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  • 1
    Online Resource
    Online Resource
    London : Bloomsbury Academic
    UID:
    gbv_1759451487
    Format: 1 Online-Ressource (xiii, 222 Seiten)
    Edition: First edition
    ISBN: 9781350187849
    Series Statement: Cultural histories series
    Content: Introduction / by Louise Peacock -- Form / by Brett Mills -- Theory / by Peter Buse -- Praxis / by Oliver Double -- Identity / by Joanne Gilbert -- The body / by Louise Peacock -- Politics and power / by Chris Vognar -- Laughter / by Eric Weitz -- Ethics / by Michael Pickering.
    Content: The period covered by this volume was marked by an explosion of comic forms and a flowering of comic creativity across a range of media. From the communal watching of silent films at the start of the period, to the use of Twitter and other online platforms to share and comment on comedy, technology has brought about significant changes in its form, consumption, and social effects. As comic forms have shifted and developed, so too have attitudes to what comedy can and cannot do. The volume covers a range of comic forms and examples from 1920 to the present day, including plays, film, television comedy, live comedy, and comedy on social media. It considers its role in entertainment and in provoking consideration of a range of social and political topics. Drawing together contributions by scholars from a variety of fields, including theater, film and television, sociology, and visual culture, this volume explores the range and diversity of comedic performance and comic forms in the modern age. Each chapter takes a different theme as its focus: form, theory, praxis, identities, the body, politics and power, laughter, and ethics. These eight different approaches to comedy add up to an extensive, synoptic coverage of the subject
    Note: Includes bibliographical references and index
    Additional Edition: ISBN 9781350000766
    Additional Edition: ISBN 9781350187832
    Additional Edition: ISBN 9781350187856
    Additional Edition: ISBN 9781350000827
    Language: English
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  • 2
    Online Resource
    Online Resource
    [Erscheinungsort nicht ermittelbar] : Intellect
    UID:
    gbv_1688585346
    Format: 1 Online-Ressource
    ISBN: 9781841502410 , 9781841503301
    Uniform Title: Serious Play (Online)
    In: International Bibliography of Theatre & Dance with Full Text, EBSCO
    Language: English
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  • 3
    UID:
    gbv_1689045760
    Format: 1 Online-Ressource (x, 289 pages) , illustrations (black and white)
    ISBN: 9781474247368
    Content: 'Popular Performance' defines and surveys varieties of performance where the main purpose is to entertain, and where there is no shame in being trivial, frivolous or nonsensical as long as people go home happy at the end of the show. Contributions by new and established scholars focus particularly on how it is made, explaining the techniques of performance and production that make it so appealing to audiences
    Note: This edition previously issued in print: London: Bloomsbury Methuen Drama, 2017. Digital resource published 2018 , Zielgruppe - Audience: Specialized
    Additional Edition: ISBN 9781474247344
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 9781474247344
    Language: English
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  • 4
    Image
    Image
    London, UK :Bloomsbury Methuen Drama, an imprint of Bloomsbury Publishing Plc,
    UID:
    almafu_BV044440684
    Format: x, 289 Seiten : , illustrations ; , 23 cm.
    ISBN: 978-1-474-24734-4 , 1-474-24734-2
    Content: There is no fourth wall in popular performance. The show is firmly rooted in the here and now, and the performers address the audience directly, while the audience answer back with laughter, applause or heckling. Performer and role are interlaced, so that we are left uncertain about just how the persona we see onstage might relate to the private person who presents it to us. 'Popular Performance' defines and surveys varieties of performance where the main purpose is to entertain, and where there is no shame in being trivial, frivolous or nonsensical as long as people go home happy at the end of the show. Contributions by new and established scholars focus particularly on how it is made, explaining the techniques of performance and production that make it so appealing to audiences
    Note: From Domestic Song to Drawing Room Recitation: Dan Leno's Music Hall Repertoire , American Vaudeville , It's 1922 and at the Munich Kammerspiele Karl Valentin performs Der Christbaumbrettl at Die rote Zibebe , Packed from Pit to Ceiling: the Kingston Empire (1910-1955) , Grock: 'Genius among Clowns' , Something Wicked: the Theatre of Derren Brown , Performing the Burlesque Body: The Explicit Female Body as Palimpsest , 'Hiya Fans!' Celebrity Performance and Reception in Modern British Pantomime , With them, Not at Them , What's special about stand-up comedy? Josie Long's Lost Treasures of the Black Heart , 'It feels like a group of friends messing around onstage.': Pappy's and live sketch comedy
    Additional Edition: Erscheint auch als Online-Ausgabe, ePDF ISBN 978-1-474-24733-7
    Additional Edition: Erscheint auch als Online-Ausgabe, eBook ISBN 978-1-474-24735-1
    Language: English
    Subjects: General works
    RVK:
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  • 5
    Online Resource
    Online Resource
    London :Palgrave Macmillan UK :
    UID:
    almahu_9947968480402882
    Format: VIII, 184 p. , online resource.
    ISBN: 9781137438973
    Content: Slapstick comedy has a long and lively history from Greek Theatre to the present day. This book explores the ways in which comic pain and comic violence are performed within slapstick to make the audience laugh. It draws examples from theatre, television and film on both sides of the Atlantic.
    In: Springer eBooks
    Additional Edition: Printed edition: ISBN 9781349349296
    Language: English
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  • 6
    Online Resource
    Online Resource
    London, England : Bloomsbury Methuen Drama | London, England : Bloomsbury Publishing
    UID:
    gbv_1895298156
    Format: 1 Online-Ressource , illustrations (black and white)
    Edition: Also published in print
    ISBN: 9781474247368
    Content: 'Popular Performance' defines and surveys varieties of performance where the main purpose is to entertain, and where there is no shame in being trivial, frivolous or nonsensical as long as people go home happy at the end of the show. Contributions by new and established scholars focus particularly on how it is made, explaining the techniques of performance and production that make it so appealing to audiences
    Note: Includes bibliographical references and index , Introduction -- Chapter 1 From Domestic Song to Drawing Room Recitation: Dan Leno's Music Hall Repertoire (Caroline Radcliffe, University of Birmingham, UK) -- Chapter 2 American Vaudeville (Leigh Woods, Professor of Theatre, University of Michigan, USA) -- Chapter 3 It's 1922 and at the Munich Kammerspiele Karl Valentin performs Der Christbaumbrettl at Die rote Zibebe (Michael Wilson, Professor of Drama, Loughborough University, UK) -- Chapter 4 Packed from Pit to Ceiling: the Kingston Empire (Adam Ainsworth, Kingston University, UK) -- Chapter 5 Grock: Genius among Clowns (Louise Peacock, University of Hull, UK) -- Chapter 6 Something Wicked: the Theatre of Derren Brown (Michael Mangan, Loughborough University, UK) -- Chapter -- 7 Performing the Burlesque Body: -- The Explicit Female Body as Palimpsest (Dr. Lynn Sally, Metropolitan College of New York, USA) -- Chapter 8 "Hiya Fans!" Celebrity Performance and Reception in Modern British Pantomime (Simon Sladen, V&A Museum, UK) -- Chapter 9 With them, Not at Them (Bim Mason, Circomedia, UK) -- Chapter 10 What's special about stand-up comedy? Josie Long's Lost Treasures of the Black Heart (Sophie Quirk, University of Kent, UK) -- Chapter 11 'It feels like a group of friends messing around onstage.' Pappy's and live sketch comedy (Oliver Double, University of Kent, UK) -- Conclusion -- Endnotes -- Bibliography -- Index -- Notes on Contributors. , Also published in print , Barrierefreier Inhalt: Compliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily
    Additional Edition: ISBN 9781474247337
    Additional Edition: ISBN 9781474247344
    Additional Edition: ISBN 1474247334
    Additional Edition: ISBN 9781350089686
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 1
    Language: English
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  • 7
    UID:
    edocfu_BV047303697
    Format: 1 Online-Ressource (xiii, 222 Seiten) : , Illustrationen.
    ISBN: 978-1-3501-8784-9
    In: A cultural history of comedy.
    Additional Edition: Erscheint auch als Druck-Ausgabe, Hardcover ISBN 978-1-3500-0076-6
    Language: English
    Subjects: Comparative Studies. Non-European Languages/Literatures
    RVK:
    RVK:
    RVK:
    Keywords: Komödie
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 8
    Online Resource
    Online Resource
    London : Bloomsbury Academic | London : Bloomsbury Publishing
    UID:
    gbv_1895305861
    Format: 1 Online-Ressource
    Edition: 1st ed
    ISBN: 9781350187849
    Series Statement: The Cultural Histories Series
    Content: Drawing together contributions by scholars from a variety of fields, including theater, film and television, sociology, and visual culture, this volume explores the range and diversity of comedic performance and comic forms in the modern age. It covers a range of forms and examples from 1920 to the present day, including plays, film, television comedy, live comedy, and comedy on social media. It argues that the period covered was marked by an explosion of comic forms and a flowering of comic creativity across a range of media. From the communal watching of silent films at the start of the period, to the use of Twitter and other online platforms to share and comment on comedy, technology has brought about significant changes in its form, consumption, and social effects. As comic forms have shifted and developed, so too have attitudes to what comedy can and cannot do. This study considers its role in entertainment and in provoking consideration of a range of social and political topics. Each chapter takes a different theme as its focus: form, theory, praxis, identities, the body, politics and power, laughter, and ethics. These eight different approaches to comedy add up to an extensive, synoptic coverage of the subject
    Note: Barrierefreier Inhalt: Compliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 9
    UID:
    almafu_BV047303697
    Format: 1 Online-Ressource (xiii, 222 Seiten) : , Illustrationen.
    ISBN: 978-1-3501-8784-9
    In: A cultural history of comedy.
    Additional Edition: Erscheint auch als Druck-Ausgabe, Hardcover ISBN 978-1-3500-0076-6
    Language: English
    Subjects: Comparative Studies. Non-European Languages/Literatures
    RVK:
    RVK:
    RVK:
    Keywords: Komödie
    URL: Volltext  (URL des Erstveröffentlichers)
    Library Location Call Number Volume/Issue/Year Availability
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