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  • 1
    Book
    Book
    Oakland, California :University of California Press,
    UID:
    almafu_BV047589976
    Format: ix, 283 Seiten : , Illustrationen ; , 26 cm.
    ISBN: 978-0-520-30904-3 , 0520309049
    Content: "It is often assumed that surrealism did not survive beyond the Second World War and that it struggled to take root in America. This book challenges both assumptions, arguing that some of the most innovative responses to surrealism in the postwar years took place not in Europe or the gallery but in the United States, where artistic and activist communities repurposed the movement for their own ends. Far from moribund, surrealism became a form of political protest implicated in broader social and cultural developments, such as the Black Arts movement, the counterculture, the New Left, and the gay liberation movement. From Ted Joans to Marie Wilson, artists mobilized surrealism's defining interests in desire and madness, the everyday and the marginalized, to craft new identities that disrupted gender, sexual, and racial norms. Remade in America ultimately shows that what began as a challenge to church, family, and state in interwar Paris was invoked and rehabilitated to diagnose and to breach inequalities in postwar America"--
    Note: Includes bibliographical references and index , Re-viewing surrealism in Charles Henri Ford's Poem posters (1964-5) -- Encountering surrealism : Nadja (1928) and autobiographical beat writing -- Blackening surrealism : Ted Joans' ethnographic surrealist historiography -- Turning on surrealism : queer psychedelia -- Hystericising surrealism : the marvelous in popular culture
    Language: English
    Subjects: Art History
    RVK:
    RVK:
    RVK:
    Keywords: Surrealismus ; Politische Kunst ; Surrealismus ; Engagierte Kunst
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  • 2
    UID:
    gbv_1029774188
    Format: 135 Seiten , Illustrationen , 29 cm
    ISBN: 9781891925498
    Content: Chicago has for decades been one of the most prominent cities where European surrealism is avidly collected and displayed. However, there has yet to be a scholarly exhibition and catalogue that addresses the local manifestations of this international mode of art. This book focuses on a select group of painters whose work in the 1940s and 50's both transformed the domestic and domesticated the surrealist, particularly in Chicago. Working independently, but within a chain of social and artistic relationships, this group explored the interior as a site of projected imagination and fantasy, and the self as the generator of such altered perception. Including contributions by Robert Cozzolino, Adam Jolles, and Joanna Pawlik, the book provides a richly illustrated account of an international movement's unlikely - but somehow ever so fitting - home in America. Exhibition: The Arts Club of Chicago, USA (7.6. - 22.8.2018)
    Note: Includes works by, biographies and bibliographies on Gertrude Abercrombie, Ivan Albright, Eldzier Cortor, Julio de Diego, Harold Noecker, Dorothea Tanning, Julia Thecla, and John Henry Wilde. - Includes bibliographical references (pages 130-131) and index , Includes works by, biographies and bibliographies on Gertrude Abercrombie, Ivan Albright, Eldzier Cortor, Julio de Diego, Harold Noecker, Dorothea Tanning, Julia Thecla, and John Henry Wilde. - Includes bibliographical references (pages 130-131) and index
    Language: English
    Keywords: Chicago, Ill. ; Surrealismus ; Malerei ; Geschichte 1930-1950 ; Bildband ; Ausstellungskatalog
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  • 3
    UID:
    gbv_1016190395
    Format: Illustrationen
    ISSN: 0141-6790
    In: Art history, Oxford [u.a.] : Wiley, 1978, 41(2018), 1, Seite 154-191, 0141-6790
    In: volume:41
    In: year:2018
    In: number:1
    In: pages:154-191
    Language: English
    Keywords: Ford, Charles Henri 1913-2002
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