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  • 1
    Book
    Book
    Bloomington [u.a.] : Indiana Univ. Pr.
    UID:
    gbv_273799827
    Format: XIV, 239 S , Faks., Notenbeisp., graph. Darst
    ISBN: 0253304601
    Series Statement: Music: scholarship and performance
    Language: English
    Keywords: Intervall ; Transposition
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  • 2
    Online Resource
    Online Resource
    Abingdon, Oxon ; : Routledge,
    UID:
    almahu_9949464588802882
    Format: 1 online resource.
    ISBN: 9781000826616 , 1000826619 , 9781003335405 , 1003335403 , 9781000826579 , 1000826570
    Series Statement: Royal Musical Association monographs
    Content: This monograph offers a comprehensive study of the topos of the malmarie or the unhappily married woman within the thirteenth-century motet repertory, a vocal genre characterized by several different texts sounding simultaneously over a foundational Latin chant. Part I examines the malmarie motets from three vantage points: (1) in light of contemporaneous canonist views on marriage; (2) to what degree the French malmarie texts in the upper voices treat the messages inherent in the underlying Latin chant through parody and/or allegory; and (3) interactions among upper-voice texts that invite additional interpretations focused on gender issues. Part II investigates the transmission profile of the motets, as well as of their refrains, revealing not only intertextual refrain usage between the motets and other genres, but also a significant number of shared refrains between malmarie motets and other motets. Part II furthermore offers insights on the chronology of composition within a given intertextual refrain nexus, and examines how a refrain's meaning can change in a new context. Finally, based on the transmission profile, Part II argues for a lively interest in the topos in the 1270s and 1280s, both through composition of new motets and compilation of earlier ones, with Paris and Arras playing a prominent role.
    Additional Edition: Print version: ISBN 9781000826616
    Additional Edition: Print version: ISBN 103237120X
    Additional Edition: ISBN 9781032371207
    Language: English
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  • 3
    Book
    Book
    New York [u.a.] :Oxford Univ. Press,
    UID:
    almahu_BV011217167
    Format: XI, 380 S. : Ill., Notenbeisp.
    Edition: 1. publ.
    ISBN: 0-19-509709-2 , 0-19-512905-9
    Content: The motet was unquestionably one of the most important vocal genres from its inception in late twelfth-century Paris through the Counter-Reformation and beyond. Heard in both sacred and secular contexts, the motet of the Middle Ages and Renaissance incorporated a striking wealth of meaning, its verbal textures dense with literary, social, philosophic, and religious reference. In Hearing the Motet, top scholars in the field provide the fullest picture yet of the motet's "music-poetic" nature, investigating the virtuosic interplay of music and text that distinguished some of the genre's finest work and reading individual motets and motet repertories in ways that illuminate their historical and cultural backgrounds
    Content: How were motets heard in their own time? Did the same motet mean different things to different audiences? To explore these questions, the contributors go beyond traditional musicological methods, at times invoking approaches used in recent literary criticism. Providing a cutting-edge look at performance questions and works by composers such as Josquin, Willaert, Obrecht, Byrd, and Palestrina, the book also draws a valuable new portrait of the motet composer. Here, intriguingly, the motet composer emerges as a "reader" of the surrounding culture - a musician who knew liturgical practice as well as biblical literature and its exegetical traditions, who moved in social contexts such as humanist gatherings, who understood numerical symbolism and classical allusion, who wrote subtle memorie for patrons, and who found musical models to emulate and distort
    Content: Fresh, broad-ranging, and unique, Hearing the Motet makes indispensable reading for scholars, performers, and students of medieval and Renaissance music, and anyone else with an interest in the musical culture of these periods
    Language: English
    Subjects: Musicology
    RVK:
    Keywords: Motette ; Motette ; Konferenzschrift ; Aufsatzsammlung ; Konferenzschrift
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  • 4
    Online Resource
    Online Resource
    Rochester, NY :University of Rochester Press,
    UID:
    almahu_9947548514102882
    Format: 1 online resource (xii, 369 pages) : , digital, PDF file(s).
    ISBN: 9781580468480 (ebook)
    Series Statement: Eastman studies in music ; volume 112
    Content: Toward the end of his life Franz Liszt maintained extensive correspondence with two women who were at the time his closest confidantes, Carolyne von Sayn-Wittgenstein and Olga von Meyendorff. Liszt wrote regularly to these women, expressing his intimate feelings about personal and career events and his conflicted self-image as a celebrated performer but underappreciated composer. Absent a diary, the letters offer the most direct avenue into Liszt's psychein his final years. Liszt's Final Decade explores through these letters the mind and music of one of the nineteenth century's most popular musicians, providing insight into Liszt's melancholia in his last years and hisstruggle to gain recognition for his music yet avoid negative criticism. The exchange indicates that Liszt ultimately resolved his self-image through a personally constructed Christian moral philosophy that embraced positive resignation to suffering, compassionate love, and trust in a just reward to come. The book also examines how Liszt's late sacred compositions unfold a paradigm of suffering that yields to joy and hope. Significantly, Liszt viewed these works, commonly overlooked today, as a major part of his compositional legacy. This volume thus challenges the idea of a single "late" Lisztian style and the notion that despair overwhelmed the composer in his final years. Dolores Pesce, Avis Blewett Professor of Music at Washington University in St. Louis, has published books and articles on medieval and Renaissance music theory, the medieval motet, Franz Liszt, and Edward MacDowell.
    Note: Title from publisher's bibliographic system (viewed on 12 Apr 2018). , Introduction : New beginnings -- Part one : Public actions -- Decorated cleric -- Influential advocate -- A slow and perilous road to vindication -- Challenges of composition and publication -- Part two : Private utterances -- Imagined identities -- Soul baring -- Part three: Retrospection and hope -- Compositional legacy -- Final words.
    Additional Edition: Print version: ISBN 9781580464840
    Language: English
    URL: Volltext  (lizenzpflichtig)
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  • 5
    UID:
    gbv_1608017710
    Format: VII, 615 S.
    ISBN: 1896926185
    Series Statement: Musicological studies 73
    Note: Text lat. u. engl., Komm engl.. - Einsacht. d. komm. Werkes: Regulae rhythmicae
    Language: English
    Keywords: Guido von Arezzo 992-1050 ; Musiktheorie ; Guido von Arezzo 992-1050 ; Handschrift ; Verzeichnis
    Author information: Guido von Arezzo 992-1050
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  • 6
    Book
    Book
    Rochester, NY : Univ. of Rochester Press
    UID:
    gbv_756352320
    Format: XII, 369 S. , Ill., Kt., Notenbeisp.
    ISBN: 9781580464840
    Series Statement: Eastman studies in music v. 112
    Note: Decorated clericInfluential advocate -- A slow and perilous road to vindication -- Challenges of composition and publication -- Imagined identities -- Soul baring -- Compositional legacy -- Final words. , Bibliogr. and Index S. [345]-369
    Language: English
    Subjects: Musicology
    RVK:
    Keywords: Liszt, Franz 1811-1886 ; Biografie ; Biografie
    Author information: Liszt, Franz 1811-1886
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  • 7
    UID:
    almafu_BV000411952
    Format: IX, 406 S.
    Edition: [Mikrofiche-Ausg.]
    Edition: Mikroform-Ausgabe Mikrofiche-Ausg.:
    Note: Ann Arbor, Univ. of Maryland, Diss., 1983
    Additional Edition: Reproduktion von Pesce, Dolores The concept of the affinities in theoretical writings on music 1983
    Language: English
    Keywords: Musiktheorie ; Hochschulschrift
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  • 8
    Online Resource
    Online Resource
    New York ; : Oxford University Press,
    UID:
    almahu_9948326266502882
    Format: 1 online resource (393 pages) : , illustrations
    ISBN: 9780195351651 (e-book)
    Note: Includes index.
    Additional Edition: Print version: Hearing the motet : essays on the motet of the Middle Ages and Renaissance. New York ; Oxford, [England] : Oxford University Press, 1998, c1997 ISBN 9780195097092
    Language: English
    Keywords: Electronic books.
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  • 9
    UID:
    gbv_1508127255
    Format: Notenbeispiele
    ISBN: 9780253354860
    In: Music education in the Middle ages and the Renaissance, Bloomington, Ind. [u.a.] : Indiana Univ. Press, 2010, (2010), Seite 25-36, 9780253354860
    In: 0253354862
    In: year:2010
    In: pages:25-36
    Language: English
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  • 10
    Online Resource
    Online Resource
    Indiana University Press | Bloomington :Indiana University Press,
    UID:
    edocfu_9959892729402883
    Format: 1 online resource (1 online resource xiv, 239 pages) : , illustrations.
    ISBN: 0-253-05573-3
    Series Statement: Music--scholarship and performance
    Content: The concept of affinities, or pitch relationships, was fundamental to modal theory in the Middle Ages and the early Renaissance. For the first time, Delores Pesce brings together theoretical perspectives on this subject from the end of the ninth century to the middle of the sixteenth, spanning the ideas of Hucbald through Guido of Arezzo, Jacques de Liège, Marchetto of Padua, Tinctoris, and Aaron to those of Glareanus. Pesce provides a comprehensive survey of problematic chants and of medieval solutions for them. She also traces the arguments that led to the rejection of the affinities and the acceptance of transposition in the modern sense. Scholars will find this volume invaluable for addressing issues related to modal classification and notational practices, in both chant and polyphony.
    Note: Includes indexes. , From Hucbald to Guide : origins of the concept. Hucbald's De harmonica institutione ; Musica enchiriadis and Scolica enchiriadis ; Dialogus de musica ; Berno's Prologus in tonarium ; Micrologus and Epistola by Guido of Arezzo -- The eleventh and twelfth-century commentators : transposition and transformation. Liber argumentorum and liber specierum ; Musica by Hermannus Contractus ; Musica by Wilhelm of Hirsau ; De musica by Aribo ; Commentarius anonymus in Micrologum Guidonis Aretini ; The Leipzig treatise ; The Leipzig tonary ; Quaestiones in musica ; Anonymous Wolf ; De musica by John ; The Cistercian treatises -- Hexachords : seats of the modes. A treatise by Johannes de Garlandia ; Tractatus de tonis by Petrus de Cruce ; Practica artis musice by Amerus ; Tractatus de musica by Magister Lambertus ; Tractatus de musica by Jerome of Moravia ; Speculum musicae by Jacques de Liege ; Luciarium by Marchetto of Padua ; Quatuor principalia musicae ; Cantuagium by Heinrich Eger von Kalkar ; Coussemaker's Anonymous I -- Coniunctae or transposition. The Berkeley manuscript ; Anonymous, Rome, Vatican lat. 5129 ; Anonymous XI ; The Szalkai treatise ; Lectura by Petrus Tallanderius -- The rise of octave species theory. Declaratio musicae disciplinae by Ugolino of Orvieto ; Liber de natura et proprietetate tonorum by Johannes Tinctoris ; De preceptis artis musicae by Guilielmus Monachus ; Musices opusculum by Nocolaus Burtius ; Practica musicae by Franchinus Gaffurius ; Opus aureum musicae and Enchiridon musices by Nicolaus Wollick ; Musicae activae micrologus by Andreas Ornithoparchus ; The writings of Pietro Aaron ; The writings of Martin Agricola ; Scintille di musica by Giovanni Maria Langranco ; Recanetum de musica aurea by Stefano Vanneo ; The writings of Henricus Glareanus -- Conclusion -- Appendix A : Discussion of principal sedes according to Wilhelm -- Appendix B : Passages on "transposition by necessity" -- Appendix C : Chant citations in Marchetto's discussion of the eight modes -- Appendix D : Treatises by Johannes Cochlaeus, Vencelaus Philomathes and Georg Rhau. , English
    Language: English
    Keywords: History. ; Electronic books.
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