Kooperativer Bibliotheksverbund

UID:

Format: 1 Online-Ressource

ISBN: 9781942401742

Series Statement: Collection development, cultural heritage, and digital humanities

Note: Erscheint als Open Access bei De Gruyter

Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-1-942401-73-5

Language: English

Keywords: Byzantinisches Reich ; Kunst ; Animismus ; Byzantinisches Reich ; Kunst ; Musealisierung ; Museum ; Ausstellung

DOI: 10.1515/9781942401742

DOI: 10.2307/j.ctv22d4zb4

URL: Volltext  (kostenfrei)

URL: Volltext  (kostenfrei)

URL: Volltext  (kostenfrei)

UID:

Format: xviii, 188 S. : , ill. ; , 24 cm.

ISBN: 0-271-02470-4

Note: Includes bibliographical references (p. [179]-184) and index , The great age of the frame -- The crucifixion contained and containing -- The bloody page in the Chludov Psalter -- Gregory of Nazianzus as twelfth-century paradigm -- Saint George and his iconic bodies -- Silver cladding and the assimilation of bodies and faces -- Framing the body.

Language: English

Keywords: Kunst ; Ikonenmalerei ; Chludov psalter

URL: Inhaltsverzeichnis

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Format: XV, 235 S. : , Ill.

ISBN: 0-520-22405-1

Series Statement: The transformation of the classical heritage 32

Language: English

Keywords: Engel ; Erzengel ; Bilderstreit ; Kunst ; Engel

URL: http://www.loc.gov/catdir/description/ucal042/00055165.html

URL: http://www.loc.gov/catdir/toc/ucal041/00055165.html

URL: http://www.loc.gov/catdir/bios/ucal052/00055165.html

UID:

Format: 1 online resource (178 pages) : , illustrations (black and white, and colour) ;

Edition: New edition.

ISBN: 1-942401-73-6

Series Statement: Collection development, cultural heritage, and digital humanities

Content: Byzantine art is normally explained as devotional, historical, highly intellectualized, but this book argues for an experiential necessity for a fuller, deeper, more ethical approach to this art. Written in response to an exhibition the author curated at The Menil Collection in 2013, these essays challenge us to search for novel ways to explore and interrogate the art of this distant culture. They marshal diverse disciplines-modern art, environmental theory, anthropology-to argue that Byzantine culture formed a special kind of Christian animism. While completely foreign to our world, that animism still holds important lessons for approaches to our own relations to the world. Mutual probings of subject and art, of past and present, arise in these essays-some new and some previously published-and new explanations therefore open up that will interest historians of art, museum professionals, and anyone interested in how art makes and remakes the world.

Content: Byzantine art is normally explained as devotional, historical, highly intellectualized, but this book argues for an experiential necessity for a fuller, deeper, more ethical approach to this art. Written in response to an exhibition the author curated at The Menil Collection in 2013, this monograph challenges us to search for novel ways to explore and interrogate the art of this distant culture. They marshal diverse disciplines-modern art, environmental theory, anthropology-to argue that Byzantine culture formed a special kind of Christian animism. While completely foreign to our world, that animism still holds important lessons for approaches to our own relations to the world. Mutual probings of subject and art, of past and present, arise in these essays-some new and some previously published-and new explanations therefore open up that will interest historians of art, museum professionals, and anyone interested in how art makes and remakes the world.

Note: Contents [delete if appropriate]. Frontmatter -- , CONTENTS -- , List of Illustrations -- , Acknowledgements -- , Introduction -- , Part 1. Animate Materialities from Icon to Cathedral -- , Chapter 1. Showing Byzantine Materiality -- , Chapter 2. The Byzantine Material Symphony: Sound, Stuff, and Things -- , Part 2. Byzantine Things in the World: Animating Museum Spaces -- , Chapter 3. Prelude on Transfiguring Exhibition -- , Chapter 4. Transfiguring Materialities: Relational Abstraction in Byzantium and Its Exhibition -- , Chapter 5. Framing and Conserving Byzantine Art: Experiences of Relative Identity -- , Part 3. Pushing the Envelope, Breaking Out: Making, Materials, Materiality -- , Chapter 6. Angelic Anagogy, Silver, and Matter's Mire -- , Chapter 7. Late Antique Making and Wonder -- , Chapter 8. Senses' Other Sides -- , Epilogue -- , Bibliography -- , Index , Also available in print form. , In English.

Additional Edition: Print version: ISBN 1-942401-74-4

Additional Edition: Print version: ISBN 9781942401735

Language: English

DOI: 10.1515/9781942401742

UID:

Format: 1 online resource (176 pages)

Edition: 1st ed.

ISBN: 9781942401742

Series Statement: Collection Development, Cultural Heritage, and Digital Humanities Series

Content: Byzantine art is normally explained as devotional, historical, highly intellectualized, but this book argues for an experiential necessity for a fuller, deeper, more ethical approach to this art. Written in response to an exhibition the author curated at The Menil Collection in 2013, this monograph challenges us to search for novel ways to explore and interrogate the art of this distant culture. They marshal diverse disciplines--modern art, environmental theory, anthropology--to argue that Byzantine culture formed a special kind of Christian animism. While completely foreign to our world, that animism still holds important lessons for approaches to our own relations to the world. Mutual probings of subject and art, of past and present, arise in these essays--some new and some previously published--and new explanations therefore open up that will interest historians of art, museum professionals, and anyone interested in how art makes and remakes the world.

Additional Edition: Print version: Peers, Glenn Animism, Materiality, and Museums Amsterdam : Arc Humanities Press,c2021 ISBN 9781641894678

Language: English

Keywords: Electronic books. ; Electronic books.

URL: Click to View

URL: Click here to view book

URL: lizenzpflichtig

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Format: XXVIII, 128, 115 S , zahlr. Ill

ISBN: 8887027242

Series Statement: Millennio medievale 7

Note: Einheitssacht. des komm. Werkes: Physiologus

Language: Italian

Keywords: Sammelhandschrift Ms. B. 8 ; Buchmalerei ; Physiologus

UID:

Format: 1 Online-Ressource (xviii, 190 Seiten) : , Illustrationen.

Edition: 1st ed. 2021

ISBN: 978-3-030-75902-5

Series Statement: New Approaches to Byzantine History and Culture

Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-3-030-75901-8

Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-3-030-75903-2

Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-3-030-75904-9

Language: English

Keywords: Christentum ; Kultur ; Baum

DOI: 10.1007/978-3-030-75902-5

URL: Volltext  (URL des Erstveröffentlichers)

URL: Volltext  (URL des Erstveröffentlichers)

UID:

Format: 1 Online-Ressource (167 p.)

Series Statement: Collection Development, Cultural Heritage, and Digital Humanities

Content: Among our most cherished modern assumptions is our distance from the material world we claim to love or, alternately, to dominate and own. As both devotional tool and art object, the Byzantine icon is rendered complicit in this distancing. According to well-established theological and scholarly explanations, the icon is a window onto the divine: it focuses and directs our minds to a higher understanding of God and saints. Despite their material richness, icons are understood to efface their own materiality, thereby enabling us to do the same. That the privileged relation of image to God is based on its capacity for material self-effacement is the basis for all theology of the icon and all art-historical description. It gets more complicated than this definition, to be sure, but the icon is positioned in this way in most straightforward accounts, whether devotional or scholarly. My position is to undermine the transcendentalizing determination of modern theology and aesthetics, and to lean very heavily on the materiality of these things to the point of allowing them, to the degree I can, a voice and life of their own

Note: English

Language: English

URL: kostenfrei

UID:

Format: 1 Online-Ressource (202 p)

Edition: [Online-Ausgabe]

ISBN: 9781942401742

Series Statement: Collection Development, Cultural Heritage, and Digital Humanities

Content: Frontmatter -- CONTENTS -- List of Illustrations -- Acknowledgements -- Introduction -- Part 1. Animate Materialities from Icon to Cathedral -- Chapter 1. Showing Byzantine Materiality -- Chapter 2. The Byzantine Material Symphony: Sound, Stuff, and Things -- Part 2. Byzantine Things in the World: Animating Museum Spaces -- Chapter 3. Prelude on Transfiguring Exhibition -- Chapter 4. Transfiguring Materialities: Relational Abstraction in Byzantium and Its Exhibition -- Chapter 5. Framing and Conserving Byzantine Art: Experiences of Relative Identity -- Part 3. Pushing the Envelope, Breaking Out: Making, Materials, Materiality -- Chapter 6. Angelic Anagogy, Silver, and Matter's Mire -- Chapter 7. Late Antique Making and Wonder -- Chapter 8. Senses' Other Sides -- Epilogue -- Bibliography -- Index

Content: Byzantine art is normally explained as devotional, historical, highly intellectualized, but this book argues for an experiential necessity for a fuller, deeper, more ethical approach to this art. Written in response to an exhibition the author curated at The Menil Collection in 2013, these essays challenge us to search for novel ways to explore and interrogate the art of this distant culture. They marshal diverse disciplines-modern art, environmental theory, anthropology-to argue that Byzantine culture formed a special kind of Christian animism. While completely foreign to our world, that animism still holds important lessons for approaches to our own relations to the world. Mutual probings of subject and art, of past and present, arise in these essays-some new and some previously published-and new explanations therefore open up that will interest historians of art, museum professionals, and anyone interested in how art makes and remakes the world

Content: Byzantine art is normally explained as devotional, historical, highly intellectualized, but this book argues for an experiential necessity for a fuller, deeper, more ethical approach to this art. Written in response to an exhibition the author curated at The Menil Collection in 2013, this monograph challenges us to search for novel ways to explore and interrogate the art of this distant culture. They marshal diverse disciplines-modern art, environmental theory, anthropology-to argue that Byzantine culture formed a special kind of Christian animism. While completely foreign to our world, that animism still holds important lessons for approaches to our own relations to the world. Mutual probings of subject and art, of past and present, arise in these essays-some new and some previously published-and new explanations therefore open up that will interest historians of art, museum professionals, and anyone interested in how art makes and remakes the world

Note: Mode of access: Internet via World Wide Web. , In English

Language: English

DOI: 10.1515/9781942401742

URL: Open Access

URL: Open Access

URL: kostenfrei

URL: Cover

URL: Cover

UID:

Format: 626 Seiten , Illustrationen , 26 cm

ISBN: 9788821009525

Series Statement: Studi e testi 504

Note: Papers presented at the conference held in Rome, Italy, June 11-13, 2012 , Includes bibliographical references and index , Beiträge teilweise englisch, teilweise italienisch

Language: English

Subjects: Theology

Keywords: Psalter Vat. gr. 752 ; Bibel ; Handschrift ; Biblioteca Apostolica Vaticana ; Psalter Vat. gr. 752 ; Konferenzschrift ; Aufsatzsammlung

URL: Inhaltsverzeichnis

URL: http://digital.casalini.it/9788821009521

Author information: Crostini, Barbara