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  • 1
    Book
    Book
    London ; New York : Routledge
    UID:
    b3kat_BV048927415
    Format: xxvi, 294 Seiten , Illustrationen, Diagramme
    ISBN: 9781138590038 , 9781138590069
    Series Statement: Perspectives on music production series
    Note: Forthcoming publication
    Additional Edition: ISBN 9780429491214
    Additional Edition: Erscheint auch als Online-​Ausgabe ISBN 978-0-429-49121-4
    Language: English
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  • 2
    Online Resource
    Online Resource
    London :Routledge,
    UID:
    almahu_BV048891367
    Format: 1 Online-Ressource (xxvi, 294 Seiten) : , Illustrationen, Diagramme.
    ISBN: 978-0-429-49121-4
    Series Statement: Perspectives on music production
    Note: 3D audio in broadcasting / Chris Pike -- Mixing 3D audio for film / Kevin Bolen
    Additional Edition: Erscheint auch als Druck-Ausgabe, Hardcover ISBN 978-1-138-59003-8
    Language: English
    Keywords: Electronic books.
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 3
    UID:
    b3kat_BV046154880
    Format: ix, 529 Seiten , Illustrationen, Diagramme, Notenbeispiele
    ISBN: 9781138498198 , 9781138498211
    Series Statement: Perspectives on music production series
    Note: "A Focal Press book"--cover , Performance. Transforming musical performance : the audience as performer / Adrian York ; Using electroencephalography to explore cognitive-cultural networks and ecosystemic performance environments for improvisation / Tim Sawyer ; Press play on tape : 8-bit composition on the Commodore 64 / Kenny McAlpine ; Defining and evaluating the performance of electronic music / Jenn Kirby ; Perspectives on musical time and human/machine agency in the development of performance systems for live electronic music / Paul Vandemast-Bell & John Ferguson ; Visual agency and liveness in the performance of electronic music / Tim Canfer ; Liveness and interactivity in popular music / Si Waite ; How algorithmic composition prompts innovative movement design in full-body taiko drumming / Stu Lambert -- , Production. Collective creativity : a service model of commercial pop music production at PWL in the 1980s / Paul Thompson & Phil Harding ; Mix & persona : analyzing rejected mixes / Dan Sanders ; Mixing beyond the box : analyzing contemporary mixing practice / Alex Stevenson ; Optimizing vocal clarity in the mix / Kirsten Hermes ; Plugging in : exploring innovation in plugin design and utilization / Andrew Bourbon ; Mixing and recording a small orchestral ensemble to create a large orchestral sound / Jenna Doyle ; Committing to tape : questioning progress narratives in contemporary studio production / Joe Watson -- Technology. Harnessing ancillary microgestures in piano technique : implementing microgestural control into an expressive keyboard-based hyper-instrument / Niccolo Granieri, James Dooley & Tychonas Michailidis -- Mamic goes live : a music programming system for non-specialist delivery / Mat Dalgleish & Chris Payne -- , Translating mixed multichannel electroacoustic music with acoustic soloist to the personal stereophonic listening space : a case study in Jorge Gregorio García / Simon Hall ; Acoustic transmission of metadata in audio files using sonic quick response codes (SQRC) / Mark Sheppard, Rob Toulson & Jorg Fachner ; Evaluating analog reconstruction performance of transient digital audio workstation signals at high- and standard- resolution sample frequencies / Rob Toulson -- Business. Can music samples be cleared more easily? Development of an automated process to clear music samples for legal creative reuse / Stephen Partridge -- , (re)Engineering the cultural object : sonic pasts in hip-hop's future / Mike Exarchos ; Anticipating the cryptopirate : don't bury treasure and other potential preventative measures / Patrick Twaddle ; Can i get a witness? The significance of contracts in an age of musical abundance / Sally Gross ; The end of a golden era of British music? Exploration of educational gaps in the current UK creative industry strategy / Carola Boehm
    Additional Edition: Erscheint auch als Online-Ausgabe, ebk ISBN 978-1-351-01671-1
    Language: English
    Keywords: Musikwirtschaft ; Musikproduktion ; Aufführungspraxis ; Technologie ; Innovation ; Konferenzschrift ; Aufsatzsammlung
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  • 4
    UID:
    b3kat_BV045402952
    Format: 344 Seiten , Illustrationen , 24 x 26 cm
    Edition: First edition
    ISBN: 9781480392878 , 1480392871
    Content: "This book is a complete course in the art of drum programming and the concepts and technologies behind it. It takes the reader from the earliest steps in using a digital audio workstation, through the development of an individual sound signature, and on to the achievement of professional results. Designed to accommodate users of any major drum programming application, it explores: the history of rhythm programming, digital audio workstations and how to use them, one-shot MIDI programming, samplers, romplers, advanced timing for swing and beat-mapping, loops and audio, creating drum sounds by subtractive synthesis, and production and FX. It culminates with detailed guidance on the creation of drum tracks for specific musical styles, ranging from pop and rock to jazz, reggae, drum 'n' bass, and glitch. The course unfolds through extensive use of workstation screenshots and audio examples. Along the way, helpful tips and practical exercises keep students motivated and engaged"--Www.amazon.com
    Note: Auf dem Cover: "Online media included" , Introduction -- A short history of drum programming -- Using this book -- MIDI programming with one-shots -- More detailed one-shot programming -- Samplers -- Working with audio -- Advanced timing -- Drum synthesis -- Production and effects 1 -- Production and effects 2 -- More samplers and sampling -- Programming in styles
    Language: English
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