Kooperativer Bibliotheksverbund

UID:

Format: 271 S. : Ill.

Edition: 1. publ.

ISBN: 1-900541-05-X

Content: One hundred years ago, audiences first encountered the magic of moving pictures. Drawing on a wide range of contemporary sources, most of them reprinted for the first time since their original publication, In the Kingdom of Shadows examines the reception and impact of cinema before the First World War. Adopting a thematic rather than chronological approach, each chapter looks at a specific aspect of the reception, exhibition and numerous applications of film - The First Sight, The Uses of Cinema, Cinema and Authority, Sex, Death and Religion, Art and Artifice, The Biograph in Battle, Cinema and Royalty, Both Sides of the Camera, The Fairground Bioscope and Penny Gaff to Picture Palace. Introductory essays for each chapter serve to place a selection of contemporary extracts and illustrations in context. As appendices, additional chapters present the result of recent research by recognised authorities in the study of early cinema.

Language: English

Subjects: General works

Keywords: Stummfilm ; Geschichte ; Stummfilm ; Film ; Quelle

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Format: 136 S. , Ill.

Edition: 1. publ.

ISBN: 9781903364581 , 1903364582

Series Statement: Short cuts 20

Language: English

Subjects: General works

Keywords: Film ; Geschichte 1895-1929

URL: Klappentext

URL: Inhaltsverzeichnis

URL: Klappentext

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Format: 1 online resource (xix, 276 pages) : , digital, PDF file(s).

ISBN: 1-4473-4195-3 , 1-4473-4197-X , 1-4473-4193-7

Series Statement: Connected communities

Content: This innovative book examines the changing relationship between communities, citizens and the notion of the archive. Archives have traditionally been understood as repositories of knowledge and experience, remote from the ordinary people who fund and populate them, however digital resources have led to a growing plurality of archives and the practices associated with collecting and curating. This book uses a broad range of case studies which place communities at the heart of this exciting development, to illustrate how their experiences are central to our understanding of this new terrain which challenges traditional histories and the control of knowledge and power.

Note: Title from publisher's bibliographic system (viewed on 08 Mar 2021). , Front Matter -- , Contents -- , List of figures, tables and boxes -- , Notes on contributors -- , Acknowledgements -- , Series editors’ foreword -- , Community archives and the creation of living knowledge -- , Disorderly conduct: the community in the archive -- , Storytelling, co-curation and community archives -- , BBC Pebble Mill: issues around collaborative community online archives – a case study of the Pebble Mill Project -- , New island stories: heritage, archives, the digital environment and community regeneration -- , Memories on film: public archive images and participatory film-making with people with dementia -- , Doing-It-Together: citizen archivists and the online environment -- , ‘I’ve never told anybody that before’: the virtual archive and collaborative spaces of knowledge production -- , Citizens, archives and the institution -- , Rising beyond museological practice and use: a model for community and museum partnerships working towards modern curatorship in this day and age -- , Enhancing museum visits through the creation of data visualisation to support the recording and sharing of experiences -- , The digital citizen: working upstream of digital and broadcast archive developments -- , Institutional collaboration in the creation of digital linguistic resources: the case of the British Telecom correspondence corpus -- , Disruptive and counter voices: the community turn -- , Mainstream institutional collecting of anti-institutional archives: opportunities and challenges -- , Silver hair, silver tongues, silver screen: recollection, reflection and representation through digital storytelling with older people -- , ‘Wibbly-wobbly timey-wimey’ LGBT histories: community archives as boundary objects -- , Locating the Black archive -- , The public and the relational: the collaborative practices of the Inclusive Archive of Learning Disability History -- , Archive utopias: linking collaborative histories to local democracy -- , Community archives and the health of the internet -- , Index

Additional Edition: ISBN 1-4473-4194-5

Additional Edition: ISBN 1-4473-4189-9

Language: English

DOI: 10.56687/9781447341932

URL: lizenzpflichtig

URL: https://www.cambridge.org/core/product/identifier/9781447341932/type/BOOK

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Format: xi, 282 Seiten : , Illustrationen.

ISBN: 1-4438-4081-5 , 978-1-4438-4081-1

Note: Literaturangaben

Language: English

Subjects: History

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Format: 1 Online Ressource (xi, 282 Seiten)

Edition: Electronic reproduction; Available via World Wide Web

ISBN: 9781443843041

Content: The 1984–5 Miners’ Strike was one of the most important political events in British history. It was a bitter dispute that polarised public opinion, divided nation and families alike, and the results in terms of the destruction of centuries of industrial and cultural tradition are still keenly felt.The social and political consequences of this dispute, which have resonated for the past quarter century, have been subject to detailed analysis and reflection. The consequences for the arts and popular culture are less clearly mapped. This book attempts to begin to redress this imbalance and signal the importance of popular cultural activity both during and after the strike.The essays that appear in this book represent diverse and multidisciplinary responses to the questions raised by the strike and its relationships to a broad range of cultural forms which include literature, film, photography, music, theatre, television drama and documentary, painting, public art and heritage interventions.These responses are organised around four themes that map the interrelatedness between cultural representation, cultural intervention and historical memory. The first deals with the idea of mining culture and pre-strike representations in popular sentiment, film and literature. The second examines the role cultural forms played directly in the context of the strike, as a means of political commentary, activism and fund raising. The third looks at subsequent cultural renderings or reconstructions of the strike and the final section looks at the current process of memorialisation and commemoration.The book draws together a range of voices from academia, heritage, cultural and mining backgrounds, and offers both a historical perspective on the range of cultural activities in the course of the dispute and subsequent readings and re-readings. It aims both to provide a record of cultural intervention and stimulate new dialogues and perspectives.

Note: Electronic reproduction; Available via World Wide Web

Additional Edition: ISBN 9781443840811

Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 9781443840811

Language: English

Keywords: Electronic books

URL: lizenzpflichtig

UID:

Format: xix, 276 Seiten : , Illustrationen.

ISBN: 978-1-4473-4194-9 , 978-1-4473-4189-5

Series Statement: Connected communities

Content: Community archives are often viewed as repositories of knowledge and experience that are nevertheless somehow remote from the taxpayers who often fund them. However, the idea of an archive has more recently been popularized by digital resources that allow access to established archives and also permit users to create archives of their own. This book examines the changing relationship between citizens and their notions of archives. The growing number of archives, and the evolving practices associated with collecting and curating, mean that we are now in the process of remaking the very idea of the archive. Communities have been at the heart of this exciting work and their experiences are both central to our understanding of this new terrain and in challenging the traditional histories behind the control of knowledge and power

Additional Edition: Erscheint auch als Online-Ausgabe, EPUB ISBN 9781-4473-4195-6

Additional Edition: Erscheint auch als Online-Ausgabe, PDF ISBN 978-1-4473-4193-2

Language: English

Subjects: History , Political Science , Sociology

Keywords: Archiv ; Kooperation ; Bürgerbeteiligung ; Aufsatzsammlung

URL: Inhaltsverzeichnis

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Format: 1 online resource (vi, 210 pages) : , illustrations

ISBN: 1-83902-028-8

Additional Edition: ISBN 1-84457-047-9

Language: English

UID:

Format: 1 Online-Ressource (xvi, 239 pages)

Edition: First edition

Edition: Also available in print

ISBN: 1780765134 , 9780755694426 , 9781780765136 , 9780755694419

Content: 1. Introduction / Simon Popple and Helen Thornham -- 1. News, children and citizenship: user-generated content and the BBC's Newsround website / Maire Messenger Davies, Cynthia Carter, Stuart Allan, and Kaitlynn Mendes -- 2. Fantasies of creative connectivity in BBC Blast / Helen Thornham -- 3.

Content: Machine generated contents note: 1. News, Children and Citizenship: User-Generated Content and the BBC's Newsround Website / Kaitlynn Mendes -- 2. Fantasies of Creative Connectivity in BBC Blast / Helen Thornham -- 3. Young People, Learning and UGC: An Interview with John Millner / Helen Thornham -- 4. Mobilizing Specialist Music Fans Online / Tim Wall -- 5. Making `Quality', Class and Gender: Audiences and Producers of The Archers Negotiate Meaning Online / Lyn Thomas -- 6.`A Public Voice': Access, Digital Story and Interactive Narrative / Michael Wilson -- 7. The New Golden Age? Using UGC to develop the Public Digital Space / Simon Popple -- 8. UGC, Journalism and the Future: An Interview with Claire Wardle / Helen Thornham -- 9. Enabling and Constraining Creativity and Collaboration: Some Reflections after Adventure Rock / David Gauntlett -- 10. Virtual Citizenship and Public Service Media / Petros Iosifidis -- 11. The BBC and the Limits of UGC: Some Afterthoughts / Elke Weissmann.

Content: When user-generated content emerged as a central facet of the BBC's digital presence, it seemed to engage directly with the public service remit in a modern and multi platform way. This text examines this key moment of digital affluence and creativity as the BBC embraced user-generated content across the news, civic and creative spheres. Based on original research, the book explores the resources generated using UGC, from Blast to Adventure Rock, from the BBC Hub to Newsround and The Archers message boards. Whether UGC referred to citizen journalism, oral and digital storytelling, civic, political or creative engagement of young people, disseminating stories from local communities, or reflecting on historical moments, it appeared to promote and transform longstanding BBC agendas into and within a digital era. This book also presents the lessons we need to carry forward as the digital and new media landscape evolves, and as the BBC continues to shape this terrain

Note: Includes bibliographical references (pages 215-233) and index , Also available in print. , Mode of access: World Wide Web. , Barrierefreier Inhalt: Compliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily

Additional Edition: ISBN 1

Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 1

Language: English

Keywords: Electronic books

DOI: 10.5040/9780755694426

URL: lizenzpflichtig