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  • 1
    Online Resource
    Online Resource
    London ; New York :Bloomsbury Academic,
    UID:
    almahu_BV046852177
    Format: 1 Online-Ressource (xii, 223 Seiten).
    ISBN: 978-1-3501-5245-8 , 978-1-3501-5247-2 , 978-1-3501-5246-5
    Content: "A camp lipsynched routine by three air stewards distracts unsuspecting passengers from the fact that their plane is to make a crash landing. Performance functions as a diversion from unsavoury realities. In this way, Pedro Almodóvar's 2013 film I'm So Excited adopts a strategy of subversive anti-establishment censor-evading filmmaking practices under Franco. Contemporary cinematic performance in Spain intersects with politics to provide a platform for views and voices that do not conform to the dominant political narrative. An essential text for scholars, students and aficionados of Spanish cinema, Subversive Spanish Cinema: The Politics of Performance is the first single-authored monograph to focus on performance in this context. The book analyses interactions between performance and politics in technical and conceptual terms considering, for example, performance styles, the narrative role of performance and political interventions by actors such as Javier Bardem and Juan Diego Botto. Ultimately, Subversive Spanish Cinema: The Politics of Performance posits performance, within the specific context of contemporary Spanish cinema, as a politically-potent device and proposes that it is precisely for this reason that the arts have borne the brunt of aggressive austerity measures enforced by Spain's conservative government in recent years."
    Note: Performing pastness -- Performing identities -- Metaperformances -- Performance as catharsis and therapy
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-1-7883-1009-3
    Language: English
    Subjects: Political Science , General works
    RVK:
    RVK:
    Keywords: Film ; Subversion ; Performance ; Electronic books
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 2
    UID:
    gbv_1620656418
    Format: x, 277 Seiten , Illustrationen
    Edition: First published
    ISBN: 9781137474360 , 9781137474377 , 9781137479303
    Series Statement: Avant-gardes in performance
    Content: Staging the Avant-Gardes -- Curating the Avant-Gardes -- On the Margins of the Avant-Gardes -- Rereading the Avant-Gardes -- Categorizing the Avant-Gardes -- Closing the Curtain on the Avant-Gardes?
    Note: Includes bibliographical references and index , Staging the Avant-GardesCurating the Avant-Gardes -- On the Margins of the Avant-Gardes -- Rereading the Avant-Gardes -- Categorizing the Avant-Gardes -- Closing the Curtain on the Avant-Gardes?
    Additional Edition: ISBN 9781137474360
    Additional Edition: ISBN 9781137474377
    Additional Edition: Erscheint auch als Online-Ausgabe Preservation, radicalism, and the avant-garde canon New York, New York : Palgrave Macmillan, 2016 ISBN 9781137474377
    Language: English
    RVK:
    Keywords: Avantgarde ; Kanon ; Kunstwissenschaft ; Ausstellung ; Aufsatzsammlung
    URL: Cover
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  • 3
    UID:
    almahu_9947363719202882
    Format: XI, 277 p. , online resource.
    ISBN: 9781137474377
    Series Statement: Avant-Gardes in Performance
    Content: Preservation, Radicalism, and the Avant-Garde Canon interrogates the contemporary significance of the avant-garde. The contributors question the role of academia and exhibition cultures in redefining, reshaping, preserving, and transmitting the products of this historical phenomenon. Such contemporary scholarly and exhibition-based exploration institutionalizes avant-garde productions and, in doing so, threatens the potency of the avant-garde which relies on its marginal position. This volume brings together case studies to examine what constitutes the avant-garde canon.
    In: Springer eBooks
    Additional Edition: Printed edition: ISBN 9781349693665
    Language: English
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