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Format: XV, 285 p. 107 illus., 58 illus. in color. , online resource.

ISBN: 9783319583167

Series Statement: Springer Series on Touch and Haptic Systems,

Content: This Open Access book offers an original interdisciplinary overview of the role of haptic feedback in musical interaction. Divided into two parts, part I examines the tactile aspects of music performance and perception, discussing how they affect user experience and performance in terms of usability, functionality and perceived quality of musical instruments. Part II presents engineering, computational, and design approaches and guidelines that have been applied to render and exploit haptic feedback in digital musical interfaces. Musical Haptics introduces an emerging field that brings together engineering, human-computer interaction, applied psychology, musical aesthetics, and music performance. The latter, defined as the complex system of sensory-motor interactions between musicians and their instruments, presents a well-defined framework in which to study basic psychophysical, perceptual, and biomechanical aspects of touch, all of which will inform the design of haptic musical interfaces. Tactile and proprioceptive cues enable embodied interaction and inform sophisticated control strategies that allow skilled musicians to achieve high performance and expressivity. The use of haptic feedback in digital musical interfaces is expected to enhance user experience and performance, improve accessibility for disabled persons, and provide an effective means for musical tuition and guidance.

Note: Introduction -- Part 1- Haptics in Musical Interaction: Psychophysics and User Experience -- A Brief Overview of the Somatosensory System -- Once More with Feeling: The Dynamics of Performer-Instrument Interaction -- Perception of Vibrotactile Cues in Musical Performance -- The Role of Haptic Cues in Musical Instrument Quality Perception -- A Functional Analysis of Haptic Feedback in Digital Musical Instrument Interactions -- Auditory-Tactile Experience of Music -- Part II - Haptic Musical Interfaces: Design and Applications -- The MSCI Platform: A Framework for the Design and Simulation of Multisensory Virtual Musical Instruments -- Implementation and Characterization of Vibrotactile Interfaces -- Touchscreens and Musical Interaction -- Design of Vibrotactile Feedback -- Haptic Force-Feedback Instruments for the Laptop Orchestra of Louisiana -- Haptics for the Development of Fundamental Rhythm Skills Including Multi-Limb Coordination.

In: Springer eBooks

Additional Edition: Printed edition: ISBN 9783319583150

Language: English

Keywords: Aufsatzsammlung

DOI: 10.1007/978-3-319-58316-7

URL: http://dx.doi.org/10.1007/978-3-319-58316-7

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Format: 1 online resource (290 pages)

Edition: 1st ed.

ISBN: 9783319583167

Series Statement: Springer Series on Touch and Haptic Systems Series

Note: Intro -- Series Editors' Foreword -- Preface -- Contents -- Contributors -- 1 Musical Haptics: Introduction -- 1.1 Scope and Goals -- 1.2 Haptic Cues in Music Practice and Fruition -- 1.3 Musical Devices and Haptic Feedback -- 1.4 Challenges -- 1.5 Outline -- References -- Musical Haptics: Interaction and Perception -- 2 Once More, with Feeling: Revisiting the Role of Touch in Performer-Instrument Interaction -- 2.1 Introduction -- 2.2 A Musician Both Drives and Is Driven by Their Instrument -- 2.3 The Coupled Dynamics: A New Perspective on Control -- 2.4 Inner and Outer Loops in the Interaction Between Player and Instrument -- 2.5 Implications of a Coupled Dynamics Perspective on Learning to Play an Instrument -- 2.6 Conclusions -- References -- 3 A Brief Overview of the Human Somatosensory System -- 3.1 Introduction -- 3.2 Biomechanics of the Hand -- 3.2.1 Hand Structural Organisation -- 3.2.2 Hand Mobility -- 3.2.3 The Volar Hand -- 3.2.4 Bulk Mechanics of the Fingertip and the Skin -- 3.3 Sensory Organs -- 3.3.1 Muscles, Tendons and Joints -- 3.3.2 Glabrous, Hairy and Mucosal Skin -- 3.3.3 Electrophysiological Response -- 3.4 Central Organs -- 3.5 Conclusions -- References -- 4 Perception of Vibrotactile Cues in Musical Performance -- 4.1 Introduction -- 4.1.1 Open-Loop Experimentation -- 4.1.2 Experiments with Musicians -- 4.1.3 Premises to the Present Experiments -- 4.2 Experiment 1: Vibrotactile Sensitivity Thresholds Under Active Touch Conditions -- 4.2.1 Setup -- 4.2.2 Procedure -- 4.2.3 Results -- 4.2.4 Discussion -- 4.3 Experiment 2: Vibration Detection at the Piano Keyboard During Performance -- 4.3.1 Setup -- 4.3.2 Procedure -- 4.3.3 Results -- 4.3.4 Vibration Characterization -- 4.3.5 Discussion -- 4.4 Conclusions -- References -- 5 The Role of Haptic Cues in Musical Instrument Quality Perception -- 5.1 Introduction -- 5.2 Violin. , 5.2.1 Touch and the Conceptualization of Violin Quality by Musicians -- 5.2.2 Vibrotactile Feedback at the Left Hand -- 5.3 Piano -- 5.3.1 Piano Touch and Tone Quality -- 5.3.2 Haptic Cues and Instrument Quality -- 5.4 Conclusions -- References -- 6 A Functional Analysis of Haptic Feedback in Digital Musical Instrument Interactions -- 6.1 Introduction -- 6.2 Experiment Design -- 6.2.1 Functionality Testing -- 6.2.2 Adapting Fitts' Law -- 6.2.3 Context of Evaluation -- 6.2.4 Device Description: The Bowls -- 6.2.5 Device Feedback Implementation -- 6.2.6 Participants -- 6.2.7 Procedure -- 6.3 Results -- 6.3.1 Functionality Results -- 6.3.2 Usability Results -- 6.3.3 User Experience Results -- 6.3.4 Interview Data -- 6.3.5 Empathy Mapping -- 6.4 Discussion -- 6.5 Conclusions -- References -- 7 Auditory-Tactile Experience of Music -- 7.1 Introduction -- 7.2 Experimental Design -- 7.2.1 Stimuli -- 7.2.2 Synchronization -- 7.2.3 Setup -- 7.2.4 Participants -- 7.2.5 Procedure -- 7.3 Vibration Generation: Approaches and Results -- 7.3.1 Low-Pass Filtering -- 7.3.2 Reduction to Fundamental Frequency -- 7.3.3 Octave Shift -- 7.3.4 Substitute Signals -- 7.3.5 Compression of Dynamic Range -- 7.3.6 Summary -- 7.4 Conclusions -- References -- Haptic Musical Interfaces: Design and Applications -- 8 The MSCI Platform: A Framework for the Design and Simulation of Multisensory Virtual Musical Instruments -- 8.1 Introduction -- 8.2 A Physical Approach to Digital Musical Instruments -- 8.2.1 Distributed Approach to Haptic Digital Musical Instruments -- 8.2.2 Unitary Approach to Virtual Musical Instruments -- 8.3 Hardware and Software Solutions for the MSCI Platform -- 8.3.1 The TGR Haptic System -- 8.3.2 The CORDIS-ANIMA Formalism -- 8.3.3 The GENESIS Software Environment -- 8.3.4 Synchronous Real-Time Computing Architecture. , 8.4 Multi-rate Decomposition of the Instrumental Chain -- 8.4.1 Gesture-Sound Dynamics -- 8.4.2 Multi-rate CORDIS-ANIMA Simulations -- 8.5 Virtual Instruments Created with MSCI -- 8.5.1 Workflow and Design Process -- 8.5.2 Specificities of MSCI Haptic Virtual Instruments -- 8.5.3 Real-Time Performance in Hélios -- 8.6 Conclusions -- References -- 9 Force-Feedback Instruments for the Laptop Orchestra of Louisiana -- 9.1 Introduction -- 9.1.1 Multisensory Feedback for Musical Instruments -- 9.1.2 Additional Force-Feedback Device Designs from the Haptics Community -- 9.1.3 Open-Source Technology for the Design of Haptic Musical Instruments -- 9.1.4 Laptop Orchestra of Louisiana -- 9.2 Enabling Precise and Physically Intuitive Control of Sound (``Quartet for Strings'') -- 9.2.1 Instrument Design -- 9.2.2 Performance Techniques -- 9.2.3 Compositional Structure -- 9.3 Traditional Controls Can Be Used Alongside Force-Feedback Controls (``Of Grating Impermanence'') -- 9.3.1 Instrument Design -- 9.3.2 Performance Techniques -- 9.3.3 Compositional Structure -- 9.4 Finding Timbres that Sound Uncannily Familiar but Are Nonetheless Novel (``Guest Dimensions'') -- 9.4.1 Instrument Design -- 9.4.2 Performance Techniques -- 9.4.3 Compositional Structure -- 9.5 Conclusions -- References -- 10 Design of Vibrotactile Feedback and Stimulation for Music Performance -- 10.1 Introduction -- 10.2 Haptic Feedback in Music Technology -- 10.2.1 Models of Haptic-Enabled Interfaces -- 10.2.2 Haptic-Enabled Interfaces -- 10.3 Development and Evaluation of Tactile Icons for Music Performance -- 10.3.1 Hardware and Software -- 10.3.2 Symbolic and Musical Tactons: Design and Evaluation -- 10.3.3 Implementation into Live Performance -- 10.4 Conclusions -- References -- 11 Haptics for the Development of Fundamental Rhythm Skills, Including Multi-limb Coordination. , 11.1 Introduction -- 11.2 Motivation and Theoretical Background -- 11.2.1 Dalcroze Eurhythmics -- 11.2.2 Metrical Hierarchies and Polyrhythms -- 11.2.3 Cognitive Science: Entrainment and Neural Resonance -- 11.3 Applications of the Haptic Bracelets -- 11.3.1 The "Haptic IPod" -- 11.3.2 Drum Teaching with Haptic Bracelets -- 11.3.3 Musician Coordination and Synchronisation -- 11.3.4 Teaching Multi-limb Drum Patterns by Multi-limbed Haptic Cueing -- 11.4 Experimental Results -- 11.4.1 Supporting Learning of Rhythm Skills with the Haptic Drum Kit -- 11.4.2 Learning Multi-limb Rhythms with Improved Haptic Drum Kit -- 11.4.3 Passive Learning of Multi-limb Rhythm Skills -- 11.5 Related Work -- 11.6 Conclusions -- References -- 12 Touchscreens and Musical Interaction -- 12.1 Introduction -- 12.2 Perceptual Aspects of Auditory and Haptic Modalities for Musical Touchscreen Applications -- 12.2.1 Intensity -- 12.2.2 Frequency -- 12.2.3 Temporal Acuity and Rhythm Perception -- 12.2.4 Synchrony -- 12.3 Experiment 1: Identification of Audio-Driven Tactile Feedback on a Touchscreen -- 12.3.1 Stimuli -- 12.3.2 Set-up -- 12.3.3 Subjects -- 12.3.4 Results and Discussion -- 12.3.5 Usability and Attractiveness -- 12.4 Experiment 2: Effect of Loudness on Perceived Tactile Intensity of Virtual Buttons -- 12.4.1 Stimuli -- 12.4.2 Set-up -- 12.4.3 Subjects -- 12.4.4 Procedure -- 12.4.5 Results and Discussion -- 12.5 Conclusions -- References -- 13 Implementation and Characterization of Vibrotactile Interfaces -- 13.1 Introduction -- 13.2 Vibrotactile Actuators' Technology -- 13.3 Interface Examples -- 13.3.1 The Touch-Box -- 13.3.2 The VibroPiano -- 13.3.3 The HSoundplane -- 13.4 Conclusions -- References -- Appendix Glossary and Abbreviations.

Additional Edition: Print version: Papetti, Stefano Musical Haptics Cham : Springer International Publishing AG,c2018 ISBN 9783319583150

Language: English

Keywords: Electronic books. ; Electronic books ; Electronic books

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UID:

Format: 1 online resource (XV, 285 p. 107 illus., 58 illus. in color.)

Edition: 1st ed. 2018.

ISBN: 3-319-58316-6

Series Statement: Springer Series on Touch and Haptic Systems,

Content: This Open Access book offers an original interdisciplinary overview of the role of haptic feedback in musical interaction. Divided into two parts, part I examines the tactile aspects of music performance and perception, discussing how they affect user experience and performance in terms of usability, functionality and perceived quality of musical instruments. Part II presents engineering, computational, and design approaches and guidelines that have been applied to render and exploit haptic feedback in digital musical interfaces. Musical Haptics introduces an emerging field that brings together engineering, human-computer interaction, applied psychology, musical aesthetics, and music performance. The latter, defined as the complex system of sensory-motor interactions between musicians and their instruments, presents a well-defined framework in which to study basic psychophysical, perceptual, and biomechanical aspects of touch, all of which will inform the design of haptic musical interfaces. Tactile and proprioceptive cues enable embodied interaction and inform sophisticated control strategies that allow skilled musicians to achieve high performance and expressivity. The use of haptic feedback in digital musical interfaces is expected to enhance user experience and performance, improve accessibility for disabled persons, and provide an effective means for musical tuition and guidance.

Note: Introduction -- Part 1- Haptics in Musical Interaction: Psychophysics and User Experience -- A Brief Overview of the Somatosensory System -- Once More with Feeling: The Dynamics of Performer-Instrument Interaction -- Perception of Vibrotactile Cues in Musical Performance -- The Role of Haptic Cues in Musical Instrument Quality Perception -- A Functional Analysis of Haptic Feedback in Digital Musical Instrument Interactions -- Auditory-Tactile Experience of Music -- Part II - Haptic Musical Interfaces: Design and Applications -- The MSCI Platform: A Framework for the Design and Simulation of Multisensory Virtual Musical Instruments -- Implementation and Characterization of Vibrotactile Interfaces -- Touchscreens and Musical Interaction -- Design of Vibrotactile Feedback -- Haptic Force-Feedback Instruments for the Laptop Orchestra of Louisiana -- Haptics for the Development of Fundamental Rhythm Skills Including Multi-Limb Coordination. , English

Additional Edition: ISBN 3-319-58315-8

Language: English

DOI: 10.1007/978-3-319-58316-7

UID:

Format: 223 Seiten , Illustrationen , 28 cm

Note: Catalog of an itinerant exhibition held at the Forte Malatesta, Ascoli Piceno, Italy, November 24, 2019-February 2, 2020, at the Complesso Monumentale di San Salvatore in Lauro del Pio Sodalizio dei Piceni, Rome, Italy, February 18-July 5, 2020, and at the Palazzo del duca, Senigallia, Italy, July 23-November 3, 2020 , Includes bibliographical references (pages 219-223)

Language: Italian

Keywords: Marken ; Malerei ; Plastik ; Renaissance ; Erdbebenschaden ; Restaurierung ; Geschichte 2016-2019 ; Ausstellungskatalog ; Ausstellungskatalog ; Ausstellungskatalog

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Format: 142 p , chiefly ill. (chiefly col.) , 30 cm

ISBN: 9788865570043

Note: Catalog of an exhibition held at Fondazione Roma Museo, Rome, Italy, Sept. 21-Oct. 24, 2010 , Title on cover: Monachesi , On cover: Fondazione Roma Museo , Contains brief biography of S. Monachesi (1910-1991), painter and sculptor, and chronology (p. 126-142)

Language: Italian

Subjects: Art History

Keywords: Monachési, Sante 1910-1991 ; Malerei ; Plastik ; Ausstellungskatalog

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Format: XI, 398 S. , zahlr. Ill. , 28 cm

ISBN: 9788870030501

Note: Text in English and Italian , Ascoli Piceno (Marche) , Includes bibliographical references , Italian, English

Language: Italian

Keywords: Pinacoteca Civica ; Museo Diocesano ; Katalog

UID:

Format: 131 Seiten , Illustrationen , 28 cm

ISBN: 9788836633647

Note: "Francesco nell'arte. Da Cimabue a Caravaggio, Ascoli Piceno Pinacoteca civica, sala della Vittoria, 12 marzo-30 giugno 2016"

Language: Italian

Keywords: Franz von Assisi, Heiliger 1182-1226 ; Malerei ; Ikonographie ; Ausstellungskatalog ; Ausstellungskatalog

URL: Inhaltsverzeichnis

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Format: 239 Seiten , Illustrationen (farbig) , 28 cm

ISBN: 9788836639502

Note: Nicola Filotesio (active 1510-1554), known as Cola dell'Amatrice , Catalog of an exhibition held at the Pinacoteca civica, Ascoli Piceno, Italy, March 17-July 15, 2018

Language: English

Keywords: Cola dell'Amatrice 1480-1547 ; Ausstellungskatalog ; Ausstellungskatalog ; Bildband

URL: Inhaltsverzeichnis

Author information: Cola dell'Amatrice 1480-1547

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Format: 301 Seiten , Illustrationen , 28 cm

ISBN: 9788836637577

Note: Impressum: "Sassoferrato, Sede espositiva/Exhibit location: Palazzo degli Scalzi, Sede collegata/related location: Monastero di Santa Chiara, 17 giugno - 5 novembre 2017, 17 June - 5 November 2017"

Language: Italian

Subjects: Art History

Keywords: Sassoferrato, Il 1609-1685 ; Ausstellungskatalog ; Ausstellungskatalog

URL: Inhaltsverzeichnis

Author information: Sassoferrato, Il 1609-1685

UID:

Format: 1 Online-Ressource (xii, 147 Seiten) , 61 Illustrationen, 52 in Farbe

ISBN: 9783031150197

Series Statement: Lecture notes in computer science 13417

Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-3-031-15018-0

Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-3-031-15020-3

Language: English

Keywords: Mensch-Maschine-Kommunikation ; Multimodales System ; Lautwahrnehmung ; Tastwahrnehmung ; Benutzeroberfläche ; Mobiles Endgerät ; Virtuelle Realität ; Benutzerorientierung ; Konferenzschrift

DOI: 10.1007/978-3-031-15019-7

URL: Volltext  (URL des Erstveröffentlichers)