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UID:

Format: 1 Online-Ressource

ISBN: 9783110626209 , 9783110626513

Note: Erscheint als Open Access bei De Gruyter

Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-3-11-062619-3

Language: English

Keywords: Weltbürgertum ; Ethnizität ; Interkulturalität ; Solidarität ; Antirassismus ; Postkolonialismus ; Weltbürgertum ; Ethnizität ; Interkulturalität ; Literatur ; Film ; Aufsatzsammlung

DOI: 10.1515/9783110626209

URL: Volltext  (kostenfrei)

URL: Volltext  (kostenfrei)

URL: Inhaltsverzeichnis

Author information: Luczak, Ewa Barbara ca. 20./21. Jh.

UID:

Format: 1 online resource (413 pages)

ISBN: 9783110626209

Note: Intro -- Contents -- Introduction: New Cosmopolitanisms: Rethinking Race, Geography, and Belonging -- I: Rootedness and the New Cosmopolitanism: Sovereignty, Hosts, Guests and Hospitality -- Africans in Calais: Migrants, Rights, and French Cosmopolitanism -- "In the Tangled Lily-bed": Rhizomatic Textuality and Rooted Cosmopolitanism in Pauline Hopkins's Of One Blood -- Envoy to the World: Nomadic Cosmopolitanism in Yusef Komunyakaa's The Emperor of Water Clocks -- The Pastiche of Discrepant "Minoritarian" Voices in Kiran Desai's The Inheritance of Loss -- II: Minority Bodies -- Normative Materialist Cosmopolitanism -- From Édouard Glissant's "The Open Boat" to the Age of Mass Migration -- Men in Eugenic Times: Wallace Thurman's Infants of the Spring and the (Im)possibility of Cosmopolitan Friendship -- Across the Atlantic and Beyond: Tracing Cosmopolitan Agendas in Leslie Marmon Silko's Gardens in the Dunes -- III: Minoritarian Mobilities -- Migrant Women's Bodies in Transit: From Sub-Saharan Africa to Spain in Real Life and Film -- From a Japanese Notebook: Afro-Asian Critical Cosmopolitanisms in William Demby's 1950s Reportage from Postwar Japan -- Lost in Transnation: Taiye Selasi's Ghana Must Go -- Truncated Cosmopolitanisms: Post-apartheid Literary Identities in Ivan Vladislavić's The Exploded View -- IV: Spaces and Vectors: Migration, Hybridity, Creolization -- The Trope of Displacement, the Disruption of Space: Cuba, a Moveable Nation -- An Angry, Mixed Race Cosmopolitanism: Race, Privilege, Poetic Identity, and Community in Natasha Trethewey's Beyond Katrina and Thrall -- The Cosmopolitan Reality of Polish American Families -- Global Metropolis and the City of Neighborhoods: Polish Immigrants and New York City's Two Cosmopolitanisms -- V: The Powers and Perils of Cultural Expression. , Black English and the New Cosmopolitanism: Karima 2G's Linguistic Creativity as a Transethnic Performative Practice -- Cosmopolitan Hospitality and Accented Crossing: Forging an Ethics of Listening with Lawrence Abu Hamdan's Artworks -- Imagining Something Better: Rolas from My Border Hi-Fi -- "A White Slave": Albinism in Barbara Chase-Riboud's Sally Hemings -- Contributors on Their Cosmopolitan Experiences: A Postscript -- Contributors on Their Cosmopolitan Experiences: A Postscript -- Index.

Additional Edition: Print version: Luczak, Ewa Barbara New Cosmopolitanisms, Race, and Ethnicity Warschau/Berlin : Walter de Gruyter GmbH,c2019 ISBN 9783110626193

Language: English

Keywords: Electronic books. ; Electronic books. ; Electronic books.

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Format: 1 online resource (280 pages) : , digital, PDF file(s).

ISBN: 9789048514236 (ebook)

Series Statement: American studies

Content: The Making of the New Negro examines black masculinity in the period of the Harlem Renaissance, a cultural movement that spanned the 1920s and 1930s in America and was marked by an outpouring of African American art, music, theater and literature. The Harlem Renaissance, or New Negro Movement, began attracting extensive academic attention in the 1990s as scholars discovered how complex, significant, and fascinating it was. Drawing on African American texts, archives, unpublished writings, and contemporaneous European discourses, this book highlights both the canonical figures of the New Negro Movement and African American culture such as W. E. B. Dubois, Booker T. Washington, Alain Locke, and Richard Wright, and other writers such as Wallace Thurman, who have not received as much scholarly attention despite their significant contributions to the movement. Anna Pochmara offers a striking combination of thorough literary analysis and historicist investigation in order to provide novel insights into one of the most important periods of black history in the United States.

Note: Title from publisher's bibliographic system (viewed on 29 Jan 2021). , Ch.1. Prologue : The question of manhood in the Booker T. Washington - W.E.B. Du Bois debate -- PART I : Alain Locke and the new negro -- Ch. 2. Midwifery and camaraderie : Alain Locke's tropes of gender and sexuality -- Ch. 3 Arts, war, and the brave new negro : gendering the black aesthetic -- -- PART 2 : Wallace Thurman and niggerati manor. Ch. 4. Gangsters and bootblacks, rent parties and railroad flats : Wallace Thurman's challenges to the black bourgeoisie -- Ch. 5. Discontents of the black dandy -- Ch. 6. Epilogue : Richard Wright's interrogations of the new negro.

Additional Edition: Print version: ISBN 9789089643193

Language: English

Subjects: American Studies

URL: https://www.cambridge.org/core/product/identifier/9789048514236/type/BOOK

URL: lizenzpflichtig

URL: lizenzpflichtig

URL: Volltext

URL: Volltext

UID:

Format: 1 Online-Ressource (300 p.)

ISBN: 9783110626209

Content: This anthology sheds new light on cosmopolitanism and culture in the contemporary world. Drawing on postcolonial, ethnic, and critical race studies as well as recent literary and critical theory, it demonstrates that new cosmopolitan thinking can embrace an awareness of ethnic and local differences. It disputes the utopianism of colorblind universalism and argues for the persistence of “race” and racialized thinking in lived experience. The essays collected in this volume valorize minoritarian perspectives and urge readers to rethink cosmopolitanism from the perspective of the underprivileged and marginalized and highlight the role of culture in mobilizing social empathy and solidarity with the world’s precariat. The contributors, who come from over a dozen different countries and from diverse socio-cultural backgrounds, constitute a vibrant cosmopolitan community in itself

Note: English

Language: English

URL: kostenfrei

UID:

Format: 1 Online-Ressource (403 Seiten)

ISBN: 9783110626209 , 9783110626513

Content: This anthology offers fresh perspectives on cosmopolitanism that reflect cultural challenges in the contemporary world. It demonstrates that new cosmopolitan thinking can be combined with a sensitivity to ethnic and local difference. Moreover, it argues that rather than clinging to the utopian notion of color-blind universalism, new cosmopolitan cultural practices should acknowledge the persistence of "race" in lived experience

Additional Edition: ISBN 9783110626193

Language: English

Keywords: Aufsatzsammlung ; Aufsatzsammlung

URL: kostenfrei

URL: Open Access

URL: Open Access

URL: Cover

Author information: Luczak, Ewa Barbara

UID:

Format: 280 S.

ISBN: 978-90-8964-319-3 , 978-90-4851-423-6

Series Statement: American studies

Note: Literaturverz. S. 255 - 265

Language: English

Subjects: American Studies

Keywords: Harlem renaissance ; Schwarze ; Autor ; Männlichkeit ; Harlem renaissance ; Literatur ; Männlichkeit

UID:

Format: 279 p. : , ill.

Edition: Electronic reproduction. Ann Arbor, MI : ProQuest, 2015. Available via World Wide Web. Access may be limited to ProQuest affiliated libraries.

Series Statement: American studies

Note: pt. 1. Alain Locke and the new Negro -- pt. 2. Wallace Thurman and Niggerati Manor.

Language: English

Keywords: Electronic books.

URL: Click to View

UID:

Format: 1 online resource : , 18 halftones

ISBN: 9789048514236

Series Statement: American Studies

Content: The Making of the New Negro examines black masculinity in the period of the Harlem Renaissance, a cultural movement that spanned the 1920s and 1930s in America and was marked by an outpouring of African American art, music, theater and literature. The Harlem Renaissance, or New Negro Movement, began attracting extensive academic attention in the 1990s as scholars discovered how complex, significant, and fascinating it was. Drawing on African American texts, archives, unpublished writings, and contemporaneous European discourses, this book highlights both the canonical figures of the New Negro Movement and African American culture such as W. E. B. Dubois, Booker T. Washington, Alain Locke, and Richard Wright, and other writers such as Wallace Thurman, who have not received as much scholarly attention despite their significant contributions to the movement. Anna Pochmara offers a striking combination of thorough literary analysis and historicist investigation in order to provide novel insights into one of the most important periods of black history in the United States.

Note: Frontmatter -- , Table of contents -- , Acknowledgements -- , Introduction -- , Chapter 1. Prologue: The Question of Manhood in the Booker T. Washington-W.E.B. Du Bois Debate -- , Part 1. Alain Locke and the New Negro -- , Chapter 2. Midwifery and Camaraderie: Alain Locke's Tropes of Gender and Sexuality -- , Chapter 3. Arts, War, and the Brave New Negro: Gendering the Black Aesthetic -- , Part 2. Wallace Thurman and Niggerati Manor -- , Chapter 4. Gangsters and Bootblacks, Rent Parties and Railroad Flats: Wallace Thurman's Challenges to the Black Bourgeoisie -- , Chapter 5.17 Discontents of the Black Dandy -- , Chapter 6. Epilogue: Richard Wright's Interrogations of the New Negro -- , Conclusion. Black Male Authorship, Sexuality, and the Transatlantic Connection -- , Notes -- , Bibliography -- , Index -- , Curriculum Vitae , In English.

Language: English

DOI: 10.1515/9789048514236

URL: https://doi.org/10.1515/9789048514236

UID:

Format: 280 S. , Ill.

ISBN: 9048514231 , 9089643192 , 9789089643193

Series Statement: American studies

Content: The Making of the New Negro examines black masculinity in the period of the New Negro/Harlem Renaissance, which for many decades did not attract a lot of scholarly attention, until, in the 1990s, many scholars discovered how complex, significant, and fascinating it was. Using African American published texts, American archives and unpublished writings, and contemporaneous European discourses, this book focuses both on the canonical figures of the New Negro Movement and African American culture, such as W.E.B. Du Bois, Booker T. Washington, Alain Locke, and Richard Wright, and on writers who have not received as much scholarly attention despite their significance for the movement, such as Wallace Thurman. Its perspective combines gender, sexuality, and race studies with a thorough literary analysis and historicist investigation, an approach that has not been extensively applied to analyze the New Negro Renaissance

Note: Includes bibliogr. references and index , Bibliogr. S. 255 - 265 , Ch.1. Prologue : The question of manhood in the Booker T. Washington - W.E.B. Du Bois debate -- PART I : Alain Locke and the new negro -- Ch. 2. Midwifery and camaraderie : Alain Locke's tropes of gender and sexuality -- Ch. 3 Arts, war, and the brave new negro : gendering the black aesthetic -- -- PART 2 : Wallace Thurman and niggerati manor. Ch. 4. Gangsters and bootblacks, rent parties and railroad flats : Wallace Thurman's challenges to the black bourgeoisie -- Ch. 5. Discontents of the black dandy -- Ch. 6. Epilogue : Richard Wright's interrogations of the new negro.

Additional Edition: ISBN 9789048514236

Language: English

Subjects: American Studies

Keywords: Englisch ; USA ; Literatur ; Harlem renaissance ; Männlichkeit ; Geschlechterrolle

UID:

Format: 1 online resource (280 pages) : , digital, PDF file(s).

Edition: 1st ed.

ISBN: 1-283-23181-6 , 9786613231819 , 90-485-1423-1

Series Statement: American studies

Content: The Making of the New Negro examines black masculinity in the period of the Harlem Renaissance, a cultural movement that spanned the 1920s and 1930s in America and was marked by an outpouring of African American art, music, theater and literature. The Harlem Renaissance, or New Negro Movement, began attracting extensive academic attention in the 1990s as scholars discovered how complex, significant, and fascinating it was. Drawing on African American texts, archives, unpublished writings, and contemporaneous European discourses, this book highlights both the canonical figures of the New Negro Movement and African American culture such as W. E. B. Dubois, Booker T. Washington, Alain Locke, and Richard Wright, and other writers such as Wallace Thurman, who have not received as much scholarly attention despite their significant contributions to the movement. Anna Pochmara offers a striking combination of thorough literary analysis and historicist investigation in order to provide novel insights into one of the most important periods of black history in the United States.

Note: Title from publisher's bibliographic system (viewed on 29 Jan 2021). , Ch.1. Prologue : The question of manhood in the Booker T. Washington - W.E.B. Du Bois debate -- PART I : Alain Locke and the new negro -- Ch. 2. Midwifery and camaraderie : Alain Locke's tropes of gender and sexuality -- Ch. 3 Arts, war, and the brave new negro : gendering the black aesthetic -- -- PART 2 : Wallace Thurman and niggerati manor. Ch. 4. Gangsters and bootblacks, rent parties and railroad flats : Wallace Thurman's challenges to the black bourgeoisie -- Ch. 5. Discontents of the black dandy -- Ch. 6. Epilogue : Richard Wright's interrogations of the new negro. , English

Additional Edition: ISBN 90-8964-319-2

Language: English

DOI: 10.1515/9789048514236