culture Corrupted Nabokov's Little Girl All Over Again / , Approaches to Teaching Nabokov's Lolita, edited by Zoran Kuzmanovich and Galya Diment / , Verses and Versions: Three Centuries of Russian Poetry, selected and translated by Vladimir Nabokov, edited by Brian Boyd and Stanislav Shvabrin / , Vladimir Nabokov, Tragediia gospodina Morna: P'esy, lektsii o drame, introduced and edited by Andrei Babikov / , Pekka Tammi, Russian Subtexts in Nabokov's Fiction: Four Essays / , END LINE. BIBLIOGRAPHY -- , INDEX OF NAMES , English
    Additional Edition: ISBN 1-936235-19-6
    Language: English
    Keywords: Anthologies ; Anthologies ; Anthologies
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  • 8
    UID:
    almahu_9948249608302882
    Format: 1 online resource (558 pages)
    Edition: First edition.
    ISBN: 1-61811-704-1 , 1-61811-132-9
    Series Statement: Studies in Russian and Slavic literatures, cultures and history
    Content: Yuri Leving's Keys to "The Gift": A Guide to Vladimir Nabokov's Novel is a new systematization of the main available data on Nabokov's most complex Russian novel, The Gift (1934-1939). From notes in Nabokov's private correspondence to scholarly articles accumulated during the seventy years since the novel's first appearance in print, the work draws from a broad spectrum of existing material in a succinct and coherent way, as well as providing innovative analyses. The first part of the monograph, "The Novel," outlines the basic properties of The Gift ( plot, characters, style, and motifs) and reconstructs its internal chronology. The second part, "The Text," describes the creation of the novel and the history of its publication, public and critical reaction, challenges of the English translation, and post-Soviet reception. Along with annotations to all five chapters of The Gift, the commentary provides insight into problems of paleography, featuring unique textological analysis of the novel based on the author's study of the archival copy of the manuscript.
    Note: Bibliographic Level Mode of Issuance: Monograph , Frontmatter -- , Contents -- , How to Use This Book -- , Acknowledgments -- , References -- , Note on Spellings of Names -- , The Gift: A Biography of the Novel -- , Chapter One. COMPOSITION AND PUBLICATION -- , Chapter Two. HISTORICAL CONTEXT -- , Chapter Three. STRUCTURE -- , Chapter Four. STYLE -- , Chapter Five. COMMENTARY -- , Chapter Six. ENGLISH TRANSLATION -- , Chapter Seven. CRITICAL RECEPTION -- , Appendixes -- , Index , English
    Additional Edition: ISBN 1-934843-11-3
    Language: English
    Keywords: Anthologies
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  • 9
    UID:
    almahu_9948249610102882
    Format: 1 online resource (xvii, 303 pages)
    Edition: First edition.
    ISBN: 1-61811-698-3 , 1-61811-139-6 , 1-61811-007-1
    Series Statement: Studies in Russian and Slavic literatures, cultures and history.
    Uniform Title: Selections. 2008
    Content: Major statements by the celebrated Russian poet Boris Pasternak (1890-1960) about poetry, inspiration, the creative process, and the significance of artistic/literary creativity in his own life as well as in human life altogether, are presented here in his own words (in translation) and are discussed in the extensive commentaries and introduction. The texts range from 1910 to 1946 and are between two and ninety pages long. There are commentaries on all the texts, as well as a final essay on Pasternak's famous novel, Doctor Zhivago, which is looked at here in the light of what it says on art and inspiration. Although universally acknowledged as one of the great writers of the twentieth century, Pasternak is not yet sufficiently recognized as the highly original and important thinker that he also was. All his life he thought and wrote about the nature and significance of the experience of inspiration, though avoiding the word "inspiration" where possible as his own views were not the conventional ones. The author's purpose is (a) to make this philosophical aspect of his work better known, and (b) to communicate to readers who cannot read Russian the pleasure and interest of an "inspired" life as Pasternak experienced it.
    Note: Bibliographic Level Mode of Issuance: Monograph , Front matter -- , Contents -- , PREFACE -- , ACKNOWLEDGMENTS -- , NOTE ON TRANSLITERATION AND DATES -- , ABBREVIATIONS -- , A BRIEF CHRONOLOGY -- , NOTE ON PASTERNAK'S CONNECTIONS WITH LITERARY GROUPS -- , INTRODUCTION -- , I. EARLY PROSE (1910-1919) -- , II. A SAFE-CONDUCT or "THE PRESERVATION CERTIFICATE" (1928-1931) -- , III. FIFTEEN POEMS (1912-1931) -- , IV. SPEECHES AND ARTICLES 1930's and 1940's -- , V. An Essay on Pasternak's Novel DOCTOR ZHIVAGO -- , NOTES -- , SELECTIVE BIBLIOGRAPHY -- , INDEX , English
    Additional Edition: ISBN 1-934843-23-7
    Language: English
    Keywords: Anthologies ; Anthologies ; Anthologies
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  • 10
    UID:
    almahu_9948249610202882
    Format: 1 online resource (430 pages)
    Edition: First edition.
    ISBN: 1-61811-678-9 , 1-61811-012-8
    Series Statement: Studies in Russian and Slavic literatures, cultures and history.
    Content: For several decades David Bethea has written authoritatively on the "mythopoetic thinking" that lies at the heart of classical Russian literature, especially Russian poetry. His theoretically informed essays and books have made a point of turning back to issues of intentionality and biography at a time when authorial agency seems under threat of "erasure" and the question of how writers, and poets in particular, live their lives through their art is increasingly moot. The lichnost' (personhood, psychic totality) of the given writer is all-important, argues Bethea, as it is that which combines the specifically biographical and the capaciously mythical in verbal units that speak simultaneously to different planes of being. Pushkin's Evgeny can be one incarnation of the poet himself and an Everyman rising up to challenge Peter's new world order; Brodsky can be, all at once, Dante and Mandelstam and himself, the exile paying an Orphic visit to Florence (and, by ghostly association, Leningrad).This sort of metempsychosis, where the stories that constitute the Ur-texts of Russian literature are constantly reworked in the biographical myths shaping individual writers' lives, is Bethea's primary focus. This collection contains a liberal sampling of Bethea's most memorable previously published essays along with new studies prepared for this occasion.
    Note: Bibliographic Level Mode of Issuance: Monograph , Frontmatter -- , Contents -- , Note on Transliteration -- , Preface / , I. Part One: Russian Literature: Background, Foreground, Creative Cognition -- , 1. The Mythopoetic "Vectors" of Russian Literature -- , 2. Mythopoesis Writ Large: The Apocalyptic Plot in Russian Literature -- , 3. Mythopoesis and Biography: Pushkin, Jakobson, and the Secret Life of Statues -- , 4. The Evolution of Evolution: Genes, Memes, Intelligent Design, and Nabokov -- , 5. Relativity and Reality: Dante, Florensky, Lotman, and Metaphorical Time-Travel -- , 6. Whose Mind is This Anyway? Influence, Intertextuality, and the Legitimate Boundaries of Scholarship -- , II. Part Two: Pushkin the Poet, Pushkin the Thinker -- , 7. Of Pushkin and Pushkinists -- , 8. Biography (with Sergei Davydov) -- , 9. Pushkin's Mythopoetic Consciousness: Apuleius, Psyche and Cupid, and the Theme of Metamorphosis in Eugene Onegin -- , 10. "A Higher Audacity": How to Read Pushkin's Dialogue with Shakespeare in The Stone Guest -- , 11. Stabat Pater: Revisiting the "Monumental" in Peter, Petersburg, and Pushkin -- , 12. Slavic Gift Giving, the Poet in History, and Pushkin's The Captain's Daughter -- , 13. Pushkin's The History of Pugachev: Where Fact Meets the Zero-Degree of Fiction -- , III. Part Three: Reading Russian Writers Reading Themselves and Others -- , 14. Sorrento Photographs: Khodasevich's Memory Speaks -- , 15. Nabokov's Style -- , 16. Sologub, Nabokov, and the Limits of Decadent Aesthetics -- , 17. Exile, Elegy, and Auden in Brodsky's "Verses on the Death of T. S. Eliot" -- , 18. Joseph Brodsky and the American Seashore Poem: Lowell, Mandelstam, and Cape Cod -- , 19. Joseph Brodsky's "To My Daughter" (A Reading) -- , 20. Brodsky, Frost, and the Pygmalion Myth -- , Index , English
    Additional Edition: ISBN 1-934843-17-2
    Language: English
    Keywords: Anthologies ; Anthologies ; Anthologies
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