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  • 1
    Online Resource
    Online Resource
    Leeds : Arc Humanities Press
    UID:
    b3kat_BV046996324
    Format: 1 Online-Ressource
    ISBN: 9781942401742
    Series Statement: Collection development, cultural heritage, and digital humanities
    Note: Erscheint als Open Access bei De Gruyter
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-1-942401-73-5
    Language: English
    Keywords: Byzantinisches Reich ; Kunst ; Animismus ; Byzantinisches Reich ; Kunst ; Musealisierung ; Museum ; Ausstellung
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 2
    Book
    Book
    University Park, Pa. :Pennsylvania State University Pr.,
    UID:
    almafu_BV021593625
    Format: xviii, 188 S. : , ill. ; , 24 cm.
    ISBN: 0-271-02470-4
    Note: Includes bibliographical references (p. [179]-184) and index , The great age of the frame -- The crucifixion contained and containing -- The bloody page in the Chludov Psalter -- Gregory of Nazianzus as twelfth-century paradigm -- Saint George and his iconic bodies -- Silver cladding and the assimilation of bodies and faces -- Framing the body.
    Language: English
    RVK:
    RVK:
    RVK:
    Keywords: Kunst ; Ikonenmalerei ; Chludov psalter
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  • 3
    Book
    Book
    Berkeley, Calif. [u.a.] :Univ. of California Press,
    UID:
    almahu_BV025345241
    Format: XV, 235 S. : , Ill.
    ISBN: 0-520-22405-1
    Series Statement: The transformation of the classical heritage 32
    Language: English
    RVK:
    Keywords: Engel ; Erzengel ; Bilderstreit ; Kunst ; Engel
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  • 4
    Online Resource
    Online Resource
    Leeds :Arc Humanities Press,
    UID:
    almafu_9959705800902883
    Format: 1 online resource (178 pages) : , illustrations (black and white, and colour) ;
    Edition: New edition.
    ISBN: 1-942401-73-6
    Series Statement: Collection development, cultural heritage, and digital humanities
    Content: Byzantine art is normally explained as devotional, historical, highly intellectualized, but this book argues for an experiential necessity for a fuller, deeper, more ethical approach to this art. Written in response to an exhibition the author curated at The Menil Collection in 2013, these essays challenge us to search for novel ways to explore and interrogate the art of this distant culture. They marshal diverse disciplines-modern art, environmental theory, anthropology-to argue that Byzantine culture formed a special kind of Christian animism. While completely foreign to our world, that animism still holds important lessons for approaches to our own relations to the world. Mutual probings of subject and art, of past and present, arise in these essays-some new and some previously published-and new explanations therefore open up that will interest historians of art, museum professionals, and anyone interested in how art makes and remakes the world.
    Content: Byzantine art is normally explained as devotional, historical, highly intellectualized, but this book argues for an experiential necessity for a fuller, deeper, more ethical approach to this art. Written in response to an exhibition the author curated at The Menil Collection in 2013, this monograph challenges us to search for novel ways to explore and interrogate the art of this distant culture. They marshal diverse disciplines-modern art, environmental theory, anthropology-to argue that Byzantine culture formed a special kind of Christian animism. While completely foreign to our world, that animism still holds important lessons for approaches to our own relations to the world. Mutual probings of subject and art, of past and present, arise in these essays-some new and some previously published-and new explanations therefore open up that will interest historians of art, museum professionals, and anyone interested in how art makes and remakes the world.
    Note: Contents [delete if appropriate]. Frontmatter -- , CONTENTS -- , List of Illustrations -- , Acknowledgements -- , Introduction -- , Part 1. Animate Materialities from Icon to Cathedral -- , Chapter 1. Showing Byzantine Materiality -- , Chapter 2. The Byzantine Material Symphony: Sound, Stuff, and Things -- , Part 2. Byzantine Things in the World: Animating Museum Spaces -- , Chapter 3. Prelude on Transfiguring Exhibition -- , Chapter 4. Transfiguring Materialities: Relational Abstraction in Byzantium and Its Exhibition -- , Chapter 5. Framing and Conserving Byzantine Art: Experiences of Relative Identity -- , Part 3. Pushing the Envelope, Breaking Out: Making, Materials, Materiality -- , Chapter 6. Angelic Anagogy, Silver, and Matter's Mire -- , Chapter 7. Late Antique Making and Wonder -- , Chapter 8. Senses' Other Sides -- , Epilogue -- , Bibliography -- , Index , Also available in print form. , In English.
    Additional Edition: Print version: ISBN 1-942401-74-4
    Additional Edition: Print version: ISBN 9781942401735
    Language: English
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  • 5
    Online Resource
    Online Resource
    Amsterdam :Arc Humanities Press,
    UID:
    almahu_9949517577202882
    Format: 1 online resource (176 pages)
    Edition: 1st ed.
    ISBN: 9781942401742
    Series Statement: Collection Development, Cultural Heritage, and Digital Humanities Series
    Content: Byzantine art is normally explained as devotional, historical, highly intellectualized, but this book argues for an experiential necessity for a fuller, deeper, more ethical approach to this art. Written in response to an exhibition the author curated at The Menil Collection in 2013, this monograph challenges us to search for novel ways to explore and interrogate the art of this distant culture. They marshal diverse disciplines--modern art, environmental theory, anthropology--to argue that Byzantine culture formed a special kind of Christian animism. While completely foreign to our world, that animism still holds important lessons for approaches to our own relations to the world. Mutual probings of subject and art, of past and present, arise in these essays--some new and some previously published--and new explanations therefore open up that will interest historians of art, museum professionals, and anyone interested in how art makes and remakes the world.
    Additional Edition: Print version: Peers, Glenn Animism, Materiality, and Museums Amsterdam : Arc Humanities Press,c2021 ISBN 9781641894678
    Language: English
    Keywords: Electronic books. ; Electronic books.
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  • 6
    UID:
    gbv_312747705
    Format: XXVIII, 128, 115 S , zahlr. Ill
    ISBN: 8887027242
    Series Statement: Millennio medievale 7
    Note: Einheitssacht. des komm. Werkes: Physiologus
    Language: Italian
    Keywords: Sammelhandschrift Ms. B. 8 ; Buchmalerei ; Physiologus
    Library Location Call Number Volume/Issue/Year Availability
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  • 7
    Online Resource
    Online Resource
    Cham :Springer International Publishing, | Cham :Palgrave Macmillan.
    UID:
    almafu_BV047420901
    Format: 1 Online-Ressource (xviii, 190 Seiten) : , Illustrationen.
    Edition: 1st ed. 2021
    ISBN: 978-3-030-75902-5
    Series Statement: New Approaches to Byzantine History and Culture
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-3-030-75901-8
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-3-030-75903-2
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-3-030-75904-9
    Language: English
    Keywords: Christentum ; Kultur ; Baum
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 8
    Online Resource
    Online Resource
    [Erscheinungsort nicht ermittelbar] : Arc Humanities Press
    UID:
    gbv_1778425372
    Format: 1 Online-Ressource (167 p.)
    Series Statement: Collection Development, Cultural Heritage, and Digital Humanities
    Content: Among our most cherished modern assumptions is our distance from the material world we claim to love or, alternately, to dominate and own. As both devotional tool and art object, the Byzantine icon is rendered complicit in this distancing. According to well-established theological and scholarly explanations, the icon is a window onto the divine: it focuses and directs our minds to a higher understanding of God and saints. Despite their material richness, icons are understood to efface their own materiality, thereby enabling us to do the same. That the privileged relation of image to God is based on its capacity for material self-effacement is the basis for all theology of the icon and all art-historical description. It gets more complicated than this definition, to be sure, but the icon is positioned in this way in most straightforward accounts, whether devotional or scholarly. My position is to undermine the transcendentalizing determination of modern theology and aesthetics, and to lean very heavily on the materiality of these things to the point of allowing them, to the degree I can, a voice and life of their own
    Note: English
    Language: English
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  • 9
    Online Resource
    Online Resource
    Leeds : Arc Humanities Press
    UID:
    gbv_1750387174
    Format: 1 Online-Ressource (202 p)
    Edition: [Online-Ausgabe]
    ISBN: 9781942401742
    Series Statement: Collection Development, Cultural Heritage, and Digital Humanities
    Content: Frontmatter -- CONTENTS -- List of Illustrations -- Acknowledgements -- Introduction -- Part 1. Animate Materialities from Icon to Cathedral -- Chapter 1. Showing Byzantine Materiality -- Chapter 2. The Byzantine Material Symphony: Sound, Stuff, and Things -- Part 2. Byzantine Things in the World: Animating Museum Spaces -- Chapter 3. Prelude on Transfiguring Exhibition -- Chapter 4. Transfiguring Materialities: Relational Abstraction in Byzantium and Its Exhibition -- Chapter 5. Framing and Conserving Byzantine Art: Experiences of Relative Identity -- Part 3. Pushing the Envelope, Breaking Out: Making, Materials, Materiality -- Chapter 6. Angelic Anagogy, Silver, and Matter's Mire -- Chapter 7. Late Antique Making and Wonder -- Chapter 8. Senses' Other Sides -- Epilogue -- Bibliography -- Index
    Content: Byzantine art is normally explained as devotional, historical, highly intellectualized, but this book argues for an experiential necessity for a fuller, deeper, more ethical approach to this art. Written in response to an exhibition the author curated at The Menil Collection in 2013, these essays challenge us to search for novel ways to explore and interrogate the art of this distant culture. They marshal diverse disciplines-modern art, environmental theory, anthropology-to argue that Byzantine culture formed a special kind of Christian animism. While completely foreign to our world, that animism still holds important lessons for approaches to our own relations to the world. Mutual probings of subject and art, of past and present, arise in these essays-some new and some previously published-and new explanations therefore open up that will interest historians of art, museum professionals, and anyone interested in how art makes and remakes the world
    Content: Byzantine art is normally explained as devotional, historical, highly intellectualized, but this book argues for an experiential necessity for a fuller, deeper, more ethical approach to this art. Written in response to an exhibition the author curated at The Menil Collection in 2013, this monograph challenges us to search for novel ways to explore and interrogate the art of this distant culture. They marshal diverse disciplines-modern art, environmental theory, anthropology-to argue that Byzantine culture formed a special kind of Christian animism. While completely foreign to our world, that animism still holds important lessons for approaches to our own relations to the world. Mutual probings of subject and art, of past and present, arise in these essays-some new and some previously published-and new explanations therefore open up that will interest historians of art, museum professionals, and anyone interested in how art makes and remakes the world
    Note: Mode of access: Internet via World Wide Web. , In English
    Language: English
    URL: Cover
    URL: Cover
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  • 10
    UID:
    gbv_874289505
    Format: 626 Seiten , Illustrationen , 26 cm
    ISBN: 9788821009525
    Series Statement: Studi e testi 504
    Note: Papers presented at the conference held in Rome, Italy, June 11-13, 2012 , Includes bibliographical references and index , Beiträge teilweise englisch, teilweise italienisch
    Language: English
    Subjects: Theology
    RVK:
    Keywords: Psalter Vat. gr. 752 ; Bibel ; Handschrift ; Biblioteca Apostolica Vaticana ; Psalter Vat. gr. 752 ; Konferenzschrift ; Aufsatzsammlung
    Author information: Crostini, Barbara
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