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  • 1
    Book
    Book
    Edinburgh :Edinburgh Univ. Press,
    UID:
    almafu_BV013600865
    Format: 182 S.
    ISBN: 0-7486-1340-4
    Language: English
    Subjects: American Studies
    RVK:
    Keywords: Kriminalroman ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
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  • 2
    Online Resource
    Online Resource
    Basel, Switzerland : MDPI - Multidisciplinary Digital Publishing Institute
    UID:
    almahu_9949281268502882
    Format: 1 electronic resource (92 p.)
    Content: Artists have been exploring the spatial, conceptual and three-dimensional qualities of holography for over fifty years. Why, then, is there so little sustained critical pressure placed on this process, methodology and mode of visualisation which underpins the developing practice?In 1994, pioneering British artist Margaret Benyon, in her doctoral thesis, posed the question “How is Holography Art”, and offered a range of answers, by applying critical pressure to her considerable work in the field. Over 25 years later, we have used Benyon’s investigation as an invitation to ask more questions. This Special Issue in Arts brings together artists working with holography, as well as curators and long-term expert observers with an interest in the medium, to open up a more comprehensive discussion. They have reflected on the development of their work and its place within a cultural and critical framework. The curators and observers have employed a wider lens from their standpoints outside the field, but this is located firmly within current cultural discussions.There are more questions and certainly a need to increase the critical pressure around why holography could be one of the most significant ways of seeing and representing worlds and ideas today. We are surrounded by terrible art (painting, sculpture, print, photography, performance, digital, moving image), and holography has undoubtedly contributed to the visual flotsam clogging our vision. This publication aims to identify the importance of critical conversation, and the place holography holds within our current and complex media landscape.
    Note: English
    Additional Edition: ISBN 3-03936-226-7
    Additional Edition: ISBN 3-03936-227-5
    Language: English
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  • 3
    UID:
    almahu_9949065571502882
    Format: 1 online resource (304 p.) : , 11
    ISBN: 9780823287796 , 9783110704716
    Content: Noir Affect proposes a new understanding of noir as defined by negative affect. This new understanding emphasizes that noir is, first and foremost, an affective disposition rather than a specific cycle of films or novels associated with a given time period or national tradition. Instead, the essays in Noir Affect trace noir’s negativity as it manifests in different national contexts from the United States to Mexico, France, and Japan and in a range of different media, including films, novels, video games, and manga.The forms of affect associated with noir are resolutely negative: These are narratives centered on loss, sadness, rage, shame, guilt, regret, anxiety, humiliation, resentment, resistance, and refusal. Moreover, noir often asks us to identify with those on the losing end of cultural narratives, especially the criminal, the lost, the compromised, the haunted, the unlucky, the cast-aside, and the erotically “perverse,” including those whose greatest erotic attachment is to death. Drawing on contemporary work in affect theory, while also re-orienting some of its core assumptions to address the resolutely negative affects narrated by noir, Noir Affect is invested in thinking through the material, bodily, social, and political–economic impact of the various forms noir affect takes.If much affect theory asks us to consider affect as a space of possibility and becoming, Noir Affect asks us to consider affect as also a site of repetition, dissolution, redundancy, unmaking, and decay. It also asks us to consider the way in which the affective dimensions of noir enable the staging of various forms of social antagonism, including those associated with racial, gendered, sexual, and economic inequality. Featuring an Afterword by the celebrated noir scholar Paula Rabinowitz and essays by an array of leading scholars, Noir Affect aims to fundamentally re-orient our understanding of noir.Contributors: Alexander Dunst, Sean Grattan, Peter Hitchcock, Justus Nieland, Andrew Pepper, Ignacio Sánchez Prado, Brian Rejack, Pamela Thoma, Kirin Wachter-Grene
    Note: Frontmatter -- , Contents -- , Preface -- , Introduction: Dark Passages -- , 1. Toward Alphaville: Noir, Midcentury Communication, and the Management of Affect -- , 2. Public Violence as Private Pathology: Noir Affect in The End of a Primitive -- , 3. Cold Kink: Race and Sex in the African American Underworld -- , 4. Noir Pedagogy: The Problem of Student Masochism in the Classroom Economy -- , 5. The Shadows of the Twilight World: Beebo Brinker and the Circulation of Affect -- , 6. Peripheral Noir, Mediation, and Capitalism: Noir Form, Noir Mediascape, Sociological Noir -- , 7. Cyborg Affect and the Power of the Posthuman in the Ghost in the Shell Franchise -- , 8. Playing with Negativity: Max Payne, Neoliberal Collapse, and the Noir Video Game -- , 9. Chick Noir: Surveilling Femininity and the Affects of Loss in Gone Girl -- , 10. Surplus Feelings: Neoliberal Noir and the Affective Economy of Debt -- , 11. Capitalism as Affective Atmosphere: The Noir Worlds of Massimo Carlotto -- , Afterword: Melodrama, Noir’s Kid Sister, or Crying in Trump’s America -- , List of Contributors -- , Index , Mode of access: Internet via World Wide Web. , In English.
    In: EBOOK PACKAGE COMPLETE 2020 English, De Gruyter, 9783110704716
    In: EBOOK PACKAGE COMPLETE 2020, De Gruyter, 9783110704518
    In: EBOOK PACKAGE Linguistics 2020 English, De Gruyter, 9783110704761
    In: EBOOK PACKAGE Linguistics 2020, De Gruyter, 9783110704563
    In: FUP Complete eBook-Package 2020, De Gruyter, 9783110722710
    In: NYUP/FUP Frontlist eBook-Package 2020, De Gruyter, 9783110706321
    Language: English
    Keywords: Electronic books.
    URL: Cover
    URL: Cover
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  • 4
    UID:
    almahu_9949386126802882
    Format: 1 online resource : , illustrations
    ISBN: 9780429453342 , 0429453345 , 0429842422 , 9780429842436 , 0429842430 , 9780429842412 , 0429842414 , 9780429842429
    Series Statement: Routledge literature companions
    Content: "The Routledge Companion to Crime Fiction is a comprehensive introduction to crime fiction and crime fiction scholarship today. Across 45 original chapters, specialists in the field offer innovative approaches to the classics of the genre as well as ground-breaking mappings of emerging themes and trends. The volume is divided into three parts. Part I, Approaches, rearticulates the key theoretical questions posed by the crime genre. Part II, Devices, examines the textual characteristics of crime fiction. Part III, Interfaces investigates the complex ways in which crime fiction engages with the defining issues of its context - from policing and forensic science through war, migration and narcotics to digital media and the environment. Rigorously argued and engagingly written, the volume is indispensable both to students and scholars of crime fiction"--
    Note: Introduction: New directions in crime fiction scholarship / Janice Allan, Jesper Gulddal, Stewart King and Andrew Pepper -- Genre / Jesper Gulddal and Stewart King -- Counterhistories and prehistories / Maurizio Ascari -- The crime fiction series / Ruth Mayer -- Crime fiction in the marketplace / Emmett Stinson -- Adaptations / Neil McCaw -- Hybridisation / Heather Duerre Humann -- Graphic crime novels / Robert Prickett and Casey A. Cothran -- World literature / Jakob Stougaard-Nielsen -- Translation / Karen Seago and Victoria Lei -- Transnationality / Barbara Pezzotti -- Gender and sexuality / Gill Plain -- Race and ethnicity / Sam Naidu -- Coloniality and decoloniality / Shampa Roy -- Psychoanalysis / Heta Pyrhönen -- Murders / Michael Harris-Peyton -- Victims / Rebecca Mills -- Detectives / David Geherin -- Criminals / Christiana Gregoriou -- Beginnings and Endings / Alistair Rolls -- Plotting / Martin Edwards -- Clues / Jesper Gulddal -- Realism / Paul Cobley -- Place / Stewart King -- Time and space / Thomas Heise -- Self-referentiality and metafiction / J. C. Bernthal -- Paratextuality / Louise Nilsson -- Affect / Christopher Breu -- Alterity and the other / Jean Anderson -- Digital technology / Nicole Kenley -- Crime fiction and criminology / Matthew Levay -- Crime fiction and theories of justice / Susanna Lee -- Crime fiction and modern science / Andrea Goulet -- Crime fiction and the police / Andrew Nestingen -- Crime fiction and memory / Kate M. Quinn -- Crime fiction and trauma / Cynthia S. Hamilton -- Crime fiction and politics / José V. Saval -- Crime fiction and the city / Eric Sandberg -- Crime fiction and war / Patrick Deer -- Crime fiction and global Capital / Andrew Pepper -- Crime fiction and the environment / Marta Puxan-Oliva -- Crime fiction and narcotics / Andrew Pepper -- Crime fiction and migration / Charlotte Beyer -- Crime fiction and authoritarianism / Carlos Uxó -- Crime fiction and digital media / Tanja Välisalo, Maarit Piipponen, Helen Mäntymäki and Aino-Kaisa Koistinen -- Crime fiction and the future / Nicoletta Vallorani.
    Additional Edition: Print version: Routledge companion to crime fiction. Abingdon, Oxon ; New York, NY : Routledge, 2020 ISBN 9781138320352
    Language: English
    Keywords: Electronic books. ; Electronic books. ; Criticism, interpretation, etc.
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  • 5
    Online Resource
    Online Resource
    Edinburgh :Edinburgh University Press,
    UID:
    almahu_9947413554502882
    Format: 1 online resource (xii, 227 pages) : , digital, PDF file(s).
    ISBN: 9780748680559 (ebook)
    Content: Hollywood has a growing fascination with America’s past. This is evidenced in the release of a rash of films of this genre in the past 25 years. This book offers an analysis of how and why contemporary Hollywood films have sought to mediate American history. It is the first book to explore, comprehensively, the post-Cold War period of film-making, and to consider whether or how far contemporary films have begun to unravel the unifying myths of earlier films and periods. It also considers why such films are becoming increasingly integral to the ambitions of a globally-focused American film industry. The relationship between film and history - the way in which film mediates history and vice versa - is a complex one. In this book, the authors work from two main assumptions. First, that films revision events to challenge or, perhaps more typically, to reaffirm traditional historical interpretations. Second, that this process can only be understood in the context of contemporary debates about identity politics, America’s role in world affairs, and the globalisation of the American film business.
    Note: Title from publisher's bibliographic system (viewed on 02 Oct 2015).
    Additional Edition: Print version: ISBN 9780748614899
    Language: English
    Subjects: General works
    RVK:
    URL: Volltext  (lizenzpflichtig)
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  • 6
    Book
    Book
    Oxford, United Kingdom :Oxford University Press,
    UID:
    almafu_BV043520962
    Format: ix, 269 Seiten ; , 24 cm.
    Edition: First edition
    ISBN: 978-0-19-871618-1
    Language: English
    Subjects: Comparative Studies. Non-European Languages/Literatures
    RVK:
    Keywords: Kriminalliteratur ; Staat ; Kriminalroman ; Politisches System
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  • 7
    Book
    Book
    Edinburgh :Edinburgh Univ. Pr.,
    UID:
    almahu_BV017577583
    Format: XII, 227 S.
    ISBN: 0-7486-1489-3 , 0-7486-1490-7
    Content: Hollywood has a growing fascination with America's past. This book offers an analysis of how and why contemporary Hollywood films have sought to mediate American history. It considers whether or how far contemporary films have begun to unravel the unifying myths of earlier films and periods.
    Note: Chapter 1: Lessons from Hollywood's American revolution Revolution, The Patriot, Chapter 2: Rattling the chains of history: Steven Spielberg's Amistad and 'telling everyone's story' Roots; Amistad. Chapter 3: Hollywood's civil war dilemma: to imagine or unravel the nation ? Gettysburg; Glory; Ride with the devil; Cold Mountain. Chapter 4: Saving the dgood war: Hollywood and World War II in the post-cold war world Saving Privat Ryan; The thin red line; U-571; Pearl Harbor. Chapter 5: Oliver Stone and the decade of trauma Platoon; Born on the fourth of july; Heaven and Earth; JFK; Nixon. Chapter 6: From civil rights to black nationalism: Hollywood v. black america ? Panther; Mississippi burning; The hurricane; Malcolm X; Ali. Chapter 7: HOllywood's post-cold war history: The righteousness of American interventionism Three Kings; Black hawk down
    Language: English
    Subjects: General works
    RVK:
    RVK:
    RVK:
    Keywords: Historischer Film
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  • 8
    Online Resource
    Online Resource
    Cham :Springer International Publishing, | Cham :Palgrave Macmillan.
    UID:
    edoccha_BV048918735
    Format: 1 Online-Ressource (XIV, 295 Seiten).
    ISBN: 978-3-031-21979-5
    Series Statement: Crime Files
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-3-031-21978-8
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-3-031-21980-1
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-3-031-21981-8
    Language: English
    Subjects: Comparative Studies. Non-European Languages/Literatures
    RVK:
    Keywords: Kriminalliteratur ; Kriminalserie ; Europa ; Geschichte ; Politik ; Kriminalgeschichte ; Aufsatzsammlung
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 9
    Book
    Book
    München [u.a.] :Hanser,
    UID:
    almahu_BV001299919
    Format: XII, 203 S. : Ill.
    ISBN: 3-446-15536-8
    Series Statement: PC professionell
    Uniform Title: A programmer's guide to GEM on the IBM PC and compatibles
    Language: German
    Subjects: Computer Science
    RVK:
    RVK:
    RVK:
    Keywords: GEM ; IBM PC ; GEM
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  • 10
    UID:
    almahu_9949482651202882
    Format: XIV, 295 p. , online resource.
    Edition: 1st ed. 2023.
    ISBN: 9783031219795
    Series Statement: Crime Files,
    Content: This book represents the first extended consideration of contemporary crime fiction as a European phenomenon. Understanding crime fiction in its broadest sense, as a transmedia practice, and offering unique insights into this practice in specific European countries and as a genuinely transcontinental endeavour, this book argues that the distinctiveness of the form can be found in its related historical and political inquiries. It asks how the genre's excavation of Europe's history of violence and protest in the twentieth century is informed by contemporary political questions. It also considers how the genre's progressive reimagining of new identities forged at the crossroads of ethnicity, gender, and sexuality is offset by its bleaker assessment of the corrosive effects of entrenched social inequalities, political corruption, and state violence. The result is a rich, vibrant collection that shows how crime fiction can help us better understand the complex relationship between Europe's past, present, and future. Seven chapters are available open access under a Creative Commons Attribution 4.0 International License via link.springer.com. Monica Dall'Asta is Professor of Film and Media Studies at the University of Bologna, Italy. She is one of the founding editors of the Women Film Pioneers Project, based at Columbia University, and served as Coordinator of the DETECt-Detecting Transcultural Identity in European Popular Crime Narratives project (2018-21). Jacques Migozzi is Professor of French Literature at the University of Limoges, France, where he leads the Groupe de recherches sur les Littératures Populaires et Cultures Médiatiques. He published a synthetical essay in 2005, Boulevards du Populaire, and has edited or co-edited 12 volumes or journal special issues. Federico Pagello teaches Film and Media Studies at the University of Chieti-Pescara, Italy. His research focuses on popular serial narratives and their transmedia and transmedia circulation. His most recent monograph is entitled Quentin Tarantino and Film Theory: Aesthetics and Dialectics in Late Postmodernity (Palgrave 2020). Andrew Pepper is Professor of English at Queen's University Belfast, Northern Ireland. He is author of Unwilling Executioner: Crime Fiction and the State (2016) and co-editor of Globalization and the State in Contemporary Crime Fiction (2016) and The Routledge Companion to Crime Fiction (2020). .
    Note: 1. Where's the Empire? Loss, Geopolitical Agency and Imperial Longing in Jacqueline Winspear's Maisie Dobbs Series -- 2. The Fingerprints of Fascism: Phillip Kerr's Bernie Gunther Novels, Nazi Noir, and the Continuing Presence of the Past -- 3. Noir Bearing Gifts: The Greek Shoah and its memory in Philip Kerr's Greeks Bearing Gifts -- 4. Confronting Memories: The Case of Babylon Berlin -- 5. Crime for a Higher Cause: The Baader Meinhof Complex and The Left Wing Gang -- 6. No Future and Spectrality in David Peace's Red Riding Quartet -- 7. The Trails of a Counter-Narrative: The Representation of the Years of Lead in Loriano Macchiavelli's Sarti Antonio's Series -- 8. Didier Daeninckx, Le roman noir de l'Histoire (2019): Dismantling the Tale of French History through Disseminated Micro-Histories -- 9. Revisioning the Past to Build the Democratic Future: The Cases of Italian and Spanish Crime Fiction -- 10. How does Crime Fiction 'talk politics'? Figures of Political Action in Contemporary French Crime Writing -- 11. Shadow Economies: The Financial Crisis and European TV Crime Series -- 12. A 'Bottom-Up' Approach to Transcultural Identities: Petra and Women Detectives in Italian TV Crime Drama -- 13. The Excavation of History and the Quest for Identity in Contemporary Polish Crime Fiction -- 14. Euroscapes: Space, Place and Multi-Level Governance in European Television Crime Series.
    In: Springer Nature eBook
    Additional Edition: Printed edition: ISBN 9783031219788
    Additional Edition: Printed edition: ISBN 9783031219801
    Additional Edition: Printed edition: ISBN 9783031219818
    Language: English
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