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  • 1
    Book
    Book
    Instruments for new music : sound, technology, and modernism (2016)
    Oakland, California : University of California Press
    Details
    UID:
    b3kat_BV043318902
    Format: XII, 236 Seiten , Illustrationen , 23 cm
    ISBN: 9780520288027
    Note: Includes bibliographical references and index , Erscheint als Open Access bei De Gruyter , Dissertation University of Pennsylvania 2013
    Additional Edition: Erscheint auch als Online-Ausgabe, ebook ISBN 978-0-520-96312-2 10.1525/9780520963122
    Language: English
    Subjects: Musicology
    RVK:
    LR 11180
    Keywords: Deutschland ; Musikinstrument ; Erfindung ; Neue Musik ; Komposition ; Geschichte 1920-1940 ; Hochschulschrift
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Inhaltsverzeichnis
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  • 2
    Online Resource
    Online Resource
    Instruments for New Music : Sound, Technology, and Modernism (2015)
    University of California Press | Berkeley, CA :University of California Press,
    Details
    UID:
    almahu_9948249605702882
    Format: 1 online resource (250 p.)
    ISBN: 0-520-96312-1
    Content: A free ebook version of this title is available through Luminos, University of California Press's new open access publishing program for monographs. Visit www.luminosoa.org to learn more. Player pianos, radio-electric circuits, gramophone records, and optical sound film-these were the cutting-edge acoustic technologies of the early twentieth century, and for many musicians and artists of the time, these devices were also the implements of a musical revolution. Instruments for New Music traces a diffuse network of cultural agents who shared the belief that a truly modern music could be attained only through a radical challenge to the technological foundations of the art. Centered in Germany during the 1920s and 1930s, the movement to create new instruments encompassed a broad spectrum of experiments, from the exploration of microtonal tunings and exotic tone colors to the ability to compose directly for automatic musical machines. This movement comprised composers, inventors, and visual artists, including Paul Hindemith, Ernst Toch, Jörg Mager, Friedrich Trautwein, László Moholy-Nagy, Walter Ruttmann, and Oskar Fischinger. Patteson's fascinating study combines an artifact-oriented history of new music in the early twentieth century with an astute revisiting of still-relevant debates about the relationship between technology and the arts.
    Note: Frontmatter -- , Contents -- , Illustrations -- , Acknowledgments -- , 1. Listening to Instruments -- , 2. "The Joy of Precision": Mechanical Instruments and the Aesthetics of Automation -- , 3. "The Alchemy of Tone": Jörg Mager and Electric Music -- , 4. "Sonic Handwriting": Media Instruments and Musical Inscription -- , 5. "A New, Perfect Musical Instrument": The Trautonium and Electric Music in the 1930s -- , 6. The Expanding Instrumentarium -- , Notes -- , Bibliography -- , Index , In English.
    Language: English
    DOI: 10.1525/9780520963122
    URL: Open Access
    URL: kostenfrei
    URL: Cover
    URL: Cover
    URL: Cover
    URL: https://purl.org/coar/access_right/c_abf2
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  • 3
    Online Resource
    Online Resource
    Instruments for New Music : Sound, Technology, and Modernism (2015)
    [Erscheinungsort nicht ermittelbar] : University of California Press
    Details
    UID:
    gbv_1778638627
    Format: 1 Online-Ressource
    ISBN: 9780520963122
    Content: Player pianos, radio-electric circuits, gramophone records, and optical sound film—these were the cutting-edge acoustic technologies of the early twentieth century, and for many musicians and artists of the time, these devices were also the implements of a musical revolution. Instruments for New Music traces a diffuse network of cultural agents who shared the belief that a truly modern music could be attained only through a radical challenge to the technological foundations of the art. Centered in Germany during the 1920s and 1930s, the movement to create new instruments encompassed a broad spectrum of experiments, from the exploration of microtonal tunings and exotic tone colors to the ability to compose directly for automatic musical machines. This movement comprised composers, inventors, and visual artists, including Paul Hindemith, Ernst Toch, Jörg Mager, Friedrich Trautwein, László Moholy-Nagy, Walter Ruttmann, and Oskar Fischinger. Patteson’s fascinating study combines an artifact-oriented history of new music in the early twentieth century with an astute revisiting of still-relevant debates about the relationship between technology and the arts. “The smartest book on the German roots of what happened once electricity joined sound to make music and media. Amid profound historical events, technological possibilities were hacked, recordings stopped repeating themselves to perform something new, and the innovative art forms with us today were born.” -DOUGLAS KAHN, author of Earth Sound Earth Signal: Energies and Earth Magnitude in the Arts “A fascinating story of the technological music instrumentarium that not only gives composers and improvisers new sounds and new ways to play but also engages all of us in new social and philosophical insights.” -PAULINE OLIVEROS, Composer and Professor of Practice, Rensselaer Polytechnic Institute “Through meticulous new research, Patteson recovers the forgotten history of early twentieth-century music. This book shows how today’s sounds were born long before the age of electronics.” -TREVOR PINCH, author of Analog Days: The History and Impact of the Moog Synthesizer THOMAS PATTESON is Professor of Music History at the Curtis Institute of Music in Philadelphia. He is also Associate Curator for Bowerbird, a performing organization that presents contemporary music, film, and dance
    Note: English
    Language: English
    URL: kostenfrei
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    Stabi Berlin
    UB Potsdam
  • 4
    Online Resource
    Online Resource
    Instruments for new music : sound, technology, and modernism (2015)
    Oakland, California : University of California Press
    Details
    UID:
    gbv_1778638880
    Format: 1 Online-Ressource (250 p.)
    ISBN: 9780520963122
    Content: Player pianos, radio-electric circuits, gramophone records, and optical sound film—these were the cutting-edge acoustic technologies of the early twentieth century, and for many musicians and artists of the time, these devices were also the implements of a musical revolution. Instruments for New Music traces a diffuse network of cultural agents who shared the belief that a truly modern music could be attained only through a radical challenge to the technological foundations of the art. Centered in Germany during the 1920s and 1930s, the movement to create new instruments encompassed a broad spectrum of experiments, from the exploration of microtonal tunings and exotic tone colors to the ability to compose directly for automatic musical machines. This movement comprised composers, inventors, and visual artists, including Paul Hindemith, Ernst Toch, Jörg Mager, Friedrich Trautwein, László Moholy-Nagy, Walter Ruttmann, and Oskar Fischinger. Patteson’s fascinating study combines an artifact-oriented history of new music in the early twentieth century with an astute revisiting of still-relevant debates about the relationship between technology and the arts
    Note: English
    Language: English
    URL: kostenfrei
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    Stabi Berlin
    UB Potsdam
  • 5
    Online Resource
    Online Resource
    Instruments for New Music : Sound, Technology, and Modernism (2016)
    United States :University of California Press,
    Details
    UID:
    almafu_9958078605402883
    Format: 1 online resource (xii, 236 pages) : , illustrations, music ;
    Edition: 1st ed.
    Content: Player pianos, radio-electric circuits, gramophone records, and optical sound film—these were the cutting-edge acoustic technologies of the early twentieth century, and for many musicians and artists of the time, these devices were also the implements of a musical revolution. Instruments for New Music traces a diffuse network of cultural agents who shared the belief that a truly modern music could be attained only through a radical challenge to the technological foundations of the art. Centered in Germany during the 1920's and 1930's, the movement to create new instruments encompassed a broad spectrum of experiments, from the exploration of microtonal tunings and exotic tone colors to the ability to compose directly for automatic musical machines. This movement comprised composers, inventors, and visual artists, including Paul Hindemith, Ernst Toch, Jörg Mager, Friedrich Trautwein, László Moholy-Nagy, Walter Ruttmann, and Oskar Fischinger. Patteson’s fascinating study combines an artifact-oriented history of new music in the early twentieth century with an astute revisiting of still-relevant debates about the relationship between technology and the arts.
    Note: Bibliographic Level Mode of Issuance: Monograph , Listening to instruments -- "The joy of precision" : mechanical instruments and the aesthetics of automation -- "The alchemy of tone" : Jörg Mager and electric music -- "Sonic handwriting" : media instruments and musical inscription -- "A new, perfect musical instrument" : the trautonium and electric music in the 1930s -- The expanding instrumentarium. , Also available in print form. , English
    Additional Edition: ISBN 0-520-28802-5
    Language: English
    Keywords: Electronic books.
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    Online Resource
    FU Berlin
    Charité
  • 6
    Online Resource
    Online Resource
    Instruments for new music : sound, technology, and modernism (2016)
    Oakland, California :University of California Press,
    Details
    UID:
    almahu_9948325243502882
    Format: 1 online resource (252 pages) : , illustrations, music
    ISBN: 9780520963122 (e-book)
    Note: Listening to instruments -- "The joy of precision" : mechanical instruments and the aesthetics of automation -- "The alchemy of tone" : Jörg Mager and electric music -- "Sonic handwriting" : media instruments and musical inscription -- "A new, perfect musical instrument" : the trautonium and electric music in the 1930s -- The expanding instrumentarium.
    Additional Edition: Print version: Patteson, Thomas. Instruments for new music : sound, technology, and modernism. Oakland, California : University of California Press, [2016] ISBN 9780520288027
    Language: English
    Keywords: Electronic books. ; Electronic books
    URL: Click to View
    URL: Volltext  (kostenfrei)
    URL: kostenfrei
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  • 7
    Book
    Book
    Franc̨ois Bayle - Aventures d'écoute : mit Ludger Brümmer und Hans Tutschku = Franc̨ois Bayle - Adventrues of listening = Franc̨ois Bayle - Abenteuer des Hörens (2020)
    Wien : Verlag der Apfel
    Details
    UID:
    gbv_1748296272
    Format: IX, 346 Seiten , Illustrationen
    ISBN: 9783854504238
    Series Statement: Komposition und Musikwissenschaft im Dialog 8 (2010/2016)
    Language: German
    Keywords: Bayle, François 1932- ; Elektronische Musik ; Komposition ; Bayle, François 1932- ; Brümmer, Ludger 1958- ; Tutschku, Hans 1966-
    URL: Inhaltsverzeichnis
    Author information: Bayle, François 1932-
    Author information: Erbe, Marcus
    Author information: Blumröder, Christoph von 1951-
    Author information: Siano, Leopoldo 1982-
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  • 8
    Book
    Book
    Instruments for new music : sound, technology, and modernism (2016)
    Oakland, California :University of California Press,
    Details
    UID:
    almahu_BV043318902
    Format: XII, 236 Seiten : , Illustrationen ; , 23 cm.
    ISBN: 978-0-520-28802-7
    Note: Includes bibliographical references and index. - Erscheint als Open Access bei De Gruyter , Dissertation University of Pennsylvania 2013
    Additional Edition: Erscheint auch als Online-Ausgabe, ebook ISBN 978-0-520-96312-2 10.1525/9780520963122
    Language: English
    Subjects: Musicology
    RVK:
    LR 11180
    Keywords: Musikinstrument ; Erfindung ; Neue Musik ; Komposition ; Hochschulschrift
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Inhaltsverzeichnis
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    Fulltext
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    HU Berlin get availability status
  • 9
    Book
    Book
    Instruments for new music : sound, technology, and modernism (2016)
    Oakland, Calif : University of California Press
    Details
    UID:
    gbv_834152649
    Format: xii, 236 Seiten , Illustrationen
    ISBN: 9780520288027
    Content: Listening to instruments -- "The joy of precision" : mechanical instruments and the aesthetics of automation -- "The alchemy of tone" : Jörg Mager and electric music -- "Sonic handwriting" : media instruments and musical inscription -- "A new, perfect musical instrument" : the trautonium and electric music in the 1930s -- The expanding instrumentarium
    Note: Includes bibliographical references and index , Listening to instruments"The joy of precision" : mechanical instruments and the aesthetics of automation -- "The alchemy of tone" : Jörg Mager and electric music -- "Sonic handwriting" : media instruments and musical inscription -- "A new, perfect musical instrument" : the trautonium and electric music in the 1930s -- The expanding instrumentarium.
    Additional Edition: ISBN 9780520963122
    Additional Edition: Erscheint auch als Online-Ausgabe Patteson, Thomas, 1981 - Instruments for new music Oakland, California : University of California Press, 2016 ISBN 9780520963122
    Language: English
    Subjects: Musicology
    RVK:
    LR 11180
    Keywords: Musikinstrument ; Neue Musik ; Elektronische Musik
    Library Location Call Number Volume/Issue/Year Availability
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    Book
    Stabi Berlin get availability status
  • 10
    Online Resource
    Online Resource
    Instruments for New Music : Sound, Technology, and Modernism (2016)
    United States :University of California Press,
    Details
    UID:
    edoccha_9958078605402883
    Format: 1 online resource (xii, 236 pages) : , illustrations, music ;
    Edition: 1st ed.
    Content: Player pianos, radio-electric circuits, gramophone records, and optical sound film—these were the cutting-edge acoustic technologies of the early twentieth century, and for many musicians and artists of the time, these devices were also the implements of a musical revolution. Instruments for New Music traces a diffuse network of cultural agents who shared the belief that a truly modern music could be attained only through a radical challenge to the technological foundations of the art. Centered in Germany during the 1920's and 1930's, the movement to create new instruments encompassed a broad spectrum of experiments, from the exploration of microtonal tunings and exotic tone colors to the ability to compose directly for automatic musical machines. This movement comprised composers, inventors, and visual artists, including Paul Hindemith, Ernst Toch, Jörg Mager, Friedrich Trautwein, László Moholy-Nagy, Walter Ruttmann, and Oskar Fischinger. Patteson’s fascinating study combines an artifact-oriented history of new music in the early twentieth century with an astute revisiting of still-relevant debates about the relationship between technology and the arts.
    Note: Bibliographic Level Mode of Issuance: Monograph , Listening to instruments -- "The joy of precision" : mechanical instruments and the aesthetics of automation -- "The alchemy of tone" : Jörg Mager and electric music -- "Sonic handwriting" : media instruments and musical inscription -- "A new, perfect musical instrument" : the trautonium and electric music in the 1930s -- The expanding instrumentarium. , Also available in print form. , English
    Additional Edition: ISBN 0-520-28802-5
    Language: English
    Keywords: Electronic books.
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Online Resource
    Charité
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