Kooperativer Bibliotheksverbund

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Format: VIII, 294 S. : , Notenbeisp.

ISBN: 0-300-03287-0

Series Statement: Composers of the twentieth century

Language: English

Subjects: Musicology

Keywords: 1895-1963 Hindemith, Paul ; Werkverzeichnis

URL: http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=000352561&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA

URL: Inhaltsverzeichnis

URL: Inhaltsverzeichnis

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Format: XV, 317 Seiten : , Illustrationen, Notenbeispiele.

ISBN: 978-0-253-01642-3 , 978-0-253-01649-2

Series Statement: Musical meaning and interpretation

Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-0-253-01651-5

Language: English

Subjects: General works , Musicology

Keywords: Filmmusik ; Casablanca ; Musik

URL: Inhaltsverzeichnis

URL: Klappentext

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Format: XVII, 240 S. : , Ill., Notenbeisp.

ISBN: 978-0-8108-8136-5

Series Statement: Scarecrow film score guides 12

Note: Includes bibliographical references and index

Language: English

Subjects: Musicology

Keywords: 1906-1967 Rebecca Waxman, Franz ; Filmmusik

URL: http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=024734844&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA

UID:

Format: X, 683 S. , Ill.

ISBN: 9780195328493 , 0195328493 , 9780190250591

Note: Hier auch später erschienene, unveränderte Nachdrucke , Includes bibliographical references and index , Overview -- Opera and film -- Visual representation of film sound as analytical tool -- Film music from the perspective of cognitive science -- Composing for film -- Ontological, formal, and critical theories of film music and sound -- Drawing a new narrative for cartoon music -- Genre theory and the film musical -- The tunes they are a-changing -- The compilation soundtrack from the 1960s to the present -- The origins of musical style in video games, 1977-1983 -- Classical music, virtual bodies, narrative film -- Gender, sexuality, and the soundtrack -- Psychoanalysis, apparatus theory, and subjectivity -- Case studies--introduction -- Case study 1, The order of sanctity -- Case study 2, Strange recognitions and endless loops -- Transformational theory and the analysis of film music -- Listening in film -- Auteurship and agency in television music -- When the music surges -- Audio-visual palimpsests -- Performance practices and music in early cinema outside hollywood -- Performing prestige Overview -- Music and the ontology of the sound film -- Opera and film -- Visual representation of film sound as analytical tool -- Film music from the perspective of cognitive science -- Composing for film -- Ontological, formal, and critical theories of film music and sound -- Drawing a new narrative for cartoon music -- Genre theory and the film musical -- The tunes they are a-changing -- The compilation soundtrack from the 1960s to the present -- The origins of musical style in video games, 1977-1983 -- Classical music, virtual bodies, narrative film -- Gender, sexuality, and the soundtrack -- Psychoanalysis, apparatus theory, and subjectivity -- Case studies--introduction -- Case study 1, The order of sanctity -- Case study 2, Strange recognitions and endless loops -- Transformational theory and the analysis of film music -- Listening in film -- Auteurship and agency in television music -- When the music surges -- Audio-visu

Language: English

Subjects: General works , Musicology

Keywords: Filmmusik ; Aufsatzsammlung

URL: Inhaltsverzeichnis

UID:

Format: X, 683 Seiten , Illustrationen, Notenbeispiele , 25,5 cm

ISBN: 9780190250591 , 0195328493 , 9780195328493 , 9780195328493

Note: Literaturverzeichnis: Seite 637- 638, - Index , Overview , Overview , Opera and film , Visual representation of film sound as analytical tool , Film music from the perspective of cognitive science , Composing for film , Ontological, formal, and critical theories of film music and sound , Drawing a new narrative for cartoon music , Genre theory and the film musical , The tunes they are a-changing , The compilation soundtrack from the 1960s to the present , The origins of musical style in video games, 1977-1983 , Classical music, virtual bodies, narrative film , Gender, sexuality, and the soundtrack , Psychoanalysis, apparatus theory, and subjectivity , Case studies--introduction , Case study 1, The order of sanctity , Case study 2, Strange recognitions and endless loops , Transformational theory and the analysis of film music , Listening in film , Auteurship and agency in television music , When the music surges , Audio-visual palimpsests , Performance practices and music in early cinema outside hollywood , Performing prestige , Music and the ontology of the sound film , Opera and film , Visual representation of film sound as analytical tool , Film music from the perspective of cognitive science , Composing for film , Ontological, formal, and critical theories of film music and sound , Drawing a new narrative for cartoon music , Genre theory and the film musical , The tunes they are a-changing , The compilation soundtrack from the 1960s to the present , The origins of musical style in video games, 1977-1983 , Classical music, virtual bodies, narrative film , Gender, sexuality, and the soundtrack , Psychoanalysis, apparatus theory, and subjectivity , Case studies--introduction , Case study 1, The order of sanctity , Case study 2, Strange recognitions and endless loops , Transformational theory and the analysis of film music , Listening in film , Auteurship and agency in television music , When the music surges , Audio-visual palimpsests , Performance practices and music in early cinema outside hollywood , Performing prestige

Additional Edition: Erscheint auch als Online-Ausgabe The Oxford handbook of film music studies New York, NY : Oxford University Press, 2013 ISBN 9780199983667

Language: English

Subjects: Musicology , General works

Keywords: Filmmusik ; Aufsatzsammlung

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Format: XXIII, 470 S. : , Ill., graph. Darst., Notenbeisp.

ISBN: 978-0-19-532779-3

Language: English

Subjects: Musicology

Keywords: Filmmusik ; Klang ; Film

URL: http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=017133614&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA

URL: http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=017133614&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA

URL: Inhaltsverzeichnis

UID:

Format: 1 online resource : , illustrations (black and white)

ISBN: 9780199983667 (ebook) :

Content: This title gathers two dozen original essays that chart the history and current state of interdisciplinary scholarship on music in audiovisual media, focusing on four areas: history genre and medium, analysis and criticism, and interpretation.

Additional Edition: Print version ISBN 9780195328493

Language: English

Subjects: General works , Musicology

Keywords: Aufsatzsammlung

URL: Oxford handbooks online

URL: Volltext

URL: Volltext

URL: lizenzpflichtig

URL: Oxford handbooks online

UID:

Format: 1 online resource (336 p.)

Edition: 1st ed.

ISBN: 0-253-01651-7

Series Statement: Musical meaning and interpretation

Content: By exploring the relationship between music and the moving image in film narrative, David Neumeyer shows that film music is not conceptually separate from sound or dialogue, but that all three are manipulated and continually interact in the larger acoustical world of the sound track. In a medium in which the image has traditionally trumped sound, Neumeyer turns our attention to the voice as the mechanism through which narrative (dialog, speech) and sound (sound effects, music) come together. Complemented by music examples, illustrations, and contributions by James Buhler, Meaning and Interpret

Note: Description based upon print version of record. , Meaning and interpretation. Music in the vococentric cinema; Tools for analysis and interpretation -- Music in the mix : Casablanca . Acoustic stylization : the film's sound world ; Music and utopia : a reading of the reunion scene -- The reunion scene's contexts -- Topics and tropes : two preludes by Bach. Performers onscreen ; Underscore : four studies of the C major prelude. , English

Additional Edition: ISBN 0-253-01649-5

Additional Edition: ISBN 0-253-01642-8

Language: English

Keywords: Electronic books.

URL: Click to View

UID:

Format: X, 683 S. , Ill., Notenbeisp.

Edition: First issued as an Oxford University Press paperback

ISBN: 9780190250591

Content: The Oxford Handbook of Film Music Studies gathers two dozen original essays that chart the history and current state of interdisciplinary scholarship on music in audiovisual media, focusing on four areas: history, genre and medium, analysis and criticism, and interpretation.

Content: Music has been an integral part of film exhibition from its beginnings in the late nineteenth century. With the arrival of sound film in the late 1920s, music became part of a complex multimedia text. Although industry, fan-oriented, and scholarly literatures on film music have existed from early on, and music was frequently among the topics discussed and disputed, only in the past thirty years has sustained scholarly attention gone to music in visual media, beginning with the feature film. The Oxford Handbook of Film Music Studies charts that interdisciplinary activity in its primary areas of inquiry: history, genre and medium, analysis and criticism, and interpretation. The handbook provides an overview to the field on a large scale. Chapters in Part I range from the relations of music and the soundtrack to opera and film, textual representation of film sound, and film music as studied by cognitive scientists. Part II addresses genre and medium with chapters focusing on cartoons and animated films, the film musical, music in arcade and early video games, and the interplay of film, music, and recording over the past half century. The chapters in Part III offer case studies in interpretation along with extended critical surveys of theoretical models of gender, sexuality, and subjectivity as they impinge on music and sound. The three chapters on analysis in Part IV are diverse: one systematically models harmonies used in recent films, a second looks at issues of music and film temporality, and a third focuses on television. Chapters on history (Part V) cover topics including musical antecedents in nineteenth-century theater, the complex issues in sychronization of music in performance of early (silent) films, international practices in early film exhibition, and the symphony orchestra in film.

Note: Includes bibliographical references and index

Additional Edition: Erscheint auch als Online-Ausgabe The Oxford handbook of film music studies New York, NY : Oxford University Press, 2013 ISBN 9780199983667

Language: English

Subjects: Musicology , General works

Keywords: Filmmusik ; Aufsatzsammlung

URL: Inhaltsverzeichnis

UID:

Format: XXIII, , 567 S , Ill., graph. Darst., Notenbeisp. , 24 cm

Edition: 2nd ed.

ISBN: 9780199987719 , 0199987718

Note: Includes bibliographical references and index

Language: English

Subjects: General works , Musicology

Keywords: Filmmusik