Format:
1 Online-Ressource (xvii, 510 pages)
,
Fotografien
Edition:
First edition
ISBN:
9781501339295
,
9781501339288
,
9781501339264
Series Statement:
New approaches to sound, music, and media
Content:
"Transmedia Directors focuses on artist-practitioners who work across media, platforms, and disciplines, including film, television, music video, commercials, and the internet. Working in the age of media convergence, today's em/impresarios project a distinctive style that points toward a new contemporary aesthetics. The media they engage with enrich their practices - through film and television (with its potential for world-building and sense of the past and future), music video (with its audiovisual aesthetics and rhythm), commercials (with their ability to project a message quickly), the internet (with its refreshed concepts of audience and participation), to larger forms like restaurants and amusement parks (with their materiality alongside today's digital aesthetics). These directors encourage us to reassess concepts of authorship, assemblage, transmedia, audiovisual aesthetics, and world-building"--
Content:
26. Diamonds, Wagner, the Gesamtkunstwerk and Lars von Trier's Depression Films -- Linda Badley (Middle Tennessee State University, USA) -- 27 Lars von Trier, Brecht and the Baroque Gesture -- Donald Greig (University of Nottingham, UK) -- Notes -- Bibliography -- Index.
Content:
Acknowledgements -- Notes on Contributors -- 1. Introduction: Intensified Movements -- Carol Vernallis (Stanford University, USA), Holly Rogers (Goldsmiths, University of London, UK), and Lisa Perrott (University of Waikato, New Zealand) -- PART ONE: Collaborative Authorship: Wes Anderson -- 2. The Wes Anderson Brand: New Sincerity Across Media -- Warren Buckland (Oxford Brooks University, UK) -- 3. The World of Wes Anderson and Mark Mothersbaugh: Between Childhood and Adulthood in The Royal Tenenbaums -- Theo Cateforis (Syracuse University, USA) -- 4. Analogue Authenticity and the Sound of Wes Anderson -- Ben Winters (Open University, UK) -- 5. The Instrumentarium of Wes Anderson and Alexandre Desplat -- Ewan Clark (Victoria University of Wellington, Australia) -- PART TWO: Cross-Medial Assemblage and the Making of the Director -- 6. Our Lives in Pink: Sofia Coppola as Transmedia Audiovisual Stylist -- Jeff Smith (University of Wisconsin-Madison, USA) -- 7. Short-form Media as Style Lab: The Education of Michael Bay -- Mark Kerins (Southern Methodist University, USA) -- PART THREE: Transmedial Relations and Industry -- 8. Whirled Pieces: Bong Joon Ho's Snowpiercer and the Components of Global Transmedia Production -- J.D. Connor (School of Cinematic Arts, USA) -- 9. David Fincher's Righteous Workflow: Design and the Transmedial Director -- Graig Uhlin (Oklahoma State University, USA) -- PART FOUR: Music Video's Forms, Genres and Surfaces -- 10. A Conversation with Emil Nava -- Carol Vernallis (Stanford University, USA) -- 11. Risers, Drops and a Fourteen-foot Cube: A Transmedia Analysis of Emil Nava, Calvin Harris and Rihanna's "This Is What You Came For" -- Brad Osborn (University of Kansas, USA) -- 12. On Colour Magic: Emil Nava's 'Feels' and 'Nuh Ready Nuh Ready' -- Jonathan Leal (Stanford University, USA) -- PART FIVE: Music Video's Centrifugal Forces -- 13. Dave Meyers's Moment of Audiovisual Bliss -- Carol Vernallis (Stanford University, USA) -- 14. The Alchemical Union of David Bowie and Floria Sigismondi: 'Transmedia Surrealism' and 'Loose Continuity'.
Content:
Lisa Perrott (University of Waikato, New Zealand) -- 15. Filmic Resonance and Dispersed Authorship in Sigur Rs' Transmedial Valtari Mystery Film Experiment -- Gareth Schott and Karen Barbour (University of Waikato, New Zealand) -- PART SIX: Audiovisual Emanations: David Lynch -- 16. The Audiovisual Eerie: Transmediating Thresholds in the Work of David Lynch -- Holly Rogers (Goldsmiths, University of London, UK) -- 17. When Is a Door Not a Door?: Transmedia to the nth Degree in David Lynch's Multiverse -- Greg Hainge (University of Queensland, Australia) -- 18. On (vari-)Speed Across David Lynch's Work -- John McGrath (University of Surrey, UK) -- 19. Journeying into the Land of the Formless Real with Lynch and Simondon -- Elena Del RƯo (University of Alberta, Canada) -- PART SEVEN: Multi-vocality, Synchronicity and Transcendent Cinematics: Barry Jenkins -- 20. 'Let Me Show You What That Song Really Is': Nicholas Britell on the Music of Moonlight -- Dale Chapman (Bates College, USA) -- 21. If Beale Street Could Talk, What'd Be Playing in the Background?: First Notes on Music, Film, Time and Memory -- Kwami Coleman (New York University, USA) -- 22 The Shot and the Cut: Joi McMillon's and Barry Jenkins's Artistry -- Carol Vernallis (Stanford University, USA) -- PART EIGHT: Community, Identity and Transmedial Aspirations across the Web -- 23. Multimodal and Transmedia Subjectivity in Animated Music Video: Jess Cope and Steven Wilson's 'Routine' from Hand. Cannot. Erase. (2015) -- Lori Burns (School of Music, Canada) -- 24. Jay Versace's Instagram Empire: Queer Black Youth, Social Media and New Audiovisual Possibilities -- Gabrielle Veronique (University of California, Berkeley, USA) -- PART NINE: Diagramatic, Signaletic and Haptic Unfoldings across Forms and Genres: Lars Von Trier -- 25. The Demonic Quality of Darkness in The House That Jack Built: Haptic Transmedial Affects Throughout the Work of Lars von Trier -- Bodil Marie Stavning Thomsen (School of Communication and Culture, Denmark).
Note:
Includes bibliographical references and index
Additional Edition:
ISBN 9781501341007
Additional Edition:
ISBN 9781501339271
Additional Edition:
Erscheint auch als Druck-Ausgabe Transmedia directors New York : Bloomsbury Academic, 2019
Additional Edition:
Erscheint auch als Druck-Ausgabe Transmedia directors New York : Bloomsbury Academic, 2020 ISBN 9781501341007
Additional Edition:
ISBN 9781501339271
Language:
English
Keywords:
Film
;
Fernsehen
;
Musikvideo
;
Produktion
;
Electronic books
DOI:
10.5040/9781501339295
Bookmarklink
