Kooperativer Bibliotheksverbund

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Format: 539 S. , zahlr. Ill. , 1 Beil.

ISBN: 2735505995 , 9782735505999

In: [France], Vol. 2

Language: French

Keywords: Kathedrale Troyes ; Glasmalerei ; Geschichte 1200-1300 ; Inventar

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Format: XXVI, 415 S., [16] Bl. : , zahlr. Ill., Kt.

Edition: 1. publ.

ISBN: 978-1-84383-941-5

Content: "Aspects of the Bayeux Tapestry (in fact an embroidered hanging) have always remained mysterious, despite much scholarly investigation, not least its design and patron. Here, in the first full-length interdisciplinary approach to the subject, the authors (an art historian and a historian) consider these and other issues. Rejecting the prevalent view that it was commissioned by Odo, the bishop of Bayeux and half-brother of William the Conqueror, or by some other comparable patron, they bring new evidence to bear on the question of its relationship to the abbey of St Augustine's, Canterbury. From the study of art-historical, archeological, literary, historical and documentary materials, they conclude that the monks of St Augustine's designed the hanging for display in their abbey church to tell their own story of how England was invaded and conquered in 1066"--Publisher's description

Note: Includes bibliographical references and index

Language: English

Keywords: Bayeux-Teppich ; Bildprogramm

URL: Rezension

URL: Inhaltsverzeichnis

URL: Inhaltsverzeichnis

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Format: 1 online resource (xxv, 415 pages) : , digital, PDF file(s).

ISBN: 9781782043898 (ebook)

Content: Aspects of the Bayeux Tapestry (in fact an embroidered hanging) have always remained mysterious, despite much scholarly investigation, not least its design and patron. Here, in the first full-length interdisciplinary approach to the subject, the authors (an art historian and a historian) consider these and other issues. Rejecting the prevalent view that it was commissioned by Odo, the bishop of Bayeux and half-brother of William the Conqueror, or by some other comparable patron, they bring new evidence to bear on the question of its relationship to the abbey of St Augustine's, Canterbury. From the study of art-historical, archeological, literary, historical and documentary materials, they conclude that the monks of St Augustine's designed the hanging for display in their abbey church to tell their own story of how England was invaded and conquered in 1066.

Note: Title from publisher's bibliographic system (viewed on 24 Feb 2023). , 1. The Material Context of the Bayeux Embroidery: Manufacture, Display, and Literary References -- 2. Is the Bayeux Embroidery a Record of Events? -- 3. Imagined Patronage -- 4. The Prosopography of the Bayeux Embroidery and the Community of St Augustine's, Canterbury -- 5. Locating Harold's Oath and Tracing His Itinerary -- 6. Bishop Odo at the Banquet -- 7. The Fables in the Borders -- 8. Representing Architecture -- 9. Legal Ceremonies and the Question of Legitimacy -- 10. The Fall of the English -- 11. Quid faciat ... Scollandus? The Abbey Church of St Augustine's, c. 1073-1100.

Additional Edition: Print version: ISBN 9781843839415

Language: English

URL: https://www.cambridge.org/core/product/identifier/9781782043898/type/BOOK

URL: lizenzpflichtig

URL: lizenzpflichtig

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Format: 1 online resource.

ISBN: 9789004395718

Series Statement: Reading medieval sources, Volume 3

Content: With many excellent books on medieval stained glass available, the reader of this anthology may well ask: "what is the contribution of this collection?" In this book, we have chosen to step away from national, chronological, and regional models. Instead, we started with scholars doing interesting work in stained glass, and called upon colleagues to contribute studies that represent the diversity of approaches to the medium, as well as up-to-date bibliographies for work in the field. Contributors are: Wojciech Balus, Karine Boulanger, Sarah Brown, Elizabeth Carson Pastan, Madeline H. Caviness, Michael W. Cothren, Francesca Dell'Acqua, Uwe Gast, Françoise Gatouillat, Anne Granboulan, Anne F. Harris, Christine Hediger, Michel Hérold, Timothy B. Husband, Alyce A. Jordan, Herbert L. Kessler, David King, Brigitte Kurmann-Schwarz, Claudine Lautier, Ashley J. Laverock, Meredith P. Lillich, Isabelle Pallot-Frossard, Hartmut Scholz, Mary B. Shepard, Ellen M. Shortell, Nancy M. Thompson.

Note: Front Matter -- , Copyright -- , Glossary -- , Notes on Contributors -- , Introduction / , Visual and Documentary Testimonies -- , The Medieval Glazier at Work / , Early History of Stained Glass / , Longing for the Heavens: Romanesque Stained Glass in the Plantagenet Domain / , Chartres: Glazing the Cathedral / , Design and Execution in Southern German Stained Glass of the Late Middle Ages and the Age of Dürer / , Figures for Part 1 -- , Light and the Aperture -- , A Matter of Matter: Transparent - Translucent - Diaphanum in the Medium of Stained Glass / , Stained Glass and the Gothic Interior in the 12th and 13th Centuries / , Windows in Domestic Settings in France in the Late Middle Ages: Enclosure and Decoration in the Social Living Space / , "Consider the Glass, It Can Teach You": the Medium's Lesson / , Figures for Part 2 -- , Approaches to Glass -- , Performative Interaction of Liturgy and Light through the Medium of Painted Glass / , Stories in Windows: the Architectonics of Narrative / , The Reception of Stained Glass / , Using Style to Interpret Medieval Stained Glass: a Case Study at Beauvais / , Saints' Lives and Stained Glass / , Female Donors of Medieval Stained-Glass Windows / , Figures for Part 3 -- , Types of Glass -- , Regarding the Early Rose Window / , French Grisaille Glass / , Architecture, Liturgical Space, and Glazed Decoration: the Example of the Upper Windows of Bourges Cathedral / , The Silver-Stained Roundel in Northern Europe / , Figures for Part 4 -- , Workshopping the Window -- , Medieval Textual Sources on Stained Glass: from Theophilus to the Monk of Zagan / , The Creation of Stained Glass in Central Italy, 1250-1400 / , Medieval Glaziers' Workshops in Norwich / , French 14th-Century Stained Glass and Other Arts / , Figures for Part 5 -- , Post-Medieval Reflections -- , The Beginnings of Stained-Glass Collecting in Germany / , Out of Context: Portraits of Private Collectors and Their Medieval Stained Glass / , Stained Glass: Heritage and Creation, Materiality in All Its States / , Figures for Part 6 -- , Back Matter -- , Index.

Additional Edition: Print version: Investigations in Medieval Stained Glass: Materials, Methods, and Expressions Leiden, Boston : BRILL, [2019], ISBN 9789004395725

Language: English

Keywords: Aufsatzsammlung

URL: DOI:

URL: Volltext

URL: Volltext

URL: DOI

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Format: 1 Online-Ressource (XXX, 662 Seiten) , Illustrationen

ISBN: 9789004408944

Series Statement: Intersections volume 65/1

Content: Front Matter -- Copyright page -- Acknowledgements -- Illustrations -- Notes on the Editors -- Notes on the Contributors -- Quid est sacramentum?: Introduction /Walter S. Melion -- Representing the Sacraments -- Counterfeiting the Eucharist in Late Medieval Life and Art /Aden Kumler -- Vestments in the Mass /Lee Palmer Wandel -- ‘In the Flesh a Mirror of Spiritual Blessings’: Calvin’s Defence of the Lord’s Supper as a Visual Accommodation /AnnMarie M. Bridges -- ‘Mystery’ or ‘Sacrament’: Ephesians 5:32, the Sacrament of Marriage in Early Modern Biblical Scholarship, and Nicolas Poussin’s Visual Exegesis /Wim François -- Hoc Est Corpus Meum: Whole-Body Catacomb Saints and Eucharistic Doctrine in Baroque Bavaria /Noria K. Litaker -- Staging Sacramental Consolation in Vienna /Robert L. Kendrick -- Sacramental Modes of Representation -- Seeing beyond Signs: Allegorical Explanations of the Mass in Medieval Dutch Literature /Anna Dlabačová -- Representing Architecture in the Altarpiece: Fictions, Strategies, and Mysteries /Elizabeth Carson Pastan -- Orchestrating Polyphony at the Altar: Passion Altarpieces in Late Medieval France /Donna L. Sadler -- God’s Design: Painting and Piety in the Vida of Estefanía de la Encarnación (ca. 1597–1665) /Tanya J. Tiffany -- Amber, Blood, and the Holy Face of Jesus: the Materiality of Devotion in Late Medieval Bruges /Elliott D. Wise and Matthew Havili -- Anchoring the Appearance of the Sacred: the Abbot of Choisy & His Translation of the Imitatio Christi (1692) /Lars Cyril Nørgaard -- Spiritual and Material Conversions: Federico Barocci’s Christ and Mary Magdalene /Bronwen Wilson -- Representing Divine Presence and the Mysteries of Faith -- The Fine Art of Dying: Envisioning Death in the Somme le Roi Tradition /Alexa Sand -- Christ Child Creator /David S. Areford -- Lady Scripture’s Sacred Commitments: Dialogic Understanding in Dutch Religious Literature of the Late Fifteenth Century /Geert Warnar -- Coemeterium Schola: the Emblematic Imagery of Death in Jan David, S.J.’s Veridicus Christianus /Walter S. Melion -- The Limits of ‘Mute Theology’: Charles Le Brun’s Lecture on Nicolas Poussin’s Ecstasy of Saint Paul Revisited /James Clifton -- A Private Mystery: Looking at Philippe de Champaigne’s Annunciation for the Hôtel de Chavigny /Mette Birkedal Bruun -- Back Matter -- Index Nominum.

Content: ‘Quid est sacramentum?’ Visual Representation of Sacred Mysteries in Early Modern Europe, 1400-1700 investigates how sacred mysteries (in Latin, sacramenta or mysteria ) were visualized in a wide range of media, including illustrated religious literature such as catechisms, prayerbooks, meditative treatises, and emblem books, produced in Italy, France, and the Low Countries between ca. 1500 and 1700. The contributors ask why the mysteries of faith and, in particular, sacramental mysteries were construed as amenable to processes of representation and figuration, and why the resultant images were thought capable of engaging mortal eyes, minds, and hearts. Mysteries by their very nature appeal to the spirit, rather than to sense or reason, since they operate beyond the limitations of the human faculties; and yet, the visual and literary arts served as vehicles for the dissemination of these mysteries and for prompting reflection upon them. Contributors: David Areford, AnnMarie Micikas Bridges, Mette Birkedal Bruun, James Clifton, Anna Dlabačková, Wim François, Robert Kendrick, Aiden Kumler, Noria Litaker, Walter S. Melion, Lars Cyril Nørgaard, Elizabeth Pastan, Donna Sadler, Alexa Sand, Tanya Tiffany, Lee Palmer Wandel, Geert Warner, Bronwen Wilson, and Elliott Wise

Additional Edition: ISBN 9789004408937

Additional Edition: Erscheint auch als Druck-Ausgabe Quid est sacramentum? Leiden : Brill, 2020 ISBN 9789004408937

Language: English

Keywords: Europa ; Sakrament ; Bildliche Darstellung ; Symbolik ; Kunst ; Kultur ; Literatur ; Geschichte 1400-1700 ; Konferenzschrift

DOI: 10.1163/9789004408944

URL: Volltext  (lizenzpflichtig)

URL: Volltext  (lizenzpflichtig)

URL: Volltext  (DOI)

Author information: Wandel, Lee Palmer 1954-

Author information: Melion, Walter S. 1952-

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Format: 539 S. : , zahlr. Ill., Pläne ; , 1 Plan , 33 cm

ISBN: 2-7355-0599-5 , 2-222-04735-8

Series Statement: Corpus vitrearum : France 2

Note: Teilw. zugl.: Providence, RI, Brown Univ., Diss., 1986

Language: French

Keywords: Chorraum ; Fenster ; Glasmalerei ; Glasmalerei ; Glasmalerei ; Hochschulschrift ; Hochschulschrift

URL: http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015462411&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA

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Format: 1 online resource (488 pages).

ISBN: 9789004395718 (e-book)

Series Statement: Reading medieval sources ; Volume 3

Additional Edition: Print version: Investigations in medieval stained glass : materials, methods, and expressions. Leiden ; Boston : Brill, 2019 ISBN 9789004395725

Language: English

Keywords: Electronic books.

URL: Click to View

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Format: xvii, 350 Seiten , Illustrationen, Pläne

Edition: Authorized facsimile

Note: Authorized facsim. reproduction of the author's thesis (Ph. D.)--Brown University, 1986 , Dissertation Brown University 1986

Language: English

Keywords: Hochschulschrift

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Format: XXI, 466 Seiten : , Illustrationen ; , 31 cm.

ISBN: 978-90-04-39572-5

Series Statement: Reading medieval sources volume 3

Content: With many excellent books on medieval stained glass available, the reader of this anthology may well ask: "what is the contribution of this collection?" In this book, we have chosen to step away from national, chronological, and regional models. Instead, we started with scholars doing interesting work in stained glass, and called upon colleagues to contribute studies that represent the diversity of approaches to the medium, as well as up-to-date bibliographies for work in the field

Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-90-04-39571-8

Language: English

Keywords: Glasmalerei ; Aufsatzsammlung

URL: http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031519180&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA

Author information: Kurmann-Schwarz, Brigitte, 1951-

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Format: Seiten 215 - 232 , Ill

In: Journal of the Society of Architectural Historians / hrsg. von Society of Architectural Historians. - Oakland, Calif. : University of California Press, 1994. - Heft 53, Teil 2, Seiten 215 - 232

Language: English