Kooperativer Bibliotheksverbund

UID:

Format: XI, 257 S. , 24 cm

ISBN: 9781433106644

Series Statement: Studies in Shakespeare Vol. 19

Note: Literaturverz. S. [239] - 252 und Index , Introduction : gestures that authorize -- Adaptations of the father: paternal authority goes imperial in Kenneth Branagh's Hamlet and As you like it -- The liberal-humanist Shakespeare in Michael Radford's The merchant of Venice: Ethnic tolerance and the Portia problem -- Deep-fried American dream: class striving under the heat lamp in Scotland, Pa. -- Teen Shakespeare and the trouble with gender: 10 things I hate about you and She's the man -- The Bard and the beeb : televisual authority and Shakespeare retold -- Tracing Hamlet in slings and arrows: Fathers haunt the theater -- It's not tv, it's Shakespeare: literary-historical adaptation in HBO's Rome.

Language: English

Subjects: English Studies

Keywords: Shakespeare, William 1564-1616 ; Drama ; Film ; Fernsehfilm ; Online-Ressource

URL: Inhaltsverzeichnis

URL: Klappentext

Author information: Shakespeare, William 1564-1616

UID:

Format: 1 online resource (xi, 248 pages).

ISBN: 9781003043065 , 1003043062 , 9781000573404 , 1000573400 , 1000573419 , 9781000573411

Series Statement: Routledge advances in theatre and performance studies

Content: "Shakespeare's Contested Nations argues that performances of Shakespearean history at British institutional venues between 2000 and 2016 manifest a post-imperial nostalgia that fails to tell the nation's story in ways that account for the agential impact of women and people of color, thus foreclosing promising opportunities to reexamine the nation's multicultural past, present, and future in more intentional, self-critical, and truly progressive ways. A cluster of interconnected stage and televisual performances and adaptations of the history play canon illustrate the function Shakespeare's narratives of incipient "British" identities fulfill for the postcolonial United Kingdom. The book analyzes treatments of the plays in a range of styles-staged performances directed by Michael Boyd with the Royal Shakespeare Company (2000-2001) and Nicholas Hytner at the National Theatre (2003, 2005), the BBC's Hollow Crown series (2012, 2016), the RSC and BBC adaptations of Wolf Hall and Bring Up the Bodies (2013, 2015), and a contemporary reinterpretation of the canon, Mike Bartlett's King Charles III (2014, 2017). This book will be of great interest to scholars and students of Shakespeare, theatre, and politics"--

Note: Introduction: Representing the nation's history -- Staging the multiethnic nation: Boyd and Hytner at the millennial threshold -- Shakespeare and the cultural Olympiad: gender, race, and the British nation in the BBC's Hollow crown, series one -- Hollow refuge: the BBC's The Wars of the Roses and This fortress build by nature -- The disappearing Moor: race authenticity, and the nation's history in Wolf Hall and Bringing up the bodies -- The trouble with history: intersections of nation, race, and gender in King Charles III -- Epilogue: The case of two Richards.

Additional Edition: Print version: Pittman, L. Monique, 1969- Shakespeare's contested nations Abingdon, Oxon ; New York : Routledge, 2022 ISBN 9780367488314

Language: English

Keywords: Electronic books. ; Film adaptations. ; History. ; Television adaptations.

DOI: 10.4324/9781003043065

URL: https://www.taylorfrancis.com/books/9781003043065

URL: lizenzpflichtig

UID:

Format: 1 online resource (269 p.)

Edition: 1st, New ed.

ISBN: 9781453900581

Series Statement: Studies in Shakespeare 19

Content: Authorizing Shakespeare on Film and Television examines recent film and television transformations of William Shakespeare’s drama by focusing on the ways in which modern directors acknowledge and respond to the perceived authority of Shakespeare as author, text, cultural icon, theatrical tradition, and academic institution. This study explores two central questions. First, what efforts do directors make to justify their adaptations and assert an interpretive authority of their own? Second, how do those self-authorizing gestures impact upon the construction of gender, class, and ethnic identity within the filmed adaptations of Shakespeare’s plays? The chosen films and television series considered take a wide range of approaches to the adaptative process – some faithfully preserve the words of Shakespeare; others jettison the Early Modern language in favor of contemporary idiom; some recreate the geographic and historical specificity of the original plays, and others transplant the plot to fresh settings. The wealth of extra-textual material now available with film and television distribution and the numerous website tie-ins and interviews offer the critic a mine of material for accessing the ways in which directors perceive the looming Shakespearean shadow and justify their projects. Authorizing Shakespeare on Film and Television places these directorial claims alongside the film and television plotting and aesthetic to investigate how such authorizing gestures shape the presentation of gender, class, and ethnicity.

Additional Edition: ISBN 9781433106644

Language: English

DOI: 10.3726/978-1-4539-0058-1

URL: https://www.peterlang.com/view/product/28202?format=EPDF

URL: Volltext

URL: Volltext  (lizenzpflichtig)

UID:

Format: 1 online resource (264 p.)

ISBN: 9781474481410

Content: Examines Shakespeare fragments as agents of appropriation Draws on new theoretical approaches that re-centre Shakespeare as the axis of the appropriative actAdds new concepts to appropriation studies that expand the debates over textual fidelity, with particular emphasis on new materialist approachesDrawing on new materialism and object-oriented ontology, Variable Objects proposes that Shakespeare is a vibrant object replete with a variable energy that accounts for its infinite meaning-making capacity. Using critical race theory, object oriented feminism, performance studies, Global Shakespeares, media studies and game theory, the collection’s essays explore the dialogic relationship between the Shakespeare object and its appropriation. Each chapter demonstrates that instead of moving away from the source of appropriation, an object-oriented approach can centralise Shakespeare without the constraints of outdated notions of fidelity. Highlighting the variable materiality inherent in Shakespeare, the collection foregrounds the political ecologies of literary objects as a new methodology for adaptation studies.

Note: Frontmatter -- , Contents -- , Acknowledgements -- , Contributors -- , Introduction: Bound in a Nutshell – Shakespeare’s Vibrant Matter -- , PART I: DISCIPLINARY OBJECTS -- , 1. Beds, Handkerchiefs and Moving Objects in Othello -- , 2. The Collectible Ofelia: Object-Oriented Feminisms and the Un-Human Corpus of Q1’s Dispensaniac -- , 3. Bitcoin, Blockchains and the Bard -- , PART II: MEDIA OBJECTS -- , 4. ‘Were I human’: Beingness and the Postcolonial Object in Westworld’s Appropriation of The Tempest -- , 5. Finding Ludonarrative Harmony in the Limited Agency of Ophelia in Elsinore -- , 6. Sympathise with the Losers: Performing Intellectual Loserdom in Shakespearean Biopic -- , 7. Prosthetic Properties: The Materiality of Race and Gender in The Hollow Crown: The Wars of the Roses -- , PART III : HUMAN OBJECTS -- , 8. ‘Intermission!’: Reading Race in the Objects of Key & Peele’s ‘Othello Tis My Shite’ -- , 9. Sight Unseen: Visualising Variability through Ontological Representations in Macbeth -- , 10. The Thing Itself: Performance and the Celebrity Text -- , 11. ‘The Promised End’: Shakespeare and Extinction -- , Index , In English.

Language: English

Subjects: English Studies

DOI: 10.1515/9781474481410

URL: https://www.degruyter.com/isbn/9781474481410

URL: https://www.degruyter.com/isbn/9781474481410

URL: https://doi.org/10.1515/9781474481410

URL: https://www.degruyter.com/isbn/9781474481410

URL: Cover

UID:

Format: 1 Online-Ressource (xxi, 239 Seiten) , Illustrationen

ISBN: 9781003304456 , 1003304451 , 9781000855425 , 1000855422 , 9781000855371 , 1000855376

Series Statement: Routledge advances in theatre & performance studies

Content: Introduction : Shakespeare and cultural appropriation in the third millennium / Vanessa I. Corredera, L. Monique Pittman, and Geoffrey Way -- Romanian Hamlet : translated Shakespeare as soft power for the post-communist nation / Ingrid Radulescu and L. Monique Pittman -- Taking centre stage : Shakespearean appropriations on Spanish television in Franco's Spain / Elena Bandín -- Rescuing Othello : early Soviet stage and cultural authority / Natalia Khomenko -- "Othello was a lie" : wrestling with Shakespeare's Othello / Ambereen Dadabhoy -- Prospero in prison : adaptation and appropriation in Margaret Atwood's Hag-seed / Elizabeth Charlebois -- Motherhoods and motherlands : gender, nation, and adaptation in We that are young / Taarini Mookherjee -- Hijacking Shakespeare : archival absences, textual accidents, and revisionist repair in Aditi Brennan Kapil's Imogen says nothing / Kathryn Vomero Santos -- "Fortune reigns in gifts of the world" : appropriation and power in the Shakespeare Birthplace Trust's international collections / Helen A. Hopkins -- Remediating white, patriarchal violence in Caridad Svich's Twelve Ophelias / Katherine Gillen -- Remedial uses of Shakespeare : an afterword / Alexa Alice Joubin and Elizabeth Rivlin.

Additional Edition: ISBN 9781032303086

Additional Edition: ISBN 9781032303109

Additional Edition: ISBN 1032303085

Additional Edition: Erscheint auch als Druck-Ausgabe Shakespeare and cultural appropriation London : Routledge, Taylor & Francis Group, 2023 ISBN 9781032303086

Additional Edition: ISBN 1032303085

Additional Edition: ISBN 9781032303109

Additional Edition: ISBN 1032303107

Language: English

Subjects: English Studies

DOI: 10.4324/9781003304456

URL: lizenzpflichtig

Author information: Waywell, Geoffrey B. 1944-

UID:

Format: 1 online resource (xxi, 239 pages) : , illustrations (chiefly color)

ISBN: 9781003304456 , 1003304451 , 9781000855425 , 1000855422 , 9781000855371 , 1000855376

Series Statement: Routledge advances in theatre & performance studies

Content: "Shakespeare and Cultural Appropriation pushes back against two intertwined binaries: the idea that appropriation can only be either theft or gift, and the idea that cultural appropriation should be narrowly defined as an appropriative contest between a hegemonic and marginalized power. In doing so, the contributions to the collection provide tools for thinking about appropriation and cultural appropriation as spectrums constantly evolving and renegotiating between the poles of exploitation and appreciation. This collection argues that the concept of cultural appropriation is one of the most undertheorized yet evocative frameworks for Shakespeare appropriation studies to address the relationships between power, users, and uses of Shakespeare. By robustly theorizing cultural appropriation, this collection offers a foundation for interrogating not just the line between exploitation and appreciation, but also how distinct values, biases, and inequities determine where that line lies. Ultimately, this collection broadly employs cultural appropriation to rethink how Shakespeare studies can redirect attention back to power structures, cultural ownership and identity, and Shakespeare's imbrication within those networks of power and influence. Throughout the contributions in this collection, which explore twentieth and twenty-first century global appropriations of Shakespeare across modes and genres, the collection uncovers how a deeper exploration of cultural appropriation can reorient the inquiries of Shakespeare appropriation studies. This collection will be of great interest to students and scholars in theatre and performance studies, Shakespeare studies and adaption studies"--

Note: Introduction : Shakespeare and cultural appropriation in the third millennium / Vanessa I. Corredera, L. Monique Pittman, and Geoffrey Way -- Romanian Hamlet : translated Shakespeare as soft power for the post-communist nation / Ingrid Radulescu and L. Monique Pittman -- Taking centre stage : Shakespearean appropriations on Spanish television in Franco's Spain / Elena Bandín -- Rescuing Othello : early Soviet stage and cultural authority / Natalia Khomenko -- "Othello was a lie" : wrestling with Shakespeare's Othello / Ambereen Dadabhoy -- Prospero in prison : adaptation and appropriation in Margaret Atwood's Hag-seed / Elizabeth Charlebois -- Motherhoods and motherlands : gender, nation, and adaptation in We that are young / Taarini Mookherjee -- Hijacking Shakespeare : archival absences, textual accidents, and revisionist repair in Aditi Brennan Kapil's Imogen says nothing / Kathryn Vomero Santos -- "Fortune reigns in gifts of the world" : appropriation and power in the Shakespeare Birthplace Trust's international collections / Helen A. Hopkins -- Remediating white, patriarchal violence in Caridad Svich's Twelve Ophelias / Katherine Gillen -- Remedial uses of Shakespeare : an afterword / Alexa Alice Joubin and Elizabeth Rivlin.

Additional Edition: Print version: Shakespeare and cultural appropriation Abingdon, Oxon ; New York, NY : Routledge, 2023 ISBN 9781032303086

Language: English

Keywords: Electronic books. ; Criticism, interpretation, etc. ; Literary criticism. ; Literary criticism.

DOI: 10.4324/9781003304456

URL: https://www.taylorfrancis.com/books/9781003304456

UID:

Format: xi, 248 Seiten.

ISBN: 978-0-367-48831-4 , 978-1-03-225248-3

Series Statement: Routledge advances in theatre and performing studies

Content: Introduction: Representing the nation's history -- Staging the multiethnic nation: Boyd and Hytner at the millennial threshold -- Shakespeare and the cultural Olympiad: gender, race, and the British nation in the BBC's Hollow crown, series one -- Hollow refuge: the BBC's The Wars of the Roses and This fortress build by nature -- The disappearing Moor: race authenticity, and the nation's history in Wolf Hall and Bringing up the bodies -- The trouble with history: intersections of nation, race, and gender in King Charles III -- Epilogue: The case of two Richards

Content: "Shakespeare's Contested Nations argues that performances of Shakespearean history at British institutional venues between 2000 and 2016 manifest a post-imperial nostalgia that fails to tell the nation's story in ways that account for the agential impact of women and people of color, thus foreclosing promising opportunities to reexamine the nation's multicultural past, present, and future in more intentional, self-critical, and truly progressive ways. A cluster of interconnected stage and televisual performances and adaptations of the history play canon illustrate the function Shakespeare's narratives of incipient "British" identities fulfill for the postcolonial United Kingdom. The book analyzes treatments of the plays in a range of styles-staged performances directed by Michael Boyd with the Royal Shakespeare Company (2000-2001) and Nicholas Hytner at the National Theatre (2003, 2005), the BBC's Hollow Crown series (2012, 2016), the RSC and BBC adaptations of Wolf Hall and Bring Up the Bodies (2013, 2015), and a contemporary reinterpretation of the canon, Mike Bartlett's King Charles III (2014, 2017). This book will be of great interest to scholars and students of Shakespeare, theatre, and politics"--

Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-1-003043065

Language: English

Subjects: English Studies

UID:

Format: xxi, 239 Seiten : , Illustrationen ; , 23 cm.

ISBN: 978-1-03-230308-6 , 1-03-230308-5 , 978-1-03-230310-9 , 1-03-230310-7

Series Statement: Routledge advances in theatre & performance studies

Content: "Shakespeare and Cultural Appropriation pushes back against two intertwined binaries: the idea that appropriation can only be either theft or gift, and the idea that cultural appropriation should be narrowly defined as an appropriative contest between a hegemonic and marginalized power. In doing so, the contributions to the collection provide tools for thinking about appropriation and cultural appropriation as spectrums constantly evolving and renegotiating between the poles of exploitation and appreciation. This collection argues that the concept of cultural appropriation is one of the most undertheorized yet evocative frameworks for Shakespeare appropriation studies to address the relationships between power, users, and uses of Shakespeare. By robustly theorizing cultural appropriation, this collection offers a foundation for interrogating not just the line between exploitation and appreciation, but also how distinct values, biases, and inequities determine where that line lies. Ultimately, this collection broadly employs cultural appropriation to rethink how Shakespeare studies can redirect attention back to power structures, cultural ownership and identity, and Shakespeare's imbrication within those networks of power and influence. Throughout the contributions in this collection, which explore twentieth and twenty-first century global appropriations of Shakespeare across modes and genres, the collection uncovers how a deeper exploration of cultural appropriation can reorient the inquiries of Shakespeare appropriation studies. This collection will be of great interest to students and scholars in theatre and performance studies, Shakespeare studies and adaption studies"--

Note: Includes bibliographical references and index , Introduction : Shakespeare and cultural appropriation in the third millennium / Vanessa I. Corredera, L. Monique Pittman, and Geoffrey Way -- Romanian Hamlet : translated Shakespeare as soft power for the post-communist nation / Ingrid Radulescu and L. Monique Pittman -- Taking centre stage : Shakespearean appropriations on Spanish television in Franco's Spain / Elena Bandín -- Rescuing Othello : early Soviet stage and cultural authority / Natalia Khomenko -- "Othello was a lie" : wrestling with Shakespeare's Othello / Ambereen Dadabhoy -- Prospero in prison : adaptation and appropriation in Margaret Atwood's Hag-seed / Elizabeth Charlebois -- Motherhoods and motherlands : gender, nation, and adaptation in We that are young / Taarini Mookherjee -- Hijacking Shakespeare : archival absences, textual accidents, and revisionist repair in Aditi Brennan Kapil's Imogen says nothing / Kathryn Vomero Santos -- "Fortune reigns in gifts of the world" : appropriation and power in the Shakespeare Birthplace Trust's international collections / Helen A. Hopkins -- Remediating white, patriarchal violence in Caridad Svich's Twelve Ophelias / Katherine Gillen -- Remedial uses of Shakespeare : an afterword / Alexa Alice Joubin and Elizabeth Rivlin

Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-1-003-30445-6

Language: English

Subjects: English Studies

Keywords: 1564-1616 Shakespeare, William ; Kulturelle Aneignung